<SPAN name="chap0105"></SPAN>
<h3> CHAPTER V </h3>
<h3> VOICES HEARD IN THE MIST </h3>
<p>The sun became fainter still, and vanished. Though the air round the
dinghy seemed quite clear, the on-coming boats were hazy and dim, and
that part of the horizon that had been fairly clear was now blotted out.</p>
<p>The long-boat was leading by a good way. When she was within hailing
distance the captain's voice came.</p>
<p>"Dinghy ahoy!"</p>
<p>"Ahoy!"</p>
<p>"Fetch alongside here!"</p>
<p>The long-boat ceased rowing to wait for the quarter-boat that was
slowly creeping up. She was a heavy boat to pull at all times, and now
she was overloaded.</p>
<p>The wrath of Captain Le Farge with Paddy Button for the way he had
stampeded the crew was profound, but he had not time to give vent to it.</p>
<p>"Here, get aboard us, Mr Lestrange!" said he, when the dinghy was
alongside; "we have room for one. Mrs Stannard is in the quarter-boat,
and it's overcrowded; she's better aboard the dinghy, for she can look
after the kids. Come, hurry up, the smother is coming down on us fast.
Ahoy!"—to the quarter-boat, "hurry up, hurry up."</p>
<p>The quarter-boat had suddenly vanished.</p>
<p>Mr Lestrange climbed into the long-boat. Paddy pushed the dinghy a few
yards away with the tip of a scull, and then lay on his oars waiting.</p>
<p>"Ahoy! ahoy!" cried Le Farge.</p>
<p>"Ahoy!" came from the fog bank.</p>
<p>Next moment the long-boat and the dinghy vanished from each other's
sight: the great fog bank had taken them.</p>
<p>Now a couple of strokes of the port scull would have brought Mr Button
alongside the long-boat, so close was he; but the quarter-boat was in
his mind, or rather imagination, so what must he do but take three
powerful strokes in the direction in which he fancied the quarter-boat
to be.</p>
<p>The rest was voices.</p>
<p>"Dinghy ahoy!"</p>
<p>"Ahoy!"</p>
<p>"Ahoy!"</p>
<p>"Don't be shoutin' together, or I'll not know which way to pull.
Quarter-boat ahoy! where are yez?"</p>
<p>"Port your helm!"</p>
<p>"Ay, ay!" putting his helm, so to speak, to starboard—"I'll be wid yiz
in wan minute, two or three minutes' hard pulling."</p>
<p>"Ahoy!"—much more faint.</p>
<p>"What d'ye mane rowin' away from me?"—a dozen strokes.</p>
<p>"Ahoy!" fainter still.</p>
<p>Mr Button rested on his oars.</p>
<p>"Divil mend them I b'lave that was the long-boat shoutin'."</p>
<p>He took to his oars again and pulled vigorously.</p>
<p>"Paddy," came Dick's small voice, apparently from nowhere, "where are
we now?"</p>
<p>"Sure, we're in a fog; where else would we be? Don't you be affeared."</p>
<p>"I ain't affeared, but Em's shivering."</p>
<p>"Give her me coat," said the oarsman, resting on his oars and taking it
off. "Wrap it round her; and when it's round her we'll all let one big
halloo together. There's an ould shawl som'er in the boat, but I can't
be after lookin' for it now."</p>
<p>He held out the coat and an almost invisible hand took it; at the same
moment a tremendous report shook the sea and sky.</p>
<p>"There she goes," said Mr Button; "an' me old fiddle an' all. Don't be
frightened, childer; it's only a gun they're firin' for divarsion. Now
we'll all halloo togither—are yiz ready?"</p>
<p>"Ay, ay," said Dick, who was a picker-up of sea terms.</p>
<p>"Halloo!" yelled Pat.</p>
<p>"Halloo! Halloo!" piped Dick and Emmeline.</p>
<p>A faint reply came, but from where, it was difficult to say. The old
man rowed a few strokes and then paused on his oars. So still was the
surface of the sea that the chuckling of the water at the boat's bow as
she drove forward under the impetus of the last powerful stroke could
be heard distinctly. It died out as she lost way, and silence closed
round them like a ring.</p>
<p>The light from above, a light that seemed to come through a vast
scuttle of deeply muffed glass, faint though it was, almost to
extinction, still varied as the little boat floated through the strata
of the mist.</p>
<p>A great sea fog is not homogeneous—its density varies: it is
honeycombed with streets, it has its caves of clear air, its cliffs of
solid vapour, all shifting and changing place with the subtlety of
legerdemain. It has also this wizard peculiarity, that it grows with
the sinking of the sun and the approach of darkness.</p>
<p>The sun, could they have seen it, was now leaving the horizon.</p>
<p>They called again. Then they waited, but there was no response.</p>
<p>"There's no use bawlin' like bulls to chaps that's deaf as adders,"
said the old sailor, shipping his oars; immediately upon which
declaration he gave another shout, with the same result as far as
eliciting a reply.</p>
<p>"Mr Button!" came Emmeline's voice.</p>
<p>"What is it, honey?"</p>
<p>"I'm 'fraid."</p>
<p>"You wait wan minit till I find the shawl—here it is, by the same
token!—an' I'll wrap you up in it."</p>
<p>He crept cautiously aft to the stern-sheets and took Emmeline in his
arms.</p>
<p>"Don't want the shawl," said Emmeline; "I'm not so much afraid in your
coat." The rough, tobacco-smelling old coat gave her courage somehow.</p>
<p>"Well, thin, keep it on. Dicky, are you cowld?"</p>
<p>"I've got into daddy's great coat; he left it behind him."</p>
<p>"Well, thin, I'll put the shawl round me own shoulders, for it's cowld
I am. Are ya hungray, childer?"</p>
<p>"No," said Dick, "but I'm direfully slapy?"</p>
<p>"Slapy, is it? Well, down you get in the bottom of the boat, and here's
the shawl for a pilla. I'll be rowin' again in a minit to keep meself
warm."</p>
<p>He buttoned the top button of the coat.</p>
<p>"I'm a'right," murmured Emmeline in a dreamy voice.</p>
<p>"Shut your eyes tight," replied Mr Button, "or Billy Winker will be
dridgin' sand in them.</p>
<p class="poem">
`Shoheen, shoheen, shoheen, shoheen,<br/>
Sho-hu-lo, sho-hu-lo.<br/>
Shoheen, shoheen, shoheen, shoheen,<br/>
Hush a by the babby O.'"<br/></p>
<p>It was the tag of an old nursery folk-song they sing in the hovels of
the Achill coast fixed in his memory, along with the rain and the wind
and the smell of the burning turf, and the grunting of the pig and the
knickety-knock of a rocking cradle.</p>
<p>"She's off," murmured Mr Button to himself, as the form in his arms
relaxed. Then he laid her gently down beside Dick. He shifted forward,
moving like a crab. Then he put his hand to his pocket for his pipe and
tobacco and tinder box. They were in his coat pocket, but Emmeline was
in his coat. To search for them would be to awaken her.</p>
<p>The darkness of night was now adding itself to the blindness of the
fog. The oarsman could not see even the thole pins. He sat adrift mind
and body. He was, to use his own expression, "moithered." Haunted by
the mist, tormented by "shapes."</p>
<p>It was just in a fog like this that the Merrows could be heard
disporting in Dunbeg bay, and off the Achill coast. Sporting and
laughing, and hallooing through the mist, to lead unfortunate fishermen
astray.</p>
<p>Merrows are not altogether evil, but they have green hair and teeth,
fishes' tails and fins for arms; and to hear them walloping in the
water around you like salmon, and you alone in a small boat, with the
dread of one coming floundering on board, is enough to turn a man's
hair grey.</p>
<p>For a moment he thought of awakening the children to keep him company,
but he was ashamed. Then he took to the sculls again, and rowed "by the
feel of the water." The creak of the oars was like a companion's voice,
the exercise lulled his fears. Now and again, forgetful of the sleeping
children, he gave a halloo, and paused to listen. But no answer came.</p>
<p>Then he continued rowing, long, steady, laborious strokes, each taking
him further and further from the boats that he was never destined to
sight again.</p>
<br/><br/><br/>
<SPAN name="chap0106"></SPAN>
<h3> CHAPTER VI </h3>
<h3> DAWN ON A WIDE, WIDE SEA </h3>
<p>"Is it aslape I've been?" said Mr Button, suddenly awaking with a start.</p>
<p>He had shipped his oars just for a minute's rest. He must have slept
for hours, for now, behold, a warm, gentle wind was blowing, the moon
was shining, and the fog was gone.</p>
<p>"Is it dhraming I've been?" continued the awakened one.</p>
<p>"Where am I at all, at all? O musha! sure, here I am. O wirra! wirra! I
dreamt I'd gone aslape on the main-hatch and the ship was blown up with
powther, and it's all come true."</p>
<p>"Mr Button!" came a small voice from the stern-sheets (Emmeline's).</p>
<p>"What is it, honey?"</p>
<p>"Where are we now?"</p>
<p>"Sure, we're afloat on the say, acushla; where else would we be?"</p>
<p>"Where's uncle?"</p>
<p>"He's beyant there in the long-boat—he'll be afther us in a minit."</p>
<p>"I want a drink."</p>
<p>He filled a tin pannikin that was by the beaker of water, and gave her
a drink. Then he took his pipe and tobacco from his coat pocket.</p>
<p>She almost immediately fell asleep again beside Dick, who had not
stirred or moved; and the old sailor, standing up and steadying
himself, cast his eyes round the horizon. Not a sign of sail or boat
was there on all the moonlit sea.</p>
<p>From the low elevation of an open boat one has a very small horizon,
and in the vague world of moonlight somewhere round about it was
possible that the boats might be near enough to show up at daybreak.</p>
<p>But open boats a few miles apart may be separated by long leagues in
the course of a few hours. Nothing is more mysterious than the currents
of the sea.</p>
<p>The ocean is an ocean of rivers, some swiftly flowing, some slow, and a
league from where you are drifting at the rate of a mile an hour
another boat may be drifting two.</p>
<p>A slight warm breeze was frosting the water, blending moonshine and
star shimmer; the ocean lay like a lake, yet the nearest mainland was
perhaps a thousand miles away.</p>
<p>The thoughts of youth may be long, long thoughts, but not longer than
the thoughts of this old sailor man smoking his pipe under the stars.
Thoughts as long as the world is round. Blazing bar rooms in
Callao—harbours over whose oily surfaces the sampans slipped like
water-beetles—the lights of Macao—the docks of London. Scarcely ever
a sea picture, pure and simple, for why should an old seaman care to
think about the sea, where life is all into the fo'cs'le and out again,
where one voyage blends and jumbles with another, where after
forty-five years of reefing topsails you can't well remember off which
ship it was Jack Rafferty fell overboard, or who it was killed who in
the fo'cs'le of what, though you can still see, as in a mirror darkly,
the fight, and the bloody face over which a man is holding a kerosene
lamp.</p>
<p>I doubt if Paddy Button could have told you the name of the first ship
he ever sailed in. If you had asked him, he would probably have
replied: "I disremimber; it was to the Baltic, and cruel cowld weather,
and I was say-sick till I near brought me boots up; and it was 'O for
ould Ireland!' I was cryin' all the time, an' the captin dhrummin me
back with a rope's end to the tune uv it—but the name of the hooker—I
disremimber—bad luck to her, whoever she was!"</p>
<p>So he sat smoking his pipe, whilst the candles of heaven burned above
him, and calling to mind roaring drunken scenes and palmshadowed
harbours, and the men and the women he had known—such men and such
women! The derelicts of the earth and the ocean. Then he nodded off to
sleep again, and when he awoke the moon had gone.</p>
<p>Now in the eastern sky might have been seen a pale fan of light, vague
as the wing of an ephemera. It vanished and changed back to darkness.</p>
<p>Presently, and almost at a stroke, a pencil of fire ruled a line along
the eastern horizon, and the eastern sky became more beautiful than a
rose leaf plucked in May. The line of fire contracted into one
increasing spot, the rim of the rising sun.</p>
<p>As the light increased the sky above became of a blue impossible to
imagine unless seen, a wan blue, yet living and sparkling as if born of
the impalpable dust of sapphires. Then the whole sea flashed like the
harp of Apollo touched by the fingers of the god. The light was music
to the soul. It was day.</p>
<p>"Daddy!" suddenly cried Dick, sitting up in the sunlight and rubbing
his eyes with his open palms. "Where are we?"</p>
<p>"All right, Dicky, me son!" cried the old sailor, who had been standing
up casting his eyes round in a vain endeavour to sight the boats. "Your
daddy's as safe as if he was in hivin; he'll be wid us in a minit, an'
bring another ship along with him. So you're awake, are you, Em'line?"</p>
<p>Emmeline, sitting up in the old pilot coat, nodded in reply without
speaking. Another child might have supplemented Dick's enquiries as to
her uncle by questions of her own, but she did not.</p>
<p>Did she guess that there was some subterfuge in Mr Button's answer, and
that things were different from what he was making them out to be? Who
can tell?</p>
<p>She was wearing an old cap of Dick's, which Mrs Stannard in the hurry
and confusion had popped on her head. It was pushed to one side, and
she made a quaint enough little figure as she sat up in the early
morning brightness, dressed in the old salt-stained coat beside Dick,
whose straw hat was somewhere in the bottom of the boat, and whose
auburn locks were blowing in the faint breeze.</p>
<p>"Hurroo!" cried Dick, looking around at the blue and sparkling water,
and banging with a stretcher on the bottom of the boat. "I'm goin' to
be a sailor, aren't I, Paddy? You'll let me sail the boat, won't you,
Paddy, an' show me how to row?"</p>
<p>"Aisy does it," said Paddy, taking hold of the child. "I haven't a
sponge or towel, but I'll just wash your face in salt wather and lave
you to dry in the sun."</p>
<p>He filled the bailing tin with sea water.</p>
<p>"I don't want to wash!" shouted Dick.</p>
<p>"Stick your face into the water in the tin," commanded Paddy. "You
wouldn't be going about the place with your face like a sut-bag, would
you?"</p>
<p>"Stick yours in!" commanded the other.</p>
<p>Button did so, and made a hub-bubbling noise in the water; then he
lifted a wet and streaming face, and flung the contents of the bailing
tin overboard.</p>
<p>"Now you've lost your chance," said this arch nursery strategist, "all
the water's gone."</p>
<p>"There's more in the sea."</p>
<p>"There's no more to wash with, not till to-morrow—the fishes don't
allow it."</p>
<p>"I want to wash," grumbled Dick. "I want to stick my face in the tin,
same's you did; 'sides, Em hasn't washed."</p>
<p>"I don't mind," murmured Emmeline.</p>
<p>"Well, thin," said Mr Button, as if making a sudden resolve, "I'll ax
the sharks." He leaned over the boat's side, his face close to the
surface of the water. "Halloo there!" he shouted, and then bent his
head sideways to listen; the children also looked over the side, deeply
interested.</p>
<p>"Halloo there! Are y'aslape? Oh, there y'are! Here's a spalpeen with a
dhirty face, an's wishful to wash it; may I take a bailin' tin of— Oh,
thank your 'arner, thank your 'arner—good day to you, and my respects."</p>
<p>"What did the shark say, Mr Button?" asked Emmeline.</p>
<p>"He said: `Take a bar'l full, an' welcome, Mister Button; an' it's
wishful I am I had a drop of the crathur to offer you this fine
marnin'.' Thin he popped his head under his fin and went aslape agin;
leastwise, I heard him snore."</p>
<p>Emmeline nearly always "Mr Buttoned" her friend; sometimes she called
him "Mr Paddy." As for Dick, it was always "Paddy," pure and simple.
Children have etiquettes of their own.</p>
<p>It must often strike landsmen and landswomen that the most terrible
experience when cast away at sea in an open boat is the total absence
of privacy. It seems an outrage on decency on the part of Providence to
herd people together so. But, whoever has gone through the experience
will bear me out that the human mind enlarges, and things that would
shock us ashore are as nothing out there, face to face with eternity.</p>
<p>If so with grown-up people, how much more so with this old shell-back
and his two charges?</p>
<p>And indeed Mr Button was a person who called a spade a spade, had no
more conventions than a walrus, and looked after his two charges just
as a nursemaid might look after her charges, or a walrus after its
young.</p>
<p>There was a large bag of biscuits in the boat, and some tinned
stuff—mostly sardines.</p>
<p>I have known a sailor to open a box of sardines with a tin tack. He was
in prison, the sardines had been smuggled into him, and he had no
can-opener. Only his genius and a tin tack.</p>
<p>Paddy had a jack-knife, however, and in a marvellously short time a box
of sardines was opened, and placed on the stern-sheets beside some
biscuits.</p>
<p>These, with some water and Emmeline's Tangerine orange, which she
produced and added to the common store, formed the feast, and they fell
to. When they had finished, the remains were put carefully away, and
they proceeded to step the tiny mast.</p>
<p>The sailor, when the mast was in its place, stood for a moment resting
his hand on it, and gazing around him over the vast and voiceless blue.</p>
<p>The Pacific has three blues: the blue of morning, the blue of midday,
and the blue of evening. But the blue of morning is the happiest: the
happiest thing in colour—sparkling, vague, newborn—the blue of heaven
and youth.</p>
<p>"What are you looking for, Paddy?" asked Dick.</p>
<p>"Say-gulls," replied the prevaricator; then to himself: "Not a sight or
a sound of them! Musha! musha! which way will I steer—north, south,
aist, or west? It's all wan, for if I steer to the aist, they may be in
the west; and if I steer to the west, they may be in the aist; and I
can't steer to the west, for I'd be steering right in the wind's eye.
Aist it is; I'll make a soldier's wind of it, and thrust to chance."</p>
<p>He set the sail and came aft with the sheet. Then he shifted the
rudder, lit a pipe, leaned luxuriously back and gave the bellying sail
to the gentle breeze.</p>
<p>It was part of his profession, part of his nature, that, steering,
maybe, straight towards death by starvation and thirst, he was as
unconcerned as if he were taking the children for a summer's sail. His
imagination dealt little with the future; almost entirely influenced by
his immediate surroundings, it could conjure up no fears from the scene
now before it. The children were the same.</p>
<p>Never was there a happier starting, more joy in a little boat. During
breakfast the seaman had given his charges to understand that if Dick
did not meet his father and Emmeline her uncle in a "while or two," it
was because he had gone on board a ship, and he'd be along presently.
The terror of their position was as deeply veiled from them as eternity
is veiled from you or me.</p>
<p>The Pacific was still bound by one of those glacial calms that can only
occur when the sea has been free from storms for a vast extent of its
surface, for a hurricane down by the Horn will send its swell and
disturbance beyond the Marquesas. De Bois in his table of amplitudes
points out that more than half the sea disturbances at any given space
are caused, not by the wind, but by storms at a great distance.</p>
<p>But the sleep of the Pacific is only apparent. This placid lake, over
which the dinghy was pursuing the running ripple, was heaving to an
imperceptible swell and breaking on the shores of the Low Archipelago,
and the Marquesas in foam and thunder.</p>
<p>Emmeline's rag-doll was a shocking affair from a hygienic or artistic
standpoint. Its face was just inked on, it had no features, no arms;
yet not for all the dolls in the world would she have exchanged this
filthy and nearly formless thing. It was a fetish.</p>
<p>She sat nursing it on one side of the helmsman, whilst Dick, on the
other side, hung his nose over the water, on the look-out for fish.</p>
<p>"Why do you smoke, Mr Button?" asked Emmeline, who had been watching
her friend for some time in silence.</p>
<p>"To aise me thrubbles," replied Paddy.</p>
<p>He was leaning back with one eye shut and the other fixed on the luff
of the sail. He was in his element: nothing to do but steer and smoke,
warmed by the sun and cooled by the breeze. A landsman would have been
half demented in his condition, many a sailor would have been taciturn
and surly, on the look-out for sails, and alternately damning his soul
and praying to his God. Paddy smoked.</p>
<p>"Whoop!" cried Dick. "Look, Paddy!"</p>
<p>An albicore a few cables-lengths to port had taken a flying leap from
the flashing sea, turned a complete somersault and vanished.</p>
<p>"It's an albicore takin' a buck lep. Hundreds I've seen before this;
he's bein' chased."</p>
<p>"What's chasing him, Paddy?"</p>
<p>"What's chasin' him? why, what else but the gibly-gobly ums!"</p>
<p>Before Dick could enquire as to the personal appearance and habits of
the latter, a shoal of silver arrow heads passed the boat and flittered
into the water with a hissing sound.</p>
<p>"Thim's flyin' fish. What are you sayin'?—fish can't fly! Where's the
eyes in your head?"</p>
<p>"Are the gibblyums chasing them too?" asked Emmeline fearfully.</p>
<p>"No; 'tis the Billy balloos that's afther thim. Don't be axin' me any
more questions now, or I'll be tellin' you lies in a minit."</p>
<p>Emmeline, it will be remembered, had brought a small parcel with her
done up in a little shawl; it was under the boat seat, and every now
and then she would stoop down to see if it were safe.</p>
<br/><br/><br/>
<div style="break-after:column;"></div><br />