<h3>A SERVICE OF LOVE</h3>
<br/>When one loves one's Art no service seems too hard.
<br/>That is our premise. This story shall draw a conclusion from it, and
show at the same time that the premise is incorrect. That will be a
new thing in logic, and a feat in story-telling somewhat older than
the great wall of China.
<br/>Joe Larrabee came out of the post-oak flats of the Middle West
pulsing with a genius for pictorial art. At six he drew a picture
of the town pump with a prominent citizen passing it hastily. This
effort was framed and hung in the drug store window by the side of
the ear of corn with an uneven number of rows. At twenty he left for
New York with a flowing necktie and a capital tied up somewhat
<br/>Delia Caruthers did things in six octaves so promisingly in a
pine-tree village in the South that her relatives chipped in enough in
her chip hat for her to go "North" and "finish." They could not see her
f—, but that is our story.
<br/>Joe and Delia met in an atelier where a number of art and music
students had gathered to discuss chiaroscuro, Wagner, music,
Rembrandt's works, pictures, Waldteufel, wall paper, Chopin and
<br/>Joe and Delia became enamoured one of the other, or each of the
other, as you please, and in a short time were married—for
(see above), when one loves one's Art no service seems too hard.
<br/>Mr. and Mrs. Larrabee began housekeeping in a flat. It was a
lonesome flat—something like the A sharp way down at the
left-hand end of the keyboard. And they were happy; for they had their
Art, and they had each other. And my advice to the rich young man would
be—sell all thou hast, and give it to the poor—janitor
for the privilege of living in a flat with your Art and your Delia.
<br/>Flat-dwellers shall indorse my dictum that theirs is the only true
happiness. If a home is happy it cannot fit too close—let
the dresser collapse and become a billiard table; let the mantel turn to
a rowing machine, the escritoire to a spare bedchamber, the washstand to
an upright piano; let the four walls come together, if they will, so you
and your Delia are between. But if home be the other kind, let it be
wide and long—enter you at the Golden Gate, hang your hat on
Hatteras, your cape on Cape Horn and go out by the Labrador.
<br/>Joe was painting in the class of the great Magister—you
know his fame. His fees are high; his lessons are light—his
high-lights have brought him renown. Delia was studying under
Rosenstock—you know his repute as a disturber of the piano
<br/>They were mighty happy as long as their money lasted. So is
every—but I will not be cynical. Their aims were very clear and
defined. Joe was to become capable very soon of turning out pictures
that old gentlemen with thin side-whiskers and thick pocketbooks would
sandbag one another in his studio for the privilege of buying. Delia was
to become familiar and then contemptuous with Music, so that when she
saw the orchestra seats and boxes unsold she could have sore throat and
lobster in a private dining-room and refuse to go on the stage.
<br/>But the best, in my opinion, was the home life in the little
flat—the ardent, voluble chats after the day's study; the
cozy dinners and fresh, light breakfasts; the interchange of
ambitions—ambitions interwoven each with the other's or else
inconsiderable—the mutual help and inspiration;
and—overlook my artlessness—stuffed olives and cheese
sandwiches at 11 p.m.
<br/>But after a while Art flagged. It sometimes does, even if some
switchman doesn't flag it. Everything going out and nothing coming
in, as the vulgarians say. Money was lacking to pay Mr. Magister and
Herr Rosenstock their prices. When one loves one's Art no service
seems too hard. So, Delia said she must give music lessons to keep
the chafing dish bubbling.
<br/>For two or three days she went out canvassing for pupils. One
evening she came home elated.
<br/>"Joe, dear," she said, gleefully, "I've a pupil. And, oh, the
loveliest people! General—General A. B. Pinkney's
daughter—on Seventy-first street. Such a splendid house,
Joe—you ought to see the front door! Byzantine I think you
would call it. And inside! Oh, Joe, I never saw anything like it before.
<br/>"My pupil is his daughter Clementina. I dearly love her already.
She's a delicate thing—dresses always in white; and the sweetest,
simplest manners! Only eighteen years old. I'm to give three
lessons a week; and, just think, Joe! $5 a lesson. I don't mind it
a bit; for when I get two or three more pupils I can resume my
lessons with Herr Rosenstock. Now, smooth out that wrinkle between
your brows, dear, and let's have a nice supper."
<br/>"That's all right for you, Dele," said Joe, attacking a can of peas
with a carving knife and a hatchet, "but how about me? Do you think
I'm going to let you hustle for wages while I philander in the
regions of high art? Not by the bones of Benvenuto Cellini! I guess
I can sell papers or lay cobblestones, and bring in a dollar or two."
<br/>Delia came and hung about his neck.
<br/>"Joe, dear, you are silly. You must keep on at your studies. It is
not as if I had quit my music and gone to work at something else.
While I teach I learn. I am always with my music. And we can live
as happily as millionaires on $15 a week. You mustn't think of
leaving Mr. Magister."
<br/>"All right," said Joe, reaching for the blue scalloped vegetable
dish. "But I hate for you to be giving lessons. It isn't Art. But
you're a trump and a dear to do it."
<br/>"When one loves one's Art no service seems too hard," said Delia.
<br/>"Magister praised the sky in that sketch I made in the park," said
Joe. "And Tinkle gave me permission to hang two of them in his
window. I may sell one if the right kind of a moneyed idiot sees
<br/>"I'm sure you will," said Delia, sweetly. "And now let's be thankful
for Gen. Pinkney and this veal roast."
<br/>During all of the next week the Larrabees had an early breakfast.
Joe was enthusiastic about some morning-effect sketches he was doing
in Central Park, and Delia packed him off breakfasted, coddled,
praised and kissed at 7 o'clock. Art is an engaging mistress. It
was most times 7 o'clock when he returned in the evening.
<br/>At the end of the week Delia, sweetly proud but languid, triumphantly
tossed three five-dollar bills on the 8×10 (inches) centre table
of the 8×10 (feet) flat parlour.
<br/>"Sometimes," she said, a little wearily, "Clementina tries me. I'm
afraid she doesn't practise enough, and I have to tell her the same
things so often. And then she always dresses entirely in white, and
that does get monotonous. But Gen. Pinkney is the dearest old man!
I wish you could know him, Joe. He comes in sometimes when I am with
Clementina at the piano—he is a widower, you know—and
stands there pulling his white goatee. 'And how are the semiquavers and
the demisemiquavers progressing?' he always asks.
<br/>"I wish you could see the wainscoting in that drawing-room, Joe!
And those Astrakhan rug portières. And Clementina has such a
funny little cough. I hope she is stronger than she looks. Oh, I really
am getting attached to her, she is so gentle and high bred. Gen.
Pinkney's brother was once Minister to Bolivia."
<br/>And then Joe, with the air of a Monte Cristo, drew forth a ten, a
five, a two and a one—all legal tender notes—and
laid them beside Delia's earnings.
<br/>"Sold that watercolour of the obelisk to a man from Peoria," he
<br/>"Don't joke with me," said Delia, "not from Peoria!"
<br/>"All the way. I wish you could see him, Dele. Fat man with a
woollen muffler and a quill toothpick. He saw the sketch in Tinkle's
window and thought it was a windmill at first. He was game, though,
and bought it anyhow. He ordered another—an oil sketch of
the Lackawanna freight depot—to take back with him. Music
lessons! Oh, I guess Art is still in it."
<br/>"I'm so glad you've kept on," said Delia, heartily. "You're bound to
win, dear. Thirty-three dollars! We never had so much to spend
before. We'll have oysters to-night."
<br/>"And filet mignon with champignons," said Joe. "Where is the olive
<br/>On the next Saturday evening Joe reached home first. He spread his
$18 on the parlour table and washed what seemed to be a great deal of
dark paint from his hands.
<br/>Half an hour later Delia arrived, her right hand tied up in a
shapeless bundle of wraps and bandages.
<br/>"How is this?" asked Joe after the usual greetings. Delia laughed,
but not very joyously.
<br/>"Clementina," she explained, "insisted upon a Welsh rabbit after her
lesson. She is such a queer girl. Welsh rabbits at 5 in the
afternoon. The General was there. You should have seen him run for
the chafing dish, Joe, just as if there wasn't a servant in the
house. I know Clementina isn't in good health; she is so nervous.
In serving the rabbit she spilled a great lot of it, boiling hot,
over my hand and wrist. It hurt awfully, Joe. And the dear girl was
so sorry! But Gen. Pinkney!—Joe, that old man nearly went
distracted. He rushed downstairs and sent somebody—they said
the furnace man or somebody in the basement—out to a drug
store for some oil and things to bind it up with. It doesn't hurt so
<br/>"What's this?" asked Joe, taking the hand tenderly and pulling at
some white strands beneath the bandages.
<br/>"It's something soft," said Delia, "that had oil on it. Oh, Joe, did
you sell another sketch?" She had seen the money on the table.
<br/>"Did I?" said Joe; "just ask the man from Peoria. He got his depot
to-day, and he isn't sure but he thinks he wants another parkscape
and a view on the Hudson. What time this afternoon did you burn your
<br/>"Five o'clock, I think," said Dele, plaintively. "The
iron—I mean the rabbit came off the fire about that time.
You ought to have seen Gen. Pinkney, Joe, when—"
<br/>"Sit down here a moment, Dele," said Joe. He drew her to the couch,
sat beside her and put his arm across her shoulders.
<br/>"What have you been doing for the last two weeks, Dele?" he asked.
<br/>She braved it for a moment or two with an eye full of love and
stubbornness, and murmured a phrase or two vaguely of Gen. Pinkney;
but at length down went her head and out came the truth and tears.
<br/>"I couldn't get any pupils," she confessed. "And I couldn't bear to
have you give up your lessons; and I got a place ironing shirts in
that big Twenty-fourth street laundry. And I think I did very well to
make up both General Pinkney and Clementina, don't you, Joe? And
when a girl in the laundry set down a hot iron on my hand this
afternoon I was all the way home making up that story about the Welsh
rabbit. You're not angry, are you, Joe? And if I hadn't got the
work you mightn't have sold your sketches to that man from Peoria."
<br/>"He wasn't from Peoria," said Joe, slowly.
<br/>"Well, it doesn't matter where he was from. How clever you are,
Joe—and—kiss me, Joe—and what made
you ever suspect that I wasn't giving music lessons to Clementina?"
<br/>"I didn't," said Joe, "until to-night. And I wouldn't have then,
only I sent up this cotton waste and oil from the engine-room this
afternoon for a girl upstairs who had her hand burned with a
smoothing-iron. I've been firing the engine in that laundry for the
last two weeks."
<br/>"And then you didn't—"
<br/>"My purchaser from Peoria," said Joe, "and Gen. Pinkney are both
creations of the same art—but you wouldn't call it either
painting or music."
<br/>And then they both laughed, and Joe began:
<br/>"When one loves one's Art no service seems—"
<br/>But Delia stopped him with her hand on his lips. "No," she
said—"just 'When one loves.'"
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