<h3><SPAN name="TACITURN" id="TACITURN"></SPAN>TACITURN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>close,</td><td>mute,</td><td>reticent,</td><td>speechless,</td></tr>
<tr><td>dumb,</td><td>reserved,</td><td>silent,</td><td>uncommunicative.</td></tr>
</table>
<p><i>Dumb</i>, <i>mute</i>, <i>silent</i> and <i>speechless</i> refer to fact or state; <i>taciturn</i>
refers to habit and disposition. The talkative person may be
stricken <i>dumb</i> with surprise or terror; the obstinate may remain
<i>mute</i>; one may be <i>silent</i> through preoccupation of mind or of set purpose;
but the <i>taciturn</i> person is averse to the utterance of thought
or feeling and to communication with others, either from natural
disposition or for the occasion. One who is <i>silent</i> does not speak
at all; one who is <i>taciturn</i> speaks when compelled, but in a grudging
way that repels further approach. <i>Reserved</i> suggests more
of method and intention than <i>taciturn</i>, applying often to some
special time or topic; one who is communicative regarding all
else may be <i>reserved</i> about his business. <i>Reserved</i> is thus closely
equivalent to <i>uncommunicative</i>, but is a somewhat stronger word,
often suggesting pride or haughtiness, as when we say one is <i>reserved</i>
toward inferiors. Compare <span class="smcl"><SPAN href="#PRIDE">PRIDE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>communicative,</td><td>free,</td><td>garrulous,</td><td>loquacious,</td><td>talkative,</td><td>unreserved.</td></tr>
</table>
<hr /><p><span class="pgn"><SPAN name="Page_352" id="Page_352"></SPAN></span></p>
<h3>TASTEFUL.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>artistic,</td><td>delicate,</td><td>esthetic,</td><td>fastidious,</td><td>nice,</td></tr>
<tr><td>chaste,</td><td>delicious,</td><td>esthetical,</td><td>fine,</td><td>tasty.</td></tr>
<tr><td>dainty,</td><td>elegant,</td><td colspan="3">exquisite,</td></tr>
</table>
<p><i>Elegant</i> (L. <i>elegans</i>, select) refers to that assemblage of
qualities which makes anything choice to persons of culture and
refinement; it refers to the lighter, finer elements of beauty in
form or motion, especially denoting that which exhibits faultless
taste and perfection of finish. That which is <i>elegant</i> is made so
not merely by nature, but by art and culture; a woodland dell
may be beautiful or picturesque, but would not ordinarily be
termed <i>elegant</i>. <i>Tasteful</i> refers to that in which the element of
taste is more prominent, standing, as it were, more by itself, while
in <i>elegant</i> it is blended as part of the whole. <i>Tasty</i> is an inferior
word, used colloquially in a similar sense. <i>Chaste</i> (primarily
<i>pure</i>), denotes in literature and art that which is true to the higher
and finer feelings and free from all excess or meretricious ornament.
<i>Dainty</i> and <i>delicate</i> refer to the lighter and finer elements
of taste and beauty, <i>dainty</i> tending in personal use to an excessive
scrupulousness which is more fully expressed by <i>fastidious</i>. <i>Nice</i>
and <i>delicate</i> both refer to exact adaptation to some standard; the
bar of a balance can be said to be nicely or delicately poised; as
regards matters of taste and beauty, <i>delicate</i> is a higher and more
discriminating word than <i>nice</i>, and is always used in a favorable
sense; a <i>delicate</i> distinction is one worth observing; a <i>nice</i> distinction
may be so, or may be overstrained and unduly subtle; <i>fine</i>
in such use, is closely similar to <i>delicate</i> and <i>nice</i>, but (tho capable
of an unfavorable sense) has commonly a suggestion of positive
excellence or admirableness; a <i>fine</i> touch does something; <i>fine</i>
perceptions are to some purpose; <i>delicate</i> is capable of the single
unfavorable sense of frail or fragile; as, a <i>delicate</i> constitution.
<i>Esthetic</i> or <i>esthetical</i> refers to beauty or the appreciation of the
beautiful, especially from the philosophic point of view. <i>Exquisite</i>
denotes the utmost perfection of the <i>elegant</i> in minute details;
we speak of an <i>elegant</i> garment, an <i>exquisite</i> lace. <i>Exquisite</i> is
also applied to intense keenness of any feeling; as, <i>exquisite</i>
delight; <i>exquisite</i> pain. See <span class="smcl"><SPAN href="#BEAUTIFUL">BEAUTIFUL</SPAN></span>; <span class="smcl"><SPAN href="#DELICIOUS">DELICIOUS</SPAN></span>; <span class="smcl"><SPAN href="#FINE">FINE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>clumsy,</td><td>displeasing,</td><td>grotesque,</td><td>inartistic,</td><td>rough,</td></tr>
<tr><td>coarse,</td><td>distasteful,</td><td>harsh,</td><td>inharmonious,</td><td>rude,</td></tr>
<tr><td>deformed,</td><td>fulsome,</td><td>hideous,</td><td>meretricious,</td><td>rugged,</td></tr>
<tr><td>disgusting,</td><td>gaudy,</td><td>horrid,</td><td>offensive,</td><td>tawdry.</td></tr>
</table>
<hr /><p><span class="pgn"><SPAN name="Page_353" id="Page_353"></SPAN></span></p>
<h3>TEACH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>discipline,</td><td>give instruction,</td><td>inform,</td><td>nurture,</td></tr>
<tr><td>drill,</td><td>give lessons,</td><td>initiate,</td><td>school,</td></tr>
<tr><td>educate,</td><td>inculcate,</td><td>instill,</td><td>train,</td></tr>
<tr><td>enlighten,</td><td>indoctrinate,</td><td>instruct,</td><td>tutor.</td></tr>
</table>
<p>To <i>teach</i> is simply to communicate knowledge; to <i>instruct</i>
(originally, to build in or into, put in order) is to impart knowledge
with special method and completeness; <i>instruct</i> has also an
authoritative sense nearly equivalent to command. To <i>educate</i>
is to draw out or develop harmoniously the mental powers, and,
in the fullest sense, the moral powers as well. To <i>train</i> is to
direct to a certain result powers already existing. <i>Train</i> is used
in preference to <i>educate</i> when the reference is to the inferior animals
or to the physical powers of man; as, to <i>train</i> a horse; to
<i>train</i> the hand or eye. To <i>discipline</i> is to bring into habitual and
complete subjection to authority; <i>discipline</i> is a severe word, and
is often used as a euphemism for <i>punish</i>; to be thoroughly effective
in war, soldiers must be <i>disciplined</i> as well as <i>trained</i>. To
<i>nurture</i> is to furnish the care and sustenance necessary for physical,
mental, and moral growth; <i>nurture</i> is a more tender and
homelike word than <i>educate</i>. Compare <span class="smcl"><SPAN href="#EDUCATION">EDUCATION</SPAN></span>.</p>
<hr />
<h3>TEMERITY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>audacity,</td><td>heedlessness,</td><td>presumption,</td></tr>
<tr><td>foolhardiness,</td><td>over-confidence,</td><td>rashness,</td></tr>
<tr><td>hardihood,</td><td>precipitancy,</td><td>recklessness,</td></tr>
<tr><td>hastiness,</td><td>precipitation,</td><td>venturesomeness.</td></tr>
</table>
<p><i>Rashness</i> applies to the actual rushing into danger without
counting the cost; <i>temerity</i> denotes the needless exposure of
oneself to peril which is or might be clearly seen to be such.
<i>Rashness</i> is used chiefly of bodily acts, <i>temerity</i> often of mental
or social matters; there may be a noble <i>rashness</i>, but <i>temerity</i> is
always used in a bad sense. We say it is amazing that one should
have had the <i>temerity</i> to make a statement which could be readily
proved a falsehood, or to make an unworthy proposal to one sure
to resent it; in such use <i>temerity</i> is often closely allied to <i>hardihood</i>,
<i>audacity</i>, or <i>presumption</i>. <i>Venturesomeness</i> dallies on the
edge of danger and experiments with it; <i>foolhardiness</i> rushes in
for want of sense, <i>heedlessness</i> for want of attention, <i>rashness</i> for
want of reflection, <i>recklessness</i> from disregard of consequences.
<i>Audacity</i>, in the sense here considered, denotes a dashing and
somewhat reckless courage, in defiance of conventionalities, or of<span class="pgn"><SPAN name="Page_354" id="Page_354"></SPAN></span>
other men's opinions, or of what would be deemed probable consequences;
as, the <i>audacity</i> of a successful financier. Compare
<span class="smcl"><SPAN href="#EFFRONTERY">EFFRONTERY</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>care,</td><td>caution,</td><td>circumspection,</td><td>cowardice,</td><td>hesitation,</td><td>timidity,</td><td>wariness.</td></tr>
</table>
<hr />
<h3><SPAN name="TERM" id="TERM"></SPAN>TERM.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>article,</td><td>denomination,</td><td>member,</td><td>phrase,</td></tr>
<tr><td>condition,</td><td>expression,</td><td>name,</td><td>word.</td></tr>
</table>
<p><i>Term</i> in its figurative uses always retains something of its literal
sense of a boundary or limit. The <i>articles</i> of a contract or other
instrument are simply the portions into which it is divided for
convenience; the <i>terms</i> are the essential statements on which its
validity depends—as it were, the landmarks of its meaning or
power; a <i>condition</i> is a contingent <i>term</i> which may become fixed
upon the happening of some contemplated event. In logic a <i>term</i>
is one of the essential members of a proposition, the boundary of
statement in some one direction. Thus, in general use <i>term</i> is more
restricted than <i>word</i>, <i>expression</i>, or <i>phrase</i>; a <i>term</i> is a <i>word</i> that
limits meaning to a fixed point of statement or to a special class of
subjects, as when we speak of the definition of <i>terms</i>, that is of
the key-<i>words</i> in any discussion; or we say, that is a legal or scientific
<i>term</i>. Compare <span class="smcl"><SPAN href="#BOUNDARY">BOUNDARY</SPAN></span>; <span class="smcl"><SPAN href="#DICTION">DICTION</SPAN></span>.</p>
<hr />
<h3>TERSE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>brief,</td><td>concise,</td><td>neat,</td><td>short,</td></tr>
<tr><td>compact,</td><td>condensed,</td><td>pithy,</td><td rowspan="2">succinct.</td></tr>
<tr><td>compendious,</td><td>laconic,</td><td>sententious,</td></tr>
</table>
<p>Anything <i>short</i> or <i>brief</i> is of relatively small extent. That
which is <i>concise</i> (L. <i>con-</i>, with, together, and <i>cædo</i>, cut) is trimmed
down, and that which is <i>condensed</i> (L. <i>con-</i>, with, together, and
<i>densus</i>, thick) is, as it were, pressed together, so as to include as
much as possible within a small space. That which is <i>compendious</i>
(L. <i>com-</i>, together, and <i>pendo</i>, weigh) gathers the substance of
a matter into a few words, weighty and effective. The <i>succinct</i>
(L. <i>succinctus</i>, from <i>sub-</i>, under, and <i>cingo</i>, gird; girded from
below) has an alert effectiveness as if girded for action. The <i>summary</i>
is compacted to the utmost, often to the point of abruptness;
as, we speak of a <i>summary</i> statement or a <i>summary</i> dismissal.
That which is <i>terse</i> (L. <i>tersus</i>, from <i>tergo</i>, rub off) has an elegant
and finished completeness within the smallest possible compass, as<span class="pgn"><SPAN name="Page_355" id="Page_355"></SPAN></span>
if rubbed or polished down to the utmost. A <i>sententious</i> style is
one abounding in sentences that are singly striking or memorable,
apart from the context; the word may be used invidiously of that
which is pretentiously oracular. A <i>pithy</i> utterance gives the gist
of a matter effectively, whether in rude or elegant style.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>diffuse,</td><td>lengthy,</td><td>long,</td><td>prolix,</td><td>tedious,</td><td>verbose,</td><td>wordy.</td></tr>
</table>
<hr />
<h3><SPAN name="TESTIMONY" id="TESTIMONY"></SPAN>TESTIMONY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>affidavit,</td><td>attestation,</td><td>deposition,</td><td>proof,</td></tr>
<tr><td>affirmation,</td><td>certification,</td><td>evidence,</td><td>witness.</td></tr>
</table>
<p><i>Testimony</i>, in legal as well as in common use, signifies the
statements of witnesses. <i>Deposition</i> and <i>affidavit</i> denote <i>testimony</i>
reduced to writing; the <i>deposition</i> differs from the <i>affidavit</i>
in that the latter is voluntary and without cross-examination,
while the former is made under interrogatories and subject to
cross-examination. <i>Evidence</i> is a broader term, including the <i>testimony</i>
of witnesses and all facts of every kind that tend to prove
a thing true; we have the <i>testimony</i> of a traveler that a fugitive
passed this way; his footprints in the sand are additional <i>evidence</i>
of the fact. Compare <span class="smcl"><SPAN href="#DEMONSTRATION">DEMONSTRATION</SPAN></span>; <span class="smcl"><SPAN href="#OATH">OATH</SPAN></span>.</p>
<hr />
<h3>THEREFORE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>accordingly,</td><td>consequently,</td><td>then,</td><td>whence,</td></tr>
<tr><td>because,</td><td>hence,</td><td>thence,</td><td>wherefore.</td></tr>
</table>
<p><i>Therefore</i>, signifying for that (or this) reason, is the most precise
and formal word for expressing the direct conclusion of a
chain of reasoning; <i>then</i> carries a similar but slighter sense of
inference, which it gives incidentally rather than formally; as,
"All men are mortal; Cæsar is a man; <i>therefore</i> Cæsar is mortal;"
or, "The contract is awarded; <i>then</i> there is no more to be
said." <i>Consequently</i> denotes a direct result, but more frequently
of a practical than a theoretic kind; as, "Important matters
demand my attention; <i>consequently</i> I shall not sail to-day." <i>Consequently</i>
is rarely used in the formal conclusions of logic or
mathematics, but marks rather the freer and looser style of rhetorical
argument. <i>Accordingly</i> denotes correspondence, which
may or may not be consequence; it is often used in narration; as,
"The soldiers were eager and confident; <i>accordingly</i> they sprang
forward at the word of command." <i>Thence</i> is a word of more<span class="pgn"><SPAN name="Page_356" id="Page_356"></SPAN></span>
sweeping inference than <i>therefore</i>, applying not merely to a
single set of premises, but often to all that has gone before, including
the reasonable inferences that have not been formally stated.
<i>Wherefore</i> is the correlative of <i>therefore</i>, and <i>whence</i> of <i>hence</i> or
<i>thence</i>, appending the inference or conclusion to the previous
statement without a break. Compare synonyms for <span class="smcl"><SPAN href="#BECAUSE">BECAUSE</SPAN></span>.</p>
<hr />
<h3>THRONG.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>concourse,</td><td>crowd,</td><td>host,</td><td>jam,</td><td>mass,</td><td>multitude,</td><td>press.</td></tr>
</table>
<p>A <i>crowd</i> is a company of persons filling to excess the space
they occupy and pressing inconveniently upon one another; the
total number in a <i>crowd</i> may be great or small. <i>Throng</i> is a word
of vastness and dignity, always implying that the persons are
numerous as well as pressed or pressing closely together; there
may be a dense <i>crowd</i> in a small room, but there can not be a
<i>throng</i>. <i>Host</i> and <i>multitude</i> both imply vast numbers, but a <i>multitude</i>
may be diffused over a great space so as to be nowhere a
<i>crowd</i>; <i>host</i> is a military term, and properly denotes an assembly
too orderly for crowding. <i>Concourse</i> signifies a spontaneous gathering
of many persons moved by a common impulse, and has a
suggestion of stateliness not found in the word <i>crowd</i>, while suggesting
less massing and pressure than is indicated by the word
<i>throng</i>.</p>
<hr />
<h3>TIME.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>age,</td><td>duration,</td><td>epoch,</td><td>period,</td><td>sequence,</td><td>term,</td></tr>
<tr><td>date,</td><td>eon,</td><td>era,</td><td>season,</td><td>succession,</td><td>while.</td></tr>
</table>
<p><i>Sequence</i> and <i>succession</i> apply to events viewed as following
one another; <i>time</i> and <i>duration</i> denote something conceived of as
enduring while events take place and acts are done. According
to the necessary conditions of human thought, events are contained
in <i>time</i> as objects are in space, <i>time</i> existing before the event, measuring
it as it passes, and still existing when the event is past.
<i>Duration</i> and <i>succession</i> are more general words than <i>time</i>; we
can speak of infinite or eternal <i>duration</i> or <i>succession</i>, but <i>time</i>
is commonly contrasted with eternity. <i>Time</i> is measured or
measurable <i>duration</i>.</p>
<hr /><p><span class="pgn"><SPAN name="Page_357" id="Page_357"></SPAN></span></p>
<div style="break-after:column;"></div><br />