<h3>SLANG.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>cant,</td><td>colloquialism,</td><td>vulgarism,</td><td>vulgarity.</td></tr>
</table>
<p>A <i>colloquialism</i> is an expression not coarse or low, and perhaps
not incorrect, but below the literary grade; educated persons are
apt to allow themselves some <i>colloquialisms</i> in familiar conversation,
which they would avoid in writing or public speaking.
<i>Slang</i>, in the primary sense, denotes expressions that are either
coarse and rude in themselves or chiefly current among the coarser
and ruder part of the community; there are also many expressions
current in special senses in certain communities that may be characterized<span class="pgn"><SPAN name="Page_337" id="Page_337"></SPAN></span>
as <i>slang</i>; as, college <i>slang</i>; club <i>slang</i>; racing <i>slang</i>.
In the evolution of language many words originally <i>slang</i> are
adopted by good writers and speakers, and ultimately take their
place as accepted English. A <i>vulgarism</i> is an expression decidedly
incorrect, and the use of which is a mark of ignorance or low
breeding. <i>Cant</i>, as used in this connection, denotes the barbarous
jargon used as a secret language by thieves, tramps, etc. Compare
<span class="smcl"><SPAN href="#DICTION">DICTION</SPAN></span>; <span class="smcl"><SPAN href="#LANGUAGE">LANGUAGE</SPAN></span>.</p>
<hr />
<h3>SLOW.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>dawdling,</td><td>dilatory,</td><td>gradual,</td><td>lingering,</td><td>slack,</td></tr>
<tr><td>delaying,</td><td>drowsy,</td><td>inactive,</td><td>moderate,</td><td>sluggish,</td></tr>
<tr><td>deliberate,</td><td>dull,</td><td>inert,</td><td>procrastinating,</td><td>tardy.</td></tr>
</table>
<p><i>Slow</i> signifies moving through a relatively short distance, or
with a relatively small number of motions in a given time; <i>slow</i>
also applies to that which is a relatively long while in beginning
or accomplishing something; a watch or a clock is said to be <i>slow</i>
when its indications are behind those of the standard time. <i>Tardy</i>
is applied to that which is behind the proper or desired time,
especially in doing a work or arriving at a place. <i>Deliberate</i> and
<i>dilatory</i> are used of persons, tho the latter may be used also of
things, as of a stream; a person is <i>deliberate</i> who takes a noticeably
long time to consider and decide before acting or who acts or
speaks as if he were deliberating at every point; a person is <i>dilatory</i>
who lays aside, or puts off as long as possible, necessary or required
action; both words may be applied either to undertaking or to
doing. <i>Gradual</i> (L. <i>gradus</i>, a step) signifies advancing by steps,
and refers to <i>slow</i> but regular and sure progression. <i>Slack</i> refers
to action that seems to indicate a lack of tension, as of muscle or
of will, <i>sluggish</i> to action that seems as if reluctant to advance.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#NIMBLE">NIMBLE</SPAN></span>.</p>
<hr />
<h3>SNEER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>fling,</td><td>gibe,</td><td>jeer,</td><td>mock,</td><td>scoff,</td><td>taunt.</td></tr>
</table>
<p>A <i>sneer</i> may be simply a contemptuous facial contortion, or
it may be some brief satirical utterance that throws a contemptuous
side-light on what it attacks without attempting to prove or
disprove; a depreciatory implication may be given in a <i>sneer</i> such<span class="pgn"><SPAN name="Page_338" id="Page_338"></SPAN></span>
as could only be answered by elaborate argument or proof, which
would seem to give the attack undue importance:</p>
<div class="bq1"><p>Who can refute a <i>sneer</i>?</p>
<p class="tdr"><span class="smc">Paley</span> <i>Moral Philosophy</i> bk. v, ch. ix.</p>
</div>
<p class="noin">A <i>fling</i> is careless and commonly pettish; a <i>taunt</i> is intentionally
insulting and provoking; the <i>sneer</i> is supercilious; the <i>taunt</i> is
defiant. The <i>jeer</i> and <i>gibe</i> are uttered; the <i>gibe</i> is bitter, and
often sly or covert; the <i>jeer</i> is rude and open. A <i>scoff</i> may be in
act or word, and is commonly directed against that which claims
honor, reverence, or worship. Compare <span class="smcl"><SPAN href="#BANTER">BANTER</SPAN></span>.</p>
<h4>Preposition:</h4>
<p>Only an essentially vicious mind is capable of a sneer <i>at</i> virtue.</p>
<hr />
<h3><SPAN name="SOCIALISM" id="SOCIALISM"></SPAN>SOCIALISM.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>collectivism,</td><td>communism,</td><td>fabianism.</td></tr>
</table>
<p><i>Socialism</i>, as defined by its advocates, is a theory of civil polity
that aims to secure the reconstruction of society, increase of
wealth, and a more equal distribution of the products of labor
through the public collective ownership of land and capital (as
distinguished from property), and the public collective management
of all industries. Its aim is extended industrial cooperation;
<i>socialism</i> is a purely economic term, applying to landownership and
productive capital. Many socialists call themselves <i>collectivists</i>, and
their system <i>collectivism</i>. <i>Communism</i> would divide all things,
including the profits of individual labor, among members of the
community; many of its advocates would abolish marriage and
the family relation. <i>Anarchism</i> is properly an antonym of <i>socialism</i>,
as it would destroy, by violence if necessary, all existing
government and social order, leaving the future to determine
what, if anything, should be raised upon their ruins.</p>
<hr />
<h3>SOUND.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>noise,</td><td>note,</td><td>tone.</td></tr>
</table>
<p><i>Sound</i> is the sensation produced through the organs of hearing
or the physical cause of this sensation. <i>Sound</i> is the most comprehensive
word of this group, applying to anything that is audible.
<i>Tone</i> is <i>sound</i> considered as having some musical quality or
as expressive of some feeling; <i>noise</i> is <i>sound</i> considered without
reference to musical quality or as distinctly unmusical or discordant.
Thus, in the most general sense <i>noise</i> and <i>sound</i> scarcely
differ, and we say almost indifferently, "I heard a <i>sound</i>," or "I<span class="pgn"><SPAN name="Page_339" id="Page_339"></SPAN></span>
heard a <i>noise</i>." We speak of a fine, musical, or pleasing <i>sound</i>,
but never thus of a <i>noise</i>. In music, <i>tone</i> may denote either a
musical <i>sound</i> or the interval between two such <i>sounds</i>, but in the
most careful usage the latter is now distinguished as the "interval,"
leaving <i>tone</i> to stand only for the <i>sound</i>. <i>Note</i> in music strictly
denotes the character representing a <i>sound</i>, but in loose popular
usage it denotes the <i>sound</i> also, and becomes practically equivalent
to <i>tone</i>. Aside from its musical use, <i>tone</i> is chiefly applied to
that quality of the human voice by which feeling is expressed; as,
he spoke in a cheery <i>tone</i>; the word is similarly applied to the
voices of birds and other animals, and sometimes to inanimate
objects. As used of a musical instrument, <i>tone</i> denotes the general
quality of its sounds collectively considered.</p>
<hr />
<h3><SPAN name="SPEAK" id="SPEAK"></SPAN>SPEAK.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>announce,</td><td>converse,</td><td>discourse,</td><td>say,</td></tr>
<tr><td>articulate,</td><td>declaim,</td><td>enunciate,</td><td>talk,</td></tr>
<tr><td>chat,</td><td>declare,</td><td>express,</td><td>tell,</td></tr>
<tr><td>chatter,</td><td>deliver,</td><td>pronounce,</td><td>utter.</td></tr>
</table>
<p>To <i>utter</i> is to give forth as an audible sound, articulate or not.
To <i>talk</i> is to <i>utter</i> a succession of connected words, ordinarily
with the expectation of being listened to. To <i>speak</i> is to give
articulate utterance even to a single word; the officer <i>speaks</i> the
word of command, but does not <i>talk</i> it. To <i>speak</i> is also to <i>utter</i>
words with the ordinary intonation, as distinguished from singing.
To <i>chat</i> is ordinarily to <i>utter</i> in a familiar, conversational way; to
<i>chatter</i> is to <i>talk</i> in an empty, ceaseless way like a magpie.</p>
<h4>Prepositions:</h4>
<p>Speak <i>to</i> (address) a person; speak <i>with</i> a person (converse with
him); speak <i>of</i> or <i>about</i> a thing (make it the subject of remark);
speak <i>on</i> or <i>upon</i> a subject; in parliamentary language, speak <i>to</i>
the question.</p>
<hr />
<h3><SPAN name="SPEECH" id="SPEECH"></SPAN>SPEECH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>address,</td><td>dissertation,</td><td>oration,</td><td>speaking,</td></tr>
<tr><td>discourse,</td><td>harangue,</td><td>oratory,</td><td>talk,</td></tr>
<tr><td>disquisition,</td><td>language,</td><td>sermon,</td><td>utterance.</td></tr>
</table>
<p><i>Speech</i> is the general word for <i>utterance</i> of thought in <i>language</i>.
A <i>speech</i> may be the delivering of one's sentiments in the
simplest way; an <i>oration</i> is an elaborate and prepared <i>speech</i>; a
<i>harangue</i> is a vehement appeal to passion, or a <i>speech</i> that has<span class="pgn"><SPAN name="Page_340" id="Page_340"></SPAN></span>
something disputatious and combative in it. A <i>discourse</i> is a set
<i>speech</i> on a definite subject, intended to convey instruction. Compare
<span class="smcl"><SPAN href="#CONVERSATION">CONVERSATION</SPAN></span>; <span class="smcl"><SPAN href="#DICTION">DICTION</SPAN></span>; <span class="smcl"><SPAN href="#LANGUAGE">LANGUAGE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>hush,</td><td>silence,</td><td>speechlessness,</td><td>stillness,</td><td>taciturnity.</td></tr>
</table>
<hr />
<h3>SPONTANEOUS.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>automatic,</td><td>impulsive,</td><td>involuntary,</td><td>voluntary,</td></tr>
<tr><td>free,</td><td>instinctive,</td><td>unbidden,</td><td>willing.</td></tr>
</table>
<p>That is <i>spontaneous</i> which is freely done, with no external
compulsion and, in human actions, without special premeditation
or distinct determination of the will; that is <i>voluntary</i> which is
freely done with distinct act of will; that is <i>involuntary</i> which is
independent of the will, and perhaps in opposition to it; a <i>willing</i>
act is not only in accordance with will, but with desire. Thus
<i>voluntary</i> and <i>involuntary</i>, which are antonyms of each other,
are both partial synonyms of <i>spontaneous</i>. We speak of <i>spontaneous</i>
generation, <i>spontaneous</i> combustion, <i>spontaneous</i> sympathy,
an <i>involuntary</i> start, an <i>unbidden</i> tear, <i>voluntary</i> agreement,
<i>willing</i> submission. A babe's smile in answer to that of its
mother is <i>spontaneous</i>; the smile of a pouting child wheedled into
good humor is <i>involuntary</i>. In physiology the action of the heart
and lungs is called <i>involuntary</i>; the growth of the hair and nails
is <i>spontaneous</i>; the action of swallowing is <i>voluntary</i> up to a
certain point, beyond which it becomes <i>involuntary</i> or <i>automatic</i>.
In the fullest sense of that which is not only without the will but
distinctly in opposition to it, or compulsory, <i>involuntary</i> becomes
an antonym, not only of <i>voluntary</i> but of <i>spontaneous</i>; as, <i>involuntary</i>
servitude. A <i>spontaneous</i> outburst of applause is of
necessity an act of volition, but so completely dependent on sympathetic
impulse that it would seem frigid to call it <i>voluntary</i>,
while to call it <i>involuntary</i> would imply some previous purpose
or inclination not to applaud.</p>
<hr />
<h3>SPY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>detective,</td><td>emissary,</td><td>scout.</td></tr>
</table>
<p>The <i>scout</i> and the <i>spy</i> are both employed to obtain information
of the numbers, movements, etc., of an enemy. The <i>scout</i> lurks on
the outskirts of the hostile army with such concealment as the
case admits of, but without disguise; a <i>spy</i> enters in disguise<span class="pgn"><SPAN name="Page_341" id="Page_341"></SPAN></span>
within the enemy's lines. A <i>scout</i>, if captured, has the rights of
a prisoner of war; a <i>spy</i> is held to have forfeited all rights, and is
liable, in case of capture, to capital punishment. An <i>emissary</i> is
rather political than military; sent rather to secretly influence
opponents than to bring information concerning them; so far as
he does the latter, he is not only an <i>emissary</i>, but a <i>spy</i>.</p>
<hr />
<h3>STAIN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blot,</td><td>discolor,</td><td>dishonor,</td><td>soil,</td><td>sully,</td><td>tinge,</td></tr>
<tr><td>color,</td><td>disgrace,</td><td>dye,</td><td>spot,</td><td>tarnish,</td><td>tint.</td></tr>
</table>
<p>To <i>color</i> is to impart a color desired or undesired, temporary or
permanent, or, in the intransitive use, to assume a color in any way;
as, he <i>colored</i> with shame and vexation. To <i>dye</i> is to impart a
color intentionally and with a view to permanence, and especially so
as to pervade the substance or fiber of that to which it is applied.
To <i>stain</i> is primarily to <i>discolor</i>, to impart a color undesired and
perhaps unintended, and which may or may not be permanent.
Thus, a character "<i>dyed</i> in the wool" is one that has received
some early, permanent, and pervading influence; a character
<i>stained</i> with crime or guilt is debased and perverted. <i>Stain</i> is,
however, used of giving an intended and perhaps pleasing color
to wood, glass, etc., by an application of coloring-matter which
enters the substance a little below the surface, in distinction
from painting, in which coloring-matter is spread upon the surface;
<i>dyeing</i> is generally said of wool, yarn, cloth, or similar
materials which are dipped into the <i>coloring</i> liquid. Figuratively,
a standard or a garment may be <i>dyed</i> with blood in honorable
warfare; an assassin's weapon is <i>stained</i> with the blood of his
victim. To <i>tinge</i> is to <i>color</i> slightly, and may also be used of
giving a slight flavor, or a slight admixture of one ingredient or
quality with another that is more pronounced.</p>
<hr />
<div style="break-after:column;"></div><br />