<h3>SEND.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>cast,</td><td>despatch,</td><td>emit,</td><td>impel,</td><td>propel,</td></tr>
<tr><td>dart,</td><td>discharge,</td><td>fling,</td><td>lance,</td><td>sling,</td></tr>
<tr><td>delegate,</td><td>dismiss,</td><td>forward,</td><td>launch,</td><td>throw,</td></tr>
<tr><td>depute,</td><td>drive,</td><td>hurl,</td><td>project,</td><td>transmit.</td></tr>
</table>
<p>To <i>send</i> is to cause to go or pass from one place to another, and
always in fact or thought away from the agent or agency that controls
the act. <i>Send</i> in its most common use involves personal
agency without personal presence; according to the adage, "If
you want your business done, go; if not, <i>send</i>;" one <i>sends</i> a letter
or a bullet, a messenger or a message. In all the derived uses
this same idea controls; if one <i>sends</i> a ball into his own heart, the
action is away from the directing hand, and he is viewed as the
passive recipient of his own act; it is with an approach to personification
that we speak of the bow <i>sending</i> the arrow, or the gun
the shot. To <i>despatch</i> is to <i>send</i> hastily or very promptly, ordinarily
with a destination in view; to <i>dismiss</i> is to <i>send</i> away from
oneself without reference to a destination; as, to <i>dismiss</i> a clerk,
an application, or an annoying subject. To <i>discharge</i> is to <i>send</i>
away so as to relieve a person or thing of a load; we <i>discharge</i> a
gun or <i>discharge</i> the contents; as applied to persons, <i>discharge</i> is
a harsher term than <i>dismiss</i>. To <i>emit</i> is to <i>send</i> forth from within,
with no reference to a destination; as, the sun <i>emits</i> light and
heat. <i>Transmit</i>, from the Latin, is a dignified term, often less
vigorous than the Saxon <i>send</i>, but preferable at times in literary
or scientific use; as, to <i>transmit</i> the crown, or the feud, from generation
to generation; to <i>transmit</i> a charge of electricity. <i>Transmit</i>
fixes the attention more on the intervening agency, as <i>send</i>
does upon the points of departure and destination.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bring,</td><td>convey,</td><td>give,</td><td>hold,</td><td>receive,</td></tr>
<tr><td>carry,</td><td>get,</td><td>hand,</td><td>keep,</td><td>retain.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>To send <i>from</i> the hand <i>to</i> or <i>toward</i> (rarely <i>at</i>) a mark; send<span class="pgn"><SPAN name="Page_328" id="Page_328"></SPAN></span>
<i>to</i> a friend <i>by</i> a messenger or <i>by</i> mail; send a person <i>into</i> banishment;
send a shell <i>among</i> the enemy.</p>
<hr />
<h3><SPAN name="SENSATION" id="SENSATION"></SPAN>SENSATION.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>emotion,</td><td>feeling,</td><td>perception,</td><td>sense.</td></tr>
</table>
<p><i>Sensation</i> is the mind's consciousness due to a bodily affection,
as of heat or cold; <i>perception</i> is the cognition of some external
object which is the cause or occasion of the <i>sensation</i>; the <i>sensation</i>
of heat may be connected with the <i>perception</i> of a fire. While
<i>sensations</i> are connected with the body, <i>emotions</i>, as joy, grief,
etc., are wholly of the mind. "As the most of them [the <i>sensations</i>]
are positively agreeable or the opposite, they are nearly akin
to those <i>emotions</i>, as hope or terror, or those passions, as anger
and envy, which are acknowledged by all to belong exclusively to
the spirit, and to involve no relation whatever to matter or the
bodily organism. Such <i>feelings</i> are not infrequently styled <i>sensations</i>,
though improperly." <span class="smc">Porter</span> <i>Human Intellect</i> § 112, p.
128. [<span class="smcl">S.</span> '90.] <i>Feeling</i> is a general term popularly denoting what
is felt, whether through the body or by the mind alone, and includes
both <i>sensation</i> and <i>emotion</i>. A <i>sense</i> is an organ or faculty
of <i>sensation</i> or of <i>perception</i>.</p>
<hr />
<h3>SENSIBILITY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>feeling,</td><td>impressibility,</td><td>sensitiveness,</td><td>susceptibility.</td></tr>
</table>
<p><i>Sensibility</i> in the philosophical sense, denotes the capacity of
emotion or feeling, as distinguished from the intellect and the
will. (Compare synonyms for <span class="smcl"><SPAN href="#SENSATION">SENSATION</SPAN></span>.) In popular use <i>sensibility</i>
denotes sometimes capacity of feeling of any kind; as, <i>sensibility</i>
to heat or cold; sometimes, a peculiar readiness to be the
subject of feeling, especially of the higher feelings; as, the <i>sensibility</i>
of the artist or the poet; a person of great or fine <i>sensibility</i>.
<i>Sensitiveness</i> denotes an especial delicacy of <i>sensibility</i>, ready to
be excited by the slightest cause, as displayed, for instance, in the
"sensitive-plant." <i>Susceptibility</i> is rather a capacity to take up,
receive, and, as it were, to contain feeling, so that a person of great
<i>susceptibility</i> is capable of being not only readily but deeply
moved; <i>sensitiveness</i> is more superficial, <i>susceptibility</i> more pervading.
Thus, in physics, the <i>sensitiveness</i> of a magnetic needle
is the ease with which it may be deflected, as by another magnet;
its <i>susceptibility</i> is the degree to which it can be magnetized by a<span class="pgn"><SPAN name="Page_329" id="Page_329"></SPAN></span>
given magnetic force or the amount of magnetism it will hold. So
a person of great <i>sensitiveness</i> is quickly and keenly affected by
any external influence, as by music, pathos, or ridicule, while a
person of great <i>susceptibility</i> is not only touched, but moved to
his inmost soul.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>coldness,</td><td>deadness,</td><td>hardness,</td><td>insensibility,</td><td>numbness,</td><td>unconsciousness.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>The sensibility <i>of</i> the organism <i>to</i> atmospheric changes.</p>
<hr />
<h3>SEVERE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>austere,</td><td>inflexible,</td><td>rigorous,</td><td>uncompromising,</td></tr>
<tr><td>hard,</td><td>morose,</td><td>stern,</td><td>unmitigated,</td></tr>
<tr><td>harsh,</td><td>relentless,</td><td>stiff,</td><td>unrelenting,</td></tr>
<tr><td>inexorable,</td><td>rigid,</td><td>strict,</td><td>unyielding.</td></tr>
</table>
<p>That is <i>severe</i> which is devoid of all softness, mildness, tenderness,
indulgence or levity, or (in literature and art) devoid of unnecessary
ornament, amplification, or embellishment of any kind; as,
a <i>severe</i> style; as said of anything painful, <i>severe</i> signifies such as
heavily taxes endurance or resisting power; as, a <i>severe</i> pain,
fever, or winter. <i>Rigid</i> signifies primarily <i>stiff</i>, resisting any effort
to change its shape; a corpse is said to be <i>rigid</i> in death; hence,
in metaphorical sense, a <i>rigid</i> person or character is one that resists
all efforts to change the will or course of conduct; a <i>rigid</i> rule or
statement is one that admits of no deviation. <i>Rigorous</i> is nearly
akin to <i>rigid</i>, but is a stronger word, having reference to action or
active qualities, as <i>rigid</i> does to state or character; a <i>rigid</i> rule
may be <i>rigorously</i> enforced. <i>Strict</i> (L. <i>stringo</i>, bind) signifies
bound or stretched tight, tense, strenuously exact. <i>Stern</i> unites
harshness and authority with strictness or severity; <i>stern</i>, as said
even of inanimate objects, suggests something authoritative or
forbidding. <i>Austere</i> signifies severely simple or temperate, <i>strict</i>
in self-restraint or discipline, and similarly <i>unrelenting</i> toward
others. We speak of <i>austere</i> morality, <i>rigid</i> rules, <i>rigorous</i> discipline,
<i>stern</i> commands, <i>severe</i> punishment, <i>harsh</i> speech or a
<i>harsh</i> voice, <i>hard</i> requirements, <i>strict</i> injunctions, and <i>strict</i> obedience.
<i>Strict</i> discipline holds one exactly and unflinchingly to
the rule; <i>rigorous</i> discipline punishes severely any infraction of
it. The <i>austere</i> character is seldom lovely, but it is always strong
and may be grand, commanding, and estimable.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>affable,</td><td>easy,</td><td>gentle,</td><td>lenient,</td><td>pliable,</td><td>sweet,</td><td>tractable,</td></tr>
<tr><td>bland,</td><td>genial,</td><td>indulgent,</td><td>mild,</td><td>soft,</td><td>tender,</td><td>yielding.</td></tr>
</table>
<hr /><p><span class="pgn"><SPAN name="Page_330" id="Page_330"></SPAN></span></p>
<h3><SPAN name="SHAKE" id="SHAKE"></SPAN>SHAKE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>agitate,</td><td>jar,</td><td>quake,</td><td>shiver,</td><td>totter,</td></tr>
<tr><td>brandish,</td><td>joggle,</td><td>quaver,</td><td>shudder,</td><td>tremble,</td></tr>
<tr><td>flap,</td><td>jolt,</td><td>quiver,</td><td>sway,</td><td>vibrate,</td></tr>
<tr><td>fluctuate,</td><td>jounce,</td><td>reel,</td><td>swing,</td><td>wave,</td></tr>
<tr><td>flutter,</td><td>oscillate,</td><td>rock,</td><td>thrill,</td><td>waver.</td></tr>
</table>
<p>A thing is <i>shaken</i> which is subjected to short and abruptly
checked movements, as forward and backward, up and down,
from side to side, etc. A tree is "<i>shaken</i> with a mighty wind;"
a man slowly <i>shakes</i> his head. A thing <i>rocks</i> that is sustained
from below; it <i>swings</i> if suspended from above, as a pendulum, or
pivoted at the side, as a crane or a bridge-draw; to <i>oscillate</i> is to
<i>swing</i> with a smooth and regular returning motion; a <i>vibrating</i>
motion may be tremulous or <i>jarring</i>. The pendulum of a clock
may be said to <i>swing</i>, <i>vibrate</i>, or <i>oscillate</i>; a steel bridge <i>vibrates</i>
under the passage of a heavy train; the term <i>vibrate</i> is also applied
to molecular movements. <i>Jolting</i> is a lifting from and letting
down suddenly upon an unyielding surface; as, a carriage
<i>jolts</i> over a rough road. A <i>jarring</i> motion is abruptly and very
rapidly repeated through an exceedingly limited space; the <i>jolting</i>
of the carriage <i>jars</i> the windows. <i>Rattling</i> refers directly to the
sound produced by <i>shaking</i>. To <i>joggle</i> is to <i>shake</i> slightly; as, a
passing touch <i>joggles</i> the desk on which one is writing. A thing
<i>trembles</i> that <i>shakes</i> perceptibly and with an appearance of uncertainty
and instability, as a person under the influence of fear; a
thing <i>shivers</i> when all its particles are stirred with a slight but
pervading tremulous motion, as a human body under the influence
of cold; <i>shuddering</i> is a more pronounced movement of a similar
kind, in human beings often the effect of emotional or moral
recoil; hence, the word is applied by extension to such feelings
even when they have no such outward manifestation; as, one says,
"I <i>shudder</i> at the thought." To <i>quiver</i> is to have slight and often
spasmodic contractile motions, as the flesh under the surgeon's
knife. <i>Thrill</i> is applied to a pervasive movement felt rather than
seen; as, the nerves <i>thrill</i> with delight; <i>quiver</i> is similarly used,
but suggests somewhat more of outward manifestation. To <i>agitate</i>
in its literal use is nearly the same as to <i>shake</i>, tho we speak
of the sea as <i>agitated</i> when we could not say it is <i>shaken</i>; the
Latin <i>agitate</i> is preferred in scientific or technical use to the Saxon
<i>shake</i>, and especially as applied to the action of mechanical contrivances;
in the metaphorical use <i>agitate</i> is more transitory and
superficial, <i>shake</i> more fundamental and enduring; a person's<span class="pgn"><SPAN name="Page_331" id="Page_331"></SPAN></span>
feelings are <i>agitated</i> by distressing news; his courage, his faith,
his credit, or his testimony is <i>shaken</i>. <i>Sway</i> applies to the movement
of a body suspended from above or not firmly sustained from
below, and the motion of which is less pronounced than <i>swinging</i>,
smoother than <i>vibrating</i>, and not necessarily constant as <i>oscillating</i>;
as, the <i>swaying</i> of a reed in the wind. <i>Sway</i> used transitively
especially applies to motions of grace or dignity; <i>brandish</i>
denotes a threatening or hostile motion; a monarch <i>sways</i> the
scepter; the ruffian <i>brandishes</i> a club. To <i>reel</i> or <i>totter</i> always
implies liability to fall; <i>reeling</i> is more violent than <i>swaying</i>, <i>tottering</i>
more irregular; a drunken man <i>reels</i>; we speak of the <i>tottering</i>
step of age or infancy. An extended mass which seems to
lack solidity or cohesion is said to <i>quake</i>; as, a <i>quaking</i> bog.
<i>Quaver</i> is applied almost exclusively to tremulous sounds of the
human voice. <i>Flap</i>, <i>flutter</i>, and <i>fluctuate</i> refer to wave-like
movements, <i>flap</i> generally to such as produce a sharp sound; a
cock <i>flaps</i> his wings; <i>flutter</i> applies to a less pronounced and more
irregular motion; a captive bird or a feeble pulse <i>flutters</i>. Compare
<span class="smcl"><SPAN href="#FLUCTUATE">FLUCTUATE</SPAN></span>.</p>
<hr />
<div style="break-after:column;"></div><br />