<h3><SPAN name="MIND" id="MIND"></SPAN>MIND.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>brain,</td><td>instinct,</td><td>reason,</td><td>spirit,</td></tr>
<tr><td>consciousness,</td><td>intellect,</td><td>sense,</td><td>thought,</td></tr>
<tr><td>disposition,</td><td>intelligence,</td><td>soul,</td><td>understanding.</td></tr>
</table>
<p><i>Mind</i>, in a general sense, includes all the powers of sentient
being apart from the physical factors in bodily faculties and activities;
in a limited sense, <i>mind</i> is nearly synonymous with <i>intellect</i>,
but includes <i>disposition</i>, or the tendency toward action, as appears
in the phrase "to have a <i>mind</i> to work." As the seat of mental
activity, <i>brain</i> (colloquially <i>brains</i>) is often used as a synonym for
<i>mind</i>, <i>intellect</i>, <i>intelligence</i>. <i>Thought</i>, the act, process, or power
of thinking, is often used to denote the thinking faculty, and especially
the <i>reason</i>. The <i>instinct</i> of animals is now held by many
philosophers to be of the same nature as the <i>intellect</i> of man, but
inferior and limited; yet the apparent difference is very great.</p>
<div class="bq1"><p>An <i>instinct</i> is a propensity prior to experience and independent of instruction.</p>
<p class="tdr"><span class="smc">Paley</span> <i>Natural Philosophy</i> ch. 18.</p>
</div>
<p>In this sense we speak of human <i>instincts</i>, thus denoting tendencies
independent of reasoning or instruction. The <i>soul</i> includes
the <i>intellect</i>, sensibilities, and will; beyond what is expressed by
the word <i>mind</i>, the <i>soul</i> denotes especially the moral, the immortal
nature; we say of a dead body, the <i>soul</i> (not the <i>mind</i>) has fled.
<i>Spirit</i> is used especially in contradistinction from matter; it may
in many cases be substituted for <i>soul</i>, but <i>soul</i> has commonly a
fuller and more determinate meaning; we can conceive of <i>spirits</i>
as having no moral nature; the fairies, elves, and brownies of
mythology might be termed <i>spirits</i>, but not <i>souls</i>. In the figurative
sense, <i>spirit</i> denotes animation, excitability, perhaps impatience;
as, a lad of <i>spirit</i>; he sang with <i>spirit</i>; he replied with
<i>spirit</i>. <i>Soul</i> denotes energy and depth of feeling, as when we
speak of soulful eyes; or it may denote the very life of anything;
as, "the hidden <i>soul</i> of harmony," <span class="smc">Milton</span> <i>L'Allegro</i> l. 144.
<i>Sense</i> may be an antonym of <i>intellect</i>, as when we speak of the
<i>sense</i> of hearing; but <i>sense</i> is used also as denoting clear mental
action, good judgment, acumen; as, he is a man of <i>sense</i>, or, he
showed good <i>sense</i>; <i>sense</i>, even in its material signification, must
be reckoned among the activities of <i>mind</i>, tho dependent on bodily
functions; the <i>mind</i>, not the eye, really sees; the <i>mind</i>, not
the ear, really hears. <i>Consciousness</i> includes all that a sentient
being perceives, knows, thinks, or feels, from whatever source
arising and of whatever character, kind, or degree, whether with<span class="pgn"><SPAN name="Page_242" id="Page_242"></SPAN></span>
or without distinct thinking, feeling, or willing; we speak of the
<i>consciousness</i> of the brute, of the savage, or of the sage. The <i>intellect</i>
is that assemblage of faculties which is concerned with
knowledge, as distinguished from emotion and volition. <i>Understanding</i>
is the Saxon word of the same general import, but is
chiefly used of the reasoning powers; the <i>understanding</i>, which
Sir Wm. Hamilton has called "the faculty of relations and comparisons,"
is distinguished by many philosophers from <i>reason</i> in
that "<i>reason</i> is the faculty of the higher cognitions or a priori
truth."</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>body,</td><td>brawn,</td><td>brute force,</td><td>material substance,</td><td>matter.</td></tr>
</table>
<hr />
<h3><SPAN name="MINUTE" id="MINUTE"></SPAN>MINUTE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>circumstantial,</td><td>diminutive,</td><td>little,</td><td>slender,</td></tr>
<tr><td>comminuted,</td><td>exact,</td><td>particular,</td><td>small,</td></tr>
<tr><td>critical,</td><td>fine,</td><td>precise,</td><td>tiny.</td></tr>
<tr><td colspan="4">detailed,</td></tr>
</table>
<p>That is <i>minute</i> which is of exceedingly limited dimensions, as a
grain of dust, or which attends to matters of exceedingly slight
amount or apparent importance; as, a <i>minute</i> account; <i>minute</i>
observation. That which is broken up into <i>minute</i> particles is said
to be <i>comminuted</i>; things may be termed <i>fine</i> which would not be
termed <i>comminuted</i>; as, <i>fine</i> sand; <i>fine</i> gravel; but, in using the
adverb, we say a substance is finely <i>comminuted</i>, <i>comminuted</i> referring
more to the process, <i>fine</i> to the result. An account extended
to very <i>minute</i> particulars is <i>circumstantial</i>, <i>detailed</i>, <i>particular</i>;
an examination so extended is <i>critical</i>, <i>exact</i>, <i>precise</i>.
Compare <span class="smcl"><SPAN href="#FINE">FINE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#LARGE">LARGE</SPAN></span>.</p>
<hr />
<h3>MISFORTUNE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>adversity,</td><td>disappointment,</td><td>ill fortune,</td><td>ruin,</td></tr>
<tr><td>affliction,</td><td>disaster,</td><td>ill luck,</td><td>sorrow,</td></tr>
<tr><td>bereavement,</td><td>distress,</td><td>misadventure,</td><td>stroke,</td></tr>
<tr><td>blow,</td><td>failure,</td><td>mischance,</td><td>trial,</td></tr>
<tr><td>calamity,</td><td>hardship,</td><td>misery,</td><td>tribulation,</td></tr>
<tr><td>chastening,</td><td>harm,</td><td>mishap,</td><td>trouble,</td></tr>
<tr><td>chastisement,</td><td>ill,</td><td>reverse,</td><td>visitation.</td></tr>
</table>
<p><i>Misfortune</i> is adverse fortune or any instance thereof, any untoward
event, usually of lingering character or consequences, and
such as the sufferer is not deemed directly responsible for; as, he<span class="pgn"><SPAN name="Page_243" id="Page_243"></SPAN></span>
had the <i>misfortune</i> to be born blind. Any considerable <i>disappointment</i>,
<i>failure</i>, or <i>misfortune</i>, as regards outward circumstances,
as loss of fortune, position, and the like, when long continued or
attended with enduring consequences, constitutes <i>adversity</i>. For
the loss of friends by death we commonly use <i>affliction</i> or <i>bereavement</i>.
<i>Calamity</i> and <i>disaster</i> are used of sudden and severe <i>misfortunes</i>,
often overwhelming; <i>ill fortune</i> and <i>ill luck</i>, of lighter
troubles and failures. We speak of the <i>misery</i> of the poor, the
<i>hardships</i> of the soldier. <i>Affliction</i>, <i>chastening</i>, <i>trial</i>, and <i>tribulation</i>
have all an especially religious bearing, suggesting some
disciplinary purpose of God with beneficent design. <i>Affliction</i>
may be keen and bitter, but brief; <i>tribulation</i> is long and wearing.
We speak of an <i>affliction</i>, but rarely of a <i>tribulation</i>, since
<i>tribulation</i> is viewed as a continuous process, which may endure
for years or for a lifetime; but we speak of our daily <i>trials</i>. Compare
<span class="smcl"><SPAN href="#CATASTROPHE">CATASTROPHE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blessing,</td><td>consolation,</td><td>gratification,</td><td>pleasure,</td><td>success,</td></tr>
<tr><td>boon,</td><td>good fortune,</td><td>happiness,</td><td>prosperity,</td><td>triumph.</td></tr>
<tr><td>comfort,</td><td>good luck,</td><td>joy,</td><td colspan="2">relief,</td></tr>
</table>
<hr />
<h3><SPAN name="MOB" id="MOB"></SPAN>MOB.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>canaille,</td><td>dregs of the people,</td><td>masses,</td><td>rabble,</td></tr>
<tr><td>crowd,</td><td>lower classes,</td><td>populace,</td><td>the vulgar.</td></tr>
</table>
<p>The <i>populace</i> are poor and ignorant, but may be law-abiding;
a <i>mob</i> is disorderly and lawless, but may be rich and influential.
The <i>rabble</i> is despicable, worthless, purposeless; a <i>mob</i> may have
effective desperate purpose. A <i>crowd</i> may be drawn by mere
curiosity; some strong, pervading excitement is needed to make
it a <i>mob</i>. Compare <span class="smcl"><SPAN href="#PEOPLE">PEOPLE</SPAN></span>.</p>
<hr />
<h3><SPAN name="MODEL" id="MODEL"></SPAN>MODEL.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>archetype,</td><td>facsimile,</td><td>original,</td><td>representation,</td></tr>
<tr><td>copy,</td><td>image,</td><td>pattern,</td><td>standard,</td></tr>
<tr><td>design,</td><td>imitation,</td><td>prototype,</td><td>type.</td></tr>
<tr><td>example,</td><td colspan="3">mold,</td></tr>
</table>
<p>A <i>pattern</i> is always, in modern use, that which is to be copied;
a <i>model</i> may be either the thing to be copied or the <i>copy</i> that has
been made from it; as, the <i>models</i> in the Patent Office. A <i>pattern</i>
is commonly superficial; a <i>model</i> is usually in relief. A
<i>pattern</i> must be closely followed in its minutest particulars by a<span class="pgn"><SPAN name="Page_244" id="Page_244"></SPAN></span>
faithful copyist; a <i>model</i> may allow a great degree of freedom.
A sculptor may idealize his living <i>model</i>; his workmen must exactly
<i>copy</i> in marble or metal the <i>model</i> he has made in clay.
Compare <span class="smcl"><SPAN href="#EXAMPLE">EXAMPLE</SPAN></span>; <span class="smcl"><SPAN href="#IDEA">IDEA</SPAN></span>; <span class="smcl"><SPAN href="#IDEAL">IDEAL</SPAN></span>.</p>
<hr />
<h3><SPAN name="MODESTY" id="MODESTY"></SPAN>MODESTY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>backwardness,</td><td>constraint,</td><td>reserve,</td><td>timidity,</td></tr>
<tr><td>bashfulness,</td><td>coyness,</td><td>shyness,</td><td>unobtrusiveness.</td></tr>
<tr><td>coldness,</td><td colspan="3">diffidence,</td></tr>
</table>
<p><i>Bashfulness</i> is a shrinking from notice without assignable reason.
<i>Coyness</i> is a half encouragement, half avoidance of offered
attention, and may be real or affected. <i>Diffidence</i> is self-distrust;
<i>modesty</i>, a humble estimate of oneself in comparison with others,
or with the demands of some undertaking. <i>Modesty</i> has also the
specific meaning of a sensitive shrinking from anything indelicate.
<i>Shyness</i> is a tendency to shrink from observation; <i>timidity</i>, a distinct
fear of criticism, error, or failure. <i>Reserve</i> is the holding
oneself aloof from others, or holding back one's feelings from expression,
or one's affairs from communication to others. <i>Reserve</i>
may be the retreat of <i>shyness</i>, or, on the other hand, the contemptuous
withdrawal of pride and haughtiness. Compare <span class="smcl"><SPAN href="#ABASH">ABASH</SPAN></span>;
<span class="smcl"><SPAN href="#PRIDE">PRIDE</SPAN></span>; <span class="smcl"><SPAN href="#TACITURN">TACITURN</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>abandon,</td><td>boldness,</td><td>forwardness,</td><td>impudence,</td><td>pertness,</td><td rowspan="4">sociability.</td></tr>
<tr><td>arrogance,</td><td>conceit,</td><td>frankness,</td><td>indiscretion,</td><td>sauciness,</td></tr>
<tr><td>assumption,</td><td>confidence,</td><td>freedom,</td><td>loquaciousness,</td><td>self-conceit,</td></tr>
<tr><td>assurance,</td><td>egotism,</td><td>haughtiness,</td><td>loquacity,</td><td>self-sufficiency,</td></tr>
</table>
<hr />
<h3>MONEY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bills,</td><td>cash,</td><td>funds,</td><td>property,</td></tr>
<tr><td>bullion,</td><td>coin,</td><td>gold,</td><td>silver,</td></tr>
<tr><td>capital,</td><td>currency,</td><td>notes,</td><td>specie.</td></tr>
</table>
<p><i>Money</i> is the authorized medium of exchange; coined <i>money</i>
is called <i>coin</i> or <i>specie</i>. What are termed in England bank-<i>notes</i>
are in the United States commonly called <i>bills</i>; as, a five-dollar
<i>bill</i>. The <i>notes</i> of responsible men are readily transferable in commercial
circles, but they are not <i>money</i>; as, the stock was sold for
$500 in <i>money</i> and the balance in merchantable paper. <i>Cash</i> is
<i>specie</i> or <i>money</i> in hand, or paid in hand; as, the <i>cash</i> account;
the <i>cash</i> price. In the legal sense, <i>property</i> is not <i>money</i>, and
<i>money</i> is not <i>property</i>; for <i>property</i> is that which has inherent
value, while <i>money</i>, as such, has but representative value, and<span class="pgn"><SPAN name="Page_245" id="Page_245"></SPAN></span>
may or may not have intrinsic value. <i>Bullion</i> is either <i>gold</i> or
<i>silver</i> uncoined, or the coined metal considered without reference
to its coinage, but simply as merchandise, when its value as <i>bullion</i>
may be very different from its value as <i>money</i>. The word
<i>capital</i> is used chiefly of accumulated <i>property</i> or <i>money</i> invested
in productive enterprises or available for such investment.</p>
<hr />
<h3><SPAN name="MOROSE" id="MOROSE"></SPAN>MOROSE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>acrimonious,</td><td>dogged,</td><td>ill-natured,</td><td>splenetic,</td></tr>
<tr><td>churlish,</td><td>gloomy,</td><td>severe,</td><td>sulky,</td></tr>
<tr><td>crabbed,</td><td>gruff,</td><td>snappish,</td><td>sullen,</td></tr>
<tr><td>crusty,</td><td>ill-humored,</td><td>sour,</td><td>surly.</td></tr>
</table>
<p>The <i>sullen</i> and <i>sulky</i> are discontented and resentful in regard
to that against which they are too proud to protest, or consider all
protest vain; <i>sullen</i> denotes more of pride, <i>sulky</i> more of resentful
obstinacy. The <i>morose</i> are bitterly dissatisfied with the world in
general, and disposed to vent their ill nature upon others. The
<i>sullen</i> and <i>sulky</i> are for the most part silent; the <i>morose</i> growl
out bitter speeches. A <i>surly</i> person is in a state of latent anger,
resenting approach as intrusion, and ready to take offense at anything;
thus we speak of a <i>surly</i> dog. <i>Sullen</i> and <i>sulky</i> moods may
be transitory; one who is <i>morose</i> or <i>surly</i> is commonly so by disposition
or habit.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>amiable,</td><td>complaisant,</td><td>gentle,</td><td>kind,</td><td>pleasant,</td></tr>
<tr><td>benignant,</td><td>friendly,</td><td>good-natured,</td><td>loving,</td><td>sympathetic,</td></tr>
<tr><td>bland,</td><td>genial,</td><td>indulgent,</td><td>mild,</td><td>tender.</td></tr>
</table>
<hr />
<h3>MOTION.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>act,</td><td>change,</td><td>movement,</td><td>process,</td><td>transition.</td></tr>
<tr><td>action,</td><td>move,</td><td>passage,</td><td colspan="2">transit,</td></tr>
</table>
<p><i>Motion</i> is <i>change</i> of place or position in space; <i>transition</i> is a
passing from one point or position in space to another. <i>Motion</i>
may be either abstract or concrete, more frequently the former;
<i>movement</i> is always concrete, that is, considered in connection
with the thing that moves or is moved; thus, we speak of the
<i>movements</i> of the planets, but of the laws of planetary <i>motion</i>;
of military <i>movements</i>, but of perpetual <i>motion</i>. <i>Move</i> is used
chiefly of contests or competition, as in chess or politics; as, it is
your <i>move</i>; a shrewd <i>move</i> of the opposition. <i>Action</i> is a more
comprehensive word than <i>motion</i>. We now rarely speak of mental<span class="pgn"><SPAN name="Page_246" id="Page_246"></SPAN></span>
or spiritual <i>motions</i>, but rather of mental or spiritual <i>acts</i> or
<i>processes</i>, or of the laws of mental <i>action</i>, but a formal proposal
of <i>action</i> in a deliberative assembly is termed a <i>motion</i>. Compare
<span class="smcl"><SPAN href="#ACT_n">ACT</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>immobility,</td><td>quiescence,</td><td>quiet,</td><td>repose,</td><td>rest,</td><td>stillness.</td></tr>
</table>
<hr />
<h3>MOURN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bemoan,</td><td>deplore,</td><td>lament,</td><td>regret,</td><td>rue,</td><td>sorrow.</td></tr>
<tr><td>bewail,</td><td colspan="5">grieve,</td></tr>
</table>
<p>To <i>mourn</i> is to feel or express sadness or distress because of
some loss, affliction, or misfortune; <i>mourning</i> is thought of as
prolonged, <i>grief</i> or <i>regret</i> may be transient. One may <i>grieve</i> or
<i>mourn</i>, <i>regret</i>, <i>rue</i>, or <i>sorrow</i> without a sound; he <i>bemoans</i> with
suppressed and often inarticulate sounds of grief; he <i>bewails</i> with
passionate utterance, whether of inarticulate cries or of spoken
words. He <i>laments</i> in plaintive or pathetic words, as the prophet
Jeremiah in his "Lamentations." One <i>deplores</i> with settled sorrow
which may or may not find relief in words. One is made to
<i>rue</i> an act by some misfortune resulting, or by some penalty or
vengeance inflicted because of it. One <i>regrets</i> a slight misfortune
or a hasty word; he <i>sorrows</i> over the death of a friend.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>be joyful,</td><td>exult,</td><td>joy,</td><td>make merry,</td><td>rejoice,</td><td>triumph.</td></tr>
</table>
<hr />
<h3>MUTUAL.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>common,</td><td>correlative,</td><td>interchangeable,</td><td>joint,</td><td>reciprocal.</td></tr>
</table>
<p>That is <i>common</i> to which two or more persons have the same
or equal claims, or in which they have equal interest or participation;
in the strictest sense, that is <i>mutual</i> (Latin <i>mutare</i>, to
change) which is freely interchanged; that is <i>reciprocal</i> in respect
to which one act or movement is met by a corresponding act or
movement in return; we speak of our <i>common</i> country, <i>mutual</i>
affection, <i>reciprocal</i> obligations, the <i>reciprocal</i> action of cause
and effect, where the effect becomes in turn a cause. Many
good writers hold it incorrect to say "a <i>mutual</i> friend," and insist
that "a <i>common</i> friend" would be more accurate; but "<i>common</i>
friend" is practically never used, because of the disagreeable suggestion
that attaches to <i>common</i>, of ordinary or inferior. "<i>Mutual</i>
friend" has high literary authority (of Burke, Scott, Dickens,
and others), and a considerable usage of good society in its favor,<span class="pgn"><SPAN name="Page_247" id="Page_247"></SPAN></span>
the expression being quite naturally derived from the thoroughly
correct phrase <i>mutual</i> friendship.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>detached,</td><td>distinct,</td><td>separate,</td><td>severed,</td><td>unconnected,</td><td>unrequited,</td></tr>
<tr><td>disconnected,</td><td>disunited,</td><td>separated,</td><td>sundered,</td><td>unreciprocated,</td><td>unshared.</td></tr>
<tr><td colspan="6">dissociated,</td></tr>
</table>
<hr />
<h3><SPAN name="MYSTERIOUS" id="MYSTERIOUS"></SPAN>MYSTERIOUS.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>abstruse,</td><td>inexplicable,</td><td>recondite,</td></tr>
<tr><td>cabalistic,</td><td>inscrutable,</td><td>secret,</td></tr>
<tr><td>dark,</td><td>mystic,</td><td>transcendental,</td></tr>
<tr><td>enigmatical,</td><td>mystical,</td><td>unfathomable,</td></tr>
<tr><td>hidden,</td><td>obscure,</td><td>unfathomed,</td></tr>
<tr><td>incomprehensible,</td><td>occult,</td><td>unknown.</td></tr>
</table>
<p>That is <i>mysterious</i> in the true sense which is beyond human
comprehension, as the decrees of God or the origin of life. That
is <i>mystic</i> or <i>mystical</i> which has associated with it some <i>hidden</i> or
<i>recondite</i> meaning, especially of a religious kind; as, the <i>mystic</i>
Babylon of the Apocalypse. That is <i>dark</i> which we can not personally
see through, especially if sadly perplexing; as, a <i>dark</i>
providence. That is <i>secret</i> which is intentionally <i>hidden</i>. Compare
<span class="smcl"><SPAN href="#DARK">DARK</SPAN></span>.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#CLEAR">CLEAR</SPAN></span>.</p>
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