<h3><SPAN name="MAKE" id="MAKE"></SPAN>MAKE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>become,</td><td>constrain,</td><td>fabricate,</td><td>manufacture,</td></tr>
<tr><td>bring about,</td><td>construct,</td><td>fashion,</td><td>occasion,</td></tr>
<tr><td>bring into being,</td><td>create,</td><td>force,</td><td>perform,</td></tr>
<tr><td>bring to pass,</td><td>do,</td><td>frame,</td><td>reach,</td></tr>
<tr><td>cause,</td><td>effect,</td><td>get,</td><td>render,</td></tr>
<tr><td>compel,</td><td>establish,</td><td>make out,</td><td>require,</td></tr>
<tr><td>compose,</td><td>execute,</td><td>make up,</td><td>shape.</td></tr>
<tr><td colspan="4">constitute,</td></tr>
</table>
<p><i>Make</i> is essentially causative; to the idea of <i>cause</i> all its various
senses may be traced (compare synonyms for <span class="smcl"><SPAN href="#CAUSE">CAUSE</SPAN></span>). To
<i>make</i> is to <i>cause</i> to exist, or to <i>cause</i> to exist in a certain form or
in certain relations; the word thus includes the idea of <i>create</i>, as
in <i>Gen.</i> i, 31, "And God saw everything that he had <i>made</i>, and,
behold, it was very good." <i>Make</i> includes also the idea of <i>compose</i>,
<i>constitute</i>; as, the parts <i>make up</i> the whole. Similarly, to
<i>cause</i> a voluntary agent to do a certain act is to <i>make</i> him do it,
or <i>compel</i> him to do it, <i>compel</i> fixing the attention more on the
process, <i>make</i> on the accomplished fact. Compare <span class="smcl"><SPAN href="#COMPEL">COMPEL</SPAN></span>; <span class="smcl"><SPAN href="#DO">DO</SPAN></span>;
<span class="smcl"><SPAN href="#INFLUENCE">INFLUENCE</SPAN></span>; (make better) <span class="smcl"><SPAN href="#AMEND">AMEND</SPAN></span>; (make haste) <span class="smcl"><SPAN href="#QUICKEN">QUICKEN</SPAN></span>; (make
known) <span class="smcl"><SPAN href="#ANNOUNCE">ANNOUNCE</SPAN></span>; <span class="smcl"><SPAN href="#AVOW">AVOW</SPAN></span>; <span class="smcl"><SPAN href="#CONFESS">CONFESS</SPAN></span>; (make prisoner) <span class="smcl"><SPAN href="#ARREST">ARREST</SPAN></span>;
(make up) <span class="smcl"><SPAN href="#ADD">ADD</SPAN></span>; (make void) <span class="smcl"><SPAN href="#CANCEL">CANCEL</SPAN></span>.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#ABOLISH">ABOLISH</SPAN></span>; <span class="smcl"><SPAN href="#BREAK">BREAK</SPAN></span>; <span class="smcl"><SPAN href="#DEMOLISH">DEMOLISH</SPAN></span>.</p>
<h4>Prepositions:</h4>
<p>Make <i>of</i>, <i>out of</i>, or <i>from</i> certain materials, <i>into</i> a certain form,
<i>for</i> a certain purpose or person; made <i>with</i> hands, <i>by</i> hand; made
<i>by</i> a prisoner, <i>with</i> a jack-knife.</p>
<hr />
<h3><SPAN name="MARRIAGE" id="MARRIAGE"></SPAN>MARRIAGE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>conjugal union,</td><td>espousals,</td><td>nuptials,</td><td>spousals,</td><td>wedding,</td></tr>
<tr><td>espousal,</td><td>matrimony,</td><td>spousal,</td><td>union,</td><td>wedlock.</td></tr>
</table>
<p><i>Matrimony</i> denotes the state of those who are united in the<span class="pgn"><SPAN name="Page_237" id="Page_237"></SPAN></span>
relation of husband and wife; <i>marriage</i> denotes primarily the act
of so uniting, but is extensively used for the state as well. <i>Wedlock</i>,
a word of specific legal use, is the Saxon term for the state
or relation denoted by <i>matrimony</i>. <i>Wedding</i> denotes the ceremony,
with any attendant festivities, by which two persons are
united as husband and wife, <i>nuptials</i> being the more formal and
stately term to express the same idea.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bachelorhood,</td><td>celibacy,</td><td>divorce,</td><td>maidenhood,</td><td>virginity,</td><td>widowhood.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Marriage <i>of</i> or <i>between</i> two persons; <i>of</i> one person <i>to</i> or <i>with</i>
another; <i>among</i> the Greeks.</p>
<hr />
<h3><SPAN name="MASCULINE" id="MASCULINE"></SPAN>MASCULINE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>male,</td><td>manful,</td><td>manlike,</td><td>manly,</td><td>mannish,</td><td>virile.</td></tr>
</table>
<p>We apply <i>male</i> to the sex, <i>masculine</i> to the qualities, especially
to the stronger, hardier, and more imperious qualities that distinguish
the <i>male</i> sex; as applied to women, <i>masculine</i> has often
the depreciatory sense of unwomanly, rude, or harsh; as, a <i>masculine</i>
face or voice, or the like; tho one may say in a commendatory
way, she acted with <i>masculine</i> courage or decision.
<i>Manlike</i> may mean only having the outward appearance or
semblance of a man, or may be closely equivalent to <i>manly</i>.
<i>Manly</i> refers to all the qualities and traits worthy of a man;
<i>manful</i>, especially to the valor and prowess that become a man;
we speak of a <i>manful</i> struggle, <i>manly</i> decision; we say <i>manly</i>
gentleness or tenderness; we could not say <i>manful</i> tenderness.
<i>Mannish</i> is a depreciatory word referring to the mimicry or parade
of some superficial qualities of manhood; as, a <i>mannish</i> boy
or woman. <i>Masculine</i> may apply to the distinctive qualities of
the <i>male</i> sex at any age; <i>virile</i> applies to the distinctive qualities
of mature manhood only, as opposed not only to <i>feminine</i> or <i>womanly</i>
but to <i>childish</i>, and is thus an emphatic word for <i>sturdy</i>,
<i>intrepid</i>, etc.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#FEMININE">FEMININE</SPAN></span>.</p>
<hr />
<h3>MASSACRE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>butchery,</td><td>carnage,</td><td>havoc,</td><td>slaughter.</td></tr>
</table>
<p>A <i>massacre</i> is the indiscriminate killing in numbers of the unresisting<span class="pgn"><SPAN name="Page_238" id="Page_238"></SPAN></span>
or defenseless; <i>butchery</i> is the killing of men rudely and
ruthlessly as cattle are killed in the shambles. <i>Havoc</i> may not be
so complete as <i>massacre</i>, nor so coldly brutal as <i>butchery</i>, but is
more widely spread and furious; it is destruction let loose, and
may be applied to organizations, interests, etc., as well as to human
life; "as for Saul, he made <i>havoc</i> of the church," <i>Acts</i> viii,
3. <i>Carnage</i> (Latin <i>caro, carnis</i>, flesh) refers to widely scattered
or heaped up corpses of the slain; <i>slaughter</i> is similar in meaning,
but refers more to the process, as <i>carnage</i> does to the result; these
two words only of the group may be used of great destruction of
life in open and honorable battle, as when we say the enemy was
repulsed with great <i>slaughter</i>, or the <i>carnage</i> was terrible.</p>
<hr />
<h3><SPAN name="MEDDLESOME" id="MEDDLESOME"></SPAN>MEDDLESOME.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>impertinent,</td><td>intrusive,</td><td>meddling,</td><td>obtrusive,</td><td>officious.</td></tr>
</table>
<p>The <i>meddlesome</i> person interferes unasked in the affairs of
others; the <i>intrusive</i> person thrusts himself uninvited into their
company or conversation; the <i>obtrusive</i> person thrusts himself or
his opinions conceitedly and undesirably upon their notice; the
<i>officious</i> person thrusts his services, unasked and undesired, upon
others. <i>Obtrusive</i> is oftener applied to words, qualities, actions,
etc., than to persons; <i>intrusive</i> is used chiefly of persons, as is
<i>officious</i>, tho we speak of <i>officious</i> attentions, <i>intrusive</i> remarks;
<i>meddlesome</i> is used indifferently of persons, or of words, qualities,
actions, etc. Compare <span class="smcl"><SPAN href="#INQUISITIVE">INQUISITIVE</SPAN></span>; <span class="smcl"><SPAN href="#INTERPOSE">INTERPOSE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>modest,</td><td>reserved,</td><td>retiring,</td><td>shy,</td><td>unassuming,</td><td>unobtrusive.</td></tr>
</table>
<hr />
<h3><SPAN name="MELODY" id="MELODY"></SPAN>MELODY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>harmony,</td><td>music,</td><td>symphony,</td><td>unison.</td></tr>
</table>
<p><i>Harmony</i> is simultaneous; <i>melody</i> is successive; <i>harmony</i> is
the pleasing correspondence of two or more notes sounded at once,
<i>melody</i> the pleasing succession of a number of notes continuously
following one another. A <i>melody</i> may be wholly in one part;
<i>harmony</i> must be of two or more parts. Accordant notes of different
pitch sounded simultaneously produce <i>harmony</i>; <i>unison</i> is
the simultaneous sounding of two or more notes of the same pitch.
When the pitch is the same, there may be <i>unison</i> between sounds
of very different volume and quality, as a voice and a bell may<span class="pgn"><SPAN name="Page_239" id="Page_239"></SPAN></span>
sound in <i>unison</i>. Tones sounded at the interval of an octave are
also said to be in <i>unison</i>, altho this is not literally exact; this
usage arises from the fact that bass and tenor voices in attempting
to sound the same note as the soprano and alto will in fact sound
a note an octave below. <i>Music</i> may denote the simplest <i>melody</i>
or the most complex and perfect <i>harmony</i>. A <i>symphony</i> (apart
from its technical orchestral sense) is any pleasing consonance of
musical sounds, vocal or instrumental, as of many accordant voices
or instruments.</p>
<hr />
<h3>MEMORY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>recollection,</td><td rowspan="2">reminiscence,</td><td rowspan="2">retrospect,</td><td rowspan="2">retrospection.</td></tr>
<tr><td>remembrance,</td></tr>
</table>
<p><i>Memory</i> is the faculty by which knowledge is retained or
recalled; in a more general sense, <i>memory</i> is a retention of
knowledge within the grasp of the mind, while <i>remembrance</i> is the
having what is known consciously before the mind. <i>Remembrance</i>
may be voluntary or involuntary; a thing is brought to <i>remembrance</i>
or we call it to <i>remembrance</i>; the same is true of <i>memory</i>.
<i>Recollection</i> involves volition, the mind making a distinct effort to
recall something, or fixing the attention actively upon it when
recalled. <i>Reminiscence</i> is a half-dreamy <i>memory</i> of scenes or
events long past; <i>retrospection</i> is a distinct turning of the mind
back upon the past, bringing long periods under survey.
<i>Retrospection</i> is to <i>reminiscence</i> much what <i>recollection</i> is to
<i>remembrance</i>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>forgetfulness,</td><td>oblivion,</td><td>obliviousness,</td><td>oversight,</td><td>unconsciousness.</td></tr>
</table>
<hr />
<h3><SPAN name="MERCY" id="MERCY"></SPAN>MERCY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>benevolence,</td><td>favor,</td><td>kindness,</td><td>mildness,</td></tr>
<tr><td>benignity,</td><td>forbearance,</td><td>lenience,</td><td>pardon,</td></tr>
<tr><td>blessing,</td><td>forgiveness,</td><td>leniency,</td><td>pity,</td></tr>
<tr><td>clemency,</td><td>gentleness,</td><td>lenity,</td><td>tenderness.</td></tr>
<tr><td>compassion,</td><td colspan="3">grace,</td></tr>
</table>
<p><i>Mercy</i> is the exercise of less severity than one deserves, or in a
more extended sense, the granting of <i>kindness</i> or <i>favor</i> beyond
what one may rightly claim. <i>Grace</i> is <i>favor</i>, <i>kindness</i>, or <i>blessing</i>
shown to the undeserving; <i>forgiveness</i>, <i>mercy</i>, and <i>pardon</i> are
exercised toward the ill-deserving. <i>Pardon</i> remits the outward
penalty which the offender deserves; <i>forgiveness</i> dismisses resentment
or displeasure from the heart of the one offended;<span class="pgn"><SPAN name="Page_240" id="Page_240"></SPAN></span>
<i>mercy</i> seeks the highest possible good of the offender. There may
be <i>mercy</i> without <i>pardon</i>, as in the mitigation of sentence, or in
all possible alleviation of necessary severity; there may be cases
where <i>pardon</i> would not be <i>mercy</i>, since it would encourage to
repetition of the offense, from which timely punishment might
have saved. <i>Mercy</i> is also used in the wider sense of refraining
from harshness or cruelty toward those who are in one's power
without fault of their own; as, they besought the robber to have
<i>mercy</i>. <i>Clemency</i> is a colder word than <i>mercy</i>, and without its
religious associations, signifying <i>mildness</i> and moderation in the
use of power where severity would have legal or military,
rather than moral sanction; it often denotes a habitual <i>mildness</i>
of disposition on the part of the powerful, and is matter rather of
good nature or policy than of principle. <i>Leniency</i> or <i>lenity</i> denotes
an easy-going avoidance of severity; these words are more
general and less magisterial than <i>clemency</i>; we should speak of
the <i>leniency</i> of a parent, the <i>clemency</i> of a conqueror. Compare
<span class="smcl"><SPAN href="#PITY">PITY</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>cruelty,</td><td>implacability,</td><td>punishment,</td><td>rigor,</td><td>sternness,</td></tr>
<tr><td>hardness,</td><td>justice,</td><td>revenge,</td><td>severity,</td><td>vengeance.</td></tr>
<tr><td>harshness,</td><td colspan="4">penalty,</td></tr>
</table>
<h4>Prepositions:</h4>
<p>The mercy <i>of</i> God <i>to</i> or <i>toward</i> sinners; have mercy <i>on</i> or
<i>upon</i> one.</p>
<hr />
<h3><SPAN name="METER" id="METER"></SPAN>METER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>euphony,</td><td>measure,</td><td>rhythm,</td><td>verse.</td></tr>
</table>
<p><i>Euphony</i> is agreeable linguistic sound, however produced;
<i>meter</i>, <i>measure</i>, and <i>rhythm</i> denote agreeable succession of sounds
in the utterance of connected words; <i>euphony</i> may apply to a
single word or even a single syllable; the other words apply to
lines, sentences, paragraphs, etc.; <i>rhythm</i> and <i>meter</i> may be produced
by accent only, as in English, or by accent and quantity
combined, as in Greek or Italian; <i>rhythm</i> or <i>measure</i> may apply
either to prose or to poetry, or to music, dancing, etc.; <i>meter</i> is
more precise than <i>rhythm</i>, applies only to poetry, and denotes
a measured <i>rhythm</i> with regular divisions into <i>verses</i>, stanzas,
strophes, etc. A <i>verse</i> is strictly a metrical line, but the word is
often used as synonymous with stanza. <i>Verse</i>, in the general
sense, denotes metrical writing without reference to the thought
involved; as, prose and <i>verse</i>. Compare <span class="smcl"><SPAN href="#MELODY">MELODY</SPAN></span>; <span class="smcl"><SPAN href="#POETRY">POETRY</SPAN></span>.</p>
<hr /><p><span class="pgn"><SPAN name="Page_241" id="Page_241"></SPAN></span></p>
<div style="break-after:column;"></div><br />