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<h2> CHAPTER V—THINGS OF THE NIGHT </h2>
<p>After the departure of the ruffians, the Rue Plumet resumed its tranquil,
nocturnal aspect. That which had just taken place in this street would not
have astonished a forest. The lofty trees, the copses, the heaths, the
branches rudely interlaced, the tall grass, exist in a sombre manner; the
savage swarming there catches glimpses of sudden apparitions of the
invisible; that which is below man distinguishes, through the mists, that
which is beyond man; and the things of which we living beings are ignorant
there meet face to face in the night. Nature, bristling and wild, takes
alarm at certain approaches in which she fancies that she feels the
supernatural. The forces of the gloom know each other, and are strangely
balanced by each other. Teeth and claws fear what they cannot grasp.
Blood-drinking bestiality, voracious appetites, hunger in search of prey,
the armed instincts of nails and jaws which have for source and aim the
belly, glare and smell out uneasily the impassive spectral forms straying
beneath a shroud, erect in its vague and shuddering robe, and which seem
to them to live with a dead and terrible life. These brutalities, which
are only matter, entertain a confused fear of having to deal with the
immense obscurity condensed into an unknown being. A black figure barring
the way stops the wild beast short. That which emerges from the cemetery
intimidates and disconcerts that which emerges from the cave; the
ferocious fear the sinister; wolves recoil when they encounter a ghoul.</p>
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<h2> CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING COSETTE HIS ADDRESS </h2>
<p>While this sort of a dog with a human face was mounting guard over the
gate, and while the six ruffians were yielding to a girl, Marius was by
Cosette's side.</p>
<p>Never had the sky been more studded with stars and more charming, the
trees more trembling, the odor of the grass more penetrating; never had
the birds fallen asleep among the leaves with a sweeter noise; never had
all the harmonies of universal serenity responded more thoroughly to the
inward music of love; never had Marius been more captivated, more happy,
more ecstatic.</p>
<p>But he had found Cosette sad; Cosette had been weeping. Her eyes were red.</p>
<p>This was the first cloud in that wonderful dream.</p>
<p>Marius' first word had been: "What is the matter?"</p>
<p>And she had replied: "This."</p>
<p>Then she had seated herself on the bench near the steps, and while he
tremblingly took his place beside her, she had continued:—</p>
<p>"My father told me this morning to hold myself in readiness, because he
has business, and we may go away from here."</p>
<p>Marius shivered from head to foot.</p>
<p>When one is at the end of one's life, to die means to go away; when one is
at the beginning of it, to go away means to die.</p>
<p>For the last six weeks, Marius had little by little, slowly, by degrees,
taken possession of Cosette each day. As we have already explained, in the
case of first love, the soul is taken long before the body; later on, one
takes the body long before the soul; sometimes one does not take the soul
at all; the Faublas and the Prudhommes add: "Because there is none"; but
the sarcasm is, fortunately, a blasphemy. So Marius possessed Cosette, as
spirits possess, but he enveloped her with all his soul, and seized her
jealously with incredible conviction. He possessed her smile, her breath,
her perfume, the profound radiance of her blue eyes, the sweetness of her
skin when he touched her hand, the charming mark which she had on her
neck, all her thoughts. Therefore, he possessed all Cosette's dreams.</p>
<p>He incessantly gazed at, and he sometimes touched lightly with his breath,
the short locks on the nape of her neck, and he declared to himself that
there was not one of those short hairs which did not belong to him,
Marius. He gazed upon and adored the things that she wore, her knot of
ribbon, her gloves, her sleeves, her shoes, her cuffs, as sacred objects
of which he was the master. He dreamed that he was the lord of those
pretty shell combs which she wore in her hair, and he even said to
himself, in confused and suppressed stammerings of voluptuousness which
did not make their way to the light, that there was not a ribbon of her
gown, not a mesh in her stockings, not a fold in her bodice, which was not
his. Beside Cosette he felt himself beside his own property, his own
thing, his own despot and his slave. It seemed as though they had so
intermingled their souls, that it would have been impossible to tell them
apart had they wished to take them back again.—"This is mine." "No,
it is mine." "I assure you that you are mistaken. This is my property."
"What you are taking as your own is myself."—Marius was something
that made a part of Cosette, and Cosette was something which made a part
of Marius. Marius felt Cosette within him. To have Cosette, to possess
Cosette, this, to him, was not to be distinguished from breathing. It was
in the midst of this faith, of this intoxication, of this virgin
possession, unprecedented and absolute, of this sovereignty, that these
words: "We are going away," fell suddenly, at a blow, and that the harsh
voice of reality cried to him: "Cosette is not yours!"</p>
<p>Marius awoke. For six weeks Marius had been living, as we have said,
outside of life; those words, going away! caused him to re-enter it
harshly.</p>
<p>He found not a word to say. Cosette merely felt that his hand was very
cold. She said to him in her turn: "What is the matter?"</p>
<p>He replied in so low a tone that Cosette hardly heard him:—</p>
<p>"I did not understand what you said."</p>
<p>She began again:—</p>
<p>"This morning my father told me to settle all my little affairs and to
hold myself in readiness, that he would give me his linen to put in a
trunk, that he was obliged to go on a journey, that we were to go away,
that it is necessary to have a large trunk for me and a small one for him,
and that all is to be ready in a week from now, and that we might go to
England."</p>
<p>"But this is outrageous!" exclaimed Marius.</p>
<p>It is certain, that, at that moment, no abuse of power, no violence, not
one of the abominations of the worst tyrants, no action of Busiris, of
Tiberius, or of Henry VIII., could have equalled this in atrocity, in the
opinion of Marius; M. Fauchelevent taking his daughter off to England
because he had business there.</p>
<p>He demanded in a weak voice:—</p>
<p>"And when do you start?"</p>
<p>"He did not say when."</p>
<p>"And when shall you return?"</p>
<p>"He did not say when."</p>
<p>Marius rose and said coldly:—</p>
<p>"Cosette, shall you go?"</p>
<p>Cosette turned toward him her beautiful eyes, all filled with anguish, and
replied in a sort of bewilderment:—</p>
<p>"Where?"</p>
<p>"To England. Shall you go?"</p>
<p>"Why do you say you to me?"</p>
<p>"I ask you whether you will go?"</p>
<p>"What do you expect me to do?" she said, clasping her hands.</p>
<p>"So, you will go?"</p>
<p>"If my father goes."</p>
<p>"So, you will go?"</p>
<p>Cosette took Marius' hand, and pressed it without replying.</p>
<p>"Very well," said Marius, "then I will go elsewhere."</p>
<p>Cosette felt rather than understood the meaning of these words. She turned
so pale that her face shone white through the gloom. She stammered:—</p>
<p>"What do you mean?"</p>
<p>Marius looked at her, then raised his eyes to heaven, and answered:
"Nothing."</p>
<p>When his eyes fell again, he saw Cosette smiling at him. The smile of a
woman whom one loves possesses a visible radiance, even at night.</p>
<p>"How silly we are! Marius, I have an idea."</p>
<p>"What is it?"</p>
<p>"If we go away, do you go too! I will tell you where! Come and join me
wherever I am."</p>
<p>Marius was now a thoroughly roused man. He had fallen back into reality.
He cried to Cosette:—</p>
<p>"Go away with you! Are you mad? Why, I should have to have money, and I
have none! Go to England? But I am in debt now, I owe, I don't know how
much, more than ten louis to Courfeyrac, one of my friends with whom you
are not acquainted! I have an old hat which is not worth three francs, I
have a coat which lacks buttons in front, my shirt is all ragged, my
elbows are torn, my boots let in the water; for the last six weeks I have
not thought about it, and I have not told you about it. You only see me at
night, and you give me your love; if you were to see me in the daytime,
you would give me a sou! Go to England! Eh! I haven't enough to pay for a
passport!"</p>
<p>He threw himself against a tree which was close at hand, erect, his brow
pressed close to the bark, feeling neither the wood which flayed his skin,
nor the fever which was throbbing in his temples, and there he stood
motionless, on the point of falling, like the statue of despair.</p>
<p>He remained a long time thus. One could remain for eternity in such
abysses. At last he turned round. He heard behind him a faint stifled
noise, which was sweet yet sad.</p>
<p>It was Cosette sobbing.</p>
<p>She had been weeping for more than two hours beside Marius as he
meditated.</p>
<p>He came to her, fell at her knees, and slowly prostrating himself, he took
the tip of her foot which peeped out from beneath her robe, and kissed it.</p>
<p>She let him have his way in silence. There are moments when a woman
accepts, like a sombre and resigned goddess, the religion of love.</p>
<p>"Do not weep," he said.</p>
<p>She murmured:—</p>
<p>"Not when I may be going away, and you cannot come!"</p>
<p>He went on:—</p>
<p>"Do you love me?"</p>
<p>She replied, sobbing, by that word from paradise which is never more
charming than amid tears:—</p>
<p>"I adore you!"</p>
<p>He continued in a tone which was an indescribable caress:—</p>
<p>"Do not weep. Tell me, will you do this for me, and cease to weep?"</p>
<p>"Do you love me?" said she.</p>
<p>He took her hand.</p>
<p>"Cosette, I have never given my word of honor to any one, because my word
of honor terrifies me. I feel that my father is by my side. Well, I give
you my most sacred word of honor, that if you go away I shall die."</p>
<p>In the tone with which he uttered these words there lay a melancholy so
solemn and so tranquil, that Cosette trembled. She felt that chill which
is produced by a true and gloomy thing as it passes by. The shock made her
cease weeping.</p>
<p>"Now, listen," said he, "do not expect me to-morrow."</p>
<p>"Why?"</p>
<p>"Do not expect me until the day after to-morrow."</p>
<p>"Oh! Why?"</p>
<p>"You will see."</p>
<p>"A day without seeing you! But that is impossible!"</p>
<p>"Let us sacrifice one day in order to gain our whole lives, perhaps."</p>
<p>And Marius added in a low tone and in an aside:—</p>
<p>"He is a man who never changes his habits, and he has never received any
one except in the evening."</p>
<p>"Of what man are you speaking?" asked Cosette.</p>
<p>"I? I said nothing."</p>
<p>"What do you hope, then?"</p>
<p>"Wait until the day after to-morrow."</p>
<p>"You wish it?"</p>
<p>"Yes, Cosette."</p>
<p>She took his head in both her hands, raising herself on tiptoe in order to
be on a level with him, and tried to read his hope in his eyes.</p>
<p>Marius resumed:—</p>
<p>"Now that I think of it, you ought to know my address: something might
happen, one never knows; I live with that friend named Courfeyrac, Rue de
la Verrerie, No. 16."</p>
<p>He searched in his pocket, pulled out his penknife, and with the blade he
wrote on the plaster of the wall:—</p>
<p>"16 Rue de la Verrerie."</p>
<p>In the meantime, Cosette had begun to gaze into his eyes once more.</p>
<p>"Tell me your thought, Marius; you have some idea. Tell it to me. Oh! tell
me, so that I may pass a pleasant night."</p>
<p>"This is my idea: that it is impossible that God should mean to part us.
Wait; expect me the day after to-morrow."</p>
<p>"What shall I do until then?" said Cosette. "You are outside, you go, and
come! How happy men are! I shall remain entirely alone! Oh! How sad I
shall be! What is it that you are going to do to-morrow evening? tell me."</p>
<p>"I am going to try something."</p>
<p>"Then I will pray to God and I will think of you here, so that you may be
successful. I will question you no further, since you do not wish it. You
are my master. I shall pass the evening to-morrow in singing that music
from Euryanthe that you love, and that you came one evening to listen to,
outside my shutters. But day after to-morrow you will come early. I shall
expect you at dusk, at nine o'clock precisely, I warn you. Mon Dieu! how
sad it is that the days are so long! On the stroke of nine, do you
understand, I shall be in the garden."</p>
<p>"And I also."</p>
<p>And without having uttered it, moved by the same thought, impelled by
those electric currents which place lovers in continual communication,
both being intoxicated with delight even in their sorrow, they fell into
each other's arms, without perceiving that their lips met while their
uplifted eyes, overflowing with rapture and full of tears, gazed upon the
stars.</p>
<p>When Marius went forth, the street was deserted. This was the moment when
Eponine was following the ruffians to the boulevard.</p>
<p>While Marius had been dreaming with his head pressed to the tree, an idea
had crossed his mind; an idea, alas! that he himself judged to be
senseless and impossible. He had come to a desperate decision.</p>
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