<p><SPAN name="link2HCH0240" id="link2HCH0240"></SPAN></p>
<h2> CHAPTER VIII—THE CHAIN-GANG </h2>
<p>Jean Valjean was the more unhappy of the two. Youth, even in its sorrows,
always possesses its own peculiar radiance.</p>
<p>At times, Jean Valjean suffered so greatly that he became puerile. It is
the property of grief to cause the childish side of man to reappear. He
had an unconquerable conviction that Cosette was escaping from him. He
would have liked to resist, to retain her, to arouse her enthusiasm by
some external and brilliant matter. These ideas, puerile, as we have just
said, and at the same time senile, conveyed to him, by their very
childishness, a tolerably just notion of the influence of gold lace on the
imaginations of young girls. He once chanced to see a general on
horseback, in full uniform, pass along the street, Comte Coutard, the
commandant of Paris. He envied that gilded man; what happiness it would
be, he said to himself, if he could put on that suit which was an
incontestable thing; and if Cosette could behold him thus, she would be
dazzled, and when he had Cosette on his arm and passed the gates of the
Tuileries, the guard would present arms to him, and that would suffice for
Cosette, and would dispel her idea of looking at young men.</p>
<p>An unforeseen shock was added to these sad reflections.</p>
<p>In the isolated life which they led, and since they had come to dwell in
the Rue Plumet, they had contracted one habit. They sometimes took a
pleasure trip to see the sun rise, a mild species of enjoyment which
befits those who are entering life and those who are quitting it.</p>
<p>For those who love solitude, a walk in the early morning is equivalent to
a stroll by night, with the cheerfulness of nature added. The streets are
deserted and the birds are singing. Cosette, a bird herself, liked to rise
early. These matutinal excursions were planned on the preceding evening.
He proposed, and she agreed. It was arranged like a plot, they set out
before daybreak, and these trips were so many small delights for Cosette.
These innocent eccentricities please young people.</p>
<p>Jean Valjean's inclination led him, as we have seen, to the least
frequented spots, to solitary nooks, to forgotten places. There then
existed, in the vicinity of the barriers of Paris, a sort of poor meadows,
which were almost confounded with the city, where grew in summer sickly
grain, and which, in autumn, after the harvest had been gathered,
presented the appearance, not of having been reaped, but peeled. Jean
Valjean loved to haunt these fields. Cosette was not bored there. It meant
solitude to him and liberty to her. There, she became a little girl once
more, she could run and almost play; she took off her hat, laid it on Jean
Valjean's knees, and gathered bunches of flowers. She gazed at the
butterflies on the flowers, but did not catch them; gentleness and
tenderness are born with love, and the young girl who cherishes within her
breast a trembling and fragile ideal has mercy on the wing of a butterfly.
She wove garlands of poppies, which she placed on her head, and which,
crossed and penetrated with sunlight, glowing until they flamed, formed
for her rosy face a crown of burning embers.</p>
<p>Even after their life had grown sad, they kept up their custom of early
strolls.</p>
<p>One morning in October, therefore, tempted by the serene perfection of the
autumn of 1831, they set out, and found themselves at break of day near
the Barriere du Maine. It was not dawn, it was daybreak; a delightful and
stern moment. A few constellations here and there in the deep, pale azure,
the earth all black, the heavens all white, a quiver amid the blades of
grass, everywhere the mysterious chill of twilight. A lark, which seemed
mingled with the stars, was carolling at a prodigious height, and one
would have declared that that hymn of pettiness calmed immensity. In the
East, the Valde-Grace projected its dark mass on the clear horizon with
the sharpness of steel; Venus dazzlingly brilliant was rising behind that
dome and had the air of a soul making its escape from a gloomy edifice.</p>
<p>All was peace and silence; there was no one on the road; a few stray
laborers, of whom they caught barely a glimpse, were on their way to their
work along the side-paths.</p>
<p>Jean Valjean was sitting in a cross-walk on some planks deposited at the
gate of a timber-yard. His face was turned towards the highway, his back
towards the light; he had forgotten the sun which was on the point of
rising; he had sunk into one of those profound absorptions in which the
mind becomes concentrated, which imprison even the eye, and which are
equivalent to four walls. There are meditations which may be called
vertical; when one is at the bottom of them, time is required to return to
earth. Jean Valjean had plunged into one of these reveries. He was
thinking of Cosette, of the happiness that was possible if nothing came
between him and her, of the light with which she filled his life, a light
which was but the emanation of her soul. He was almost happy in his
revery. Cosette, who was standing beside him, was gazing at the clouds as
they turned rosy.</p>
<p>All at once Cosette exclaimed: "Father, I should think some one was coming
yonder." Jean Valjean raised his eyes.</p>
<p>Cosette was right. The causeway which leads to the ancient Barriere du
Maine is a prolongation, as the reader knows, of the Rue de Sevres, and is
cut at right angles by the inner boulevard. At the elbow of the causeway
and the boulevard, at the spot where it branches, they heard a noise which
it was difficult to account for at that hour, and a sort of confused pile
made its appearance. Some shapeless thing which was coming from the
boulevard was turning into the road.</p>
<p>It grew larger, it seemed to move in an orderly manner, though it was
bristling and quivering; it seemed to be a vehicle, but its load could not
be distinctly made out. There were horses, wheels, shouts; whips were
cracking. By degrees the outlines became fixed, although bathed in
shadows. It was a vehicle, in fact, which had just turned from the
boulevard into the highway, and which was directing its course towards the
barrier near which sat Jean Valjean; a second, of the same aspect,
followed, then a third, then a fourth; seven chariots made their
appearance in succession, the heads of the horses touching the rear of the
wagon in front. Figures were moving on these vehicles, flashes were
visible through the dusk as though there were naked swords there, a
clanking became audible which resembled the rattling of chains, and as
this something advanced, the sound of voices waxed louder, and it turned
into a terrible thing such as emerges from the cave of dreams.</p>
<p>As it drew nearer, it assumed a form, and was outlined behind the trees
with the pallid hue of an apparition; the mass grew white; the day, which
was slowly dawning, cast a wan light on this swarming heap which was at
once both sepulchral and living, the heads of the figures turned into the
faces of corpses, and this is what it proved to be:—</p>
<p>Seven wagons were driving in a file along the road. The first six were
singularly constructed. They resembled coopers' drays; they consisted of
long ladders placed on two wheels and forming barrows at their rear
extremities. Each dray, or rather let us say, each ladder, was attached to
four horses harnessed tandem. On these ladders strange clusters of men
were being drawn. In the faint light, these men were to be divined rather
than seen. Twenty-four on each vehicle, twelve on a side, back to back,
facing the passers-by, their legs dangling in the air,—this was the
manner in which these men were travelling, and behind their backs they had
something which clanked, and which was a chain, and on their necks
something which shone, and which was an iron collar. Each man had his
collar, but the chain was for all; so that if these four and twenty men
had occasion to alight from the dray and walk, they were seized with a
sort of inexorable unity, and were obliged to wind over the ground with
the chain for a backbone, somewhat after the fashion of millepeds. In the
back and front of each vehicle, two men armed with muskets stood erect,
each holding one end of the chain under his foot. The iron necklets were
square. The seventh vehicle, a huge rack-sided baggage wagon, without a
hood, had four wheels and six horses, and carried a sonorous pile of iron
boilers, cast-iron pots, braziers, and chains, among which were mingled
several men who were pinioned and stretched at full length, and who seemed
to be ill. This wagon, all lattice-work, was garnished with dilapidated
hurdles which appeared to have served for former punishments. These
vehicles kept to the middle of the road. On each side marched a double
hedge of guards of infamous aspect, wearing three-cornered hats, like the
soldiers under the Directory, shabby, covered with spots and holes,
muffled in uniforms of veterans and the trousers of undertakers' men, half
gray, half blue, which were almost hanging in rags, with red epaulets,
yellow shoulder belts, short sabres, muskets, and cudgels; they were a
species of soldier-blackguards. These myrmidons seemed composed of the
abjectness of the beggar and the authority of the executioner. The one who
appeared to be their chief held a postilion's whip in his hand. All these
details, blurred by the dimness of dawn, became more and more clearly
outlined as the light increased. At the head and in the rear of the convoy
rode mounted gendarmes, serious and with sword in fist.</p>
<p>This procession was so long that when the first vehicle reached the
barrier, the last was barely debauching from the boulevard. A throng,
sprung, it is impossible to say whence, and formed in a twinkling, as is
frequently the case in Paris, pressed forward from both sides of the road
and looked on. In the neighboring lanes the shouts of people calling to
each other and the wooden shoes of market-gardeners hastening up to gaze
were audible.</p>
<p>The men massed upon the drays allowed themselves to be jolted along in
silence. They were livid with the chill of morning. They all wore linen
trousers, and their bare feet were thrust into wooden shoes. The rest of
their costume was a fantasy of wretchedness. Their accoutrements were
horribly incongruous; nothing is more funereal than the harlequin in rags.
Battered felt hats, tarpaulin caps, hideous woollen nightcaps, and, side
by side with a short blouse, a black coat broken at the elbow; many wore
women's headgear, others had baskets on their heads; hairy breasts were
visible, and through the rent in their garments tattooed designs could be
descried; temples of Love, flaming hearts, Cupids; eruptions and unhealthy
red blotches could also be seen. Two or three had a straw rope attached to
the cross-bar of the dray, and suspended under them like a stirrup, which
supported their feet. One of them held in his hand and raised to his mouth
something which had the appearance of a black stone and which he seemed to
be gnawing; it was bread which he was eating. There were no eyes there
which were not either dry, dulled, or flaming with an evil light. The
escort troop cursed, the men in chains did not utter a syllable; from time
to time the sound of a blow became audible as the cudgels descended on
shoulder-blades or skulls; some of these men were yawning; their rags were
terrible; their feet hung down, their shoulders oscillated, their heads
clashed together, their fetters clanked, their eyes glared ferociously,
their fists clenched or fell open inertly like the hands of corpses; in
the rear of the convoy ran a band of children screaming with laughter.</p>
<p>This file of vehicles, whatever its nature was, was mournful. It was
evident that to-morrow, that an hour hence, a pouring rain might descend,
that it might be followed by another and another, and that their
dilapidated garments would be drenched, that once soaked, these men would
not get dry again, that once chilled, they would not again get warm, that
their linen trousers would be glued to their bones by the downpour, that
the water would fill their shoes, that no lashes from the whips would be
able to prevent their jaws from chattering, that the chain would continue
to bind them by the neck, that their legs would continue to dangle, and it
was impossible not to shudder at the sight of these human beings thus
bound and passive beneath the cold clouds of autumn, and delivered over to
the rain, to the blast, to all the furies of the air, like trees and
stones.</p>
<p>Blows from the cudgel were not omitted even in the case of the sick men,
who lay there knotted with ropes and motionless on the seventh wagon, and
who appeared to have been tossed there like sacks filled with misery.</p>
<p>Suddenly, the sun made its appearance; the immense light of the Orient
burst forth, and one would have said that it had set fire to all those
ferocious heads. Their tongues were unloosed; a conflagration of grins,
oaths, and songs exploded. The broad horizontal sheet of light severed the
file in two parts, illuminating heads and bodies, leaving feet and wheels
in the obscurity. Thoughts made their appearance on these faces; it was a
terrible moment; visible demons with their masks removed, fierce souls
laid bare. Though lighted up, this wild throng remained in gloom. Some,
who were gay, had in their mouths quills through which they blew vermin
over the crowd, picking out the women; the dawn accentuated these
lamentable profiles with the blackness of its shadows; there was not one
of these creatures who was not deformed by reason of wretchedness; and the
whole was so monstrous that one would have said that the sun's brilliancy
had been changed into the glare of the lightning. The wagon-load which
headed the line had struck up a song, and were shouting at the top of
their voices with a haggard joviality, a potpourri by Desaugiers, then
famous, called The Vestal; the trees shivered mournfully; in the
cross-lanes, countenances of bourgeois listened in an idiotic delight to
these coarse strains droned by spectres.</p>
<p>All sorts of distress met in this procession as in chaos; here were to be
found the facial angles of every sort of beast, old men, youths, bald
heads, gray beards, cynical monstrosities, sour resignation, savage grins,
senseless attitudes, snouts surmounted by caps, heads like those of young
girls with corkscrew curls on the temples, infantile visages, and by
reason of that, horrible thin skeleton faces, to which death alone was
lacking. On the first cart was a negro, who had been a slave, in all
probability, and who could make a comparison of his chains. The frightful
leveller from below, shame, had passed over these brows; at that degree of
abasement, the last transformations were suffered by all in their
extremest depths, and ignorance, converted into dulness, was the equal of
intelligence converted into despair. There was no choice possible between
these men who appeared to the eye as the flower of the mud. It was evident
that the person who had had the ordering of that unclean procession had
not classified them. These beings had been fettered and coupled pell-mell,
in alphabetical disorder, probably, and loaded hap-hazard on those carts.
Nevertheless, horrors, when grouped together, always end by evolving a
result; all additions of wretched men give a sum total, each chain exhaled
a common soul, and each dray-load had its own physiognomy. By the side of
the one where they were singing, there was one where they were howling; a
third where they were begging; one could be seen in which they were
gnashing their teeth; another load menaced the spectators, another
blasphemed God; the last was as silent as the tomb. Dante would have
thought that he beheld his seven circles of hell on the march. The march
of the damned to their tortures, performed in sinister wise, not on the
formidable and flaming chariot of the Apocalypse, but, what was more
mournful than that, on the gibbet cart.</p>
<p>One of the guards, who had a hook on the end of his cudgel, made a
pretence from time to time, of stirring up this mass of human filth. An
old woman in the crowd pointed them out to her little boy five years old,
and said to him: "Rascal, let that be a warning to you!"</p>
<p>As the songs and blasphemies increased, the man who appeared to be the
captain of the escort cracked his whip, and at that signal a fearful dull
and blind flogging, which produced the sound of hail, fell upon the seven
dray-loads; many roared and foamed at the mouth; which redoubled the
delight of the street urchins who had hastened up, a swarm of flies on
these wounds.</p>
<p>Jean Valjean's eyes had assumed a frightful expression. They were no
longer eyes; they were those deep and glassy objects which replace the
glance in the case of certain wretched men, which seem unconscious of
reality, and in which flames the reflection of terrors and of
catastrophes. He was not looking at a spectacle, he was seeing a vision.
He tried to rise, to flee, to make his escape; he could not move his feet.
Sometimes, the things that you see seize upon you and hold you fast. He
remained nailed to the spot, petrified, stupid, asking himself, athwart
confused and inexpressible anguish, what this sepulchral persecution
signified, and whence had come that pandemonium which was pursuing him.
All at once, he raised his hand to his brow, a gesture habitual to those
whose memory suddenly returns; he remembered that this was, in fact, the
usual itinerary, that it was customary to make this detour in order to
avoid all possibility of encountering royalty on the road to
Fontainebleau, and that, five and thirty years before, he had himself
passed through that barrier.</p>
<p>Cosette was no less terrified, but in a different way. She did not
understand; what she beheld did not seem to her to be possible; at length
she cried:—</p>
<p>"Father! What are those men in those carts?"</p>
<p>Jean Valjean replied: "Convicts."</p>
<p>"Whither are they going?"</p>
<p>"To the galleys."</p>
<p>At that moment, the cudgelling, multiplied by a hundred hands, became
zealous, blows with the flat of the sword were mingled with it, it was a
perfect storm of whips and clubs; the convicts bent before it, a hideous
obedience was evoked by the torture, and all held their peace, darting
glances like chained wolves.</p>
<p>Cosette trembled in every limb; she resumed:—</p>
<p>"Father, are they still men?"</p>
<p>"Sometimes," answered the unhappy man.</p>
<p>It was the chain-gang, in fact, which had set out before daybreak from
Bic�tre, and had taken the road to Mans in order to avoid Fontainebleau,
where the King then was. This caused the horrible journey to last three or
four days longer; but torture may surely be prolonged with the object of
sparing the royal personage a sight of it.</p>
<p>Jean Valjean returned home utterly overwhelmed. Such encounters are
shocks, and the memory that they leave behind them resembles a thorough
shaking up.</p>
<p>Nevertheless, Jean Valjean did not observe that, on his way back to the
Rue de Babylone with Cosette, the latter was plying him with other
questions on the subject of what they had just seen; perhaps he was too
much absorbed in his own dejection to notice her words and reply to them.
But when Cosette was leaving him in the evening, to betake herself to bed,
he heard her say in a low voice, and as though talking to herself: "It
seems to me, that if I were to find one of those men in my pathway, oh, my
God, I should die merely from the sight of him close at hand."</p>
<p>Fortunately, chance ordained that on the morrow of that tragic day, there
was some official solemnity apropos of I know not what,—fetes in
Paris, a review in the Champ de Mars, jousts on the Seine, theatrical
performances in the Champs-Elysees, fireworks at the Arc de l'Etoile,
illuminations everywhere. Jean Valjean did violence to his habits, and
took Cosette to see these rejoicings, for the purpose of diverting her
from the memory of the day before, and of effacing, beneath the smiling
tumult of all Paris, the abominable thing which had passed before her. The
review with which the festival was spiced made the presence of uniforms
perfectly natural; Jean Valjean donned his uniform of a national guard
with the vague inward feeling of a man who is betaking himself to shelter.
However, this trip seemed to attain its object. Cosette, who made it her
law to please her father, and to whom, moreover, all spectacles were a
novelty, accepted this diversion with the light and easy good grace of
youth, and did not pout too disdainfully at that flutter of enjoyment
called a public fete; so that Jean Valjean was able to believe that he had
succeeded, and that no trace of that hideous vision remained.</p>
<p>Some days later, one morning, when the sun was shining brightly, and they
were both on the steps leading to the garden, another infraction of the
rules which Jean Valjean seemed to have imposed upon himself, and to the
custom of remaining in her chamber which melancholy had caused Cosette to
adopt, Cosette, in a wrapper, was standing erect in that negligent attire
of early morning which envelops young girls in an adorable way and which
produces the effect of a cloud drawn over a star; and, with her head
bathed in light, rosy after a good sleep, submitting to the gentle glances
of the tender old man, she was picking a daisy to pieces. Cosette did not
know the delightful legend, I love a little, passionately, etc.—who
was there who could have taught her? She was handling the flower
instinctively, innocently, without a suspicion that to pluck a daisy apart
is to do the same by a heart. If there were a fourth, and smiling Grace
called Melancholy, she would have worn the air of that Grace. Jean Valjean
was fascinated by the contemplation of those tiny fingers on that flower,
and forgetful of everything in the radiance emitted by that child. A
red-breast was warbling in the thicket, on one side. White cloudlets
floated across the sky, so gayly, that one would have said that they had
just been set at liberty. Cosette went on attentively tearing the leaves
from her flower; she seemed to be thinking about something; but whatever
it was, it must be something charming; all at once she turned her head
over her shoulder with the delicate languor of a swan, and said to Jean
Valjean: "Father, what are the galleys like?"</p>
<div style="break-after:column;"></div><br />