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Misérables, Les Vol. 4

<h2> CHAPTER III—FOLIIS AC FRONDIBUS </h2> The garden thus left to itself for more than half a century had become extraordinary and charming. The passers-by of forty years ago halted to gaze at it, without a suspicion of the secrets which it hid in its fresh and verdant depths. More than one dreamer of that epoch often allowed his thoughts and his eyes to penetrate indiscreetly between the bars of that ancient, padlocked gate, twisted, tottering, fastened to two green and moss-covered pillars, and oddly crowned with a pediment of undecipherable arabesque. There was a stone bench in one corner, one or two mouldy statues, several lattices which had lost their nails with time, were rotting on the wall, and there were no walks nor turf; but there was enough grass everywhere. Gardening had taken its departure, and nature had returned. Weeds abounded, which was a great piece of luck for a poor corner of land. The festival of gilliflowers was something splendid. Nothing in this garden obstructed the sacred effort of things towards life; venerable growth reigned there among them. The trees had bent over towards the nettles, the plant had sprung upward, the branch had inclined, that which crawls on the earth had gone in search of that which expands in the air, that which floats on the wind had bent over towards that which trails in the moss; trunks, boughs, leaves, fibres, clusters, tendrils, shoots, spines, thorns, had mingled, crossed, married, confounded themselves in each other; vegetation in a deep and close embrace, had celebrated and accomplished there, under the well-pleased eye of the Creator, in that enclosure three hundred feet square, the holy mystery of fraternity, symbol of the human fraternity. This garden was no longer a garden, it was a colossal thicket, that is to say, something as impenetrable as a forest, as peopled as a city, quivering like a nest, sombre like a cathedral, fragrant like a bouquet, solitary as a tomb, living as a throng. In Floreal34 this enormous thicket, free behind its gate and within its four walls, entered upon the secret labor of germination, quivered in the rising sun, almost like an animal which drinks in the breaths of cosmic love, and which feels the sap of April rising and boiling in its veins, and shakes to the wind its enormous wonderful green locks, sprinkled on the damp earth, on the defaced statues, on the crumbling steps of the pavilion, and even on the pavement of the deserted street, flowers like stars, dew like pearls, fecundity, beauty, life, joy, perfumes. At midday, a thousand white butterflies took refuge there, and it was a divine spectacle to see that living summer snow whirling about there in flakes amid the shade. There, in those gay shadows of verdure, a throng of innocent voices spoke sweetly to the soul, and what the twittering forgot to say the humming completed. In the evening, a dreamy vapor exhaled from the garden and enveloped it; a shroud of mist, a calm and celestial sadness covered it; the intoxicating perfume of the honeysuckles and convolvulus poured out from every part of it, like an exquisite and subtle poison; the last appeals of the woodpeckers and the wagtails were audible as they dozed among the branches; one felt the sacred intimacy of the birds and the trees; by day the wings rejoice the leaves, by night the leaves protect the wings. In winter the thicket was black, dripping, bristling, shivering, and allowed some glimpse of the house. Instead of flowers on the branches and dew in the flowers, the long silvery tracks of the snails were visible on the cold, thick carpet of yellow leaves; but in any fashion, under any aspect, at all seasons, spring, winter, summer, autumn, this tiny enclosure breathed forth melancholy, contemplation, solitude, liberty, the absence of man, the presence of God; and the rusty old gate had the air of saying: "This garden belongs to me." It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World. Nothing is small, in fact; any one who is subject to the profound and penetrating influence of nature knows this. Although no absolute satisfaction is given to philosophy, either to circumscribe the cause or to limit the effect, the contemplator falls into those unfathomable ecstasies caused by these decompositions of force terminating in unity. Everything toils at everything. Algebra is applied to the clouds; the radiation of the star profits the rose; no thinker would venture to affirm that the perfume of the hawthorn is useless to the constellations. Who, then, can calculate the course of a molecule? How do we know that the creation of worlds is not determined by the fall of grains of sand? Who knows the reciprocal ebb and flow of the infinitely great and the infinitely little, the reverberations of causes in the precipices of being, and the avalanches of creation? The tiniest worm is of importance; the great is little, the little is great; everything is balanced in necessity; alarming vision for the mind. There are marvellous relations between beings and things; in that inexhaustible whole, from the sun to the grub, nothing despises the other; all have need of each other. The light does not bear away terrestrial perfumes into the azure depths, without knowing what it is doing; the night distributes stellar essences to the sleeping flowers. All birds that fly have round their leg the thread of the infinite. Germination is complicated with the bursting forth of a meteor and with the peck of a swallow cracking its egg, and it places on one level the birth of an earthworm and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two possesses the larger field of vision? Choose. A bit of mould is a pleiad of flowers; a nebula is an ant-hill of stars. The same promiscuousness, and yet more unprecedented, exists between the things of the intelligence and the facts of substance. Elements and principles mingle, combine, wed, multiply with each other, to such a point that the material and the moral world are brought eventually to the same clearness. The phenomenon is perpetually returning upon itself. In the vast cosmic exchanges the universal life goes and comes in unknown quantities, rolling entirely in the invisible mystery of effluvia, employing everything, not losing a single dream, not a single slumber, sowing an animalcule here, crumbling to bits a planet there, oscillating and winding, making of light a force and of thought an element, disseminated and invisible, dissolving all, except that geometrical point, the I; bringing everything back to the soul-atom; expanding everything in God, entangling all activity, from summit to base, in the obscurity of a dizzy mechanism, attaching the flight of an insect to the movement of the earth, subordinating, who knows? Were it only by the identity of the law, the evolution of the comet in the firmament to the whirling of the infusoria in the drop of water. A machine made of mind. Enormous gearing, the prime motor of which is the gnat, and whose final wheel is the zodiac. <h2> CHAPTER IV—CHANGE OF GATE </h2> It seemed that this garden, created in olden days to conceal wanton mysteries, had been transformed and become fitted to shelter chaste mysteries. There were no longer either arbors, or bowling greens, or tunnels, or grottos; there was a magnificent, dishevelled obscurity falling like a veil over all. Paphos had been made over into Eden. It is impossible to say what element of repentance had rendered this retreat wholesome. This flower-girl now offered her blossom to the soul. This coquettish garden, formerly decidedly compromised, had returned to virginity and modesty. A justice assisted by a gardener, a goodman who thought that he was a continuation of Lamoignon, and another goodman who thought that he was a continuation of Lenotre, had turned it about, cut, ruffled, decked, moulded it to gallantry; nature had taken possession of it once more, had filled it with shade, and had arranged it for love. There was, also, in this solitude, a heart which was quite ready. Love had only to show himself; he had here a temple composed of verdure, grass, moss, the sight of birds, tender shadows, agitated branches, and a soul made of sweetness, of faith, of candor, of hope, of aspiration, and of illusion. Cosette had left the convent when she was still almost a child; she was a little more than fourteen, and she was at the "ungrateful age"; we have already said, that with the exception of her eyes, she was homely rather than pretty; she had no ungraceful feature, but she was awkward, thin, timid and bold at once, a grown-up little girl, in short. Her education was finished, that is to say, she has been taught religion, and even and above all, devotion; then "history," that is to say the thing that bears that name in convents, geography, grammar, the participles, the kings of France, a little music, a little drawing, etc.; but in all other respects she was utterly ignorant, which is a great charm and a great peril. The soul of a young girl should not be left in the dark; later on, mirages that are too abrupt and too lively are formed there, as in a dark chamber. She should be gently and discreetly enlightened, rather with the reflection of realities than with their harsh and direct light. A useful and graciously austere half-light which dissipates puerile fears and obviates falls. There is nothing but the maternal instinct, that admirable intuition composed of the memories of the virgin and the experience of the woman, which knows how this half-light is to be created and of what it should consist. Nothing supplies the place of this instinct. All the nuns in the world are not worth as much as one mother in the formation of a young girl's soul. Cosette had had no mother. She had only had many mothers, in the plural. As for Jean Valjean, he was, indeed, all tenderness, all solicitude; but he was only an old man and he knew nothing at all. Now, in this work of education, in this grave matter of preparing a woman for life, what science is required to combat that vast ignorance which is called innocence! Nothing prepares a young girl for passions like the convent. The convent turns the thoughts in the direction of the unknown. The heart, thus thrown back upon itself, works downward within itself, since it cannot overflow, and grows deep, since it cannot expand. Hence visions, suppositions, conjectures, outlines of romances, a desire for adventures, fantastic constructions, edifices built wholly in the inner obscurity of the mind, sombre and secret abodes where the passions immediately find a lodgement as soon as the open gate permits them to enter. The convent is a compression which, in order to triumph over the human heart, should last during the whole life. On quitting the convent, Cosette could have found nothing more sweet and more dangerous than the house in the Rue Plumet. It was the continuation of solitude with the beginning of liberty; a garden that was closed, but a nature that was acrid, rich, voluptuous, and fragrant; the same dreams as in the convent, but with glimpses of young men; a grating, but one that opened on the street. Still, when she arrived there, we repeat, she was only a child. Jean Valjean gave this neglected garden over to her. "Do what you like with it," he said to her. This amused Cosette; she turned over all the clumps and all the stones, she hunted for "beasts"; she played in it, while awaiting the time when she would dream in it; she loved this garden for the insects that she found beneath her feet amid the grass, while awaiting the day when she would love it for the stars that she would see through the boughs above her head. And then, she loved her father, that is to say, Jean Valjean, with all her soul, with an innocent filial passion which made the goodman a beloved and charming companion to her. It will be remembered that M. Madeleine had been in the habit of reading a great deal. Jean Valjean had continued this practice; he had come to converse well; he possessed the secret riches and the eloquence of a true and humble mind which has spontaneously cultivated itself. He retained just enough sharpness to season his kindness; his mind was rough and his heart was soft. During their conversations in the Luxembourg, he gave her explanations of everything, drawing on what he had read, and also on what he had suffered. As she listened to him, Cosette's eyes wandered vaguely about. This simple man sufficed for Cosette's thought, the same as the wild garden sufficed for her eyes. When she had had a good chase after the butterflies, she came panting up to him and said: "Ah! How I have run!" He kissed her brow. Cosette adored the goodman. She was always at his heels. Where Jean Valjean was, there happiness was. Jean Valjean lived neither in the pavilion nor the garden; she took greater pleasure in the paved back courtyard, than in the enclosure filled with flowers, and in his little lodge furnished with straw-seated chairs than in the great drawing-room hung with tapestry, against which stood tufted easy-chairs. Jean Valjean sometimes said to her, smiling at his happiness in being importuned: "Do go to your own quarters! Leave me alone a little!" She gave him those charming and tender scoldings which are so graceful when they come from a daughter to her father. "Father, I am very cold in your rooms; why don't you have a carpet here and a stove?" "Dear child, there are so many people who are better than I and who have not even a roof over their heads." "Then why is there a fire in my rooms, and everything that is needed?" "Because you are a woman and a child." "Bah! must men be cold and feel uncomfortable?" "Certain men." "That is good, I shall come here so often that you will be obliged to have a fire." And again she said to him:— "Father, why do you eat horrible bread like that?" "Because, my daughter." "Well, if you eat it, I will eat it too." Then, in order to prevent Cosette eating black bread, Jean Valjean ate white bread. Cosette had but a confused recollection of her childhood. She prayed morning and evening for her mother whom she had never known. The Thenardiers had remained with her as two hideous figures in a dream. She remembered that she had gone "one day, at night," to fetch water in a forest. She thought that it had been very far from Paris. It seemed to her that she had begun to live in an abyss, and that it was Jean Valjean who had rescued her from it. Her childhood produced upon her the effect of a time when there had been nothing around her but millepeds, spiders, and serpents. When she meditated in the evening, before falling asleep, as she had not a very clear idea that she was Jean Valjean's daughter, and that he was her father, she fancied that the soul of her mother had passed into that good man and had come to dwell near her. When he was seated, she leaned her cheek against his white hair, and dropped a silent tear, saying to herself: "Perhaps this man is my mother." Cosette, although this is a strange statement to make, in the profound ignorance of a girl brought up in a convent,—maternity being also absolutely unintelligible to virginity,—had ended by fancying that she had had as little mother as possible. She did not even know her mother's name. Whenever she asked Jean Valjean, Jean Valjean remained silent. If she repeated her question, he responded with a smile. Once she insisted; the smile ended in a tear. This silence on the part of Jean Valjean covered Fantine with darkness. Was it prudence? Was it respect? Was it a fear that he should deliver this name to the hazards of another memory than his own? So long as Cosette had been small, Jean Valjean had been willing to talk to her of her mother; when she became a young girl, it was impossible for him to do so. It seemed to him that he no longer dared. Was it because of Cosette? Was it because of Fantine? He felt a certain religious horror at letting that shadow enter Cosette's thought; and of placing a third in their destiny. The more sacred this shade was to him, the more did it seem that it was to be feared. He thought of Fantine, and felt himself overwhelmed with silence. Through the darkness, he vaguely perceived something which appeared to have its finger on its lips. Had all the modesty which had been in Fantine, and which had violently quitted her during her lifetime, returned to rest upon her after her death, to watch in indignation over the peace of that dead woman, and in its shyness, to keep her in her grave? Was Jean Valjean unconsciously submitting to the pressure? We who believe in death, are not among the number who will reject this mysterious explanation. Hence the impossibility of uttering, even for Cosette, that name of Fantine. One day Cosette said to him:— "Father, I saw my mother in a dream last night. She had two big wings. My mother must have been almost a saint during her life." "Through martyrdom," replied Jean Valjean. However, Jean Valjean was happy. When Cosette went out with him, she leaned on his arm, proud and happy, in the plenitude of her heart. Jean Valjean felt his heart melt within him with delight, at all these sparks of a tenderness so exclusive, so wholly satisfied with himself alone. The poor man trembled, inundated with angelic joy; he declared to himself ecstatically that this would last all their lives; he told himself that he really had not suffered sufficiently to merit so radiant a bliss, and he thanked God, in the depths of his soul, for having permitted him to be loved thus, he, a wretch, by that innocent being. <div style="break-after:column;"></div>

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