<p>Mrs. Morel's intimacy with her second son was more subtle and fine,
perhaps not so passionate as with her eldest. It was the rule that Paul
should fetch the money on Friday afternoons. The colliers of the five pits
were paid on Fridays, but not individually. All the earnings of each stall
were put down to the chief butty, as contractor, and he divided the wages
again, either in the public-house or in his own home. So that the children
could fetch the money, school closed early on Friday afternoons. Each of
the Morel children—William, then Annie, then Paul—had fetched
the money on Friday afternoons, until they went themselves to work. Paul
used to set off at half-past three, with a little calico bag in his
pocket. Down all the paths, women, girls, children, and men were seen
trooping to the offices.</p>
<p>These offices were quite handsome: a new, red-brick building, almost like
a mansion, standing in its own grounds at the end of Greenhill Lane. The
waiting-room was the hall, a long, bare room paved with blue brick, and
having a seat all round, against the wall. Here sat the colliers in their
pit-dirt. They had come up early. The women and children usually loitered
about on the red gravel paths. Paul always examined the grass border, and
the big grass bank, because in it grew tiny pansies and tiny
forget-me-nots. There was a sound of many voices. The women had on their
Sunday hats. The girls chattered loudly. Little dogs ran here and there.
The green shrubs were silent all around.</p>
<p>Then from inside came the cry "Spinney Park—Spinney Park." All the
folk for Spinney Park trooped inside. When it was time for Bretty to be
paid, Paul went in among the crowd. The pay-room was quite small. A
counter went across, dividing it into half. Behind the counter stood two
men—Mr. Braithwaite and his clerk, Mr. Winterbottom. Mr. Braithwaite
was large, somewhat of the stern patriarch in appearance, having a rather
thin white beard. He was usually muffled in an enormous silk neckerchief,
and right up to the hot summer a huge fire burned in the open grate. No
window was open. Sometimes in winter the air scorched the throats of the
people, coming in from the freshness. Mr. Winterbottom was rather small
and fat, and very bald. He made remarks that were not witty, whilst his
chief launched forth patriarchal admonitions against the colliers.</p>
<p>The room was crowded with miners in their pit-dirt, men who had been home
and changed, and women, and one or two children, and usually a dog. Paul
was quite small, so it was often his fate to be jammed behind the legs of
the men, near the fire which scorched him. He knew the order of the names—they
went according to stall number.</p>
<p>"Holliday," came the ringing voice of Mr. Braithwaite. Then Mrs. Holliday
stepped silently forward, was paid, drew aside.</p>
<p>"Bower—John Bower."</p>
<p>A boy stepped to the counter. Mr. Braithwaite, large and irascible,
glowered at him over his spectacles.</p>
<p>"John Bower!" he repeated.</p>
<p>"It's me," said the boy.</p>
<p>"Why, you used to 'ave a different nose than that," said glossy Mr.
Winterbottom, peering over the counter. The people tittered, thinking of
John Bower senior.</p>
<p>"How is it your father's not come!" said Mr. Braithwaite, in a large and
magisterial voice.</p>
<p>"He's badly," piped the boy.</p>
<p>"You should tell him to keep off the drink," pronounced the great cashier.</p>
<p>"An' niver mind if he puts his foot through yer," said a mocking voice
from behind.</p>
<p>All the men laughed. The large and important cashier looked down at his
next sheet.</p>
<p>"Fred Pilkington!" he called, quite indifferent.</p>
<p>Mr. Braithwaite was an important shareholder in the firm.</p>
<p>Paul knew his turn was next but one, and his heart began to beat. He was
pushed against the chimney-piece. His calves were burning. But he did not
hope to get through the wall of men.</p>
<p>"Walter Morel!" came the ringing voice.</p>
<p>"Here!" piped Paul, small and inadequate.</p>
<p>"Morel—Walter Morel!" the cashier repeated, his finger and thumb on
the invoice, ready to pass on.</p>
<p>Paul was suffering convulsions of self-consciousness, and could not or
would not shout. The backs of the men obliterated him. Then Mr.
Winterbottom came to the rescue.</p>
<p>"He's here. Where is he? Morel's lad?"</p>
<p>The fat, red, bald little man peered round with keen eyes. He pointed at
the fireplace. The colliers looked round, moved aside, and disclosed the
boy.</p>
<p>"Here he is!" said Mr. Winterbottom.</p>
<p>Paul went to the counter.</p>
<p>"Seventeen pounds eleven and fivepence. Why don't you shout up when you're
called?" said Mr. Braithwaite. He banged on to the invoice a five-pound
bag of silver, then in a delicate and pretty movement, picked up a little
ten-pound column of gold, and plumped it beside the silver. The gold slid
in a bright stream over the paper. The cashier finished counting off the
money; the boy dragged the whole down the counter to Mr. Winterbottom, to
whom the stoppages for rent and tools must be paid. Here he suffered
again.</p>
<p>"Sixteen an' six," said Mr. Winterbottom.</p>
<p>The lad was too much upset to count. He pushed forward some loose silver
and half a sovereign.</p>
<p>"How much do you think you've given me?" asked Mr. Winterbottom.</p>
<p>The boy looked at him, but said nothing. He had not the faintest notion.</p>
<p>"Haven't you got a tongue in your head?"</p>
<p>Paul bit his lip, and pushed forward some more silver.</p>
<p>"Don't they teach you to count at the Board-school?" he asked.</p>
<p>"Nowt but algibbra an' French," said a collier.</p>
<p>"An' cheek an' impidence," said another.</p>
<p>Paul was keeping someone waiting. With trembling fingers he got his money
into the bag and slid out. He suffered the tortures of the damned on these
occasions.</p>
<p>His relief, when he got outside, and was walking along the Mansfield Road,
was infinite. On the park wall the mosses were green. There were some gold
and some white fowls pecking under the apple trees of an orchard. The
colliers were walking home in a stream. The boy went near the wall,
self-consciously. He knew many of the men, but could not recognise them in
their dirt. And this was a new torture to him.</p>
<p>When he got down to the New Inn, at Bretty, his father was not yet come.
Mrs. Wharmby, the landlady, knew him. His grandmother, Morel's mother, had
been Mrs. Wharmby's friend.</p>
<p>"Your father's not come yet," said the landlady, in the peculiar
half-scornful, half-patronising voice of a woman who talks chiefly to
grown men. "Sit you down."</p>
<p>Paul sat down on the edge of the bench in the bar. Some colliers were
"reckoning"—sharing out their money—in a corner; others came
in. They all glanced at the boy without speaking. At last Morel came;
brisk, and with something of an air, even in his blackness.</p>
<p>"Hello!" he said rather tenderly to his son. "Have you bested me? Shall
you have a drink of something?"</p>
<p>Paul and all the children were bred up fierce anti-alcoholists, and he
would have suffered more in drinking a lemonade before all the men than in
having a tooth drawn.</p>
<p>The landlady looked at him <i>de haut en bas</i>, rather pitying, and at
the same time, resenting his clear, fierce morality. Paul went home,
glowering. He entered the house silently. Friday was baking day, and there
was usually a hot bun. His mother put it before him.</p>
<p>Suddenly he turned on her in a fury, his eyes flashing:</p>
<p>"I'm NOT going to the office any more," he said.</p>
<p>"Why, what's the matter?" his mother asked in surprise. His sudden rages
rather amused her.</p>
<p>"I'm NOT going any more," he declared.</p>
<p>"Oh, very well, tell your father so."</p>
<p>He chewed his bun as if he hated it.</p>
<p>"I'm not—I'm not going to fetch the money."</p>
<p>"Then one of Carlin's children can go; they'd be glad enough of the
sixpence," said Mrs. Morel.</p>
<p>This sixpence was Paul's only income. It mostly went in buying birthday
presents; but it WAS an income, and he treasured it. But—</p>
<p>"They can have it, then!" he said. "I don't want it."</p>
<p>"Oh, very well," said his mother. "But you needn't bully ME about it."</p>
<p>"They're hateful, and common, and hateful, they are, and I'm not going any
more. Mr. Braithwaite drops his 'h's', an' Mr. Winterbottom says 'You
was'."</p>
<p>"And is that why you won't go any more?" smiled Mrs. Morel.</p>
<p>The boy was silent for some time. His face was pale, his eyes dark and
furious. His mother moved about at her work, taking no notice of him.</p>
<p>"They always stan' in front of me, so's I can't get out," he said.</p>
<p>"Well, my lad, you've only to ASK them," she replied.</p>
<p>"An' then Alfred Winterbottom says, 'What do they teach you at the
Board-school?'"</p>
<p>"They never taught HIM much," said Mrs. Morel, "that is a fact—neither
manners nor wit—and his cunning he was born with."</p>
<p>So, in her own way, she soothed him. His ridiculous hypersensitiveness
made her heart ache. And sometimes the fury in his eyes roused her, made
her sleeping soul lift up its head a moment, surprised.</p>
<p>"What was the cheque?" she asked.</p>
<p>"Seventeen pounds eleven and fivepence, and sixteen and six stoppages,"
replied the boy. "It's a good week; and only five shillings stoppages for
my father."</p>
<p>So she was able to calculate how much her husband had earned, and could
call him to account if he gave her short money. Morel always kept to
himself the secret of the week's amount.</p>
<p>Friday was the baking night and market night. It was the rule that Paul
should stay at home and bake. He loved to stop in and draw or read; he was
very fond of drawing. Annie always "gallivanted" on Friday nights; Arthur
was enjoying himself as usual. So the boy remained alone.</p>
<p>Mrs. Morel loved her marketing. In the tiny market-place on the top of the
hill, where four roads, from Nottingham and Derby, Ilkeston and Mansfield,
meet, many stalls were erected. Brakes ran in from surrounding villages.
The market-place was full of women, the streets packed with men. It was
amazing to see so many men everywhere in the streets. Mrs. Morel usually
quarrelled with her lace woman, sympathised with her fruit man—who
was a gabey, but his wife was a bad 'un—laughed with the fish man—who
was a scamp but so droll—put the linoleum man in his place, was cold
with the odd-wares man, and only went to the crockery man when she was
driven—or drawn by the cornflowers on a little dish; then she was
coldly polite.</p>
<p>"I wondered how much that little dish was," she said.</p>
<p>"Sevenpence to you."</p>
<p>"Thank you."</p>
<p>She put the dish down and walked away; but she could not leave the
market-place without it. Again she went by where the pots lay coldly on
the floor, and she glanced at the dish furtively, pretending not to.</p>
<p>She was a little woman, in a bonnet and a black costume. Her bonnet was in
its third year; it was a great grievance to Annie.</p>
<p>"Mother!" the girl implored, "don't wear that nubbly little bonnet."</p>
<p>"Then what else shall I wear," replied the mother tartly. "And I'm sure
it's right enough."</p>
<p>It had started with a tip; then had had flowers; now was reduced to black
lace and a bit of jet.</p>
<p>"It looks rather come down," said Paul. "Couldn't you give it a
pick-me-up?"</p>
<p>"I'll jowl your head for impudence," said Mrs. Morel, and she tied the
strings of the black bonnet valiantly under her chin.</p>
<p>She glanced at the dish again. Both she and her enemy, the pot man, had an
uncomfortable feeling, as if there were something between them. Suddenly
he shouted:</p>
<p>"Do you want it for fivepence?"</p>
<p>She started. Her heart hardened; but then she stooped and took up her
dish.</p>
<p>"I'll have it," she said.</p>
<p>"Yer'll do me the favour, like?" he said. "Yer'd better spit in it, like
yer do when y'ave something give yer."</p>
<p>Mrs. Morel paid him the fivepence in a cold manner.</p>
<p>"I don't see you give it me," she said. "You wouldn't let me have it for
fivepence if you didn't want to."</p>
<p>"In this flamin', scrattlin' place you may count yerself lucky if you can
give your things away," he growled.</p>
<p>"Yes; there are bad times, and good," said Mrs. Morel.</p>
<p>But she had forgiven the pot man. They were friends. She dare now finger
his pots. So she was happy.</p>
<p>Paul was waiting for her. He loved her home-coming. She was always her
best so—triumphant, tired, laden with parcels, feeling rich in
spirit. He heard her quick, light step in the entry and looked up from his
drawing.</p>
<p>"Oh!" she sighed, smiling at him from the doorway.</p>
<p>"My word, you ARE loaded!" he exclaimed, putting down his brush.</p>
<p>"I am!" she gasped. "That brazen Annie said she'd meet me. SUCH a weight!"</p>
<p>She dropped her string bag and her packages on the table.</p>
<p>"Is the bread done?" she asked, going to the oven.</p>
<p>"The last one is soaking," he replied. "You needn't look, I've not
forgotten it."</p>
<p>"Oh, that pot man!" she said, closing the oven door. "You know what a
wretch I've said he was? Well, I don't think he's quite so bad."</p>
<p>"Don't you?"</p>
<p>The boy was attentive to her. She took off her little black bonnet.</p>
<p>"No. I think he can't make any money—well, it's everybody's cry
alike nowadays—and it makes him disagreeable."</p>
<p>"It would ME," said Paul.</p>
<p>"Well, one can't wonder at it. And he let me have—how much do you
think he let me have THIS for?"</p>
<p>She took the dish out of its rag of newspaper, and stood looking on it
with joy.</p>
<p>"Show me!" said Paul.</p>
<p>The two stood together gloating over the dish.</p>
<p>"I LOVE cornflowers on things," said Paul.</p>
<p>"Yes, and I thought of the teapot you bought me—"</p>
<p>"One and three," said Paul.</p>
<p>"Fivepence!"</p>
<p>"It's not enough, mother."</p>
<p>"No. Do you know, I fairly sneaked off with it. But I'd been extravagant,
I couldn't afford any more. And he needn't have let me have it if he
hadn't wanted to."</p>
<p>"No, he needn't, need he," said Paul, and the two comforted each other
from the fear of having robbed the pot man.</p>
<p>"We c'n have stewed fruit in it," said Paul.</p>
<p>"Or custard, or a jelly," said his mother.</p>
<p>"Or radishes and lettuce," said he.</p>
<p>"Don't forget that bread," she said, her voice bright with glee.</p>
<p>Paul looked in the oven; tapped the loaf on the base.</p>
<p>"It's done," he said, giving it to her.</p>
<p>She tapped it also.</p>
<p>"Yes," she replied, going to unpack her bag. "Oh, and I'm a wicked,
extravagant woman. I know I s'll come to want."</p>
<p>He hopped to her side eagerly, to see her latest extravagance. She
unfolded another lump of newspaper and disclosed some roots of pansies and
of crimson daisies.</p>
<p>"Four penn'orth!" she moaned.</p>
<p>"How CHEAP!" he cried.</p>
<p>"Yes, but I couldn't afford it THIS week of all weeks."</p>
<p>"But lovely!" he cried.</p>
<p>"Aren't they!" she exclaimed, giving way to pure joy. "Paul, look at this
yellow one, isn't it—and a face just like an old man!"</p>
<p>"Just!" cried Paul, stooping to sniff. "And smells that nice! But he's a
bit splashed."</p>
<p>He ran in the scullery, came back with the flannel, and carefully washed
the pansy.</p>
<p>"NOW look at him now he's wet!" he said.</p>
<p>"Yes!" she exclaimed, brimful of satisfaction.</p>
<p>The children of Scargill Street felt quite select. At the end where the
Morels lived there were not many young things. So the few were more
united. Boys and girls played together, the girls joining in the fights
and the rough games, the boys taking part in the dancing games and rings
and make-belief of the girls.</p>
<p>Annie and Paul and Arthur loved the winter evenings, when it was not wet.
They stayed indoors till the colliers were all gone home, till it was
thick dark, and the street would be deserted. Then they tied their scarves
round their necks, for they scorned overcoats, as all the colliers'
children did, and went out. The entry was very dark, and at the end the
whole great night opened out, in a hollow, with a little tangle of lights
below where Minton pit lay, and another far away opposite for Selby. The
farthest tiny lights seemed to stretch out the darkness for ever. The
children looked anxiously down the road at the one lamp-post, which stood
at the end of the field path. If the little, luminous space were deserted,
the two boys felt genuine desolation. They stood with their hands in their
pockets under the lamp, turning their backs on the night, quite miserable,
watching the dark houses. Suddenly a pinafore under a short coat was seen,
and a long-legged girl came flying up.</p>
<p>"Where's Billy Pillins an' your Annie an' Eddie Dakin?"</p>
<p>"I don't know."</p>
<p>But it did not matter so much—there were three now. They set up a
game round the lamp-post, till the others rushed up, yelling. Then the
play went fast and furious.</p>
<p>There was only this one lamp-post. Behind was the great scoop of darkness,
as if all the night were there. In front, another wide, dark way opened
over the hill brow. Occasionally somebody came out of this way and went
into the field down the path. In a dozen yards the night had swallowed
them. The children played on.</p>
<p>They were brought exceedingly close together owing to their isolation. If
a quarrel took place, the whole play was spoilt. Arthur was very touchy,
and Billy Pillins—really Philips—was worse. Then Paul had to
side with Arthur, and on Paul's side went Alice, while Billy Pillins
always had Emmie Limb and Eddie Dakin to back him up. Then the six would
fight, hate with a fury of hatred, and flee home in terror. Paul never
forgot, after one of these fierce internecine fights, seeing a big red
moon lift itself up, slowly, between the waste road over the hilltop,
steadily, like a great bird. And he thought of the Bible, that the moon
should be turned to blood. And the next day he made haste to be friends
with Billy Pillins. And then the wild, intense games went on again under
the lamp-post, surrounded by so much darkness. Mrs. Morel, going into her
parlour, would hear the children singing away:</p>
<p>"My shoes are made of Spanish leather,<br/>
My socks are made of silk;<br/>
I wear a ring on every finger,<br/>
I wash myself in milk."<br/></p>
<p>They sounded so perfectly absorbed in the game as their voices came out of
the night, that they had the feel of wild creatures singing. It stirred
the mother; and she understood when they came in at eight o'clock, ruddy,
with brilliant eyes, and quick, passionate speech.</p>
<p>They all loved the Scargill Street house for its openness, for the great
scallop of the world it had in view. On summer evenings the women would
stand against the field fence, gossiping, facing the west, watching the
sunsets flare quickly out, till the Derbyshire hills ridged across the
crimson far away, like the black crest of a newt.</p>
<p>In this summer season the pits never turned full time, particularly the
soft coal. Mrs. Dakin, who lived next door to Mrs. Morel, going to the
field fence to shake her hearthrug, would spy men coming slowly up the
hill. She saw at once they were colliers. Then she waited, a tall, thin,
shrew-faced woman, standing on the hill brow, almost like a menace to the
poor colliers who were toiling up. It was only eleven o'clock. From the
far-off wooded hills the haze that hangs like fine black crape at the back
of a summer morning had not yet dissipated. The first man came to the
stile. "Chock-chock!" went the gate under his thrust.</p>
<p>"What, han' yer knocked off?" cried Mrs. Dakin.</p>
<p>"We han, missis."</p>
<p>"It's a pity as they letn yer goo," she said sarcastically.</p>
<p>"It is that," replied the man.</p>
<p>"Nay, you know you're flig to come up again," she said.</p>
<p>And the man went on. Mrs. Dakin, going up her yard, spied Mrs. Morel
taking the ashes to the ash-pit.</p>
<p>"I reckon Minton's knocked off, missis," she cried.</p>
<p>"Isn't it sickenin!" exclaimed Mrs. Morel in wrath.</p>
<p>"Ha! But I'n just seed Jont Hutchby."</p>
<p>"They might as well have saved their shoe-leather," said Mrs. Morel. And
both women went indoors disgusted.</p>
<p>The colliers, their faces scarcely blackened, were trooping home again.
Morel hated to go back. He loved the sunny morning. But he had gone to pit
to work, and to be sent home again spoilt his temper.</p>
<p>"Good gracious, at this time!" exclaimed his wife, as he entered.</p>
<p>"Can I help it, woman?" he shouted.</p>
<p>"And I've not done half enough dinner."</p>
<p>"Then I'll eat my bit o' snap as I took with me," he bawled pathetically.
He felt ignominious and sore.</p>
<p>And the children, coming home from school, would wonder to see their
father eating with his dinner the two thick slices of rather dry and dirty
bread-and-butter that had been to pit and back.</p>
<p>"What's my dad eating his snap for now?" asked Arthur.</p>
<p>"I should ha'e it holled at me if I didna," snorted Morel.</p>
<p>"What a story!" exclaimed his wife.</p>
<p>"An' is it goin' to be wasted?" said Morel. "I'm not such a extravagant
mortal as you lot, with your waste. If I drop a bit of bread at pit, in
all the dust an' dirt, I pick it up an' eat it."</p>
<p>"The mice would eat it," said Paul. "It wouldn't be wasted."</p>
<p>"Good bread-an'-butter's not for mice, either," said Morel. "Dirty or not
dirty, I'd eat it rather than it should be wasted."</p>
<p>"You might leave it for the mice and pay for it out of your next pint,"
said Mrs. Morel.</p>
<p>"Oh, might I?" he exclaimed.</p>
<p>They were very poor that autumn. William had just gone away to London, and
his mother missed his money. He sent ten shillings once or twice, but he
had many things to pay for at first. His letters came regularly once a
week. He wrote a good deal to his mother, telling her all his life, how he
made friends, and was exchanging lessons with a Frenchman, how he enjoyed
London. His mother felt again he was remaining to her just as when he was
at home. She wrote to him every week her direct, rather witty letters. All
day long, as she cleaned the house, she thought of him. He was in London:
he would do well. Almost, he was like her knight who wore HER favour in
the battle.</p>
<p>He was coming at Christmas for five days. There had never been such
preparations. Paul and Arthur scoured the land for holly and evergreens.
Annie made the pretty paper hoops in the old-fashioned way. And there was
unheard-of extravagance in the larder. Mrs. Morel made a big and
magnificent cake. Then, feeling queenly, she showed Paul how to blanch
almonds. He skinned the long nuts reverently, counting them all, to see
not one was lost. It was said that eggs whisked better in a cold place. So
the boy stood in the scullery, where the temperature was nearly at
freezing-point, and whisked and whisked, and flew in excitement to his
mother as the white of egg grew stiffer and more snowy.</p>
<p>"Just look, mother! Isn't it lovely?"</p>
<p>And he balanced a bit on his nose, then blew it in the air.</p>
<p>"Now, don't waste it," said the mother.</p>
<p>Everybody was mad with excitement. William was coming on Christmas Eve.
Mrs. Morel surveyed her pantry. There was a big plum cake, and a rice
cake, jam tarts, lemon tarts, and mince-pies—two enormous dishes.
She was finishing cooking—Spanish tarts and cheese-cakes. Everywhere
was decorated. The kissing bunch of berried holly hung with bright and
glittering things, spun slowly over Mrs. Morel's head as she trimmed her
little tarts in the kitchen. A great fire roared. There was a scent of
cooked pastry. He was due at seven o'clock, but he would be late. The
three children had gone to meet him. She was alone. But at a quarter to
seven Morel came in again. Neither wife nor husband spoke. He sat in his
armchair, quite awkward with excitement, and she quietly went on with her
baking. Only by the careful way in which she did things could it be told
how much moved she was. The clock ticked on.</p>
<p>"What time dost say he's coming?" Morel asked for the fifth time.</p>
<p>"The train gets in at half-past six," she replied emphatically.</p>
<p>"Then he'll be here at ten past seven."</p>
<p>"Eh, bless you, it'll be hours late on the Midland," she said
indifferently. But she hoped, by expecting him late, to bring him early.
Morel went down the entry to look for him. Then he came back.</p>
<p>"Goodness, man!" she said. "You're like an ill-sitting hen."</p>
<p>"Hadna you better be gettin' him summat t' eat ready?" asked the father.</p>
<p>"There's plenty of time," she answered.</p>
<p>"There's not so much as I can see on," he answered, turning crossly in his
chair. She began to clear her table. The kettle was singing. They waited
and waited.</p>
<p>Meantime the three children were on the platform at Sethley Bridge, on the
Midland main line, two miles from home. They waited one hour. A train came—he
was not there. Down the line the red and green lights shone. It was very
dark and very cold.</p>
<p>"Ask him if the London train's come," said Paul to Annie, when they saw a
man in a tip cap.</p>
<p>"I'm not," said Annie. "You be quiet—he might send us off."</p>
<p>But Paul was dying for the man to know they were expecting someone by the
London train: it sounded so grand. Yet he was much too much scared of
broaching any man, let alone one in a peaked cap, to dare to ask. The
three children could scarcely go into the waiting-room for fear of being
sent away, and for fear something should happen whilst they were off the
platform. Still they waited in the dark and cold.</p>
<p>"It's an hour an' a half late," said Arthur pathetically.</p>
<p>"Well," said Annie, "it's Christmas Eve."</p>
<p>They all grew silent. He wasn't coming. They looked down the darkness of
the railway. There was London! It seemed the utter-most of distance. They
thought anything might happen if one came from London. They were all too
troubled to talk. Cold, and unhappy, and silent, they huddled together on
the platform.</p>
<p>At last, after more than two hours, they saw the lights of an engine
peering round, away down the darkness. A porter ran out. The children drew
back with beating hearts. A great train, bound for Manchester, drew up.
Two doors opened, and from one of them, William. They flew to him. He
handed parcels to them cheerily, and immediately began to explain that
this great train had stopped for HIS sake at such a small station as
Sethley Bridge: it was not booked to stop.</p>
<p>Meanwhile the parents were getting anxious. The table was set, the chop
was cooked, everything was ready. Mrs. Morel put on her black apron. She
was wearing her best dress. Then she sat, pretending to read. The minutes
were a torture to her.</p>
<p>"H'm!" said Morel. "It's an hour an' a ha'ef."</p>
<p>"And those children waiting!" she said.</p>
<p>"Th' train canna ha' come in yet," he said.</p>
<p>"I tell you, on Christmas Eve they're HOURS wrong."</p>
<p>They were both a bit cross with each other, so gnawed with anxiety. The
ash tree moaned outside in a cold, raw wind. And all that space of night
from London home! Mrs. Morel suffered. The slight click of the works
inside the clock irritated her. It was getting so late; it was getting
unbearable.</p>
<p>At last there was a sound of voices, and a footstep in the entry.</p>
<p>"Ha's here!" cried Morel, jumping up.</p>
<p>Then he stood back. The mother ran a few steps towards the door and
waited. There was a rush and a patter of feet, the door burst open.
William was there. He dropped his Gladstone bag and took his mother in his
arms.</p>
<p>"Mater!" he said.</p>
<p>"My boy!" she cried.</p>
<p>And for two seconds, no longer, she clasped him and kissed him. Then she
withdrew and said, trying to be quite normal:</p>
<p>"But how late you are!"</p>
<p>"Aren't I!" he cried, turning to his father. "Well, dad!"</p>
<p>The two men shook hands.</p>
<p>"Well, my lad!"</p>
<p>Morel's eyes were wet.</p>
<p>"We thought tha'd niver be commin'," he said.</p>
<p>"Oh, I'd come!" exclaimed William.</p>
<p>Then the son turned round to his mother.</p>
<p>"But you look well," she said proudly, laughing.</p>
<p>"Well!" he exclaimed. "I should think so—coming home!"</p>
<p>He was a fine fellow, big, straight, and fearless-looking. He looked round
at the evergreens and the kissing bunch, and the little tarts that lay in
their tins on the hearth.</p>
<p>"By jove! mother, it's not different!" he said, as if in relief.</p>
<p>Everybody was still for a second. Then he suddenly sprang forward, picked
a tart from the hearth, and pushed it whole into his mouth.</p>
<p>"Well, did iver you see such a parish oven!" the father exclaimed.</p>
<p>He had brought them endless presents. Every penny he had he had spent on
them. There was a sense of luxury overflowing in the house. For his mother
there was an umbrella with gold on the pale handle. She kept it to her
dying day, and would have lost anything rather than that. Everybody had
something gorgeous, and besides, there were pounds of unknown sweets:
Turkish delight, crystallised pineapple, and such-like things which, the
children thought, only the splendour of London could provide. And Paul
boasted of these sweets among his friends.</p>
<p>"Real pineapple, cut off in slices, and then turned into crystal—fair
grand!"</p>
<p>Everybody was mad with happiness in the family. Home was home, and they
loved it with a passion of love, whatever the suffering had been. There
were parties, there were rejoicings. People came in to see William, to see
what difference London had made to him. And they all found him "such a
gentleman, and SUCH a fine fellow, my word"!</p>
<p>When he went away again the children retired to various places to weep
alone. Morel went to bed in misery, and Mrs. Morel felt as if she were
numbed by some drug, as if her feelings were paralysed. She loved him
passionately.</p>
<p>He was in the office of a lawyer connected with a large shipping firm, and
at the midsummer his chief offered him a trip in the Mediterranean on one
of the boats, for quite a small cost. Mrs. Morel wrote: "Go, go, my boy.
You may never have a chance again, and I should love to think of you
cruising there in the Mediterranean almost better than to have you at
home." But William came home for his fortnight's holiday. Not even the
Mediterranean, which pulled at all his young man's desire to travel, and
at his poor man's wonder at the glamorous south, could take him away when
he might come home. That compensated his mother for much.</p>
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