<p>Gertrude Morel was very ill when the boy was born. Morel was good to her,
as good as gold. But she felt very lonely, miles away from her own people.
She felt lonely with him now, and his presence only made it more intense.</p>
<p>The boy was small and frail at first, but he came on quickly. He was a
beautiful child, with dark gold ringlets, and dark-blue eyes which changed
gradually to a clear grey. His mother loved him passionately. He came just
when her own bitterness of disillusion was hardest to bear; when her faith
in life was shaken, and her soul felt dreary and lonely. She made much of
the child, and the father was jealous.</p>
<p>At last Mrs. Morel despised her husband. She turned to the child; she
turned from the father. He had begun to neglect her; the novelty of his
own home was gone. He had no grit, she said bitterly to herself. What he
felt just at the minute, that was all to him. He could not abide by
anything. There was nothing at the back of all his show.</p>
<p>There began a battle between the husband and wife—a fearful, bloody
battle that ended only with the death of one. She fought to make him
undertake his own responsibilities, to make him fulfill his obligations.
But he was too different from her. His nature was purely sensuous, and she
strove to make him moral, religious. She tried to force him to face
things. He could not endure it—it drove him out of his mind.</p>
<p>While the baby was still tiny, the father's temper had become so irritable
that it was not to be trusted. The child had only to give a little trouble
when the man began to bully. A little more, and the hard hands of the
collier hit the baby. Then Mrs. Morel loathed her husband, loathed him for
days; and he went out and drank; and she cared very little what he did.
Only, on his return, she scathed him with her satire.</p>
<p>The estrangement between them caused him, knowingly or unknowingly,
grossly to offend her where he would not have done.</p>
<p>William was only one year old, and his mother was proud of him, he was so
pretty. She was not well off now, but her sisters kept the boy in clothes.
Then, with his little white hat curled with an ostrich feather, and his
white coat, he was a joy to her, the twining wisps of hair clustering
round his head. Mrs. Morel lay listening, one Sunday morning, to the
chatter of the father and child downstairs. Then she dozed off. When she
came downstairs, a great fire glowed in the grate, the room was hot, the
breakfast was roughly laid, and seated in his armchair, against the
chimney-piece, sat Morel, rather timid; and standing between his legs, the
child—cropped like a sheep, with such an odd round poll—looking
wondering at her; and on a newspaper spread out upon the hearthrug, a
myriad of crescent-shaped curls, like the petals of a marigold scattered
in the reddening firelight.</p>
<p>Mrs. Morel stood still. It was her first baby. She went very white, and
was unable to speak.</p>
<p>"What dost think o' 'im?" Morel laughed uneasily.</p>
<p>She gripped her two fists, lifted them, and came forward. Morel shrank
back.</p>
<p>"I could kill you, I could!" she said. She choked with rage, her two fists
uplifted.</p>
<p>"Yer non want ter make a wench on 'im," Morel said, in a frightened tone,
bending his head to shield his eyes from hers. His attempt at laughter had
vanished.</p>
<p>The mother looked down at the jagged, close-clipped head of her child. She
put her hands on his hair, and stroked and fondled his head.</p>
<p>"Oh—my boy!" she faltered. Her lip trembled, her face broke, and,
snatching up the child, she buried her face in his shoulder and cried
painfully. She was one of those women who cannot cry; whom it hurts as it
hurts a man. It was like ripping something out of her, her sobbing.</p>
<p>Morel sat with his elbows on his knees, his hands gripped together till
the knuckles were white. He gazed in the fire, feeling almost stunned, as
if he could not breathe.</p>
<p>Presently she came to an end, soothed the child and cleared away the
breakfast-table. She left the newspaper, littered with curls, spread upon
the hearthrug. At last her husband gathered it up and put it at the back
of the fire. She went about her work with closed mouth and very quiet.
Morel was subdued. He crept about wretchedly, and his meals were a misery
that day. She spoke to him civilly, and never alluded to what he had done.
But he felt something final had happened.</p>
<p>Afterwards she said she had been silly, that the boy's hair would have had
to be cut, sooner or later. In the end, she even brought herself to say to
her husband it was just as well he had played barber when he did. But she
knew, and Morel knew, that that act had caused something momentous to take
place in her soul. She remembered the scene all her life, as one in which
she had suffered the most intensely.</p>
<p>This act of masculine clumsiness was the spear through the side of her
love for Morel. Before, while she had striven against him bitterly, she
had fretted after him, as if he had gone astray from her. Now she ceased
to fret for his love: he was an outsider to her. This made life much more
bearable.</p>
<p>Nevertheless, she still continued to strive with him. She still had her
high moral sense, inherited from generations of Puritans. It was now a
religious instinct, and she was almost a fanatic with him, because she
loved him, or had loved him. If he sinned, she tortured him. If he drank,
and lied, was often a poltroon, sometimes a knave, she wielded the lash
unmercifully.</p>
<p>The pity was, she was too much his opposite. She could not be content with
the little he might be; she would have him the much that he ought to be.
So, in seeking to make him nobler than he could be, she destroyed him. She
injured and hurt and scarred herself, but she lost none of her worth. She
also had the children.</p>
<p>He drank rather heavily, though not more than many miners, and always
beer, so that whilst his health was affected, it was never injured. The
week-end was his chief carouse. He sat in the Miners' Arms until
turning-out time every Friday, every Saturday, and every Sunday evening.
On Monday and Tuesday he had to get up and reluctantly leave towards ten
o'clock. Sometimes he stayed at home on Wednesday and Thursday evenings,
or was only out for an hour. He practically never had to miss work owing
to his drinking.</p>
<p>But although he was very steady at work, his wages fell off. He was
blab-mouthed, a tongue-wagger. Authority was hateful to him, therefore he
could only abuse the pit-managers. He would say, in the Palmerston:</p>
<p>"Th' gaffer come down to our stall this morning, an' 'e says, 'You know,
Walter, this 'ere'll not do. What about these props?' An' I says to him,
'Why, what art talkin' about? What d'st mean about th' props?' 'It'll
never do, this 'ere,' 'e says. 'You'll be havin' th' roof in, one o' these
days.' An' I says, 'Tha'd better stan' on a bit o' clunch, then, an' hold
it up wi' thy 'ead.' So 'e wor that mad, 'e cossed an' 'e swore, an'
t'other chaps they did laugh." Morel was a good mimic. He imitated the
manager's fat, squeaky voice, with its attempt at good English.</p>
<p>"'I shan't have it, Walter. Who knows more about it, me or you?' So I
says, 'I've niver fun out how much tha' knows, Alfred. It'll 'appen carry
thee ter bed an' back."'</p>
<p>So Morel would go on to the amusement of his boon companions. And some of
this would be true. The pit-manager was not an educated man. He had been a
boy along with Morel, so that, while the two disliked each other, they
more or less took each other for granted. But Alfred Charlesworth did not
forgive the butty these public-house sayings. Consequently, although Morel
was a good miner, sometimes earning as much as five pounds a week when he
married, he came gradually to have worse and worse stalls, where the coal
was thin, and hard to get, and unprofitable.</p>
<p>Also, in summer, the pits are slack. Often, on bright sunny mornings, the
men are seen trooping home again at ten, eleven, or twelve o'clock. No
empty trucks stand at the pit-mouth. The women on the hillside look across
as they shake the hearthrug against the fence, and count the wagons the
engine is taking along the line up the valley. And the children, as they
come from school at dinner-time, looking down the fields and seeing the
wheels on the headstocks standing, say:</p>
<p>"Minton's knocked off. My dad'll be at home."</p>
<p>And there is a sort of shadow over all, women and children and men,
because money will be short at the end of the week.</p>
<p>Morel was supposed to give his wife thirty shillings a week, to provide
everything—rent, food, clothes, clubs, insurance, doctors.
Occasionally, if he were flush, he gave her thirty-five. But these
occasions by no means balanced those when he gave her twenty-five. In
winter, with a decent stall, the miner might earn fifty or fifty-five
shillings a week. Then he was happy. On Friday night, Saturday, and
Sunday, he spent royally, getting rid of his sovereign or thereabouts. And
out of so much, he scarcely spared the children an extra penny or bought
them a pound of apples. It all went in drink. In the bad times, matters
were more worrying, but he was not so often drunk, so that Mrs. Morel used
to say:</p>
<p>"I'm not sure I wouldn't rather be short, for when he's flush, there isn't
a minute of peace."</p>
<p>If he earned forty shillings he kept ten; from thirty-five he kept five;
from thirty-two he kept four; from twenty-eight he kept three; from
twenty-four he kept two; from twenty he kept one-and-six; from eighteen he
kept a shilling; from sixteen he kept sixpence. He never saved a penny,
and he gave his wife no opportunity of saving; instead, she had
occasionally to pay his debts; not public-house debts, for those never
were passed on to the women, but debts when he had bought a canary, or a
fancy walking-stick.</p>
<p>At the wakes time Morel was working badly, and Mrs. Morel was trying to
save against her confinement. So it galled her bitterly to think he should
be out taking his pleasure and spending money, whilst she remained at
home, harassed. There were two days' holiday. On the Tuesday morning Morel
rose early. He was in good spirits. Quite early, before six o'clock, she
heard him whistling away to himself downstairs. He had a pleasant way of
whistling, lively and musical. He nearly always whistled hymns. He had
been a choir-boy with a beautiful voice, and had taken solos in Southwell
cathedral. His morning whistling alone betrayed it.</p>
<p>His wife lay listening to him tinkering away in the garden, his whistling
ringing out as he sawed and hammered away. It always gave her a sense of
warmth and peace to hear him thus as she lay in bed, the children not yet
awake, in the bright early morning, happy in his man's fashion.</p>
<p>At nine o'clock, while the children with bare legs and feet were sitting
playing on the sofa, and the mother was washing up, he came in from his
carpentry, his sleeves rolled up, his waistcoat hanging open. He was still
a good-looking man, with black, wavy hair, and a large black moustache.
His face was perhaps too much inflamed, and there was about him a look
almost of peevishness. But now he was jolly. He went straight to the sink
where his wife was washing up.</p>
<p>"What, are thee there!" he said boisterously. "Sluthe off an' let me wesh
mysen."</p>
<p>"You may wait till I've finished," said his wife.</p>
<p>"Oh, mun I? An' what if I shonna?"</p>
<p>This good-humoured threat amused Mrs. Morel.</p>
<p>"Then you can go and wash yourself in the soft-water tub."</p>
<p>"Ha! I can' an' a', tha mucky little 'ussy."</p>
<p>With which he stood watching her a moment, then went away to wait for her.</p>
<p>When he chose he could still make himself again a real gallant. Usually he
preferred to go out with a scarf round his neck. Now, however, he made a
toilet. There seemed so much gusto in the way he puffed and swilled as he
washed himself, so much alacrity with which he hurried to the mirror in
the kitchen, and, bending because it was too low for him, scrupulously
parted his wet black hair, that it irritated Mrs. Morel. He put on a
turn-down collar, a black bow, and wore his Sunday tail-coat. As such, he
looked spruce, and what his clothes would not do, his instinct for making
the most of his good looks would.</p>
<p>At half-past nine Jerry Purdy came to call for his pal. Jerry was Morel's
bosom friend, and Mrs. Morel disliked him. He was a tall, thin man, with a
rather foxy face, the kind of face that seems to lack eyelashes. He walked
with a stiff, brittle dignity, as if his head were on a wooden spring. His
nature was cold and shrewd. Generous where he intended to be generous, he
seemed to be very fond of Morel, and more or less to take charge of him.</p>
<p>Mrs. Morel hated him. She had known his wife, who had died of consumption,
and who had, at the end, conceived such a violent dislike of her husband,
that if he came into her room it caused her haemorrhage. None of which
Jerry had seemed to mind. And now his eldest daughter, a girl of fifteen,
kept a poor house for him, and looked after the two younger children.</p>
<p>"A mean, wizzen-hearted stick!" Mrs. Morel said of him.</p>
<p>"I've never known Jerry mean in MY life," protested Morel. "A
opener-handed and more freer chap you couldn't find anywhere, accordin' to
my knowledge."</p>
<p>"Open-handed to you," retorted Mrs. Morel. "But his fist is shut tight
enough to his children, poor things."</p>
<p>"Poor things! And what for are they poor things, I should like to know."</p>
<p>But Mrs. Morel would not be appeased on Jerry's score.</p>
<p>The subject of argument was seen, craning his thin neck over the scullery
curtain. He caught Mrs. Morel's eye.</p>
<p>"Mornin', missis! Mester in?"</p>
<p>"Yes—he is."</p>
<p>Jerry entered unasked, and stood by the kitchen doorway. He was not
invited to sit down, but stood there, coolly asserting the rights of men
and husbands.</p>
<p>"A nice day," he said to Mrs. Morel.</p>
<p>"Yes.</p>
<p>"Grand out this morning—grand for a walk."</p>
<p>"Do you mean YOU'RE going for a walk?" she asked.</p>
<p>"Yes. We mean walkin' to Nottingham," he replied.</p>
<p>"H'm!"</p>
<p>The two men greeted each other, both glad: Jerry, however, full of
assurance, Morel rather subdued, afraid to seem too jubilant in presence
of his wife. But he laced his boots quickly, with spirit. They were going
for a ten-mile walk across the fields to Nottingham. Climbing the hillside
from the Bottoms, they mounted gaily into the morning. At the Moon and
Stars they had their first drink, then on to the Old Spot. Then a long
five miles of drought to carry them into Bulwell to a glorious pint of
bitter. But they stayed in a field with some haymakers whose gallon bottle
was full, so that, when they came in sight of the city, Morel was sleepy.
The town spread upwards before them, smoking vaguely in the midday glare,
fridging the crest away to the south with spires and factory bulks and
chimneys. In the last field Morel lay down under an oak tree and slept
soundly for over an hour. When he rose to go forward he felt queer.</p>
<p>The two had dinner in the Meadows, with Jerry's sister, then repaired to
the Punch Bowl, where they mixed in the excitement of pigeon-racing. Morel
never in his life played cards, considering them as having some occult,
malevolent power—"the devil's pictures," he called them! But he was
a master of skittles and of dominoes. He took a challenge from a Newark
man, on skittles. All the men in the old, long bar took sides, betting
either one way or the other. Morel took off his coat. Jerry held the hat
containing the money. The men at the tables watched. Some stood with their
mugs in their hands. Morel felt his big wooden ball carefully, then
launched it. He played havoc among the nine-pins, and won half a crown,
which restored him to solvency.</p>
<p>By seven o'clock the two were in good condition. They caught the 7.30
train home.</p>
<p>In the afternoon the Bottoms was intolerable. Every inhabitant remaining
was out of doors. The women, in twos and threes, bareheaded and in white
aprons, gossiped in the alley between the blocks. Men, having a rest
between drinks, sat on their heels and talked. The place smelled stale;
the slate roofs glistered in the arid heat.</p>
<p>Mrs. Morel took the little girl down to the brook in the meadows, which
were not more than two hundred yards away. The water ran quickly over
stones and broken pots. Mother and child leaned on the rail of the old
sheep-bridge, watching. Up at the dipping-hole, at the other end of the
meadow, Mrs. Morel could see the naked forms of boys flashing round the
deep yellow water, or an occasional bright figure dart glittering over the
blackish stagnant meadow. She knew William was at the dipping-hole, and it
was the dread of her life lest he should get drowned. Annie played under
the tall old hedge, picking up alder cones, that she called currants. The
child required much attention, and the flies were teasing.</p>
<p>The children were put to bed at seven o'clock. Then she worked awhile.</p>
<p>When Walter Morel and Jerry arrived at Bestwood they felt a load off their
minds; a railway journey no longer impended, so they could put the
finishing touches to a glorious day. They entered the Nelson with the
satisfaction of returned travellers.</p>
<p>The next day was a work-day, and the thought of it put a damper on the
men's spirits. Most of them, moreover, had spent their money. Some were
already rolling dismally home, to sleep in preparation for the morrow.
Mrs. Morel, listening to their mournful singing, went indoors. Nine
o'clock passed, and ten, and still "the pair" had not returned. On a
doorstep somewhere a man was singing loudly, in a drawl: "Lead, kindly
Light." Mrs. Morel was always indignant with the drunken men that they
must sing that hymn when they got maudlin.</p>
<p>"As if 'Genevieve' weren't good enough," she said.</p>
<p>The kitchen was full of the scent of boiled herbs and hops. On the hob a
large black saucepan steamed slowly. Mrs. Morel took a panchion, a great
bowl of thick red earth, streamed a heap of white sugar into the bottom,
and then, straining herself to the weight, was pouring in the liquor.</p>
<p>Just then Morel came in. He had been very jolly in the Nelson, but coming
home had grown irritable. He had not quite got over the feeling of
irritability and pain, after having slept on the ground when he was so
hot; and a bad conscience afflicted him as he neared the house. He did not
know he was angry. But when the garden gate resisted his attempts to open
it, he kicked it and broke the latch. He entered just as Mrs. Morel was
pouring the infusion of herbs out of the saucepan. Swaying slightly, he
lurched against the table. The boiling liquor pitched. Mrs. Morel started
back.</p>
<p>"Good gracious," she cried, "coming home in his drunkenness!"</p>
<p>"Comin' home in his what?" he snarled, his hat over his eye.</p>
<p>Suddenly her blood rose in a jet.</p>
<p>"Say you're NOT drunk!" she flashed.</p>
<p>She had put down her saucepan, and was stirring the sugar into the beer.
He dropped his two hands heavily on the table, and thrust his face
forwards at her.</p>
<p>"'Say you're not drunk,'" he repeated. "Why, nobody but a nasty little
bitch like you 'ud 'ave such a thought."</p>
<p>He thrust his face forward at her.</p>
<p>"There's money to bezzle with, if there's money for nothing else."</p>
<p>"I've not spent a two-shillin' bit this day," he said.</p>
<p>"You don't get as drunk as a lord on nothing," she replied. "And," she
cried, flashing into sudden fury, "if you've been sponging on your beloved
Jerry, why, let him look after his children, for they need it."</p>
<p>"It's a lie, it's a lie. Shut your face, woman."</p>
<p>They were now at battle-pitch. Each forgot everything save the hatred of
the other and the battle between them. She was fiery and furious as he.
They went on till he called her a liar.</p>
<p>"No," she cried, starting up, scarce able to breathe. "Don't call me that—you,
the most despicable liar that ever walked in shoe-leather." She forced the
last words out of suffocated lungs.</p>
<p>"You're a liar!" he yelled, banging the table with his fist. "You're a
liar, you're a liar."</p>
<p>She stiffened herself, with clenched fists.</p>
<p>"The house is filthy with you," she cried.</p>
<p>"Then get out on it—it's mine. Get out on it!" he shouted. "It's me
as brings th' money whoam, not thee. It's my house, not thine. Then ger
out on't—ger out on't!"</p>
<p>"And I would," she cried, suddenly shaken into tears of impotence. "Ah,
wouldn't I, wouldn't I have gone long ago, but for those children. Ay,
haven't I repented not going years ago, when I'd only the one"—suddenly
drying into rage. "Do you think it's for YOU I stop—do you think I'd
stop one minute for YOU?"</p>
<p>"Go, then," he shouted, beside himself. "Go!"</p>
<p>"No!" She faced round. "No," she cried loudly, "you shan't have it ALL
your own way; you shan't do ALL you like. I've got those children to see
to. My word," she laughed, "I should look well to leave them to you."</p>
<p>"Go," he cried thickly, lifting his fist. He was afraid of her. "Go!"</p>
<p>"I should be only too glad. I should laugh, laugh, my lord, if I could get
away from you," she replied.</p>
<p>He came up to her, his red face, with its bloodshot eyes, thrust forward,
and gripped her arms. She cried in fear of him, struggled to be free.
Coming slightly to himself, panting, he pushed her roughly to the outer
door, and thrust her forth, slotting the bolt behind her with a bang. Then
he went back into the kitchen, dropped into his armchair, his head,
bursting full of blood, sinking between his knees. Thus he dipped
gradually into a stupor, from exhaustion and intoxication.</p>
<p>The moon was high and magnificent in the August night. Mrs. Morel, seared
with passion, shivered to find herself out there in a great white light,
that fell cold on her, and gave a shock to her inflamed soul. She stood
for a few moments helplessly staring at the glistening great rhubarb
leaves near the door. Then she got the air into her breast. She walked
down the garden path, trembling in every limb, while the child boiled
within her. For a while she could not control her consciousness;
mechanically she went over the last scene, then over it again, certain
phrases, certain moments coming each time like a brand red-hot down on her
soul; and each time she enacted again the past hour, each time the brand
came down at the same points, till the mark was burnt in, and the pain
burnt out, and at last she came to herself. She must have been half an
hour in this delirious condition. Then the presence of the night came
again to her. She glanced round in fear. She had wandered to the side
garden, where she was walking up and down the path beside the currant
bushes under the long wall. The garden was a narrow strip, bounded from
the road, that cut transversely between the blocks, by a thick thorn
hedge.</p>
<p>She hurried out of the side garden to the front, where she could stand as
if in an immense gulf of white light, the moon streaming high in face of
her, the moonlight standing up from the hills in front, and filling the
valley where the Bottoms crouched, almost blindingly. There, panting and
half weeping in reaction from the stress, she murmured to herself over and
over again: "The nuisance! the nuisance!"</p>
<p>She became aware of something about her. With an effort she roused herself
to see what it was that penetrated her consciousness. The tall white
lilies were reeling in the moonlight, and the air was charged with their
perfume, as with a presence. Mrs. Morel gasped slightly in fear. She
touched the big, pallid flowers on their petals, then shivered. They
seemed to be stretching in the moonlight. She put her hand into one white
bin: the gold scarcely showed on her fingers by moonlight. She bent down
to look at the binful of yellow pollen; but it only appeared dusky. Then
she drank a deep draught of the scent. It almost made her dizzy.</p>
<p>Mrs. Morel leaned on the garden gate, looking out, and she lost herself
awhile. She did not know what she thought. Except for a slight feeling of
sickness, and her consciousness in the child, herself melted out like
scent into the shiny, pale air. After a time the child, too, melted with
her in the mixing-pot of moonlight, and she rested with the hills and
lilies and houses, all swum together in a kind of swoon.</p>
<p>When she came to herself she was tired for sleep. Languidly she looked
about her; the clumps of white phlox seemed like bushes spread with linen;
a moth ricochetted over them, and right across the garden. Following it
with her eye roused her. A few whiffs of the raw, strong scent of phlox
invigorated her. She passed along the path, hesitating at the white
rose-bush. It smelled sweet and simple. She touched the white ruffles of
the roses. Their fresh scent and cool, soft leaves reminded her of the
morning-time and sunshine. She was very fond of them. But she was tired,
and wanted to sleep. In the mysterious out-of-doors she felt forlorn.</p>
<p>There was no noise anywhere. Evidently the children had not been wakened,
or had gone to sleep again. A train, three miles away, roared across the
valley. The night was very large, and very strange, stretching its hoary
distances infinitely. And out of the silver-grey fog of darkness came
sounds vague and hoarse: a corncrake not far off, sound of a train like a
sigh, and distant shouts of men.</p>
<p>Her quietened heart beginning to beat quickly again, she hurried down the
side garden to the back of the house. Softly she lifted the latch; the
door was still bolted, and hard against her. She rapped gently, waited,
then rapped again. She must not rouse the children, nor the neighbours. He
must be asleep, and he would not wake easily. Her heart began to burn to
be indoors. She clung to the door-handle. Now it was cold; she would take
a chill, and in her present condition!</p>
<p>Putting her apron over her head and her arms, she hurried again to the
side garden, to the window of the kitchen. Leaning on the sill, she could
just see, under the blind, her husband's arms spread out on the table, and
his black head on the board. He was sleeping with his face lying on the
table. Something in his attitude made her feel tired of things. The lamp
was burning smokily; she could tell by the copper colour of the light. She
tapped at the window more and more noisily. Almost it seemed as if the
glass would break. Still he did not wake up.</p>
<p>After vain efforts, she began to shiver, partly from contact with the
stone, and from exhaustion. Fearful always for the unborn child, she
wondered what she could do for warmth. She went down to the coal-house,
where there was an old hearthrug she had carried out for the rag-man the
day before. This she wrapped over her shoulders. It was warm, if grimy.
Then she walked up and down the garden path, peeping every now and then
under the blind, knocking, and telling herself that in the end the very
strain of his position must wake him.</p>
<p>At last, after about an hour, she rapped long and low at the window.
Gradually the sound penetrated to him. When, in despair, she had ceased to
tap, she saw him stir, then lift his face blindly. The labouring of his
heart hurt him into consciousness. She rapped imperatively at the window.
He started awake. Instantly she saw his fists set and his eyes glare. He
had not a grain of physical fear. If it had been twenty burglars, he would
have gone blindly for them. He glared round, bewildered, but prepared to
fight.</p>
<p>"Open the door, Walter," she said coldly.</p>
<p>His hands relaxed. It dawned on him what he had done. His head dropped,
sullen and dogged. She saw him hurry to the door, heard the bolt chock. He
tried the latch. It opened—and there stood the silver-grey night,
fearful to him, after the tawny light of the lamp. He hurried back.</p>
<p>When Mrs. Morel entered, she saw him almost running through the door to
the stairs. He had ripped his collar off his neck in his haste to be gone
ere she came in, and there it lay with bursten button-holes. It made her
angry.</p>
<p>She warmed and soothed herself. In her weariness forgetting everything,
she moved about at the little tasks that remained to be done, set his
breakfast, rinsed his pit-bottle, put his pit-clothes on the hearth to
warm, set his pit-boots beside them, put him out a clean scarf and
snap-bag and two apples, raked the fire, and went to bed. He was already
dead asleep. His narrow black eyebrows were drawn up in a sort of peevish
misery into his forehead while his cheeks' down-strokes, and his sulky
mouth, seemed to be saying: "I don't care who you are nor what you are, I
SHALL have my own way."</p>
<p>Mrs. Morel knew him too well to look at him. As she unfastened her brooch
at the mirror, she smiled faintly to see her face all smeared with the
yellow dust of lilies. She brushed it off, and at last lay down. For some
time her mind continued snapping and jetting sparks, but she was asleep
before her husband awoke from the first sleep of his drunkenness.</p>
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