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<h2> PART ONE </h2>
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<h2> CHAPTER I </h2>
<h3> THE EARLY MARRIED LIFE OF THE MORELS </h3>
<p>"THE BOTTOMS" succeeded to "Hell Row". Hell Row was a block of thatched,
bulging cottages that stood by the brookside on Greenhill Lane. There
lived the colliers who worked in the little gin-pits two fields away. The
brook ran under the alder trees, scarcely soiled by these small mines,
whose coal was drawn to the surface by donkeys that plodded wearily in a
circle round a gin. And all over the countryside were these same pits,
some of which had been worked in the time of Charles II, the few colliers
and the donkeys burrowing down like ants into the earth, making queer
mounds and little black places among the corn-fields and the meadows. And
the cottages of these coal-miners, in blocks and pairs here and there,
together with odd farms and homes of the stockingers, straying over the
parish, formed the village of Bestwood.</p>
<p>Then, some sixty years ago, a sudden change took place, gin-pits were
elbowed aside by the large mines of the financiers. The coal and iron
field of Nottinghamshire and Derbyshire was discovered. Carston, Waite and
Co. appeared. Amid tremendous excitement, Lord Palmerston formally opened
the company's first mine at Spinney Park, on the edge of Sherwood Forest.</p>
<p>About this time the notorious Hell Row, which through growing old had
acquired an evil reputation, was burned down, and much dirt was cleansed
away.</p>
<p>Carston, Waite & Co. found they had struck on a good thing, so, down
the valleys of the brooks from Selby and Nuttall, new mines were sunk,
until soon there were six pits working. From Nuttall, high up on the
sandstone among the woods, the railway ran, past the ruined priory of the
Carthusians and past Robin Hood's Well, down to Spinney Park, then on to
Minton, a large mine among corn-fields; from Minton across the farmlands
of the valleyside to Bunker's Hill, branching off there, and running north
to Beggarlee and Selby, that looks over at Crich and the hills of
Derbyshire: six mines like black studs on the countryside, linked by a
loop of fine chain, the railway.</p>
<p>To accommodate the regiments of miners, Carston, Waite and Co. built the
Squares, great quadrangles of dwellings on the hillside of Bestwood, and
then, in the brook valley, on the site of Hell Row, they erected the
Bottoms.</p>
<p>The Bottoms consisted of six blocks of miners' dwellings, two rows of
three, like the dots on a blank-six domino, and twelve houses in a block.
This double row of dwellings sat at the foot of the rather sharp slope
from Bestwood, and looked out, from the attic windows at least, on the
slow climb of the valley towards Selby.</p>
<p>The houses themselves were substantial and very decent. One could walk all
round, seeing little front gardens with auriculas and saxifrage in the
shadow of the bottom block, sweet-williams and pinks in the sunny top
block; seeing neat front windows, little porches, little privet hedges,
and dormer windows for the attics. But that was outside; that was the view
on to the uninhabited parlours of all the colliers' wives. The
dwelling-room, the kitchen, was at the back of the house, facing inward
between the blocks, looking at a scrubby back garden, and then at the
ash-pits. And between the rows, between the long lines of ash-pits, went
the alley, where the children played and the women gossiped and the men
smoked. So, the actual conditions of living in the Bottoms, that was so
well built and that looked so nice, were quite unsavoury because people
must live in the kitchen, and the kitchens opened on to that nasty alley
of ash-pits.</p>
<p>Mrs. Morel was not anxious to move into the Bottoms, which was already
twelve years old and on the downward path, when she descended to it from
Bestwood. But it was the best she could do. Moreover, she had an end house
in one of the top blocks, and thus had only one neighbour; on the other
side an extra strip of garden. And, having an end house, she enjoyed a
kind of aristocracy among the other women of the "between" houses, because
her rent was five shillings and sixpence instead of five shillings a week.
But this superiority in station was not much consolation to Mrs. Morel.</p>
<p>She was thirty-one years old, and had been married eight years. A rather
small woman, of delicate mould but resolute bearing, she shrank a little
from the first contact with the Bottoms women. She came down in the July,
and in the September expected her third baby.</p>
<p>Her husband was a miner. They had only been in their new home three weeks
when the wakes, or fair, began. Morel, she knew, was sure to make a
holiday of it. He went off early on the Monday morning, the day of the
fair. The two children were highly excited. William, a boy of seven, fled
off immediately after breakfast, to prowl round the wakes ground, leaving
Annie, who was only five, to whine all morning to go also. Mrs. Morel did
her work. She scarcely knew her neighbours yet, and knew no one with whom
to trust the little girl. So she promised to take her to the wakes after
dinner.</p>
<p>William appeared at half-past twelve. He was a very active lad,
fair-haired, freckled, with a touch of the Dane or Norwegian about him.</p>
<p>"Can I have my dinner, mother?" he cried, rushing in with his cap on.
"'Cause it begins at half-past one, the man says so."</p>
<p>"You can have your dinner as soon as it's done," replied the mother.</p>
<p>"Isn't it done?" he cried, his blue eyes staring at her in indignation.
"Then I'm goin' be-out it."</p>
<p>"You'll do nothing of the sort. It will be done in five minutes. It is
only half-past twelve."</p>
<p>"They'll be beginnin'," the boy half cried, half shouted.</p>
<p>"You won't die if they do," said the mother. "Besides, it's only half-past
twelve, so you've a full hour."</p>
<p>The lad began hastily to lay the table, and directly the three sat down.
They were eating batter-pudding and jam, when the boy jumped off his chair
and stood perfectly stiff. Some distance away could be heard the first
small braying of a merry-go-round, and the tooting of a horn. His face
quivered as he looked at his mother.</p>
<p>"I told you!" he said, running to the dresser for his cap.</p>
<p>"Take your pudding in your hand—and it's only five past one, so you
were wrong—you haven't got your twopence," cried the mother in a
breath.</p>
<p>The boy came back, bitterly disappointed, for his twopence, then went off
without a word.</p>
<p>"I want to go, I want to go," said Annie, beginning to cry.</p>
<p>"Well, and you shall go, whining, wizzening little stick!" said the
mother. And later in the afternoon she trudged up the hill under the tall
hedge with her child. The hay was gathered from the fields, and cattle
were turned on to the eddish. It was warm, peaceful.</p>
<p>Mrs. Morel did not like the wakes. There were two sets of horses, one
going by steam, one pulled round by a pony; three organs were grinding,
and there came odd cracks of pistol-shots, fearful screeching of the
cocoanut man's rattle, shouts of the Aunt Sally man, screeches from the
peep-show lady. The mother perceived her son gazing enraptured outside the
Lion Wallace booth, at the pictures of this famous lion that had killed a
negro and maimed for life two white men. She left him alone, and went to
get Annie a spin of toffee. Presently the lad stood in front of her,
wildly excited.</p>
<p>"You never said you was coming—isn't the' a lot of things?—that
lion's killed three men—I've spent my tuppence—an' look here."</p>
<p>He pulled from his pocket two egg-cups, with pink moss-roses on them.</p>
<p>"I got these from that stall where y'ave ter get them marbles in them
holes. An' I got these two in two goes-'aepenny a go-they've got
moss-roses on, look here. I wanted these."</p>
<p>She knew he wanted them for her.</p>
<p>"H'm!" she said, pleased. "They ARE pretty!"</p>
<p>"Shall you carry 'em, 'cause I'm frightened o' breakin' 'em?"</p>
<p>He was tipful of excitement now she had come, led her about the ground,
showed her everything. Then, at the peep-show, she explained the pictures,
in a sort of story, to which he listened as if spellbound. He would not
leave her. All the time he stuck close to her, bristling with a small
boy's pride of her. For no other woman looked such a lady as she did, in
her little black bonnet and her cloak. She smiled when she saw women she
knew. When she was tired she said to her son:</p>
<p>"Well, are you coming now, or later?"</p>
<p>"Are you goin' a'ready?" he cried, his face full of reproach.</p>
<p>"Already? It is past four, I know."</p>
<p>"What are you goin' a'ready for?" he lamented.</p>
<p>"You needn't come if you don't want," she said.</p>
<p>And she went slowly away with her little girl, whilst her son stood
watching her, cut to the heart to let her go, and yet unable to leave the
wakes. As she crossed the open ground in front of the Moon and Stars she
heard men shouting, and smelled the beer, and hurried a little, thinking
her husband was probably in the bar.</p>
<p>At about half-past six her son came home, tired now, rather pale, and
somewhat wretched. He was miserable, though he did not know it, because he
had let her go alone. Since she had gone, he had not enjoyed his wakes.</p>
<p>"Has my dad been?" he asked.</p>
<p>"No," said the mother.</p>
<p>"He's helping to wait at the Moon and Stars. I seed him through that black
tin stuff wi' holes in, on the window, wi' his sleeves rolled up."</p>
<p>"Ha!" exclaimed the mother shortly. "He's got no money. An' he'll be
satisfied if he gets his 'lowance, whether they give him more or not."</p>
<p>When the light was fading, and Mrs. Morel could see no more to sew, she
rose and went to the door. Everywhere was the sound of excitement, the
restlessness of the holiday, that at last infected her. She went out into
the side garden. Women were coming home from the wakes, the children
hugging a white lamb with green legs, or a wooden horse. Occasionally a
man lurched past, almost as full as he could carry. Sometimes a good
husband came along with his family, peacefully. But usually the women and
children were alone. The stay-at-home mothers stood gossiping at the
corners of the alley, as the twilight sank, folding their arms under their
white aprons.</p>
<p>Mrs. Morel was alone, but she was used to it. Her son and her little girl
slept upstairs; so, it seemed, her home was there behind her, fixed and
stable. But she felt wretched with the coming child. The world seemed a
dreary place, where nothing else would happen for her—at least until
William grew up. But for herself, nothing but this dreary endurance—till
the children grew up. And the children! She could not afford to have this
third. She did not want it. The father was serving beer in a public house,
swilling himself drunk. She despised him, and was tied to him. This coming
child was too much for her. If it were not for William and Annie, she was
sick of it, the struggle with poverty and ugliness and meanness.</p>
<p>She went into the front garden, feeling too heavy to take herself out, yet
unable to stay indoors. The heat suffocated her. And looking ahead, the
prospect of her life made her feel as if she were buried alive.</p>
<p>The front garden was a small square with a privet hedge. There she stood,
trying to soothe herself with the scent of flowers and the fading,
beautiful evening. Opposite her small gate was the stile that led uphill,
under the tall hedge between the burning glow of the cut pastures. The sky
overhead throbbed and pulsed with light. The glow sank quickly off the
field; the earth and the hedges smoked dusk. As it grew dark, a ruddy
glare came out on the hilltop, and out of the glare the diminished
commotion of the fair.</p>
<p>Sometimes, down the trough of darkness formed by the path under the
hedges, men came lurching home. One young man lapsed into a run down the
steep bit that ended the hill, and went with a crash into the stile. Mrs.
Morel shuddered. He picked himself up, swearing viciously, rather
pathetically, as if he thought the stile had wanted to hurt him.</p>
<p>She went indoors, wondering if things were never going to alter. She was
beginning by now to realise that they would not. She seemed so far away
from her girlhood, she wondered if it were the same person walking heavily
up the back garden at the Bottoms as had run so lightly up the breakwater
at Sheerness ten years before.</p>
<p>"What have I to do with it?" she said to herself. "What have I to do with
all this? Even the child I am going to have! It doesn't seem as if I were
taken into account."</p>
<p>Sometimes life takes hold of one, carries the body along, accomplishes
one's history, and yet is not real, but leaves oneself as it were slurred
over.</p>
<p>"I wait," Mrs. Morel said to herself—"I wait, and what I wait for
can never come."</p>
<p>Then she straightened the kitchen, lit the lamp, mended the fire, looked
out the washing for the next day, and put it to soak. After which she sat
down to her sewing. Through the long hours her needle flashed regularly
through the stuff. Occasionally she sighed, moving to relieve herself. And
all the time she was thinking how to make the most of what she had, for
the children's sakes.</p>
<p>At half-past eleven her husband came. His cheeks were very red and very
shiny above his black moustache. His head nodded slightly. He was pleased
with himself.</p>
<p>"Oh! Oh! waitin' for me, lass? I've bin 'elpin' Anthony, an' what's think
he's gen me? Nowt b'r a lousy hae'f-crown, an' that's ivry penny—"</p>
<p>"He thinks you've made the rest up in beer," she said shortly.</p>
<p>"An' I 'aven't—that I 'aven't. You b'lieve me, I've 'ad very little
this day, I have an' all." His voice went tender. "Here, an' I browt thee
a bit o' brandysnap, an' a cocoanut for th' children." He laid the
gingerbread and the cocoanut, a hairy object, on the table. "Nay, tha
niver said thankyer for nowt i' thy life, did ter?"</p>
<p>As a compromise, she picked up the cocoanut and shook it, to see if it had
any milk.</p>
<p>"It's a good 'un, you may back yer life o' that. I got it fra' Bill
Hodgkisson. 'Bill,' I says, 'tha non wants them three nuts, does ter?
Arena ter for gi'ein' me one for my bit of a lad an' wench?' 'I ham,
Walter, my lad,' 'e says; 'ta'e which on 'em ter's a mind.' An' so I took
one, an' thanked 'im. I didn't like ter shake it afore 'is eyes, but 'e
says, 'Tha'd better ma'e sure it's a good un, Walt.' An' so, yer see, I
knowed it was. He's a nice chap, is Bill Hodgkisson, e's a nice chap!"</p>
<p>"A man will part with anything so long as he's drunk, and you're drunk
along with him," said Mrs. Morel.</p>
<p>"Eh, tha mucky little 'ussy, who's drunk, I sh'd like ter know?" said
Morel. He was extraordinarily pleased with himself, because of his day's
helping to wait in the Moon and Stars. He chattered on.</p>
<p>Mrs. Morel, very tired, and sick of his babble, went to bed as quickly as
possible, while he raked the fire.</p>
<p>Mrs. Morel came of a good old burgher family, famous independents who had
fought with Colonel Hutchinson, and who remained stout Congregationalists.
Her grandfather had gone bankrupt in the lace-market at a time when so
many lace-manufacturers were ruined in Nottingham. Her father, George
Coppard, was an engineer—a large, handsome, haughty man, proud of
his fair skin and blue eyes, but more proud still of his integrity.
Gertrude resembled her mother in her small build. But her temper, proud
and unyielding, she had from the Coppards.</p>
<p>George Coppard was bitterly galled by his own poverty. He became foreman
of the engineers in the dockyard at Sheerness. Mrs. Morel—Gertrude—was
the second daughter. She favoured her mother, loved her mother best of
all; but she had the Coppards' clear, defiant blue eyes and their broad
brow. She remembered to have hated her father's overbearing manner towards
her gentle, humorous, kindly-souled mother. She remembered running over
the breakwater at Sheerness and finding the boat. She remembered to have
been petted and flattered by all the men when she had gone to the
dockyard, for she was a delicate, rather proud child. She remembered the
funny old mistress, whose assistant she had become, whom she had loved to
help in the private school. And she still had the Bible that John Field
had given her. She used to walk home from chapel with John Field when she
was nineteen. He was the son of a well-to-do tradesman, had been to
college in London, and was to devote himself to business.</p>
<p>She could always recall in detail a September Sunday afternoon, when they
had sat under the vine at the back of her father's house. The sun came
through the chinks of the vine-leaves and made beautiful patterns, like a
lace scarf, falling on her and on him. Some of the leaves were clean
yellow, like yellow flat flowers.</p>
<p>"Now sit still," he had cried. "Now your hair, I don't know what it IS
like! It's as bright as copper and gold, as red as burnt copper, and it
has gold threads where the sun shines on it. Fancy their saying it's
brown. Your mother calls it mouse-colour."</p>
<p>She had met his brilliant eyes, but her clear face scarcely showed the
elation which rose within her.</p>
<p>"But you say you don't like business," she pursued.</p>
<p>"I don't. I hate it!" he cried hotly.</p>
<p>"And you would like to go into the ministry," she half implored.</p>
<p>"I should. I should love it, if I thought I could make a first-rate
preacher."</p>
<p>"Then why don't you—why DON'T you?" Her voice rang with defiance.
"If I were a man, nothing would stop me."</p>
<p>She held her head erect. He was rather timid before her.</p>
<p>"But my father's so stiff-necked. He means to put me into the business,
and I know he'll do it."</p>
<p>"But if you're a MAN?" she had cried.</p>
<p>"Being a man isn't everything," he replied, frowning with puzzled
helplessness.</p>
<p>Now, as she moved about her work at the Bottoms, with some experience of
what being a man meant, she knew that it was NOT everything.</p>
<p>At twenty, owing to her health, she had left Sheerness. Her father had
retired home to Nottingham. John Field's father had been ruined; the son
had gone as a teacher in Norwood. She did not hear of him until, two years
later, she made determined inquiry. He had married his landlady, a woman
of forty, a widow with property.</p>
<p>And still Mrs. Morel preserved John Field's Bible. She did not now believe
him to be—Well, she understood pretty well what he might or might
not have been. So she preserved his Bible, and kept his memory intact in
her heart, for her own sake. To her dying day, for thirty-five years, she
did not speak of him.</p>
<p>When she was twenty-three years old, she met, at a Christmas party, a
young man from the Erewash Valley. Morel was then twenty-seven years old.
He was well set-up, erect, and very smart. He had wavy black hair that
shone again, and a vigorous black beard that had never been shaved. His
cheeks were ruddy, and his red, moist mouth was noticeable because he
laughed so often and so heartily. He had that rare thing, a rich, ringing
laugh. Gertrude Coppard had watched him, fascinated. He was so full of
colour and animation, his voice ran so easily into comic grotesque, he was
so ready and so pleasant with everybody. Her own father had a rich fund of
humour, but it was satiric. This man's was different: soft,
non-intellectual, warm, a kind of gambolling.</p>
<p>She herself was opposite. She had a curious, receptive mind which found
much pleasure and amusement in listening to other folk. She was clever in
leading folk to talk. She loved ideas, and was considered very
intellectual. What she liked most of all was an argument on religion or
philosophy or politics with some educated man. This she did not often
enjoy. So she always had people tell her about themselves, finding her
pleasure so.</p>
<p>In her person she was rather small and delicate, with a large brow, and
dropping bunches of brown silk curls. Her blue eyes were very straight,
honest, and searching. She had the beautiful hands of the Coppards. Her
dress was always subdued. She wore dark blue silk, with a peculiar silver
chain of silver scallops. This, and a heavy brooch of twisted gold, was
her only ornament. She was still perfectly intact, deeply religious, and
full of beautiful candour.</p>
<p>Walter Morel seemed melted away before her. She was to the miner that
thing of mystery and fascination, a lady. When she spoke to him, it was
with a southern pronunciation and a purity of English which thrilled him
to hear. She watched him. He danced well, as if it were natural and joyous
in him to dance. His grandfather was a French refugee who had married an
English barmaid—if it had been a marriage. Gertrude Coppard watched
the young miner as he danced, a certain subtle exultation like glamour in
his movement, and his face the flower of his body, ruddy, with tumbled
black hair, and laughing alike whatever partner he bowed above. She
thought him rather wonderful, never having met anyone like him. Her father
was to her the type of all men. And George Coppard, proud in his bearing,
handsome, and rather bitter; who preferred theology in reading, and who
drew near in sympathy only to one man, the Apostle Paul; who was harsh in
government, and in familiarity ironic; who ignored all sensuous pleasure:—he
was very different from the miner. Gertrude herself was rather
contemptuous of dancing; she had not the slightest inclination towards
that accomplishment, and had never learned even a Roger de Coverley. She
was puritan, like her father, high-minded, and really stern. Therefore the
dusky, golden softness of this man's sensuous flame of life, that flowed
off his flesh like the flame from a candle, not baffled and gripped into
incandescence by thought and spirit as her life was, seemed to her
something wonderful, beyond her.</p>
<p>He came and bowed above her. A warmth radiated through her as if she had
drunk wine.</p>
<p>"Now do come and have this one wi' me," he said caressively. "It's easy,
you know. I'm pining to see you dance."</p>
<p>She had told him before she could not dance. She glanced at his humility
and smiled. Her smile was very beautiful. It moved the man so that he
forgot everything.</p>
<p>"No, I won't dance," she said softly. Her words came clean and ringing.</p>
<p>Not knowing what he was doing—he often did the right thing by
instinct—he sat beside her, inclining reverentially.</p>
<p>"But you mustn't miss your dance," she reproved.</p>
<p>"Nay, I don't want to dance that—it's not one as I care about."</p>
<p>"Yet you invited me to it."</p>
<p>He laughed very heartily at this.</p>
<p>"I never thought o' that. Tha'rt not long in taking the curl out of me."</p>
<p>It was her turn to laugh quickly.</p>
<p>"You don't look as if you'd come much uncurled," she said.</p>
<p>"I'm like a pig's tail, I curl because I canna help it," he laughed,
rather boisterously.</p>
<p>"And you are a miner!" she exclaimed in surprise.</p>
<p>"Yes. I went down when I was ten."</p>
<p>She looked at him in wondering dismay.</p>
<p>"When you were ten! And wasn't it very hard?" she asked.</p>
<p>"You soon get used to it. You live like th' mice, an' you pop out at night
to see what's going on."</p>
<p>"It makes me feel blind," she frowned.</p>
<p>"Like a moudiwarp!" he laughed. "Yi, an' there's some chaps as does go
round like moudiwarps." He thrust his face forward in the blind,
snout-like way of a mole, seeming to sniff and peer for direction. "They
dun though!" he protested naively. "Tha niver seed such a way they get in.
But tha mun let me ta'e thee down some time, an' tha can see for thysen."</p>
<p>She looked at him, startled. This was a new tract of life suddenly opened
before her. She realised the life of the miners, hundreds of them toiling
below earth and coming up at evening. He seemed to her noble. He risked
his life daily, and with gaiety. She looked at him, with a touch of appeal
in her pure humility.</p>
<p>"Shouldn't ter like it?" he asked tenderly. "'Appen not, it 'ud dirty
thee."</p>
<p>She had never been "thee'd" and "thou'd" before.</p>
<p>The next Christmas they were married, and for three months she was
perfectly happy: for six months she was very happy.</p>
<p>He had signed the pledge, and wore the blue ribbon of a tee-totaller: he
was nothing if not showy. They lived, she thought, in his own house. It
was small, but convenient enough, and quite nicely furnished, with solid,
worthy stuff that suited her honest soul. The women, her neighbours, were
rather foreign to her, and Morel's mother and sisters were apt to sneer at
her ladylike ways. But she could perfectly well live by herself, so long
as she had her husband close.</p>
<p>Sometimes, when she herself wearied of love-talk, she tried to open her
heart seriously to him. She saw him listen deferentially, but without
understanding. This killed her efforts at a finer intimacy, and she had
flashes of fear. Sometimes he was restless of an evening: it was not
enough for him just to be near her, she realised. She was glad when he set
himself to little jobs.</p>
<p>He was a remarkably handy man—could make or mend anything. So she
would say:</p>
<p>"I do like that coal-rake of your mother's—it is small and natty."</p>
<p>"Does ter, my wench? Well, I made that, so I can make thee one!"</p>
<p>"What! why, it's a steel one!"</p>
<p>"An' what if it is! Tha s'lt ha'e one very similar, if not exactly same."</p>
<p>She did not mind the mess, nor the hammering and noise. He was busy and
happy.</p>
<p>But in the seventh month, when she was brushing his Sunday coat, she felt
papers in the breast pocket, and, seized with a sudden curiosity, took
them out to read. He very rarely wore the frock-coat he was married in:
and it had not occurred to her before to feel curious concerning the
papers. They were the bills of the household furniture, still unpaid.</p>
<p>"Look here," she said at night, after he was washed and had had his
dinner. "I found these in the pocket of your wedding-coat. Haven't you
settled the bills yet?"</p>
<p>"No. I haven't had a chance."</p>
<p>"But you told me all was paid. I had better go into Nottingham on Saturday
and settle them. I don't like sitting on another man's chairs and eating
from an unpaid table."</p>
<p>He did not answer.</p>
<p>"I can have your bank-book, can't I?"</p>
<p>"Tha can ha'e it, for what good it'll be to thee."</p>
<p>"I thought—" she began. He had told her he had a good bit of money
left over. But she realised it was no use asking questions. She sat rigid
with bitterness and indignation.</p>
<p>The next day she went down to see his mother.</p>
<p>"Didn't you buy the furniture for Walter?" she asked.</p>
<p>"Yes, I did," tartly retorted the elder woman.</p>
<p>"And how much did he give you to pay for it?"</p>
<p>The elder woman was stung with fine indignation.</p>
<p>"Eighty pound, if you're so keen on knowin'," she replied.</p>
<p>"Eighty pounds! But there are forty-two pounds still owing!"</p>
<p>"I can't help that."</p>
<p>"But where has it all gone?"</p>
<p>"You'll find all the papers, I think, if you look—beside ten pound
as he owed me, an' six pound as the wedding cost down here."</p>
<p>"Six pounds!" echoed Gertrude Morel. It seemed to her monstrous that,
after her own father had paid so heavily for her wedding, six pounds more
should have been squandered in eating and drinking at Walter's parents'
house, at his expense.</p>
<p>"And how much has he sunk in his houses?" she asked.</p>
<p>"His houses—which houses?"</p>
<p>Gertrude Morel went white to the lips. He had told her the house he lived
in, and the next one, was his own.</p>
<p>"I thought the house we live in—" she began.</p>
<p>"They're my houses, those two," said the mother-in-law. "And not clear
either. It's as much as I can do to keep the mortgage interest paid."</p>
<p>Gertrude sat white and silent. She was her father now.</p>
<p>"Then we ought to be paying you rent," she said coldly.</p>
<p>"Walter is paying me rent," replied the mother.</p>
<p>"And what rent?" asked Gertrude.</p>
<p>"Six and six a week," retorted the mother.</p>
<p>It was more than the house was worth. Gertrude held her head erect, looked
straight before her.</p>
<p>"It is lucky to be you," said the elder woman, bitingly, "to have a
husband as takes all the worry of the money, and leaves you a free hand."</p>
<p>The young wife was silent.</p>
<p>She said very little to her husband, but her manner had changed towards
him. Something in her proud, honourable soul had crystallised out hard as
rock.</p>
<p>When October came in, she thought only of Christmas. Two years ago, at
Christmas, she had met him. Last Christmas she had married him. This
Christmas she would bear him a child.</p>
<p>"You don't dance yourself, do you, missis?" asked her nearest neighbour,
in October, when there was great talk of opening a dancing-class over the
Brick and Tile Inn at Bestwood.</p>
<p>"No—I never had the least inclination to," Mrs. Morel replied.</p>
<p>"Fancy! An' how funny as you should ha' married your Mester. You know he's
quite a famous one for dancing."</p>
<p>"I didn't know he was famous," laughed Mrs. Morel.</p>
<p>"Yea, he is though! Why, he ran that dancing-class in the Miners' Arms
club-room for over five year."</p>
<p>"Did he?"</p>
<p>"Yes, he did." The other woman was defiant. "An' it was thronged every
Tuesday, and Thursday, an' Sat'day—an' there WAS carryin's-on,
accordin' to all accounts."</p>
<p>This kind of thing was gall and bitterness to Mrs. Morel, and she had a
fair share of it. The women did not spare her, at first; for she was
superior, though she could not help it.</p>
<p>He began to be rather late in coming home.</p>
<p>"They're working very late now, aren't they?" she said to her
washer-woman.</p>
<p>"No later than they allers do, I don't think. But they stop to have their
pint at Ellen's, an' they get talkin', an' there you are! Dinner stone
cold—an' it serves 'em right."</p>
<p>"But Mr. Morel does not take any drink."</p>
<p>The woman dropped the clothes, looked at Mrs. Morel, then went on with her
work, saying nothing.</p>
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