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<h1> THE ASPERN PAPERS </h1>
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<h2> By Henry James </h2>
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<h2> I </h2>
<p>I had taken Mrs. Prest into my confidence; in truth without her I should
have made but little advance, for the fruitful idea in the whole business
dropped from her friendly lips. It was she who invented the short cut, who
severed the Gordian knot. It is not supposed to be the nature of women to
rise as a general thing to the largest and most liberal view—I mean
of a practical scheme; but it has struck me that they sometimes throw off
a bold conception—such as a man would not have risen to—with
singular serenity. "Simply ask them to take you in on the footing of a
lodger"—I don't think that unaided I should have risen to that. I
was beating about the bush, trying to be ingenious, wondering by what
combination of arts I might become an acquaintance, when she offered this
happy suggestion that the way to become an acquaintance was first to
become an inmate. Her actual knowledge of the Misses Bordereau was
scarcely larger than mine, and indeed I had brought with me from England
some definite facts which were new to her. Their name had been mixed up
ages before with one of the greatest names of the century, and they lived
now in Venice in obscurity, on very small means, unvisited,
unapproachable, in a dilapidated old palace on an out-of-the-way canal:
this was the substance of my friend's impression of them. She herself had
been established in Venice for fifteen years and had done a great deal of
good there; but the circle of her benevolence did not include the two shy,
mysterious and, as it was somehow supposed, scarcely respectable Americans
(they were believed to have lost in their long exile all national quality,
besides having had, as their name implied, some French strain in their
origin), who asked no favors and desired no attention. In the early years
of her residence she had made an attempt to see them, but this had been
successful only as regards the little one, as Mrs. Prest called the niece;
though in reality as I afterward learned she was considerably the bigger
of the two. She had heard Miss Bordereau was ill and had a suspicion that
she was in want; and she had gone to the house to offer assistance, so
that if there were suffering (and American suffering), she should at least
not have it on her conscience. The "little one" received her in the great
cold, tarnished Venetian sala, the central hall of the house, paved with
marble and roofed with dim crossbeams, and did not even ask her to sit
down. This was not encouraging for me, who wished to sit so fast, and I
remarked as much to Mrs. Prest. She however replied with profundity, "Ah,
but there's all the difference: I went to confer a favor and you will go
to ask one. If they are proud you will be on the right side." And she
offered to show me their house to begin with—to row me thither in
her gondola. I let her know that I had already been to look at it half a
dozen times; but I accepted her invitation, for it charmed me to hover
about the place. I had made my way to it the day after my arrival in
Venice (it had been described to me in advance by the friend in England to
whom I owed definite information as to their possession of the papers),
and I had besieged it with my eyes while I considered my plan of campaign.
Jeffrey Aspern had never been in it that I knew of; but some note of his
voice seemed to abide there by a roundabout implication, a faint
reverberation.</p>
<p>Mrs. Prest knew nothing about the papers, but she was interested in my
curiosity, as she was always interested in the joys and sorrows of her
friends. As we went, however, in her gondola, gliding there under the
sociable hood with the bright Venetian picture framed on either side by
the movable window, I could see that she was amused by my infatuation, the
way my interest in the papers had become a fixed idea. "One would think
you expected to find in them the answer to the riddle of the universe,"
she said; and I denied the impeachment only by replying that if I had to
choose between that precious solution and a bundle of Jeffrey Aspern's
letters I knew indeed which would appear to me the greater boon. She
pretended to make light of his genius, and I took no pains to defend him.
One doesn't defend one's god: one's god is in himself a defense. Besides,
today, after his long comparative obscuration, he hangs high in the heaven
of our literature, for all the world to see; he is a part of the light by
which we walk. The most I said was that he was no doubt not a woman's
poet: to which she rejoined aptly enough that he had been at least Miss
Bordereau's. The strange thing had been for me to discover in England that
she was still alive: it was as if I had been told Mrs. Siddons was, or
Queen Caroline, or the famous Lady Hamilton, for it seemed to me that she
belonged to a generation as extinct. "Why, she must be tremendously old—at
least a hundred," I had said; but on coming to consider dates I saw that
it was not strictly necessary that she should have exceeded by very much
the common span. Nonetheless she was very far advanced in life, and her
relations with Jeffrey Aspern had occurred in her early womanhood. "That
is her excuse," said Mrs. Prest, half-sententiously and yet also somewhat
as if she were ashamed of making a speech so little in the real tone of
Venice. As if a woman needed an excuse for having loved the divine poet!
He had been not only one of the most brilliant minds of his day (and in
those years, when the century was young, there were, as everyone knows,
many), but one of the most genial men and one of the handsomest.</p>
<p>The niece, according to Mrs. Prest, was not so old, and she risked the
conjecture that she was only a grandniece. This was possible; I had
nothing but my share in the very limited knowledge of my English fellow
worshipper John Cumnor, who had never seen the couple. The world, as I
say, had recognized Jeffrey Aspern, but Cumnor and I had recognized him
most. The multitude, today, flocked to his temple, but of that temple he
and I regarded ourselves as the ministers. We held, justly, as I think,
that we had done more for his memory than anyone else, and we had done it
by opening lights into his life. He had nothing to fear from us because he
had nothing to fear from the truth, which alone at such a distance of time
we could be interested in establishing. His early death had been the only
dark spot in his life, unless the papers in Miss Bordereau's hands should
perversely bring out others. There had been an impression about 1825 that
he had "treated her badly," just as there had been an impression that he
had "served," as the London populace says, several other ladies in the
same way. Each of these cases Cumnor and I had been able to investigate,
and we had never failed to acquit him conscientiously of shabby behavior.
I judged him perhaps more indulgently than my friend; certainly, at any
rate, it appeared to me that no man could have walked straighter in the
given circumstances. These were almost always awkward. Half the women of
his time, to speak liberally, had flung themselves at his head, and out of
this pernicious fashion many complications, some of them grave, had not
failed to arise. He was not a woman's poet, as I had said to Mrs. Prest,
in the modern phase of his reputation; but the situation had been
different when the man's own voice was mingled with his song. That voice,
by every testimony, was one of the sweetest ever heard. "Orpheus and the
Maenads!" was the exclamation that rose to my lips when I first turned
over his correspondence. Almost all the Maenads were unreasonable, and
many of them insupportable; it struck me in short that he was kinder, more
considerate than, in his place (if I could imagine myself in such a
place!) I should have been.</p>
<p>It was certainly strange beyond all strangeness, and I shall not take up
space with attempting to explain it, that whereas in all these other lines
of research we had to deal with phantoms and dust, the mere echoes of
echoes, the one living source of information that had lingered on into our
time had been unheeded by us. Every one of Aspern's contemporaries had,
according to our belief, passed away; we had not been able to look into a
single pair of eyes into which his had looked or to feel a transmitted
contact in any aged hand that his had touched. Most dead of all did poor
Miss Bordereau appear, and yet she alone had survived. We exhausted in the
course of months our wonder that we had not found her out sooner, and the
substance of our explanation was that she had kept so quiet. The poor lady
on the whole had had reason for doing so. But it was a revelation to us
that it was possible to keep so quiet as that in the latter half of the
nineteenth century—the age of newspapers and telegrams and
photographs and interviewers. And she had taken no great trouble about it
either: she had not hidden herself away in an undiscoverable hole; she had
boldly settled down in a city of exhibition. The only secret of her safety
that we could perceive was that Venice contained so many curiosities that
were greater than she. And then accident had somehow favored her, as was
shown for example in the fact that Mrs. Prest had never happened to
mention her to me, though I had spent three weeks in Venice—under
her nose, as it were—five years before. Mrs. Prest had not mentioned
this much to anyone; she appeared almost to have forgotten she was there.
Of course she had not the responsibilities of an editor. It was no
explanation of the old woman's having eluded us to say that she lived
abroad, for our researches had again and again taken us (not only by
correspondence but by personal inquiry) to France, to Germany, to Italy,
in which countries, not counting his important stay in England, so many of
the too few years of Aspern's career were spent. We were glad to think at
least that in all our publishings (some people consider I believe that we
have overdone them), we had only touched in passing and in the most
discreet manner on Miss Bordereau's connection. Oddly enough, even if we
had had the material (and we often wondered what had become of it), it
would have been the most difficult episode to handle.</p>
<p>The gondola stopped, the old palace was there; it was a house of the class
which in Venice carries even in extreme dilapidation the dignified name.
"How charming! It's gray and pink!" my companion exclaimed; and that is
the most comprehensive description of it. It was not particularly old,
only two or three centuries; and it had an air not so much of decay as of
quiet discouragement, as if it had rather missed its career. But its wide
front, with a stone balcony from end to end of the piano nobile or most
important floor, was architectural enough, with the aid of various
pilasters and arches; and the stucco with which in the intervals it had
long ago been endued was rosy in the April afternoon. It overlooked a
clean, melancholy, unfrequented canal, which had a narrow riva or
convenient footway on either side. "I don't know why—there are no
brick gables," said Mrs. Prest, "but this corner has seemed to me before
more Dutch than Italian, more like Amsterdam than like Venice. It's
perversely clean, for reasons of its own; and though you can pass on foot
scarcely anyone ever thinks of doing so. It has the air of a Protestant
Sunday. Perhaps the people are afraid of the Misses Bordereau. I daresay
they have the reputation of witches."</p>
<p>I forget what answer I made to this—I was given up to two other
reflections. The first of these was that if the old lady lived in such a
big, imposing house she could not be in any sort of misery and therefore
would not be tempted by a chance to let a couple of rooms. I expressed
this idea to Mrs. Prest, who gave me a very logical reply. "If she didn't
live in a big house how could it be a question of her having rooms to
spare? If she were not amply lodged herself you would lack ground to
approach her. Besides, a big house here, and especially in this quartier
perdu, proves nothing at all: it is perfectly compatible with a state of
penury. Dilapidated old palazzi, if you will go out of the way for them,
are to be had for five shillings a year. And as for the people who live in
them—no, until you have explored Venice socially as much as I have
you can form no idea of their domestic desolation. They live on nothing,
for they have nothing to live on." The other idea that had come into my
head was connected with a high blank wall which appeared to confine an
expanse of ground on one side of the house. Blank I call it, but it was
figured over with the patches that please a painter, repaired breaches,
crumblings of plaster, extrusions of brick that had turned pink with time;
and a few thin trees, with the poles of certain rickety trellises, were
visible over the top. The place was a garden, and apparently it belonged
to the house. It suddenly occurred to me that if it did belong to the
house I had my pretext.</p>
<p>I sat looking out on all this with Mrs. Prest (it was covered with the
golden glow of Venice) from the shade of our felze, and she asked me if I
would go in then, while she waited for me, or come back another time. At
first I could not decide—it was doubtless very weak of me. I wanted
still to think I MIGHT get a footing, and I was afraid to meet failure,
for it would leave me, as I remarked to my companion, without another
arrow for my bow. "Why not another?" she inquired as I sat there
hesitating and thinking it over; and she wished to know why even now and
before taking the trouble of becoming an inmate (which might be wretchedly
uncomfortable after all, even if it succeeded), I had not the resource of
simply offering them a sum of money down. In that way I might obtain the
documents without bad nights.</p>
<p>"Dearest lady," I exclaimed, "excuse the impatience of my tone when I
suggest that you must have forgotten the very fact (surely I communicated
it to you) which pushed me to throw myself upon your ingenuity. The old
woman won't have the documents spoken of; they are personal, delicate,
intimate, and she hasn't modern notions, God bless her! If I should sound
that note first I should certainly spoil the game. I can arrive at the
papers only by putting her off her guard, and I can put her off her guard
only by ingratiating diplomatic practices. Hypocrisy, duplicity are my
only chance. I am sorry for it, but for Jeffrey Aspern's sake I would do
worse still. First I must take tea with her; then tackle the main job."
And I told over what had happened to John Cumnor when he wrote to her. No
notice whatever had been taken of his first letter, and the second had
been answered very sharply, in six lines, by the niece. "Miss Bordereau
requested her to say that she could not imagine what he meant by troubling
them. They had none of Mr. Aspern's papers, and if they had should never
think of showing them to anyone on any account whatever. She didn't know
what he was talking about and begged he would let her alone." I certainly
did not want to be met that way.</p>
<p>"Well," said Mrs. Prest after a moment, provokingly, "perhaps after all
they haven't any of his things. If they deny it flat how are you sure?"</p>
<p>"John Cumnor is sure, and it would take me long to tell you how his
conviction, or his very strong presumption—strong enough to stand
against the old lady's not unnatural fib—has built itself up.
Besides, he makes much of the internal evidence of the niece's letter."</p>
<p>"The internal evidence?"</p>
<p>"Her calling him 'Mr. Aspern.'"</p>
<p>"I don't see what that proves."</p>
<p>"It proves familiarity, and familiarity implies the possession of
mementoes, or relics. I can't tell you how that 'Mr.' touches me—how
it bridges over the gulf of time and brings our hero near to me—nor
what an edge it gives to my desire to see Juliana. You don't say, 'Mr.'
Shakespeare."</p>
<p>"Would I, any more, if I had a box full of his letters?"</p>
<p>"Yes, if he had been your lover and someone wanted them!" And I added that
John Cumnor was so convinced, and so all the more convinced by Miss
Bordereau's tone, that he would have come himself to Venice on the
business were it not that for him there was the obstacle that it would be
difficult to disprove his identity with the person who had written to
them, which the old ladies would be sure to suspect in spite of
dissimulation and a change of name. If they were to ask him point-blank if
he were not their correspondent it would be too awkward for him to lie;
whereas I was fortunately not tied in that way. I was a fresh hand and
could say no without lying.</p>
<p>"But you will have to change your name," said Mrs. Prest. "Juliana lives
out of the world as much as it is possible to live, but none the less she
has probably heard of Mr. Aspern's editors; she perhaps possesses what you
have published."</p>
<p>"I have thought of that," I returned; and I drew out of my pocketbook a
visiting card, neatly engraved with a name that was not my own.</p>
<p>"You are very extravagant; you might have written it," said my companion.</p>
<p>"This looks more genuine."</p>
<p>"Certainly, you are prepared to go far! But it will be awkward about your
letters; they won't come to you in that mask."</p>
<p>"My banker will take them in, and I will go every day to fetch them. It
will give me a little walk."</p>
<p>"Shall you only depend upon that?" asked Mrs. Prest. "Aren't you coming to
see me?"</p>
<p>"Oh, you will have left Venice, for the hot months, long before there are
any results. I am prepared to roast all summer—as well as hereafter,
perhaps you'll say! Meanwhile, John Cumnor will bombard me with letters
addressed, in my feigned name, to the care of the padrona."</p>
<p>"She will recognize his hand," my companion suggested.</p>
<p>"On the envelope he can disguise it."</p>
<p>"Well, you're a precious pair! Doesn't it occur to you that even if you
are able to say you are not Mr. Cumnor in person they may still suspect
you of being his emissary?"</p>
<p>"Certainly, and I see only one way to parry that."</p>
<p>"And what may that be?"</p>
<p>I hesitated a moment. "To make love to the niece."</p>
<p>"Ah," cried Mrs. Prest, "wait till you see her!"</p>
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