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<h2> XXVIII </h2>
<h3> RANNIE KIRSTED </h3>
<p>Observing the monotonously proper behavior of the sun, man had an absurd
idea and invented Time. Becoming still more absurd, man said, "So much
shall be a day; such and such shall be a week. All weeks shall be the same
length." Yet every baby knows better! How long for Johnnie Watson, for Joe
Bullitt, for Wallace Banks—how long for William Sylvanus Baxter was
the last week of Miss Pratt? No one can answer. How long was that week for
Mr. Parcher? Again the mind is staggered.</p>
<p>Many people, of course, considered it to be a week of average size. Among
these was Jane.</p>
<p>Throughout seven days which brought some tense moments to the Baxter
household, Jane remained calm; and she was still calm upon the eighth
morning as she stood in the front yard of her own place of residence,
gazing steadily across the street. The object of her grave attention was
an ample brick house, newly painted white after repairs and enlargements
so inspiring to Jane's faculty for suggesting better ways of doing things,
that the workmen had learned to address her, with a slight bitterness, as
"Madam President."</p>
<p>Throughout the process of repair, and until the very last of the painting,
Jane had considered this house to be as much her property as anybody's;
for children regard as ownerless all vacant houses and all houses in
course of construction or radical alteration. Nothing short of furniture—intimate
furniture in considerable quantity—hints that the public is not
expected. However, such a hint, or warning, was conveyed to Jane this
morning, for two "express wagons" were standing at the curb with their
backs impolitely toward the brick house; and powerful-voiced men went
surging to and fro under fat arm-chairs, mahogany tables, disarticulated
bedsteads, and baskets of china and glassware; while a harassed lady
appeared in the outer doorway, from time to time, with gestures of
lamentation and entreaty. Upon the sidewalk, between the wagons and the
gate, was a broad wet spot, vaguely circular, with a partial circumference
of broken glass and extinct goldfish.</p>
<p>Jane was forced to conclude that the brick house did belong to somebody,
after all. Wherefore, she remained in her own yard, a steadfast spectator,
taking nourishment into her system at regular intervals. This was
beautifully automatic: in each hand she held a slice of bread, freely
plastered over with butter, apple sauce, and powdered sugar; and when she
had taken somewhat from the right hand, that hand slowly descended with
its burden, while, simultaneously, the left began to rise, reaching the
level of her mouth precisely at the moment when a little wave passed down
her neck, indicating that the route was clear. Then, having made delivery,
the left hand sank, while the right began to rise again. And, so well had
custom trained Jane's members, never once did she glance toward either of
these faithful hands or the food that it supported; her gaze was all the
while free to remain upon the house across the way and the great doings
before it.</p>
<p>After a while, something made her wide eyes grow wider almost to their
utmost. Nay, the event was of that importance her mechanical hands ceased
to move and stopped stock-still, the right half-way up, the left half-way
down, as if because of sudden motor trouble within Jane. Her mouth was
equally affected, remaining open at a visible crisis in the performance of
its duty. These were the tokens of her agitation upon beholding the
removal of a dolls' house from one of the wagons. This dolls' house was at
least five feet high, of proportionate breadth and depths the customary
absence of a facade disclosing an interior of four luxurious floors, with
stairways, fireplaces, and wall-paper. Here was a mansion wherein
doll-duchesses, no less, must dwell.</p>
<p>Straightway, a little girl ran out of the open doorway of the brick house
and, with a self-importance concentrated to the point of shrewishness,
began to give orders concerning the disposal of her personal property,
which included (as she made clear) not only the dolls' mansion, but also
three dolls' trunks and a packing-case of fair size. She was a thin little
girl, perhaps half a year younger than Jane; and she was as soiled,
particularly in respect to hands, brow, chin, and the knees of white
stockings, as could be expected of any busybodyish person of nine or ten
whose mother is house-moving. But she was gifted—if we choose to put
the matter in the hopeful, sweeter way—she was gifted with an
unusually loud and shrill voice, and she made herself heard over the
strong-voiced men to such emphatic effect that one of the latter, with the
dolls' mansion upon his back, paused in the gateway to acquaint her with
his opinion that of all the bossy little girls he had ever seen, heard, or
heard of, she was the bossiest.</p>
<p>"THE worst!" he added.</p>
<p>The little girl across the street was of course instantly aware of Jane,
though she pretended not to be; and from the first her self-importance was
in large part assumed for the benefit of the observer. After a momentary
silence, due to her failure to think of any proper response to the workman
who so pointedly criticized her, she resumed the peremptory direction of
her affairs. She ran in and out of the house, her brow dark with frowns,
her shoulders elevated; and by every means at her disposal she urged her
audience to behold the frightful responsibilities of one who must keep a
thousand things in her head at once, and yet be ready for decisive action
at any instant.</p>
<p>There may have been one weakness in this strong performance: the artistic
sincerity of it was a little discredited by the increasing frequency with
which the artist took note of her effect. During each of her most
impressive moments, she flashed, from the far corner of her eye, two
questions at Jane: "How about THAT one? Are you still watching Me?"</p>
<p>Then, apparently in the very midst of her cares, she suddenly and without
warning ceased to boss, walked out into the street, halted, and stared
frankly at Jane.</p>
<p>Jane had begun her automatic feeding again. She continued it, meanwhile
seriously returning the stare of the new neighbor. For several minutes
this mutual calm and inoffensive gaze was protracted; then Jane, after
swallowing the last morsel of her supplies, turned her head away and
looked at a tree. The little girl, into whose eyes some wistfulness had
crept, also turned her head and looked at a tree. After a while, she
advanced to the curb on Jane's side of the street, and, swinging her right
foot, allowed it to kick the curbstone repeatedly.</p>
<p>Jane came out to the sidewalk and began to kick one of the fence-pickets.</p>
<p>"You see that ole fatty?" asked the little girl, pointing to one of the
workmen, thus sufficiently identified.</p>
<p>"Yes."</p>
<p>"That's the one broke the goldfish," said the little girl. There was a
pause during which she continued to scuff the curbstone with her shoe,
Jane likewise scuffing the fence-picket. "I'm goin' to have papa get him
arrested," added the stranger.</p>
<p>"My papa got two men arrested once," Jane said, calmly. "Two or three."</p>
<p>The little girl's eyes, wandering upward, took note of Jane's papa's
house, and of a fierce young gentleman framed in an open window up-stairs.
He was seated, wore ink upon his forehead, and tapped his teeth with a red
penholder.</p>
<p>"Who is that?" she asked.</p>
<p>"It's Willie."</p>
<p>"Is it your papa?"</p>
<p>"NO-O-O-O!" Jane exclaimed. "It's WILLIE!"</p>
<p>"Oh," said the little girl, apparently satisfied.</p>
<p>Each now scuffed less energetically with her shoe; feet slowed down; so
did conversation, and, for a time, Jane and the stranger wrapped
themselves in stillness, though there may have been some silent communing
between them. Then the new neighbor placed her feet far apart and leaned
backward upon nothing, curving her front outward and her remarkably
flexible spine inward until a profile view of her was grandly
semicircular.</p>
<p>Jane watched her attentively, but without comment. However, no one could
have doubted that the processes of acquaintance were progressing
favorably.</p>
<p>"Let's go in our yard," said Jane.</p>
<p>The little girl straightened herself with a slight gasp, and accepted the
invitation. Side by side, the two passed through the open gate, walked
gravely forth upon the lawn, and halted, as by common consent. Jane
thereupon placed her feet wide apart and leaned backward upon nothing,
attempting the feat in contortion just performed by the stranger.</p>
<p>"Look," she said. "Look at ME!"</p>
<p>But she lacked the other's genius, lost her balance, and fell. Born
persistent, she immediately got to her feet and made fresh efforts.</p>
<p>"No! Look at ME!" the little girl cried, becoming semicircular again.
"This is the way. I call it 'puttin' your stummick out o' joint.' You
haven't got yours out far enough."</p>
<p>"Yes, I have," said Jane, gasping.</p>
<p>"Well, to do it right, you must WALK that way. As soon as you get your
stummick out o' joint, you must begin an' walk. Look! Like this." And the
little girl, having achieved a state of such convexity that her braided
hair almost touched the ground behind her, walked successfully in that
singular attitude.</p>
<p>"I'm walkin'," Jane protested, her face not quite upside down. "Look! I'M
walkin' that way, too. My stummick—"</p>
<p>There came an outraged shout from above, and a fierce countenance, stained
with ink, protruded from the window.</p>
<p>"Jane!"</p>
<p>"What?"</p>
<p>"Stop that! Stop putting your stomach out in front of you like that! It's
disgraceful!"</p>
<p>Both young ladies, looking rather oppressed, resumed the perpendicular.
"Why doesn't he like it?" the stranger asked in a tone of pure wonder.</p>
<p>"I don't know," said Jane. "He doesn't like much of anything. He's
seventeen years old."</p>
<p>After that, the two stared moodily at the ground for a little while,
chastened by the severe presence above; then Jane brightened.</p>
<p>"<i>I</i> know!" she exclaimed, cozily. "Let's play callers. Right here by
this bush 'll be my house. You come to call on me, an' we'll talk about
our chuldren. You be Mrs. Smith an' I'm Mrs. Jones." And in the character
of a hospitable matron she advanced graciously toward the new neighbor.
"Why, my dear Mrs. SMITH, come right IN! I THOUGHT you'd call this
morning. I want to tell you about my lovely little daughter. She's only
ten years old, an' says the brightest THINGS! You really must—"</p>
<p>But here Jane interrupted herself abruptly, and, hopping behind the
residential bush, peeped over it, not at Mrs. Smith, but at a boy of ten
or eleven who was passing along the sidewalk. Her expression was gravely
interested, somewhat complacent; and Mrs. Smith was not so lacking in
perception that she failed to understand how completely—for the time
being, at least—calling was suspended.</p>
<p>The boy whistled briskly, "My country, 'tis of thee," and though his
knowledge of the air failed him when he finished the second line, he was
not disheartened, but began at the beginning again, continuing repeatedly
after this fashion to offset monotony by patriotism. He whistled loudly;
he walked with ostentatious intent to be at some heavy affair in the
distance; his ears were red. He looked neither to the right nor to the
left.</p>
<p>That is, he looked neither to the right nor to the left until he had
passed the Baxters' fence. But when he had gone as far as the upper corner
of the fence beyond, he turned his head and looked back, without any
expression—except that of a whistler—at Jane. And thus, still
whistling "My country, 'tis of thee," and with blank pink face over his
shoulder, he proceeded until he was out of sight.</p>
<p>"Who was that boy?" the new neighbor then inquired.</p>
<p>"It's Freddie," said Jane, placidly. "He's in our Sunday-school. He's in
love of me."</p>
<p>"JANE!"</p>
<p>Again the outraged and ink-stained countenance glared down from the
window.</p>
<p>"What you want?" Jane asked.</p>
<p>"What you MEAN talking about such things?" William demanded. "In all my
life I never heard anything as disgusting! Shame on you!"</p>
<p>The little girl from across the street looked upward thoughtfully. "He's
mad," she remarked, and, regardless of Jane's previous information, "It IS
your papa, isn't it?" she insisted.</p>
<p>"No!" said Jane, testily. "I told you five times it's my brother Willie."</p>
<p>"Oh!" said the little girl, and, grasping the fact that William's position
was, in dignity and authority, negligible, compared with that which she
had persisted in imagining, she felt it safe to tint her upward gaze with
disfavor. "He acts kind of crazy," she murmured.</p>
<p>"He's in love of Miss Pratt," said Jane. "She's goin' away to-day. She
said she'd go before, but to-day she IS! Mr. Parcher, where she visits,
he's almost dead, she's stayed so long. She's awful, I think."</p>
<p>William, to whom all was audible, shouted, hoarsely, "I'll see to YOU!"
and disappeared from the window.</p>
<p>"Will he come down here?" the little girl asked, taking a step toward the
gate.</p>
<p>"No. He's just gone to call mamma. All she'll do' ll be to tell us to go
play somewheres else. Then we can go talk to Genesis."</p>
<p>"Who?"</p>
<p>"Genesis. He's puttin' a load of coal in the cellar window with a shovel.
He's nice."</p>
<p>"What's he put the coal in the window for?"</p>
<p>"He's a colored man," said Jane.</p>
<p>"Shall we go talk to him now?"</p>
<p>"No," Jane said, thoughtfully. "Let's be playin' callers when mamma comes
to tell us to go 'way. What was your name?"</p>
<p>"Rannie."</p>
<p>"No, it wasn't."</p>
<p>"It is too, Rannie," the little girl insisted. "My whole name's Mary
Randolph Kirsted, but my short name's Rannie."</p>
<p>Jane laughed. "What a funny name!" she said. "I didn't mean your real
name; I meant your callers' name. One of us was Mrs. Jones, and one was—"</p>
<p>"I want to be Mrs. Jones," said Rannie.</p>
<p>"Oh, my DEAR Mrs. Jones," Jane began at once, "I want to tell you about my
lovely chuldren. I have two, one only seven years old, and the other—"</p>
<p>"Jane!" called Mrs. Baxter from William's window.</p>
<p>"Yes'm?"</p>
<p>"You must go somewhere else to play. Willie's trying to work at his
studies up here, and he says you've disturbed him very much."</p>
<p>"Yes'm."</p>
<p>The obedient Jane and her friend turned to go, and as they went, Miss Mary
Randolph Kirsted allowed her uplifted eyes to linger with increased
disfavor upon William, who appeared beside Mrs. Baxter at the window.</p>
<p>"I tell you what let's do," Rannie suggested in a lowered voice. "He got
so fresh with us, an' made your mother come, an' all, let's—let's—"</p>
<p>She hesitated.</p>
<p>"Let's what?" Jane urged her, in an eager whisper.</p>
<p>"Let's think up somep'n he won't like—an' DO it!"</p>
<p>They disappeared round a corner of the house, their heads close together.</p>
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