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<h2> XXI </h2>
<h3> MY LITTLE SWEETHEARTS </h3>
<p>When George did stop, it was abruptly, during one of these intervals of
sobriety, and he and Miss Pratt came out of the house together rather
quietly, joining one of the groups of young people chatting with
after-dinner languor under the trees. However, Mr. Crooper began to revive
presently, in the sweet air of outdoors, and, observing some of the more
flashing gentlemen lighting cigarettes, he was moved to laughter. He had
not smoked since his childhood—having then been bonded through to
twenty-one with a pledge of gold—and he feared that these smoking
youths might feel themselves superior. Worse, Miss Pratt might be
impressed, therefore he laughed in scorn, saying:</p>
<p>"Burnin' up ole trash around here, I expect!" He sniffed searchingly.
"Somebody's set some ole rags on fire." Then, as in discovery, he cried,
"Oh no, only cigarettes!"</p>
<p>Miss Pratt, that tactful girl, counted four smokers in the group about
her, and only one abstainer, George. She at once defended the smokers, for
it is to be feared that numbers always had weight with her. "Oh, but
cigarettes is lubly smell!" she said. "Untle Georgiecums maybe be too
'ittle boy for smokings!"</p>
<p>This archness was greeted loudly by the smokers, and Mr. Crooper was put
upon his mettle. He spoke too quickly to consider whether or no the facts
justified his assertion. "Me? I don't smoke paper and ole carpets. I smoke
cigars!"</p>
<p>He had created the right impression, for Miss Pratt clapped her hands.
"Oh, 'plendid! Light one, Untle Georgiecums! Light one ever 'n' ever so
quick! P'eshus Flopit an' me we want see dray, big, 'normous man smoke
dray, big, 'normous cigar!"</p>
<p>William and Johnnie Watson, who had been hovering morbidly, unable to
resist the lodestone, came nearer, Johnnie being just in time to hear his
cousin's reply.</p>
<p>"I—I forgot my cigar-case."</p>
<p>Johnnie's expression became one of biting skepticism. "What you talkin'
about, George? Didn't you promise Uncle George you'd never smoke till
you're of age, and Uncle George said he'd give you a thousand dollars on
your twenty-first birthday? What 'd you say about your 'cigar-case'?"</p>
<p>George felt that he was in a tight place, and the lovely eyes of Miss
Pratt turned upon him questioningly. He could not flush, for he was
already so pink after his exploits with unnecessary nutriment that more
pinkness was impossible. He saw that the only safety for him lay in
boisterous prevarication. "A thousand dollars!" he laughed loudly. "I
thought that was real money when I was ten years old! It didn't stand in
MY way very long, I guess! Good ole George wanted his smoke, and he went
after it! You know how I am, Johnnie, when I go after anything. I been
smokin' cigars I dunno how long!" Glancing about him, his eye became
reassured; it was obvious that even Johnnie had accepted this airy
statement as the truth, and to clinch plausibility he added: "When I
smoke, I smoke! I smoke cigars straight along—light one right on the
stub of the other. I only wish I had some with me, because I miss 'em
after a meal. I'd give a good deal for something to smoke right now! I
don't mean cigarettes; I don't want any paper—I want something
that's all tobacco!"</p>
<p>William's pale, sad face showed a hint of color. With a pang he remembered
the package of My Little Sweetheart All-Tobacco Cuban Cigarettes (the
Package of Twenty for Ten Cents) which still reposed, untouched, in the
breast pocket of his coat. His eyes smarted a little as he recalled the
thoughts and hopes that had accompanied the purchase; but he thought,
"What would Sydney Carton do?"</p>
<p>William brought forth the package of My Little Sweetheart All-Tobacco
Cuban Cigarettes and placed it in the large hand of George Crooper. And
this was a noble act, for William believed that George really wished to
smoke. "Here," he said, "take these; they're all tobacco. I'm goin' to
quit smokin', anyway." And, thinking of the name, he added, gently, with a
significance lost upon all his hearers, "I'm sure you ought to have 'em
instead of me."</p>
<p>Then he went away and sat alone upon the fence.</p>
<p>"Light one, light one!" cried Miss Pratt. "Ev'ybody mus' be happy, an'
dray, big, 'normous man tan't be happy 'less he have his all-tobatto
smote. Light it, light it!"</p>
<p>George drew as deep a breath as his diaphragm, strangely oppressed since
dinner, would permit, and then bravely lit a Little Sweetheart. There must
have been some valiant blood in him, for, as he exhaled the smoke, he
covered a slight choking by exclaiming, loudly: "THAT'S good! That's the
ole stuff! That's what I was lookin' for!"</p>
<p>Miss Pratt was entranced. "Oh, 'plendid!" she cried, watching him with
fascinated eyes. "Now take dray, big, 'normous puffs! Take dray, big,
'NORMOUS puffs!"</p>
<p>George took great, big, enormous puffs.</p>
<p>She declared that she loved to watch men smoke, and William's heart, as he
sat on the distant fence, was wrung and wrung again by the vision of her
playful ecstasies. But when he saw her holding what was left of the first
Little Sweetheart for George to light a second at its expiring spark, he
could not bear it. He dropped from the fence and moped away to be out of
sight once more. This was his darkest hour.</p>
<p>Studiously avoiding the vicinity of the smokehouse, he sought the little
orchard where he had beheld her sitting with George; and there he sat
himself in sorrowful reverie upon the selfsame fallen tree. How long he
remained there is uncertain, but he was roused by the sound of music which
came from the lawn before the farmhouse. Bitterly he smiled, remembering
that Wallace Banks had engaged Italians with harp, violin, and flute,
promising great things for dancing on a fresh-clipped lawn—a turf
floor being no impediment to seventeen's dancing. Music! To see her
whirling and smiling sunnily in the fat grasp of that dancing bear! He
would stay in this lonely orchard; SHE would not miss him.</p>
<p>But though he hated the throbbing music and the sound of the laughing
voices that came to him, he could not keep away—and when he reached
the lawn where the dancers were, he found Miss Pratt moving rhythmically
in the thin grasp of Wallace Banks. Johnnie Watson approached, and spoke
in a low tone, tinged with spiteful triumph.</p>
<p>"Well, anyway, ole fat George didn't get the first dance with her! She's
the guest of honor, and Wallace had a right to it because he did all the
work. He came up to 'em and ole fat George couldn't say a thing. Wallace
just took her right away from him. George didn't say anything at all, but
I s'pose after this dance he'll be rushin' around again and nobody else
'll have a chance to get near her the rest of the afternoon. My mother
told me I ought to invite him over here, out I had no business to do it;
he don't know the first principles of how to act in a town he don't live
in!"</p>
<p>"Where'd he go?" William asked, listlessly, for Mr. Crooper was nowhere in
sight.</p>
<p>"I don't know—he just walked off without sayin' anything. But he'll
be back, time this dance is over, never you fear, and he'll grab her again
and—What's the matter with Joe?"</p>
<p>Joseph Bullitt had made his appearance at a corner of the house, some
distance from where they stood. His face was alert under the impulse of
strong excitement, and he beckoned fiercely. "Come here!" And, when they
had obeyed, "He's around back of the house by a kind of shed," said Joe.
"I think something's wrong. Come on, I'll show him to you."</p>
<p>But behind the house, whither they followed him in vague, strange hope, he
checked them. "LOOK THERE!" he said.</p>
<p>His pointing finger was not needed. Sounds of paroxysm drew their
attention sufficiently—sounds most poignant, soul-rending, and
lugubrious. William and Johnnie perceived the large person of Mr. Crooper;
he was seated upon the ground, his back propped obliquely against the
smoke-house, though this attitude was not maintained constantly.</p>
<p>Facing him, at a little distance, a rugged figure in homely garments stood
leaning upon a hoe and regarding George with a cold interest. The apex of
this figure was a volcanic straw hat, triangular in profile and coned with
an open crater emitting reddish wisps, while below the hat were several
features, but more whiskers, at the top of a long, corrugated red neck of
sterling worth. A husky voice issued from the whiskers, addressing George.</p>
<p>"I seen you!" it said. "I seen you eatin'! This here farm is supposed to
be a sanitary farm, and you'd ought of knew better. Go it, doggone you! Go
it!"</p>
<p>George complied. And three spectators, remaining aloof, but watching
zealously, began to feel their lost faith in Providence returning into
them; their faces brightened slowly, and without relapse. It was a visible
thing how the world became fairer and better in their eyes during that
little while they stood there. And William saw that his Little Sweethearts
had been an inspired purchase, after all; they had delivered the final tap
upon a tottering edifice. George's deeds at dinner had unsettled, but
Little Sweethearts had overthrown—and now there was awful work among
the ruins, to an ironical accompaniment of music from the front yard,
where people danced in heaven's sunshine!</p>
<p>This accompaniment came to a stop, and Johnnie Watson jumped. He seized
each of his companions by a sleeve and spoke eagerly, his eyes glowing
with a warm and brotherly light. "Here!" he cried. "We better get around
there—this looks like it was goin' to last all afternoon. Joe, you
get the next dance with her, and just about time the music slows up you
dance her around so you can stop right near where Bill will be standin',
so Bill can get her quick for the dance after that. Then, Bill, you do the
same for me, and I'll do the same for Joe again, and then, Joe, you do it
for Bill again, and then Bill for me—and so on. If we go in right
now and work together we can crowd the rest out, and there won't anybody
else get to dance with her the whole day! Come on quick!"</p>
<p>United in purpose, the three ran lightly to the dancing-lawn, and Mr.
Bullitt was successful, after a little debate, in obtaining the next dance
with the lovely guest of the day. "I did promise big Untle Georgiecums,"
she said, looking about her.</p>
<p>"Well, I don't think he'll come," said Joe. "That is, I'm pretty sure he
won't."</p>
<p>A shade fell upon the exquisite face. "No'ty. Bruvva Josie-Joe! The Men
ALWAYS tum when Lola promises dances. Mustn't be rude!"</p>
<p>"Well—" Joe began, when he was interrupted by the Swedish lady named
Anna, who spoke to them from the steps of the house. Of the merrymakers
they were the nearest.</p>
<p>"Dot pick fella," said Anna, "dot one dot eats—we make him in a
petroom. He holler! He tank he neet some halp."</p>
<p>"Does he want a doctor?" Joe asked.</p>
<p>"Doctor? No! He want make him in a amyoulance for hospital!"</p>
<p>"I'll go look at him," Johnnie Watson volunteered, running up. "He's my
cousin, and I guess I got to take the responsibility."</p>
<p>Miss Pratt paid the invalid the tribute of one faintly commiserating
glance toward the house. "Well," she said, "if people would rather eat too
much than dance!" She meant "dance with ME!" though she thought it
prettier not to say so. "Come on, Bruvva Josie-Joe!" she cried, joyously.</p>
<p>And a little later Johnnie Watson approached her where she stood with a
restored and refulgent William, about to begin the succeeding dance.
Johnnie dropped into her hand a ring, receiving one in return. "I thought
I better GET it," he said, offering no further explanation. "I'll take
care of his until we get home. He's all right," said Johnnie, and then
perceiving a sudden advent of apprehension upon the sensitive brow of
William, he went on reassuringly: "He's doin' as well as anybody could
expect; that is—after the crazy way he DID! He's always been
considered the dumbest one in all our relations—never did know how
to act. I don't mean he's exactly not got his senses, or ought to be
watched, anything like that—and of course he belongs to an awful
good family—but he's just kind of the black sheep when it comes to
intelligence, or anything like that. I got him as comfortable as a person
could be, and they're givin' him hot water and mustard and stuff, but what
he needs now is just to be kind of quiet. It'll do him a lot o' good,"
Johnnie concluded, with a spark in his voice, "to lay there the rest of
the afternoon and get quieted down, kind of."</p>
<p>"You don't think there's any—" William began, and, after a pause,
continued—"any hope—of his getting strong enough to come out
and dance afterwhile?"</p>
<p>Johnnie shook his head. "None in the world!" he said, conclusively. "The
best we can do for him is to let him entirely alone till after supper, and
then ask nobody to sit on the back seat of the trolley-car goin' home, so
we can make him comfortable back there, and let him kind of stretch out by
himself."</p>
<p>Then gaily tinkled harp, gaily sang flute and violin! Over the greensward
William lightly bore his lady, while radiant was the cleared sky above the
happy dancers. William's fingers touched those delicate fingers; the
exquisite face smiled rosily up to him; undreamable sweetness beat
rhythmically upon his glowing ears; his feet moved in a rhapsody of
companionship with hers. They danced and danced and danced!</p>
<p>Then Joe danced with her, while William and Johnnie stood with hands upon
each other's shoulders and watched, mayhap with longing, but without
spite; then Johnnie danced with her while Joe and William watched—and
then William danced with her again.</p>
<p>So passed the long, ineffable afternoon away—ah, Seventeen!</p>
<p>"... 'Jav a good time at the trolley-party?" the clerk in the corner
drug-store inquired that evening.</p>
<p>"Fine!" said William, taking his overcoat from the hook where he had left
it.</p>
<p>"How j' like them Little Sweethearts I sold you?"</p>
<p>"FINE!" said William.</p>
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