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<h2> XII </h2>
<h3> PROGRESS OF THE SYMPTOMS </h3>
<p>Mrs. BAXTER'S little stroke of diplomacy had gone straight to the mark,
she was a woman of insight. For every reason she was well content to have
her son spend his evenings at home, though it cannot be claimed that his
presence enlivened the household, his condition being one of strange,
trancelike irascibility. Evening after evening passed, while he sat
dreaming painfully of Mr. Parcher's porch; but in the daytime, though
William did not literally make hay while the sun shone, he at least
gathered a harvest somewhat resembling hay in general character.</p>
<p>Thus:</p>
<p>One afternoon, having locked his door to secure himself against intrusion
on the part of his mother or Jane, William seated himself at his
writing-table, and from a drawer therein took a small cardboard box, which
he uncovered, placing the contents in view before him upon the table. (How
meager, how chilling a word is "contents"!) In the box were:</p>
<p>A faded rose.</p>
<p>Several other faded roses, disintegrated into leaves.</p>
<p>Three withered "four-leaf clovers."</p>
<p>A white ribbon still faintly smelling of violets.</p>
<p>A small silver shoe-buckle.</p>
<p>A large pearl button.</p>
<p>A small pearl button.</p>
<p>A tortoise-shell hair-pin.</p>
<p>A cross-section from the heel of a small slipper.</p>
<p>A stringy remnant, probably once an improvised wreath of daisies.</p>
<p>Four or five withered dandelions.</p>
<p>Other dried vegetation, of a nature now indistinguishable.</p>
<p>William gazed reverently upon this junk of precious souvenirs; then from
the inner pocket of his coat he brought forth, warm and crumpled, a
lumpish cluster of red geranium blossoms, still aromatic and not quite
dead, though naturally, after three hours of such intimate confinement,
they wore an unmistakable look of suffering. With a tenderness which his
family had never observed in him since that piteous day in his fifth year
when he tried to mend his broken doll, William laid the geranium blossoms
in the cardboard box among the botanical and other relics.</p>
<p>His gentle eyes showed what the treasures meant to him, and yet it was
strange that they should have meant so much, because the source of supply
was not more than a quarter of a mile distant, and practically
inexhaustible. Miss Pratt had now been a visitor at the Parchers' for
something less than five weeks, but she had made no mention of prospective
departure, and there was every reason to suppose that she meant to remain
all summer. And as any foliage or anything whatever that she touched, or
that touched her, was thenceforth suitable for William's museum, there
appeared to be some probability that autumn might see it so enlarged as to
lack that rarity in the component items which is the underlying value of
most collections.</p>
<p>William's writing-table was beside an open window, through which came an
insistent whirring, unagreeable to his mood; and, looking down upon the
sunny lawn, he beheld three lowly creatures. One was Genesis; he was
cutting the grass. Another was Clematis; he had assumed a transient
attitude, curiously triangular, in order to scratch his ear, the while his
anxious eyes never wavered from the third creature.</p>
<p>This was Jane. In one hand she held a little stack of sugar-sprinkled
wafers, which she slowly but steadily depleted, unconscious of the
increasingly earnest protest, at last nearing agony, in the eyes of
Clematis. Wearing unaccustomed garments of fashion and festivity, Jane
stood, in speckless, starchy white and a blue sash, watching the
lawn-mower spout showers of grass as the powerful Genesis easily propelled
it along over lapping lanes, back and forth, across the yard.</p>
<p>From a height of illimitable loftiness the owner of the cardboard treasury
looked down upon the squat commonplaceness of those three lives. The
condition of Jane and Genesis and Clematis seemed almost laughably
pitiable to him, the more so because they were unaware of it. They
breathed not the starry air that William breathed, but what did it matter
to them? The wretched things did not even know that they meant nothing to
Miss Pratt!</p>
<p>Clematis found his ear too pliable for any great solace from his foot, but
he was not disappointed; he had expected little, and his thoughts were
elsewhere. Rising, he permitted his nose to follow his troubled eyes, with
the result that it touched the rim of the last wafer in Jane's external
possession.</p>
<p>This incident annoyed William. "Look there!" he called from the window.
"You mean to eat that cake after the dog's had his face on it?"</p>
<p>Jane remained placid. "It wasn't his face."</p>
<p>"Well, if it wasn't his face, I'd like to know what—"</p>
<p>"It wasn't his face," Jane repeated. "It was his nose. It wasn't all of
his nose touched it, either. It was only a little outside piece of his
nose."</p>
<p>"Well, are you going to eat that cake, I ask you?"</p>
<p>Jane broke off a small bit of the wafer. She gave the bit to Clematis and
slowly ate what remained, continuing to watch Genesis and apparently
unconscious of the scorching gaze from the window.</p>
<p>"I never saw anything as disgusting as long as I've lived!" William
announced. "I wouldn't 'a' believed it if anybody'd told me a sister of
mine would eat after—"</p>
<p>"I didn't," said Jane. "I like Clematis, anyway."</p>
<p>"Ye gods!" her brother cried. "Do you think that makes it any better? And,
BY the WAY," he continued, in a tone of even greater severity, "I'd a like
to know where you got those cakes. Where'd you get 'em, I'd just like to
inquire?"</p>
<p>"In the pantry." Jane turned and moved toward the house. "I'm goin' in for
some more, now."</p>
<p>William uttered a cry; these little cakes were sacred. His mother, growing
curious to meet a visiting lady of whom (so to speak) she had heard much
and thought more, had asked May Parcher to bring her guest for iced tea,
that afternoon. A few others of congenial age had been invited: there was
to be a small matinee, in fact, for the honor and pleasure of the son of
the house, and the cakes of Jane's onslaught were part of Mrs. Baxter's
preparations. There was no telling where Jane would stop; it was
conceivable that Miss Pratt herself might go waferless.</p>
<p>William returned the cardboard box to its drawer with reverent haste;
then, increasing the haste, but dropping the reverence, he hied himself to
the pantry with such advantage of longer legs that within the minute he
and the wafers appeared in conjunction before his mother, who was
arranging fruit and flowers upon a table in the "living-room."</p>
<p>William entered in the stained-glass attitude of one bearing gifts.
Overhead, both hands supported a tin pan, well laden with small cakes and
wafers, for which Jane was silently but repeatedly and systematically
jumping. Even under the stress of these efforts her expression was cool
and collected; she maintained the self-possession that was characteristic
of her.</p>
<p>Not so with William; his cheeks were flushed, his eyes indignant. "You see
what this child is doing?" he demanded. "Are you going to let her ruin
everything?"</p>
<p>"Ruin?" Mrs. Baxter repeated, absently, refreshing with fair water a bowl
of flowers upon the table. "Ruin?"</p>
<p>"Yes, ruin!" William was hotly emphatic, "If you don't do something with
her it 'll all be ruined before Miss Pr— before they even get here!"</p>
<p>Mrs. Baxter laughed. "Set the pan down, Willie."</p>
<p>"Set it DOWN?" he echoed, incredulously "With that child in the room and
grabbing like—"</p>
<p>"There!" Mrs. Baxter took the pan from him, placed it upon a chair, and
with the utmost coolness selected five wafers and gave them to Jane. "I'd
already promised her she could have five more. You know the doctor said
Jane's digestion was the finest he'd ever misunderstood. They won't hurt
her at all, Willie."</p>
<p>This deliberate misinterpretation of his motives made it difficult for
William to speak. "Do YOU think," he began, hoarsely, "do you THINK—"</p>
<p>"They're so small, too," Mrs. Baxter went on. "SHE probably wouldn't be
sick if she ate them all."</p>
<p>"My heavens!" he burst forth. "Do you think I was worrying about—"
He broke off, unable to express himself save by a few gestures of despair.
Again finding his voice, and a great deal of it, he demanded: "Do you
realize that Miss PRATT will be here within less than half an hour? What
do you suppose she'd think of the people of this town if she was invited
out, expecting decent treatment, and found two-thirds of the cakes eaten
up before she got there, and what was left of 'em all mauled and pawed
over and crummy and chewed-up lookin' from some wretched CHILD?" Here
William became oratorical, but not with marked effect, since Jane regarded
him with unmoved eyes, while Mrs. Baxter continued to be mildly
preoccupied in arranging the table. In fact, throughout this episode in
controversy the ladies' party had not only the numerical but the emotional
advantage. Obviously, the approach of Miss Pratt was not to them what it
was to William. "I tell you," he declaimed;—"yes, I tell you that it
wouldn't take much of this kind of thing to make Miss Pratt think the
people of this town were—well, it wouldn't take much to make her
think the people of this town hadn't learned much of how to behave in
society and were pretty uncilivized!" He corrected himself. "Uncivilized!
And to think Miss Pratt has to find that out in MY house! To think—"</p>
<p>"Now, Willie," said Mrs. Baxter, gently, "you'd better go up and brush
your hair again before your friends come. You mustn't let yourself get so
excited."</p>
<p>"'Excited!'" he cried, incredulously. "Do you think I'm EXCITED? Ye gods!"
He smote his hands together and, in his despair of her intelligence, would
have flung himself down upon a chair, but was arrested half-way by
simultaneous loud outcries from his mother and Jane.</p>
<p>"Don't sit on the CAKES!" they both screamed.</p>
<p>Saving himself and the pan of wafers by a supreme contortion at the last
instant, William decided to remain upon his feet. "What do I care for the
cakes?" he demanded, contemptuously, beginning to pace the floor. "It's
the question of principle I'm talking about! Do you think it's right to
give the people of this town a poor name when strangers like Miss PRATT
come to vis—"</p>
<p>"Willie!" His mother looked at him hopelessly. "Do go and brush your hair.
If you could see how you've tousled it you would."</p>
<p>He gave her a dazed glance and strode from the room.</p>
<p>Jane looked after him placidly. "Didn't he talk funny!" she murmured.</p>
<p>"Yes, dear," said Mrs. Baxter. She shook her head and uttered the
enigmatic words, "They do."</p>
<p>"I mean Willie, mamma," said Jane. "If it's anything about Miss Pratt. he
always talks awful funny. Don't you think Willie talks awful funny if it's
anything about Miss Pratt, mamma?"</p>
<p>"Yes, but—"</p>
<p>"What, mamma?" Jane asked as her mother paused.</p>
<p>"Well—it happens. People do get like that at his age, Jane."</p>
<p>"Does everybody?"</p>
<p>"No, I suppose not everybody. Just some."</p>
<p>Jane's interest was roused. "Well, do those that do, mamma," she inquired,
"do they all act like Willie?"</p>
<p>"No," said Mrs. Baxter. "That's the trouble; you can't tell what's
coming."</p>
<p>Jane nodded. "I think I know," she said. "You mean Willie—"</p>
<p>William himself interrupted her. He returned violently to the doorway, his
hair still tousled, and, standing upon the threshold, said, sternly:</p>
<p>"What is that child wearing her best dress for?"</p>
<p>"Willie!" Mrs. Baxter cried. "Go brush your hair!"</p>
<p>"I wish to know what that child is all dressed up for?" he insisted.</p>
<p>"To please you! Don't you want her to look her best at your tea?"</p>
<p>"I thought that was it!" he cried, and upon this confirmation of his worst
fears he did increased violence to his rumpled hair. "I suspected it, but
I wouldn't 'a' believed it! You mean to let this child—you mean to
let—" Here his agitation affected his throat and his utterance
became clouded. A few detached phrases fell from him: "—Invite MY
friends—children's party—ye gods!—think Miss Pratt plays
dolls—"</p>
<p>"Jane will be very good," his mother said. "I shouldn't think of not
having her, Willie, and you needn't bother about your friends; they'll be
very glad to see her. They all know her, except Miss Pratt, perhaps, and—"
Mrs. Baxter paused; then she asked, absently: "By the way, haven't I heard
somewhere that she likes pretending to be a little girl, herself?"</p>
<p>"WHAT!"</p>
<p>"Yes," said Mrs. Baxter, remaining calm; "I'm sure I've heard somewhere
that she likes to talk 'baby-talk.'"</p>
<p>Upon this a tremor passed over William, after which he became rigid. "You
ask a lady to your house," he began, "and even before she gets here,
before you've even seen her, you pass judgment upon one of the—one
of the noblest—"</p>
<p>"Good gracious! <i>I</i> haven't 'passed judgment.' If she does talk
'baby-talk,' I imagine she does it very prettily, and I'm sure I've no
objection. And if she does do it, why should you be insulted by my
mentioning it?"</p>
<p>"It was the way you said it," he informed her, icily.</p>
<p>"Good gracious! I just said it!" Mrs. Baxter laughed, and then, probably a
little out of patience with him, she gave way to that innate
mischievousness in such affairs which is not unknown to her sex. "You see,
Willie, if she pretends to be a cunning little girl, it will be helpful to
Jane to listen and learn how."</p>
<p>William uttered a cry; he knew that he was struck, but he was not sure how
or where. He was left with a blank mind and no repartee. Again he dashed
from the room.</p>
<p>In the hall, near the open front door, he came to a sudden halt, and Mrs.
Baxter and Jane heard him calling loudly to the industrious Genesis:</p>
<p>"Here! You go cut the grass in the back yard, and for Heaven's sake, take
that dog with you!"</p>
<p>"Grass awready cut roun' back," responded the amiable voice of Genesis,
while the lawnmower ceased not to whir. "Cut all 'at back yod 's mawnin'."</p>
<p>"Well, you can't cut the front yard now. Go around in the back yard and
take that dog with you."</p>
<p>"Nemmine 'bout 'at back yod! Ole Clem ain' trouble nobody."</p>
<p>"You hear what I tell you?" William shouted. "You do what I say and you do
it quick!"</p>
<p>Genesis laughed gaily. "I got my grass to cut!"</p>
<p>"You decline to do what I command you?" William roared.</p>
<p>"Yes, indeedy! Who pay me my wages? 'At's MY boss. You' ma say, 'Genesis,
you git all 'at lawn mowed b'fo' sundown.' No, suh! Nee'n' was'e you' bref
on me, 'cause I'm got all MY time good an' took up!"</p>
<p>Once more William presented himself fatefully to his mother and Jane. "May
I just kindly ask you to look out in the front yard?"</p>
<p>"I'm familiar with it, Willie," Mrs. Baxter returned, a little wearily.</p>
<p>"I mean I want you to look at Genesis."</p>
<p>"I'm familiar with his appearance, too," she said. "Why in the world do
you mind his cutting the grass?"</p>
<p>William groaned. "Do you honestly want guests coming to this house to see
that awful old darky out there and know that HE'S the kind of servants we
employ? Ye gods!"</p>
<p>"Why, Genesis is just a neighborhood outdoors darky, Willie; he works for
half a dozen families besides us. Everybody in this part of town knows
him."</p>
<p>"Yes," he cried, "but a lady that didn't live here wouldn't. Ye gods! What
do you suppose she WOULD think? You know what he's got on!"</p>
<p>"It's a sort of sleeveless jersey he wears, Willie, I think."</p>
<p>"No, you DON'T think that!" he cried, with great bitterness. "You know
it's not a jersey! You know perfectly well what it is, and yet you expect
to keep him out there when—when one of the one of the nobl—when
my friends arrive! And they'll think that's our DOG out there, won't they?
When intelligent people come to a house and see a dog sitting out in
front, they think it's the family in the house's dog, don't they?"
William's condition becoming more and more disordered, he paced the room,
while his agony rose to a climax. "Ye gods! What do you think Miss Pratt
will think of the people of this town, when she's invited to meet a few of
my friends and the first thing she sees is a nigger in his undershirt?
What 'll she think when she finds that child's eaten up half the food, and
the people have to explain that the dog in the front yard belongs to the
darky—" He interrupted himself with a groan: "And prob'ly she
wouldn't believe it. Anybody'd SAY they didn't own a dog like that! And
that's what you want her to see, before she even gets inside the house!
Instead of a regular gardener in livery like we ought to have, and a
bulldog or a good Airedale or a fox-hound, or something, the first things
you want intelligent people from out of town to see are that awful old
darky and his mongrel scratchin' fleas and like as not lettin' 'em get on
other people! THAT'd be nice, wouldn't it? Go out to tea expecting decent
treatment and get fl—"</p>
<p>"WILLIE!"</p>
<p>Mrs. Baxter managed to obtain his attention. "If you'll go and brush your
hair I'll send Genesis and Clematis away for the rest of the afternoon.
And then if you 'll sit down quietly and try to keep cool until your
friends get here, I'll—"</p>
<p>"'Quietly'!" he echoed, shaking his head over this mystery. "I'm the only
one that IS quiet around here. Things 'd be in a fine condition to receive
guests if I didn't keep pretty cool, I guess!"</p>
<p>"There, there," she said, soothingly. "Go and brush your hair. And change
your collar, Willie; it's all wilted. I'll send Genesis away."</p>
<p>His wandering eye failed to meet hers with any intelligence. "Collar," he
muttered, as if in soliloquy. "Collar."</p>
<p>"Change it!" said Mrs. Baxter, raising her voice. "It's WILTED."</p>
<p>He departed in a dazed manner.</p>
<p>Passing through the hall, he paused abruptly, his eye having fallen with
sudden disapproval upon a large, heavily framed, glass-covered engraving,
"The Battle of Gettysburg," which hung upon the wall, near the front door.
Undeniably, it was a picture feeble in decorative quality; no doubt, too,
William was right in thinking it as unworthy of Miss Pratt, as were Jane
and Genesis and Clematis. He felt that she must never see it, especially
as the frame had been chipped and had a corner broken, but it was more
pleasantly effective where he found it than where (in his nervousness) he
left it. A few hasty jerks snapped the elderly green cords by which it was
suspended; then he laid the picture upon the floor and with his
handkerchief made a curious labyrinth of avenues in the large oblong area
of fine dust which this removal disclosed upon the wall. Pausing to wipe
his hot brow with the same implement, he remembered that some one had made
allusions to his collar and hair, whereupon he sprang to the stairs,
mounted two at a time, rushed into his own room, and confronted his
streaked image in the mirror.</p>
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