<h4 id="id00386" style="margin-top: 2em">CHAPTER VII</h4>
<h5 id="id00387">A CHANCE MEETING</h5>
<p id="id00388" style="margin-top: 2em">Paul lost no time in reaching Cartown with the belated mail, and so was
obliged to leave the girls an the road with scant ceremony, hardly
pausing to discuss why he had been bound when no apparent robbery had
been perpetrated.</p>
<p id="id00389">Hazel appeared so agitated that Cora insisted upon her returning to the
Kimball home to dinner, and also had succeeded in getting a promise
from Paul that he would come there as early in the evening as it would
be possible for him to do so.</p>
<p id="id00390">Then, when the mail car was lost sight of, and the motor girls started
again on their homeward way, Clip insisted upon leading.</p>
<p id="id00391">"I know the variety of bandit," she declared, "and I want to meet him
personally. He is sure to fall dead in love with me on the spot. And,
oh, girls! Think of it! Me and the bandit!"</p>
<p id="id00392">Even Hazel laughed. The suggestion called up a picture of the
disgraceful Clip in robber uniform, with the proverbial red
handkerchief on her head, and all the rest of the disreputable
accessories. Clip would "look the part."</p>
<p id="id00393">But the Thayer machine was not noted for its beauty or service—it had
the reputation of bolting always at the "psychological moment," and
when Clip dashed forward to meet her fate, the fate of the Turtle (as
her car was called) intercepted her.</p>
<p id="id00394">With a jerk the Turtle tossed up its head, bounced Clip off her seat,
and then stopped.</p>
<p id="id00395">"Oh!" exclaimed the girl. "Isn't this the utmost! And I about to meet
my bandit! Now I suppose I will have to leave Turtle here to afford
the foe a means of escape. I say, girls, isn't that the utmost?"</p>
<p id="id00396">She jumped out of the car and, with a superficial glance at the
fractious machine, waited for Cora's car.</p>
<p id="id00397">"Come on, Ray," she said to her companion. "No use sitting there. That
car will never, move unless it is dragged. I know her. No use
monkeying with tools. When she stops, she stops, and we may as well
make up our minds to it."</p>
<p id="id00398">"But," argued Ray, "you have not even attempted to find out what is the
matter. Perhaps we could fix it up—"</p>
<p id="id00399">"No use attempting. I would find the whole thing the matter. Just
feel," she suggested, putting her ungloved hand on the radiator. "You
could make beef stew on any of her lids. Oh, I know this kind of hot
box! I've boiled the water, and the cylinders are stuck."</p>
<p id="id00400">By this time the other girls had come along. Cora insisted upon
looking over the disabled machine, and, while she did so, Clip
deliberately made herself comfortable in the Whirlwind.</p>
<p id="id00401">"Get in with Daisy," she called to Ray. "This will do me."</p>
<p id="id00402">"Can't we tow it?" asked Cora. "Why should you leave your machine out
here? And it is almost dark!"</p>
<p id="id00403">"That's the reason," replied Clip. "It is almost dark, and I prefer to
leave the machine here as a little token of my love to the bandit.
Suppose I want to be 'run in' for traveling without a glimmer'?"</p>
<p id="id00404">Cora saw that argument was useless. Reluctantly she turned from the
Turtle. Ray climbed in with Daisy and Maud. Bess and Belle were ready
to start "from the seat," without cranking up. Cora gave the Whirlwind
a few turns.</p>
<p id="id00405">"I hope we get home without any further trouble," came from the folds
of Ray's blue veil. "I think we have had enough for one day."</p>
<p id="id00406">"Enough!" echoed Clip. "Why, I could stand ten times that much! I love
trouble—in the abstract."</p>
<p id="id00407">"Suppose you call this the abstract," almost sneered Daisy, who
evidently did not relish being crowded.</p>
<p id="id00408">"Certainly I do," declared Clip. "Just gaze on the abstracted Turtle!"</p>
<p id="id00409">"Who's that?" whispered Hazel nervously. A step could be heard in the
roadway.</p>
<p id="id00410">"My bandit!" breathed Clip. "Oh, my darling, desperate bandit!"</p>
<p id="id00411">"Hush!" cautioned Cora, for she felt the possibility of Paul's captors
being about still. Then two figures appeared from the sharp turn in
the road. Cora wanted to start, but hesitated. The figures came
closer. They were those of two well-dressed men; that was easily
discernable.</p>
<p id="id00412">Clip put her hand over her heart.</p>
<p id="id00413">"Oh-h=h!" she groaned audibly. "Isn't he handsome!"</p>
<p id="id00414">Hazel clutched at her sleeve. "Do stop!" she begged. "They may be—"</p>
<p id="id00415">"They are!" answered Clip, and, as the men halted beside the Turtle,
she deliberately jumped out and approached them.</p>
<p id="id00416">The other girls were spellbound. Cora, too, left her place—she knew<br/>
Cecilia's recklessness and felt it her duty to stand by her.<br/></p>
<p id="id00417">The two strange men looked first at the girls and then at the car.</p>
<p id="id00418">"Had an accident?" asked the taller of the two politely.</p>
<p id="id00419">"Oh, no, it's chronic," answered Clip flippantly, much to Cora's dismay.</p>
<p id="id00420">The men were evidently gentlemen. They were well dressed, and had the
mannerisms of culture.</p>
<p id="id00421">"Perhaps I can help you," suggested one, taking from his pocket a
wrench. "I always carry tools—meet so many 'chronics,'" and he
laughed lightly.</p>
<p id="id00422">"Come on," called Hazel from the Whirlwind. "You know, Paul will be
waiting, Cora."</p>
<p id="id00423">At this the men both started. He with the wrench ceased his attempt to
open the motor hood. The other looked toward Hazel.</p>
<p id="id00424">"Oh, I see," he said with affected ease. "Your friend promised to meet
you, and you are late."</p>
<p id="id00425">"My brother," said Hazel curtly.</p>
<p id="id00426">"Paul Hastings," said Cora quickly, before she knew why.</p>
<p id="id00427">"Oh!" almost whistled the taller man. "I see; of the Whitehall<br/>
Company?"<br/></p>
<p id="id00428">"Do you know him?" demanded Cora rather sharply.</p>
<p id="id00429">"Slight-ly," drawled the stout man, he with the wrench.</p>
<p id="id00430">"Well, we had best not detain you, young ladies," said the other, "as
you have so important an engagement," and with that they both turned
off.</p>
<p id="id00431">"What do you think of that?" exclaimed Cora.</p>
<p id="id00432">"The utmost!" replied Clip, in her favorite way of expressing "the
limit."</p>
<p id="id00433">"They knew Paul!" gasped Hazel.</p>
<p id="id00434">"Seemed to," answered Cora evasively. She had her opinions and doubts
as to who these gentlemen might be.</p>
<p id="id00435">"Just my luck," murmured Clip. "I rather liked the tall fellow, but I
noticed that the other carried a gold filigree fountain pen, had a
perfectly dear watch charm, and he talked like a lawyer."</p>
<p id="id00436">"Oh, my!" exclaimed Cora. "You did size him up. I only noticed that
he was a joint short on his right-hand thumb."</p>
<p id="id00437">"That, my dear, is termed a professional thumb-mark. We will know him
if we meet him in the dark," said Clip.</p>
<p id="id00438">Cora laughed. She felt, however, more serious than she cared to have
the others know. "Well, let's be off this time," she said. "We will
hardly make town before dark now."</p>
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