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<h2> V. The Rumours of the Valley </h2>
<p>"Miss Thorne," said Hepsey, from the doorway of Ruth's room, "that
feller's here again." There was an unconscious emphasis on the last word,
and Ruth herself was somewhat surprised, for she had not expected another
call so soon.</p>
<p>"He's a-settin' 'n in the parlour," continued Hepsey, "when he ain't
a-walkin' around it and wearin' out the carpet. I didn't come up when he
first come, on account of my pie crust bein' all ready to put in the
oven."</p>
<p>"How long has he been here?" asked Ruth, dabbing a bit of powder on her
nose and selecting a fresh collar.</p>
<p>"Oh, p'raps half an hour."</p>
<p>"That isn't right, Hepsey; when anyone comes you must tell me immediately.
Never mind the pie crust next time." Ruth endeavoured to speak kindly, but
she was irritated at the necessity of making another apology.</p>
<p>When she went down, Winfield dismissed her excuses with a comprehensive
wave of the hand. "I always have to wait when I go to call on a girl," he
said; "it's one of the most charming vagaries of the ever-feminine. I used
to think that perhaps I wasn't popular, but every fellow I know has the
same experience."</p>
<p>"I'm an exception," explained Ruth; "I never keep any one waiting. Of my
own volition, that is," she added, hastily, feeling his unspoken comment.</p>
<p>"I came up this afternoon to ask a favour of you," he began. "Won't you go
for a walk with me? It's wrong to stay indoors on a day like this."</p>
<p>"Wait till I get my hat," said Ruth, rising.</p>
<p>"Fifteen minutes is the limit," he called to her, as she went upstairs.</p>
<p>She was back again almost immediately, and Hepsey watched them in
wide-mouthed astonishment as they went down hill together, for it was not
in her code of manners that "walking out" should begin so soon. When they
approached Miss Ainslie's he pointed out the brown house across from it,
on the other side of the hill.</p>
<p>"Yonder palatial mansion is my present lodging," he volunteered, "and I am
a helpless fly in the web of the 'Widder' Pendleton."</p>
<p>"Pendleton," repeated Ruth; "why, that's Joe's name."</p>
<p>"It is," returned Winfield, concisely. "He sits opposite me at the table,
and wonders at my use of a fork. It is considered merely a spear for bread
and meat at the 'Widder's.' I am observed closely at all times, and in
some respects Joe admires me enough to attempt imitation, which, as you
know, is the highest form of flattery. For instance, this morning he wore
not only a collar and tie, but a scarf pin. It was a string tie, and I've
never before seen a pin worn in one, but it's interesting."</p>
<p>"It must be."</p>
<p>"He has a sweetheart," Winfield went on, "and I expect she'll be dazzled."</p>
<p>"My Hepsey is his lady love," Ruth explained.</p>
<p>"What? The haughty damsel who wouldn't let me in? Do tell!"</p>
<p>"You're imitating now," laughed Ruth, "but I shouldn't call it flattery."</p>
<p>For a moment, there was a chilly silence. Ruth did not look at him, but
she bit her lip and then laughed, unwillingly. "'It's all true," she said,
"I plead guilty."</p>
<p>"You see, I know all about you," he went on. "You knit your brows in deep
thought, do not hear when you are spoken to, even in a loud voice, and
your mail consists almost entirely of bulky envelopes, of a legal nature,
such as came to the 'Widder' Pendleton from the insurance people."</p>
<p>"Returned manuscripts," she interjected.</p>
<p>"Possibly—far be it from me to say they're not. Why, I've had 'em
myself."</p>
<p>"You don't mean it!" she exclaimed, ironically.</p>
<p>"You seek out, as if by instinct, the only crazy person in the village,
and come home greatly perturbed. You ask queer questions of your humble
serving-maid, assume a skirt which is shorter than the approved model,
speaking from the village standpoint, and unhesitatingly appear on the
public streets. You go to the attic at night and search the inmost
recesses of many old trunks."</p>
<p>"Yes," sighed Ruth, "I've done all that."</p>
<p>"At breakfast you refuse pie, and complain because the coffee is boiled.
Did anybody ever hear of coffee that wasn't boiled? Is it eaten raw in the
city? You call supper 'dinner,' and have been known to seek nourishment at
nine o'clock at night, when all respectable people are sound asleep. In
your trunk, you have vainly attempted to conceal a large metal object, the
use of which is unknown."</p>
<p>"Oh, my hapless chafing-dish!" groaned Ruth.</p>
<p>"Chafing-dish?" repeated Winfield, brightening visibly. "And I eating sole
leather and fried potatoes? From this hour I am your slave—you can't
lose me now!</p>
<p>"Go on," she commanded.</p>
<p>"I can't—the flow of my eloquence is stopped by rapturous
anticipation. Suffice it to say that the people of this enterprising city
are well up in the ways of the wicked world, for the storekeeper takes The
New York Weekly and the 'Widder' Pendleton subscribes for The Fireside
Companion. The back numbers, which are not worn out, are the circulating
library of the village. It's no use, Miss Thorne—you might stand on
your hilltop and proclaim your innocence until you were hoarse, and it
would be utterly without effect. Your status is definitely settled."</p>
<p>"How about Aunt Jane?" she inquired. "Does my relationship count for
naught?"</p>
<p>"Now you are rapidly approaching the centre of things," replied the young
man. "Miss Hathaway is one woman in a thousand, though somewhat eccentric.
She is the venerated pillar of the community and a constant attendant it
church, which it seems you are not. Also, if you are really her niece,
where is the family resemblance? Why has she never spoken of you? Why have
you never been here before? Why are her letters to you sealed with red
wax, bought especially for the purpose? Why does she go away before you
come? Lady Gwendolen Hetherington," he demanded, with melodramatic
fervour, "answer me these things if you can!"</p>
<p>"I'm tired," she complained.</p>
<p>"Delicate compliment," observed Winfield, apparently to himself. "Here's a
log across our path, Miss Thorne; let's sit down."</p>
<p>The budded maples arched over the narrow path, and a wild canary, singing
in the sun, hopped from bough to bough. A robin's cheery chirp came from
another tree, and the clear notes of a thrush, with a mottled breast, were
answered by another in the gold-green aisles beyond.</p>
<p>"Oh," he said, under his breath, "isn't this great!"</p>
<p>The exquisite peace of the forest was like that of another sphere. "Yes,"
she answered, softly, "it is beautiful."</p>
<p>"You're evading the original subject," he suggested, a little later.</p>
<p>"I haven't had a chance to talk," she explained. "You've done a monologue
ever since we left the house, and I listened, as becomes inferior and
subordinate woman. I have never seen my venerated kinswoman, and I don't
see how she happened to think of me. Nevertheless, when she wrote, asking
me to take charge of her house while she went to Europe, I gladly
consented, sight unseen. When I came, she was gone. I do not deny the
short skirt and heavy shoes, the criticism of boiled coffee, nor the
disdain of breakfast pie. As far is I know, Aunt Jane is my only living
relative."</p>
<p>"That's good," he said, cheerfully; "I'm shy even of an aunt. Why
shouldn't the orphans console one another?"</p>
<p>"They should," admitted Ruth; "and you are doing your share nobly."</p>
<p>"Permit me to return the compliment. Honestly, Miss Thorne," he continued,
seriously, "you have no idea how much I appreciate your being here. When I
first realised what it meant to be deprived of books and papers for six
months at a stretch, it seemed as if I should go mad. Still, I suppose six
months isn't as bad as forever, and I was given a choice. I don't want to
bore you, but if you will let me come occasionally, I shall be very glad.
I'm going to try to be patient, too, if you'll help me—patience
isn't my long suit."</p>
<p>"Indeed I will help you," answered Ruth, impulsively; "I know how hard it
must be."</p>
<p>"I'm not begging for your sympathy, though I assure you it is welcome." He
polished the tinted glasses with a bit of chamois.. and his eyes filled
with the mist of weakness before he put them on again. "So you've never
seen your aunt," he said.</p>
<p>"No—that pleasure is still in store for me."</p>
<p>"They say down at the 'Widder's' that she's a woman with a romance."</p>
<p>"Tell me about it!" exclaimed Ruth, eagerly.</p>
<p>"Little girls mustn't ask questions," he remarked, patronisingly, and in
his most irritating manner. "Besides, I don't know. If the 'Widder' knows,
she won't tell, so it's fair to suppose she doesn't. Your relation does
queer things in the attic, and every Spring, she has an annual weep. I
suppose it's the house cleaning, for the rest of the year she's dry-eyed
and calm."</p>
<p>"I weep very frequently," commented Ruth.</p>
<p>"'Tears, idle tears—I wonder what they mean.'"</p>
<p>"They don't mean much, in the case of a woman."</p>
<p>"I've never seen many of'em," returned Winfield, "and I don't want to.
Even stage tears go against the grain with me. I know that the lady who
sobs behind the footlights is well paid for it, but all the same, it gives
me the creeps."</p>
<p>"It's nothing serious—really it isn't," she explained. "It's merely
a safety valve. If women couldn't cry, they'd explode."</p>
<p>"I always supposed tears were signs of sorrow," he said.</p>
<p>"Far from it," laughed Ruth. "When I get very angry, I cry, and then I got
angrier because I'm crying and cry harder."</p>
<p>"That opens up a fearful possibility. What would happen if you kept
getting angrier because you were crying and crying harder because you got
angrier?"</p>
<p>"I have no idea," she answered, with her dark eyes fixed upon him, "but
it's a promising field for investigation."'</p>
<p>"I don't want to see the experiment."</p>
<p>"Don't worry," said Ruth, laconically, "you won't."</p>
<p>There was a long silence, and Winfield began to draw designs on the bare
earth with a twig. "Tell me about the lady who is considered crazy," he
suggested.</p>
<p>Ruth briefly described Miss Ainslie, dwelling lovingly upon her beauty and
charm. He listened indifferently at first, but when she told him of the
rugs, the real lace which edged the curtains, and the Cloisonne vase, he
became much interested.</p>
<p>"Take me to see her some day, won't you," he asked, carelessly.</p>
<p>Ruth's eyes met his squarely. "'T isn't a 'story,'" she said, resentfully,
forgetting her own temptation.</p>
<p>The dull colour flooded his face. "You forget, Miss Thorne, that I am
forbidden to read or write."</p>
<p>"For six months only," answered Ruth, sternly, "and there's always a place
for a good Sunday special."</p>
<p>He changed the subject, but there were frequent awkward pauses and the
spontaniety was gone. She rose, adjusting her belt in the back, and
announced that it was time for her to go home.</p>
<p>On their way up the hill, she tried to be gracious enough to atone for her
rudeness, but, though he was politeness itself, there was a difference,
and she felt as if she had lost something. Distance lay between them—a
cold, immeasurable distance, yet she knew that she had done right.</p>
<p>He opened the gate for her, then turned to go. "Won't you come in?" she
asked, conventionally.</p>
<p>"No, thank you—some other time, if I may. I've had a charming
afternoon." He smiled pleasantly, and was off down the hill.</p>
<p>When she remembered that it was a Winfield who had married Abigail
Weatherby, she dismissed the matter as mere coincidence, and determined,
at all costs, to shield Miss Ainslie. The vision of that gracious lady
came to her, bringing with it a certain uplift of soul. Instantly, she was
placed far above the petty concerns of earth, like one who walks upon the
heights, untroubled, while restless surges thunder at his feet.</p>
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