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<h2> Chapter VI </h2>
<h3> THE HAPPY BEAUTY AND THE BLIND SLAVE. </h3>
<p>A SLAVE entered the chamber of Ione. A messenger from Glaucus desired to
be admitted.</p>
<p>Ione hesitated an instant.</p>
<p>'She is blind, that messenger,' said the slave; 'she will do her
commission to none but thee.'</p>
<p>Base is that heart which does not respect affliction! The moment she heard
the messenger was blind, Ione felt the impossibility of returning a
chilling reply. Glaucus had chosen a herald that was indeed sacred—a
herald that could not be denied.</p>
<p>'What can he want with me? what message can he send?' and the heart of
Ione beat quick. The curtain across the door was withdrawn; a soft and
echoless step fell upon the marble; and Nydia, led by one of the
attendants, entered with her precious gift.</p>
<p>She stood still a moment, as if listening for some sound that might direct
her.</p>
<p>'Will the noble Ione,' said she, in a soft and low voice, 'deign to speak,
that I may know whither to steer these benighted steps, and that I may lay
my offerings at her feet?'</p>
<p>'Fair child,' said Ione, touched and soothingly, 'give not thyself the
pain to cross these slippery floors, my attendant will bring to me what
thou hast to present'; and she motioned to the handmaid to take the vase.</p>
<p>'I may give these flowers to none but thee,' answered Nydia; and, guided
by her ear, she walked slowly to the place where Ione sat, and kneeling
when she came before her, proffered the vase.</p>
<p>Ione took it from her hand, and placed it on the table at her side. She
then raised her gently, and would have seated her on the couch, but the
girl modestly resisted.</p>
<p>'I have not yet discharged my office,' said she; and she drew the letter
of Glaucus from her vest. 'This will, perhaps, explain why he who sent me
chose so unworthy a messenger to Ione.'</p>
<p>The Neapolitan took the letter with a hand, the trembling of which Nydia
at once felt and sighed to feel. With folded arms, and downcast looks, she
stood before the proud and stately form of Ione—no less proud,
perhaps, in her attitude of submission. Ione waved her hand, and the
attendants withdrew; she gazed again upon the form of the young slave in
surprise and beautiful compassion; then, retiring a little from her, she
opened and read the following letter:</p>
<p>'Glaucus to Ione sends more than he dares to utter. Is Ione ill? thy
slaves tell me "No", and that assurance comforts me. Has Glaucus offended
Ione?—ah! that question I may not ask from them. For five days I
have been banished from thy presence. Has the sun shone?—I know it
not. Has the sky smiled?—it has had no smile for me. My sun and my
sky are Ione. Do I offend thee? Am I too bold? Do I say that on the tablet
which my tongue has hesitated to breathe? Alas! it is in thine absence
that I feel most the spells by which thou hast subdued me. And absence,
that deprives me of joy, brings me courage. Thou wilt not see me; thou
hast banished also the common flatterers that flock around thee. Canst
thou confound me with them? It is not possible! Thou knowest too well that
I am not of them—that their clay is not mine. For even were I of the
humblest mould, the fragrance of the rose has penetrated me, and the
spirit of thy nature hath passed within me, to embalm, to sanctify, to
inspire. Have they slandered me to thee, Ione? Thou wilt not believe them.
Did the Delphic oracle itself tell me thou wert unworthy, I would not
believe it; and am I less incredulous than thou I think of the last time
we met—of the song which I sang to thee—of the look that thou
gavest me in return. Disguise it as thou wilt, Ione, there is something
kindred between us, and our eyes acknowledged it, though our lips were
silent. Deign to see me, to listen to me, and after that exclude me if
thou wilt. I meant not so soon to say I loved. But those words rush to my
heart—they will have way. Accept, then, my homage and my vows. We
met first at the shrine of Pallas; shall we not meet before a softer and a
more ancient altar?</p>
<p>'Beautiful! adored Ione! If my hot youth and my Athenian blood have
misguided and allured me, they have but taught my wanderings to appreciate
the rest—the haven they have attained. I hang up my dripping robes
on the Sea-god's shrine. I have escaped shipwreck. I have found THEE.
Ione, deign to see me; thou art gentle to strangers, wilt thou be less
merciful to those of thine own land? I await thy reply. Accept the flowers
which I send—their sweet breath has a language more eloquent than
words. They take from the sun the odorous they return—they are the
emblem of the love that receives and repays tenfold—the emblem of
the heart that drunk thy rays, and owes to thee the germ of the treasures
that it proffers to thy smile. I send these by one whom thou wilt receive
for her own sake, if not for mine. She, like us, is a stranger; her
fathers' ashes lie under brighter skies: but, less happy than we, she is
blind and a slave. Poor Nydia! I seek as much as possible to repair to her
the cruelties of Nature and of Fate, in asking permission to place her
with thee. She is gentle, quick, and docile. She is skilled in music and
the song; and she is a very Chloris to the flowers. She thinks, Ione, that
thou wilt love her: if thou dost not, send her back to me.</p>
<p>'One word more—let me be bold, Ione. Why thinkest thou so highly of
yon dark Egyptian? he hath not about him the air of honest men. We Greeks
learn mankind from our cradle; we are not the less profound, in that we
affect no sombre mien; our lips smile, but our eyes are grave—they
observe—they note—they study. Arbaces is not one to be
credulously trusted: can it be that he hath wronged me to thee? I think
it, for I left him with thee; thou sawest how my presence stung him; since
then thou hast not admitted me. Believe nothing that he can say to my
disfavor; if thou dost, tell me so at once; for this Ione owes to Glaucus.
Farewell! this letter touches thy hand; these characters meet thine eyes—shall
they be more blessed than he who is their author. Once more, farewell!'</p>
<p>It seemed to Ione, as she read this letter, as if a mist had fallen from
her eyes. What had been the supposed offence of Glaucus?—that he had
not really loved! And now, plainly, and in no dubious terms, he confessed
that love. From that moment his power was fully restored. At every tender
word in that letter, so full of romantic and trustful passion, her heart
smote her. And had she doubted his faith, and had she believed another?
and had she not, at least, allowed to him the culprit's right to know his
crime, to plead in his defence?—the tears rolled down her cheeks—she
kissed the letter—she placed it in her bosom: and, turning to Nydia,
who stood in the same place and in the same posture:</p>
<p>'Wilt thou sit, my child,' said she, 'while I write an answer to this
letter?'</p>
<p>'You will answer it, then!' said Nydia, coldly. 'Well, the slave that
accompanied me will take back your answer.'</p>
<p>'For you,' said Ione, 'stay with me—trust me, your service shall be
light.'</p>
<p>Nydia bowed her head.</p>
<p>'What is your name, fair girl?'</p>
<p>'They call me Nydia.'</p>
<p>'Your country?'</p>
<p>'The land of Olympus—Thessaly.'</p>
<p>'Thou shalt be to me a friend,' said Ione, caressingly, 'as thou art
already half a countrywoman. Meanwhile, I beseech thee, stand not on these
cold and glassy marbles. There! now that thou art seated, I can leave thee
for an instant.'</p>
<p>'Ione to Glaucus greeting. Come to me, Glaucus,' wrote Ione, 'come to me
to-morrow. I may have been unjust to thee; but I will tell thee, at least,
the fault that has been imputed to thy charge. Fear not, henceforth, the
Egyptian—fear none. Thou sayest thou hast expressed too much—alas!
in these hasty words I have already done so. Farewell.'</p>
<p>As Ione reappeared with the letter, which she did not dare to read after
she had written (Ah! common rashness, common timidity of love!)—Nydia
started from her seat.</p>
<p>'You have written to Glaucus?'</p>
<p>'I have.'</p>
<p>'And will he thank the messenger who gives to him thy letter?'</p>
<p>Ione forgot that her companion was blind; she blushed from the brow to the
neck, and remained silent.</p>
<p>'I mean this,' added Nydia, in a calmer tone; 'the lightest word of
coldness from thee will sadden him—the lightest kindness will
rejoice. If it be the first, let the slave take back thine answer; if it
be the last, let me—I will return this evening.'</p>
<p>'And why, Nydia,' asked Ione, evasively, 'Wouldst thou be the bearer of my
letter?'</p>
<p>'It is so, then!' said Nydia. 'Ah! how could it be otherwise; who could be
unkind to Glaucus?'</p>
<p>'My child,' said Ione, a little more reservedly than before, 'thou
speakest warmly—Glaucus, then, is amiable in thine eyes?'</p>
<p>'Noble Ione! Glaucus has been that to me which neither fortune nor the
gods have been—a friend!'</p>
<p>The sadness mingled with dignity with which Nydia uttered these simple
words, affected the beautiful Ione: she bent down and kissed her. 'Thou
art grateful, and deservedly so; why should I blush to say that Glaucus is
worthy of thy gratitude? Go, my Nydia—take to him thyself this
letter—but return again. If I am from home when thou returnest—as
this evening, perhaps, I shall be—thy chamber shall be prepared next
my own. Nydia, I have no sister—wilt thou be one to me?' The
Thessalian kissed the hand of Ione, and then said, with some
embarrassment:</p>
<p>'One favor, fair Ione—may I dare to ask it?'</p>
<p>'Thou canst not ask what I will not grant,' replied the Neapolitan.</p>
<p>'They tell me,' said Nydia, 'that thou art beautiful beyond the loveliness
of earth. Alas! I cannot see that which gladdens the world! Wilt thou
suffer me, then, to pass my hand over thy face?—that is my sole
criterion of beauty, and I usually guess aright.'</p>
<p>She did not wait for the answer of Ione, but, as she spoke, gently and
slowly passed her hand over the bending and half-averted features of the
Greek—features which but one image in the world can yet depicture
and recall—that image is the mutilated, but all-wondrous, statue in
her native city—her own Neapolis—that Parian face, before
which all the beauty of the Florentine Venus is poor and earthly—that
aspect so full of harmony—of youth—of genius—of the soul—which
modern critics have supposed the representation of Psyche.</p>
<p>Her touch lingered over the braided hair and polished brow—over the
downy and damask cheek—over the dimpled lip—the swan-like and
whitish neck. 'I know now, that thou art beautiful,' she said: 'and I can
picture thee to my darkness henceforth, and for ever!'</p>
<p>When Nydia left her, Ione sank into a deep but delicious reverie. Glaucus
then loved her; he owned it—yes, he loved her. She drew forth again
that dear confession; she paused over every word, she kissed every line;
she did not ask why he had been maligned, she only felt assured that he
had been so. She wondered how she had ever believed a syllable against
him; she wondered how the Egyptian had been enabled to exercise a power
against Glaucus; she felt a chill creep over her as she again turned to
his warning against Arbaces, and her secret fear of that gloomy being
darkened into awe. She was awakened from these thoughts by her maidens,
who came to announce to her that the hour appointed to visit Arbaces was
arrived; she started, she had forgotten the promise. Her first impression
was to renounce it; her second, was to laugh at her own fears of her
eldest surviving friend. She hastened to add the usual ornaments to her
dress, and doubtful whether she should yet question the Egyptian more
closely with respect to his accusation of Glaucus, or whether she should
wait till, without citing the authority, she should insinuate to Glaucus
the accusation itself, she took her way to the gloomy mansion of Arbaces.</p>
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