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<h2> CHAPTER VI </h2>
<p>Alice was busy with herself for two hours after dinner; but a little
before nine o'clock she stood in front of her long mirror, completed,
bright-eyed and solemn. Her hair, exquisitely arranged, gave all she asked
of it; what artificialities in colour she had used upon her face were only
bits of emphasis that made her prettiness the more distinct; and the
dress, not rumpled by her mother's careful hours of work, was a white
cloud of loveliness. Finally there were two triumphant bouquets of
violets, each with the stems wrapped in tin-foil shrouded by a bow of
purple chiffon; and one bouquet she wore at her waist and the other she
carried in her hand.</p>
<p>Miss Perry, called in by a rapturous mother for the free treat of a look
at this radiance, insisted that Alice was a vision. "Purely and simply a
vision!" she said, meaning that no other definition whatever would satisfy
her. "I never saw anybody look a vision if she don't look one to-night,"
the admiring nurse declared. "Her papa'll think the same I do about it.
You see if he doesn't say she's purely and simply a vision."</p>
<p>Adams did not fulfil the prediction quite literally when Alice paid a
brief visit to his room to "show" him and bid him good-night; but he
chuckled feebly. "Well, well, well!" he said.</p>
<p>"You look mighty fine—MIGHTY fine!" And he waggled a bony finger at
her two bouquets. "Why, Alice, who's your beau?"</p>
<p>"Never you mind!" she laughed, archly brushing his nose with the violets
in her hand. "He treats me pretty well, doesn't he?"</p>
<p>"Must like to throw his money around! These violets smell mighty sweet,
and they ought to, if they're going to a party with YOU. Have a good time,
dearie."</p>
<p>"I mean to!" she cried; and she repeated this gaily, but with an emphasis
expressing sharp determination as she left him. "I MEAN to!"</p>
<p>"What was he talking about?" her mother inquired, smoothing the rather
worn and old evening wrap she had placed on Alice's bed. "What were you
telling him you 'mean to?'"</p>
<p>Alice went back to her triple mirror for the last time, then stood before
the long one. "That I mean to have a good time to-night," she said; and as
she turned from her reflection to the wrap Mrs. Adams held up for her, "It
looks as though I COULD, don't you think so?"</p>
<p>"You'll just be a queen to-night," her mother whispered in fond emotion.
"You mustn't doubt yourself."</p>
<p>"Well, there's one thing," said Alice. "I think I do look nice enough to
get along without having to dance with that Frank Dowling! All I ask is
for it to happen just once; and if he comes near me to-night I'm going to
treat him the way the other girls do. Do you suppose Walter's got the taxi
out in front?"</p>
<p>"He—he's waiting down in the hall," Mrs. Adams answered, nervously;
and she held up another garment to go over the wrap.</p>
<p>Alice frowned at it. "What's that, mama?"</p>
<p>"It's—it's your father's raincoat. I thought you'd put it on over——"</p>
<p>"But I won't need it in a taxicab."</p>
<p>"You will to get in and out, and you needn't take it into the Palmers'.
You can leave it in the—in the—It's drizzling, and you'll need
it."</p>
<p>"Oh, well," Alice consented; and a few minutes later, as with Walter's
assistance she climbed into the vehicle he had provided, she better
understood her mother's solicitude.</p>
<p>"What on earth IS this, Walter?" she asked.</p>
<p>"Never mind; it'll keep you dry enough with the top up," he returned,
taking his seat beside her. Then for a time, as they went rather jerkily
up the street, she was silent; but finally she repeated her question:
"What IS it, Walter?"</p>
<p>"What's what?"</p>
<p>"This—this CAR?"</p>
<p>"It's a ottomobile."</p>
<p>"I mean—what kind is it?"</p>
<p>"Haven't you got eyes?"</p>
<p>"It's too dark."</p>
<p>"It's a second-hand tin Lizzie," said Walter. "D'you know what that means?
It means a flivver."</p>
<p>"Yes, Walter."</p>
<p>"Got 'ny 'bjections?"</p>
<p>"Why, no, dear," she said, placatively. "Is it yours, Walter? Have you
bought it?"</p>
<p>"Me?" he laughed. "<i>I</i> couldn't buy a used wheelbarrow. I rent this
sometimes when I'm goin' out among 'em. Costs me seventy-five cents and
the price o' the gas."</p>
<p>"That seems very moderate."</p>
<p>"I guess it is! The feller owes me some money, and this is the only way
I'd ever get it off him."</p>
<p>"Is he a garage-keeper?"</p>
<p>"Not exactly!" Walter uttered husky sounds of amusement. "You'll be just
as happy, I guess, if you don't know who he is," he said.</p>
<p>His tone misgave her; and she said truthfully that she was content not to
know who owned the car. "I joke sometimes about how you keep things to
yourself," she added, "but I really never do pry in your affairs, Walter."</p>
<p>"Oh, no, you don't!"</p>
<p>"Indeed, I don't."</p>
<p>"Yes, you're mighty nice and cooing when you got me where you want me," he
jeered. "Well, <i>I</i> just as soon tell you where I get this car."</p>
<p>"I'd just as soon you wouldn't, Walter," she said, hurriedly. "Please
don't."</p>
<p>But Walter meant to tell her. "Why, there's nothin' exactly CRIMINAL about
it," he said. "It belongs to old J. A. Lamb himself. He keeps it for their
coon chauffeur. I rent it from him."</p>
<p>"From Mr. LAMB?"</p>
<p>"No; from the coon chauffeur."</p>
<p>"Walter!" she gasped.</p>
<p>"Sure I do! I can get it any night when the coon isn't goin' to use it
himself. He's drivin' their limousine to-night—that little Henrietta
Lamb's goin' to the party, no matter if her father HAS only been dead
less'n a year!" He paused, then inquired: "Well, how d'you like it?"</p>
<p>She did not speak, and he began to be remorseful for having imparted so
much information, though his way of expressing regret was his own. "Well,
you WILL make the folks make me take you to parties!" he said. "I got to
do it the best way I CAN, don't I?"</p>
<p>Then as she made no response, "Oh, the car's CLEAN enough," he said. "This
coon, he's as particular as any white man; you needn't worry about that."
And as she still said nothing, he added gruffly, "I'd of had a better car
if I could afforded it. You needn't get so upset about it."</p>
<p>"I don't understand—" she said in a low voice—"I don't
understand how you know such people."</p>
<p>"Such people as who?"</p>
<p>"As—coloured chauffeurs."</p>
<p>"Oh, look here, now!" he protested, loudly. "Don't you know this is a
democratic country?"</p>
<p>"Not quite that democratic, is it, Walter?"</p>
<p>"The trouble with you," he retorted, "you don't know there's anybody in
town except just this silk-shirt crowd." He paused, seeming to await a
refutation; but as none came, he expressed himself definitely: "They make
me sick."</p>
<p>They were coming near their destination, and the glow of the big, brightly
lighted house was seen before them in the wet night. Other cars, not like
theirs, were approaching this center of brilliance; long triangles of
light near the ground swept through the fine drizzle; small red
tail-lights gleamed again from the moist pavement of the street; and,
through the myriads of little glistening leaves along the curving
driveway, glimpses were caught of lively colours moving in a white glare
as the limousines released their occupants under the shelter of the
porte-cochere.</p>
<p>Alice clutched Walter's arm in a panic; they were just at the driveway
entrance. "Walter, we mustn't go in there."</p>
<p>"What's the matter?"</p>
<p>"Leave this awful car outside."</p>
<p>"Why, I——"</p>
<p>"Stop!" she insisted, vehemently. "You've got to! Go back!"</p>
<p>"Oh, Glory!"</p>
<p>The little car was between the entrance posts; but Walter backed it out,
avoiding a collision with an impressive machine which swerved away from
them and passed on toward the porte-cochere, showing a man's face grinning
at the window as it went by. "Flivver runabout got the wrong number!" he
said.</p>
<p>"Did he SEE us?" Alice cried.</p>
<p>"Did who see us?"</p>
<p>"Harvey Malone—in that foreign coupe."</p>
<p>"No; he couldn't tell who we were under this top," Walter assured her as
he brought the little car to a standstill beside the curbstone, out in the
street. "What's it matter if he did, the big fish?"</p>
<p>Alice responded with a loud sigh, and sat still.</p>
<p>"Well, want to go on back?" Walter inquired. "You bet I'm willing!"</p>
<p>"No."</p>
<p>"Well, then, what's the matter our drivin' on up to the porte-cochere?
There's room for me to park just the other side of it."</p>
<p>"No, NO!"</p>
<p>"What you expect to do? Sit HERE all night?"</p>
<p>"No, leave the car here."</p>
<p>"<i>I</i> don't care where we leave it," he said. "Sit still till I lock
her, so none o' these millionaires around here'll run off with her." He
got out with a padlock and chain; and, having put these in place, offered
Alice his hand. "Come on, if you're ready."</p>
<p>"Wait," she said, and, divesting herself of the raincoat, handed it to
Walter. "Please leave this with your things in the men's dressing-room, as
if it were an extra one of your own, Walter."</p>
<p>He nodded; she jumped out; and they scurried through the drizzle.</p>
<p>As they reached the porte-cochere she began to laugh airily, and spoke to
the impassive man in livery who stood there. "Joke on us!" she said,
hurrying by him toward the door of the house. "Our car broke down outside
the gate."</p>
<p>The man remained impassive, though he responded with a faint gleam as
Walter, looking back at him, produced for his benefit a cynical distortion
of countenance which offered little confirmation of Alice's account of
things. Then the door was swiftly opened to the brother and sister; and
they came into a marble-floored hall, where a dozen sleeked young men
lounged, smoked cigarettes and fastened their gloves, as they waited for
their ladies. Alice nodded to one or another of these, and went quickly
on, her face uplifted and smiling; but Walter detained her at the door to
which she hastened.</p>
<p>"Listen here," he said. "I suppose you want me to dance the first dance
with you——"</p>
<p>"If you please, Walter," she said, meekly.</p>
<p>"How long you goin' to hang around fixin' up in that dressin'-room?"</p>
<p>"I'll be out before you're ready yourself," she promised him; and kept her
word, she was so eager for her good time to begin. When he came for her,
they went down the hall to a corridor opening upon three great rooms which
had been thrown open together, with the furniture removed and the broad
floors waxed. At one end of the corridor musicians sat in a green grove,
and Walter, with some interest, turned toward these; but his sister,
pressing his arm, impelled him in the opposite direction.</p>
<p>"What's the matter now?" he asked. "That's Jazz Louie and his half-breed
bunch—three white and four mulatto. Let's——?"</p>
<p>"No, no," she whispered. "We must speak to Mildred and Mr. and Mrs.
Palmer."</p>
<p>"'Speak' to 'em? I haven't got a thing to say to THOSE berries!"</p>
<p>"Walter, won't you PLEASE behave?"</p>
<p>He seemed to consent, for the moment, at least, and suffered her to take
him down the corridor toward a floral bower where the hostess stood with
her father and mother. Other couples and groups were moving in the same
direction, carrying with them a hubbub of laughter and fragmentary
chatterings; and Alice, smiling all the time, greeted people on every side
of her eagerly—a little more eagerly than most of them responded—while
Walter nodded in a noncommittal manner to one or two, said nothing, and
yawned audibly, the last resource of a person who finds himself nervous in
a false situation. He repeated his yawn and was beginning another when a
convulsive pressure upon his arm made him understand that he must abandon
this method of reassuring himself. They were close upon the floral bower.</p>
<p>Mildred was giving her hand to one and another of her guests as rapidly as
she could, passing them on to her father and mother, and at the same time
resisting the efforts of three or four detached bachelors who besought her
to give over her duty in favour of the dance-music just beginning to
blare.</p>
<p>She was a large, fair girl, with a kindness of eye somewhat withheld by an
expression of fastidiousness; at first sight of her it was clear that she
would never in her life do anything "incorrect," or wear anything
"incorrect." But her correctness was of the finer sort, and had no air of
being studied or achieved; conduct would never offer her a problem to be
settled from a book of rules, for the rules were so deep within her that
she was unconscious of them. And behind this perfection there was an even
ampler perfection of what Mrs. Adams called "background." The big, rich,
simple house was part of it, and Mildred's father and mother were part of
it. They stood beside her, large, serene people, murmuring graciously and
gently inclining their handsome heads as they gave their hands to the
guests; and even the youngest and most ebullient of these took on a hushed
mannerliness with a closer approach to the bower.</p>
<p>When the opportunity came for Alice and Walter to pass within this
precinct, Alice, going first, leaned forward and whispered in Mildred's
ear. "You DIDN'T wear the maize georgette! That's what I thought you were
going to. But you look simply DARLING! And those pearls——"</p>
<p>Others were crowding decorously forward, anxious to be done with ceremony
and get to the dancing; and Mildred did not prolong the intimacy of
Alice's enthusiastic whispering. With a faint accession of colour and a
smile tending somewhat in the direction of rigidity, she carried Alice's
hand immediately onward to Mrs. Palmer's. Alice's own colour showed a
little heightening as she accepted the suggestion thus implied; nor was
that emotional tint in any wise decreased, a moment later, by an
impression that Walter, in concluding the brief exchange of courtesies
between himself and the stately Mr. Palmer, had again reassured himself
with a yawn.</p>
<p>But she did not speak of it to Walter; she preferred not to confirm the
impression and to leave in her mind a possible doubt that he had done it.
He followed her out upon the waxed floor, said resignedly: "Well, come
on," put his arm about her, and they began to dance.</p>
<p>Alice danced gracefully and well, but not so well as Walter. Of all the
steps and runs, of all the whimsical turns and twirlings, of all the
rhythmic swayings and dips commanded that season by such blarings as were
the barbaric product, loud and wild, of the Jazz Louies and their
half-breed bunches, the thin and sallow youth was a master. Upon his face
could be seen contempt of the easy marvels he performed as he moved in
swift precision from one smooth agility to another; and if some too-dainty
or jealous cavalier complained that to be so much a stylist in dancing was
"not quite like a gentleman," at least Walter's style was what the music
called for. No other dancer in the room could be thought comparable to
him. Alice told him so.</p>
<p>"It's wonderful!" she said. "And the mystery is, where you ever learned to
DO it! You never went to dancing-school, but there isn't a man in the room
who can dance half so well. I don't see why, when you dance like this, you
always make such a fuss about coming to parties."</p>
<p>He sounded his brief laugh, a jeering bark out of one side of the mouth,
and swung her miraculously through a closing space between two other
couples. "You know a lot about what goes on, don't you? You prob'ly think
there's no other place to dance in this town except these frozen-face
joints."</p>
<p>"'Frozen face?'" she echoed, laughing. "Why, everybody's having a splendid
time. Look at them."</p>
<p>"Oh, they holler loud enough," he said. "They do it to make each other
think they're havin' a good time. You don't call that Palmer family
frozen-face berries, I s'pose. No?"</p>
<p>"Certainly not. They're just dignified and——"</p>
<p>"Yeuh!" said Walter. "They're dignified, 'specially when you tried to
whisper to Mildred to show how IN with her you were, and she moved you on
that way. SHE'S a hot friend, isn't she!"</p>
<p>"She didn't mean anything by it. She——"</p>
<p>"Ole Palmer's a hearty, slap you-on-the-back ole berry," Walter
interrupted; adding in a casual tone, "All I'd like, I'd like to hit him."</p>
<p>"Walter! By the way, you mustn't forget to ask Mildred for a dance before
the evening is over."</p>
<p>"Me?" He produced the lop-sided appearance of his laugh, but without
making it vocal. "You watch me do it!"</p>
<p>"She probably won't have one left, but you must ask her, anyway."</p>
<p>"Why must I?"</p>
<p>"Because, in the first place, you're supposed to, and, in the second
place, she's my most intimate friend."</p>
<p>"Yeuh? Is she? I've heard you pull that 'most-intimate-friend' stuff often
enough about her. What's SHE ever do to show she is?"</p>
<p>"Never mind. You really must ask her, Walter. I want you to; and I want
you to ask several other girls afterwhile; I'll tell you who."</p>
<p>"Keep on wanting; it'll do you good."</p>
<p>"Oh, but you really——"</p>
<p>"Listen!" he said. "I'm just as liable to dance with any of these fairies
as I am to buy a bucket o' rusty tacks and eat 'em. Forget it! Soon as I
get rid of you I'm goin' back to that room where I left my hat and
overcoat and smoke myself to death."</p>
<p>"Well," she said, a little ruefully, as the frenzy of Jazz Louie and his
half-breeds was suddenly abated to silence, "you mustn't—you mustn't
get rid of me TOO soon, Walter."</p>
<p>They stood near one of the wide doorways, remaining where they had
stopped. Other couples, everywhere, joined one another, forming vivacious
clusters, but none of these groups adopted the brother and sister, nor did
any one appear to be hurrying in Alice's direction to ask her for the next
dance. She looked about her, still maintaining that jubilance of look and
manner she felt so necessary—for it is to the girls who are "having
a good time" that partners are attracted—and, in order to lend
greater colour to her impersonation of a lively belle, she began to
chatter loudly, bringing into play an accompaniment of frolicsome gesture.
She brushed Walter's nose saucily with the bunch of violets in her hand,
tapped him on the shoulder, shook her pretty forefinger in his face,
flourished her arms, kept her shoulders moving, and laughed continuously
as she spoke.</p>
<p>"You NAUGHTY old Walter!" she cried. "AREN'T you ashamed to be such a
wonderful dancer and then only dance with your own little sister! You
could dance on the stage if you wanted to. Why, you could made your
FORTUNE that way! Why don't you? Wouldn't it be just lovely to have all
the rows and rows of people clapping their hands and shouting, 'Hurrah!
Hurrah, for Walter Adams! Hurrah! Hurrah! Hurrah!"</p>
<p>He stood looking at her in stolid pity.</p>
<p>"Cut it out," he said. "You better be givin' some of these berries the eye
so they'll ask you to dance."</p>
<p>She was not to be so easily checked, and laughed loudly, flourishing her
violets in his face again. "You WOULD like it; you know you would; you
needn't pretend! Just think! A whole big audience shouting, 'Hurrah!
HURRAH! HUR——'"</p>
<p>"The place'll be pulled if you get any noisier," he interrupted, not
ungently. "Besides, I'm no muley cow."</p>
<p>"A 'COW?'" she laughed. "What on earth——"</p>
<p>"I can't eat dead violets," he explained. "So don't keep tryin' to make me
do it."</p>
<p>This had the effect he desired, and subdued her; she abandoned her
unsisterly coquetries, and looked beamingly about her, but her smile was
more mechanical than it had been at first.</p>
<p>At home she had seemed beautiful; but here, where the other girls
competed, things were not as they had been there, with only her mother and
Miss Perry to give contrast. These crowds of other girls had all done
their best, also, to look beautiful, though not one of them had worked so
hard for such a consummation as Alice had. They did not need to; they did
not need to get their mothers to make old dresses over; they did not need
to hunt violets in the rain.</p>
<p>At home her dress had seemed beautiful; but that was different, too, where
there were dozens of brilliant fabrics, fashioned in new ways—some
of these new ways startling, which only made the wearers centers of
interest and shocked no one. And Alice remembered that she had heard a
girl say, not long before, "Oh, ORGANDIE! Nobody wears organdie for
evening gowns except in midsummer." Alice had thought little of this; but
as she looked about her and saw no organdie except her own, she found
greater difficulty in keeping her smile as arch and spontaneous as she
wished it. In fact, it was beginning to make her face ache a little.</p>
<p>Mildred came in from the corridor, heavily attended. She carried a great
bouquet of violets laced with lilies of-the-valley; and the violets were
lusty, big purple things, their stems wrapped in cloth of gold, with
silken cords dependent, ending in long tassels. She and her convoy passed
near the two young Adamses; and it appeared that one of the convoy
besought his hostess to permit "cutting in"; they were "doing it other
places" of late, he urged; but he was denied and told to console himself
by holding the bouquet, at intervals, until his third of the sixteenth
dance should come. Alice looked dubiously at her own bouquet.</p>
<p>Suddenly she felt that the violets betrayed her; that any one who looked
at them could see how rustic, how innocent of any florist's craft they
were "I can't eat dead violets," Walter said. The little wild flowers,
dying indeed in the warm air, were drooping in a forlorn mass; and it
seemed to her that whoever noticed them would guess that she had picked
them herself. She decided to get rid of them.</p>
<p>Walter was becoming restive. "Look here!" he said. "Can't you flag one o'
these long-tailed birds to take you on for the next dance? You came to
have a good time; why don't you get busy and have it? I want to get out
and smoke."</p>
<p>"You MUSTN'T leave me, Walter," she whispered, hastily. "Somebody'll come
for me before long, but until they do——"</p>
<p>"Well, couldn't you sit somewhere?"</p>
<p>"No, no! There isn't any one I could sit with."</p>
<p>"Well, why not? Look at those ole dames in the corners. What's the matter
your tyin' up with some o' them for a while?"</p>
<p>"PLEASE, Walter; no!"</p>
<p>In fact, that indomitable smile of hers was the more difficult to maintain
because of these very elders to whom Walter referred. They were mothers of
girls among the dancers, and they were there to fend and contrive for
their offspring; to keep them in countenance through any trial; to lend
them diplomacy in the carrying out of all enterprises; to be "background"
for them; and in these essentially biological functionings to imitate
their own matings and renew the excitement of their nuptial periods. Older
men, husbands of these ladies and fathers of eligible girls, were also to
be seen, most of them with Mr. Palmer in a billiard-room across the
corridor. Mr. and Mrs. Adams had not been invited. "Of course papa and
mama just barely know Mildred Palmer," Alice thought, "and most of the
other girls' fathers and mothers are old friends of Mr. and Mrs. Palmer,
but I do think she might have ASKED papa and mama, anyway—she
needn't have been afraid just to ask them; she knew they couldn't come."
And her smiling lip twitched a little threateningly, as she concluded the
silent monologue. "I suppose she thinks I ought to be glad enough she
asked Walter!"</p>
<p>Walter was, in fact, rather noticeable. He was not Mildred's only guest to
wear a short coat and to appear without gloves; but he was singular (at
least in his present surroundings) on account of a kind of coiffuring he
favoured, his hair having been shaped after what seemed a Mongol
inspiration. Only upon the top of the head was actual hair perceived, the
rest appearing to be nudity. And even more than by any difference in mode
he was set apart by his look and manner, in which there seemed to be a
brooding, secretive and jeering superiority and this was most vividly
expressed when he felt called upon for his loud, short, lop-sided laugh.
Whenever he uttered it Alice laughed, too, as loudly as she could, to
cover it.</p>
<p>"Well," he said. "How long we goin' to stand here? My feet are sproutin'
roots."</p>
<p>Alice took his arm, and they began to walk aimlessly through the rooms,
though she tried to look as if they had a definite destination, keeping
her eyes eager and her lips parted;—people had called jovially to
them from the distance, she meant to imply, and they were going to join
these merry friends. She was still upon this ghostly errand when a furious
outbreak of drums and saxophones sounded a prelude for the second dance.</p>
<p>Walter danced with her again, but he gave her a warning. "I don't want to
leave you high and dry," he told her, "but I can't stand it. I got to get
somewhere I don't haf' to hurt my eyes with these berries; I'll go blind
if I got to look at any more of 'em. I'm goin' out to smoke as soon as the
music begins the next time, and you better get fixed for it."</p>
<p>Alice tried to get fixed for it. As they danced she nodded sunnily to
every man whose eye she caught, smiled her smile with the under lip caught
between her teeth; but it was not until the end of the intermission after
the dance that she saw help coming.</p>
<p>Across the room sat the globular lady she had encountered that morning,
and beside the globular lady sat a round-headed, round-bodied girl; her
daughter, at first glance. The family contour was also as evident a
characteristic of the short young man who stood in front of Mrs. Dowling,
engaged with her in a discussion which was not without evidences of an
earnestness almost impassioned. Like Walter, he was declining to dance a
third time with sister; he wished to go elsewhere.</p>
<p>Alice from a sidelong eye watched the controversy: she saw the globular
young man glance toward her, over his shoulder; whereupon Mrs. Dowling,
following this glance, gave Alice a look of open fury, became much more
vehement in the argument, and even struck her knee with a round, fat fist
for emphasis.</p>
<p>"I'm on my way," said Walter. "There's the music startin' up again, and I
told you——"</p>
<p>She nodded gratefully. "It's all right—but come back before long,
Walter."</p>
<p>The globular young man, red with annoyance, had torn himself from his
family and was hastening across the room to her. "C'n I have this dance?"</p>
<p>"Why, you nice Frank Dowling!" Alice cried. "How lovely!"</p>
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