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<h2> CHAPTER III </h2>
<p>Mrs. Adams had remained in Alice's room, but her mood seemed to have
changed, during her daughter's little more than momentary absence.</p>
<p>"What did he SAY?" she asked, quickly, and her tone was hopeful.</p>
<p>"'Say?'" Alice repeated, impatiently. "Why, nothing. I didn't let him.
Really, mama, I think the best thing for you to do would be to just keep
out of his room, because I don't believe you can go in there and not talk
to him about it, and if you do talk we'll never get him to do the right
thing. Never!"</p>
<p>The mother's response was a grieving silence; she turned from her daughter
and walked to the door.</p>
<p>"Now, for goodness' sake!" Alice cried. "Don't go making tragedy out of my
offering you a little practical advice!"</p>
<p>"I'm not," Mrs. Adams gulped, halting. "I'm just—just going to dust
the downstairs, Alice." And with her face still averted, she went out into
the little hallway, closing the door behind her. A moment later she could
be heard descending the stairs, the sound of her footsteps carrying
somehow an effect of resignation.</p>
<p>Alice listened, sighed, and, breathing the words, "Oh, murder!" turned to
cheerier matters. She put on a little apple-green turban with a dim gold
band round it, and then, having shrouded the turban in a white veil, which
she kept pushed up above her forehead, she got herself into a tan coat of
soft cloth fashioned with rakish severity. After that, having studied
herself gravely in a long glass, she took from one of the drawers of her
dressing-table a black leather card-case cornered in silver filigree, but
found it empty.</p>
<p>She opened another drawer wherein were two white pasteboard boxes of
cards, the one set showing simply "Miss Adams," the other engraved in
Gothic characters, "Miss Alys Tuttle Adams." The latter belonged to
Alice's "Alys" period—most girls go through it; and Alice must have
felt that she had graduated, for, after frowning thoughtfully at the
exhibit this morning, she took the box with its contents, and let the
white shower fall from her fingers into the waste-basket beside her small
desk. She replenished the card-case from the "Miss Adams" box; then,
having found a pair of fresh white gloves, she tucked an ivory-topped
Malacca walking-stick under her arm and set forth.</p>
<p>She went down the stairs, buttoning her gloves and still wearing the frown
with which she had put "Alys" finally out of her life. She descended
slowly, and paused on the lowest step, looking about her with an
expression that needed but a slight deepening to betoken bitterness. Its
connection with her dropping "Alys" forever was slight, however.</p>
<p>The small frame house, about fifteen years old, was already inclining to
become a new Colonial relic. The Adamses had built it, moving into it from
the "Queen Anne" house they had rented until they took this step in
fashion. But fifteen years is a long time to stand still in the midland
country, even for a house, and this one was lightly made, though the
Adamses had not realized how flimsily until they had lived in it for some
time. "Solid, compact, and convenient" were the instructions to the
architect, and he had made it compact successfully. Alice, pausing at the
foot of the stairway, was at the same time fairly in the "living-room,"
for the only separation between the "living room" and the hall was a
demarcation suggested to willing imaginations by a pair of wooden columns
painted white. These columns, pine under the paint, were bruised and
chipped at the base; one of them showed a crack that threatened to become
a split; the "hard-wood" floor had become uneven; and in a corner the
walls apparently failed of solidity, where the wall-paper had declined to
accompany some staggerings of the plaster beneath it.</p>
<p>The furniture was in great part an accumulation begun with the wedding
gifts; though some of it was older, two large patent rocking-chairs and a
footstool having belonged to Mrs. Adams's mother in the days of hard brown
plush and veneer. For decoration there were pictures and vases. Mrs. Adams
had always been fond of vases, she said, and every year her husband's
Christmas present to her was a vase of one sort or another—whatever
the clerk showed him, marked at about twelve or fourteen dollars. The
pictures were some of them etchings framed in gilt: Rheims, Canterbury,
schooners grouped against a wharf; and Alice could remember how, in her
childhood, her father sometimes pointed out the watery reflections in this
last as very fine. But it was a long time since he had shown interest in
such things—"or in anything much," as she thought.</p>
<p>Other pictures were two water-colours in baroque frames; one being the
Amalfi monk on a pergola wall, while the second was a yard-wide display of
iris blossoms, painted by Alice herself at fourteen, as a birthday gift to
her mother. Alice's glance paused upon it now with no great pride, but
showed more approval of an enormous photograph of the Colosseum. This she
thought of as "the only good thing in the room"; it possessed and bestowed
distinction, she felt; and she did not regret having won her struggle to
get it hung in its conspicuous place of honour over the mantelpiece.
Formerly that place had been held for years by a steel-engraving, an
accurate representation of the Suspension Bridge at Niagara Falls. It was
almost as large as its successor, the "Colosseum," and it had been
presented to Mr. Adams by colleagues in his department at Lamb and
Company's. Adams had shown some feeling when Alice began to urge its
removal to obscurity in the "upstairs hall"; he even resisted for several
days after she had the "Colosseum" charged to him, framed in oak, and sent
to the house. She cheered him up, of course, when he gave way; and her
heart never misgave her that there might be a doubt which of the two
pictures was the more dismaying.</p>
<p>Over the pictures, the vases, the old brown plush rocking-chairs and the
stool, over the three gilt chairs, over the new chintz-covered easy chair
and the gray velure sofa—over everything everywhere, was the
familiar coating of smoke grime. It had worked into every fibre of the
lace curtains, dingying them to an unpleasant gray; it lay on the
window-sills and it dimmed the glass panes; it covered the walls, covered
the ceiling, and was smeared darker and thicker in all corners. Yet here
was no fault of housewifery; the curse could not be lifted, as the
ingrained smudges permanent on the once white woodwork proved. The grime
was perpetually renewed; scrubbing only ground it in.</p>
<p>This particular ugliness was small part of Alice's discontent, for though
the coating grew a little deeper each year she was used to it. Moreover,
she knew that she was not likely to find anything better in a thousand
miles, so long as she kept to cities, and that none of her friends,
however opulent, had any advantage of her here. Indeed, throughout all the
great soft-coal country, people who consider themselves comparatively poor
may find this consolation: cleanliness has been added to the virtues and
beatitudes that money can not buy.</p>
<p>Alice brightened a little as she went forward to the front door, and she
brightened more when the spring breeze met her there. Then all depression
left her as she walked down the short brick path to the sidewalk, looked
up and down the street, and saw how bravely the maple shade-trees, in
spite of the black powder they breathed, were flinging out their thousands
of young green particles overhead.</p>
<p>She turned north, treading the new little shadows on the pavement briskly,
and, having finished buttoning her gloves, swung down her Malacca stick
from under her arm to let it tap a more leisurely accompaniment to her
quick, short step. She had to step quickly if she was to get anywhere; for
the closeness of her skirt, in spite of its little length, permitted no
natural stride; but she was pleased to be impeded, these brevities forming
part of her show of fashion.</p>
<p>Other pedestrians found them not without charm, though approval may have
been lacking here and there, and at the first crossing Alice suffered what
she might have accounted an actual injury, had she allowed herself to be
so sensitive. An elderly woman in fussy black silk stood there, waiting
for a streetcar; she was all of a globular modelling, with a face
patterned like a frost-bitten peach; and that the approaching gracefulness
was uncongenial she naively made too evident. Her round, wan eyes seemed
roused to bitter life as they rose from the curved high heels of the
buckled slippers to the tight little skirt, and thence with startled
ferocity to the Malacca cane, which plainly appeared to her as a
decoration not more astounding than it was insulting.</p>
<p>Perceiving that the girl was bowing to her, the globular lady hurriedly
made shift to alter her injurious expression. "Good morning, Mrs.
Dowling," Alice said, gravely. Mrs. Dowling returned the salutation with a
smile as convincingly benevolent as the ghastly smile upon a Santa Claus
face; and then, while Alice passed on, exploded toward her a single
compacted breath through tightened lips.</p>
<p>The sound was eloquently audible, though Mrs. Dowling remained unaware
that in this or any manner whatever she had shed a light upon her
thoughts; for it was her lifelong innocent conviction that other people
saw her only as she wished to be seen, and heard from her only what she
intended to be heard. At home it was always her husband who pulled down
the shades of their bedroom window.</p>
<p>Alice looked serious for a few moments after the little encounter, then
found some consolation in the behaviour of a gentleman of forty or so who
was coming toward her. Like Mrs. Dowling, he had begun to show
consciousness of Alice's approach while she was yet afar off; but his
tokens were of a kind pleasanter to her. He was like Mrs. Dowling again,
however, in his conception that Alice would not realize the significance
of what he did. He passed his hand over his neck-scarf to see that it lay
neatly to his collar, smoothed a lapel of his coat, and adjusted his hat,
seeming to be preoccupied the while with problems that kept his eyes to
the pavement; then, as he came within a few feet of her, he looked up, as
in a surprised recognition almost dramatic, smiled winningly, lifted his
hat decisively, and carried it to the full arm's length.</p>
<p>Alice's response was all he could have asked. The cane in her right hand
stopped short in its swing, while her left hand moved in a pretty gesture
as if an impulse carried it toward the heart; and she smiled, with her
under lip caught suddenly between her teeth. Months ago she had seen an
actress use this smile in a play, and it came perfectly to Alice now,
without conscious direction, it had been so well acquired; but the pretty
hand's little impulse toward the heart was an original bit all her own, on
the spur of the moment.</p>
<p>The gentleman went on, passing from her forward vision as he replaced his
hat. Of himself he was nothing to Alice, except for the gracious
circumstance that he had shown strong consciousness of a pretty girl. He
was middle-aged, substantial, a family man, securely married; and Alice
had with him one of those long acquaintances that never become emphasized
by so much as five minutes of talk; yet for this inconsequent meeting she
had enacted a little part like a fragment in a pantomime of Spanish
wooing.</p>
<p>It was not for him—not even to impress him, except as a messenger.
Alice was herself almost unaware of her thought, which was one of the
running thousands of her thoughts that took no deliberate form in words.
Nevertheless, she had it, and it was the impulse of all her pretty bits of
pantomime when she met other acquaintances who made their appreciation
visible, as this substantial gentleman did. In Alice's unworded thought,
he was to be thus encouraged as in some measure a champion to speak well
of her to the world; but more than this: he was to tell some magnificent
unknown bachelor how wonderful, how mysterious, she was.</p>
<p>She hastened on gravely, a little stirred reciprocally with the supposed
stirrings in the breast of that shadowy ducal mate, who must be somewhere
"waiting," or perhaps already seeking her; for she more often thought of
herself as "waiting" while he sought her; and sometimes this view of
things became so definite that it shaped into a murmur on her lips.
"Waiting. Just waiting." And she might add, "For him!" Then, being
twenty-two, she was apt to conclude the mystic interview by laughing at
herself, though not without a continued wistfulness.</p>
<p>She came to a group of small coloured children playing waywardly in a
puddle at the mouth of a muddy alley; and at sight of her they gave over
their pastime in order to stare. She smiled brilliantly upon them, but
they were too struck with wonder to comprehend that the manifestation was
friendly; and as Alice picked her way in a little detour to keep from the
mud, she heard one of them say, "Lady got cane! Jeez'!"</p>
<p>She knew that many coloured children use impieties familiarly, and she was
not startled. She was disturbed, however, by an unfavourable hint in the
speaker's tone. He was six, probably, but the sting of a criticism is not
necessarily allayed by knowledge of its ignoble source, and Alice had
already begun to feel a slight uneasiness about her cane. Mrs. Dowling's
stare had been strikingly projected at it; other women more than merely
glanced, their brows and lips contracting impulsively; and Alice was aware
that one or two of them frankly halted as soon as she had passed.</p>
<p>She had seen in several magazines pictures of ladies with canes, and on
that account she had bought this one, never questioning that fashion is
recognized, even in the provinces, as soon as beheld. On the contrary,
these staring women obviously failed to realize that what they were being
shown was not an eccentric outburst, but the bright harbinger of an
illustrious mode. Alice had applied a bit of artificial pigment to her
lips and cheeks before she set forth this morning; she did not need it,
having a ready colour of her own, which now mounted high with annoyance.</p>
<p>Then a splendidly shining closed black automobile, with windows of
polished glass, came silently down the street toward her. Within it, as in
a luxurious little apartment, three comely ladies in mourning sat and
gossiped; but when they saw Alice they clutched one another. They
instantly recovered, bowing to her solemnly as they were borne by, yet
were not gone from her sight so swiftly but the edge of her side glance
caught a flash of teeth in mouths suddenly opened, and the dark glisten of
black gloves again clutching to share mirth.</p>
<p>The colour that outdid the rouge on Alice's cheek extended its area and
grew warmer as she realized how all too cordial had been her nod and smile
to these humorous ladies. But in their identity lay a significance causing
her a sharper smart, for they were of the family of that Lamb, chief of
Lamb and Company, who had employed her father since before she was born.</p>
<p>"And know his salary! They'd be SURE to find out about that!" was her
thought, coupled with another bitter one to the effect that they had
probably made instantaneous financial estimates of what she wore though
certainly her walking-stick had most fed their hilarity.</p>
<p>She tucked it under her arm, not swinging it again; and her breath became
quick and irregular as emotion beset her. She had been enjoying her walk,
but within the space of the few blocks she had gone since she met the
substantial gentleman, she found that more than the walk was spoiled:
suddenly her life seemed to be spoiled, too; though she did not view the
ruin with complaisance. These Lamb women thought her and her cane
ridiculous, did they? she said to herself. That was their parvenu blood:
to think because a girl's father worked for their grandfather she had no
right to be rather striking in style, especially when the striking WAS her
style. Probably all the other girls and women would agree with them and
would laugh at her when they got together, and, what might be fatal, would
try to make all the men think her a silly pretender. Men were just like
sheep, and nothing was easier than for women to set up as shepherds and
pen them in a fold. "To keep out outsiders," Alice thought. "And make 'em
believe I AM an outsider. What's the use of living?"</p>
<p>All seemed lost when a trim young man appeared, striding out of a
cross-street not far before her, and, turning at the corner, came toward
her. Visibly, he slackened his gait to lengthen the time of his approach,
and, as he was a stranger to her, no motive could be ascribed to him other
than a wish to have a longer time to look at her.</p>
<p>She lifted a pretty hand to a pin at her throat, bit her lip—not
with the smile, but mysteriously—and at the last instant before her
shadow touched the stranger, let her eyes gravely meet his. A moment
later, having arrived before the house which was her destination, she
halted at the entrance to a driveway leading through fine lawns to the
intentionally important mansion. It was a pleasant and impressive place to
be seen entering, but Alice did not enter at once. She paused, examining a
tiny bit of mortar which the masons had forgotten to scrape from a brick
in one of the massive gate-posts. She frowned at this tiny defacement, and
with an air of annoyance scraped it away, using the ferrule of her cane an
act of fastidious proprietorship. If any one had looked back over his
shoulder he would not have doubted that she lived there.</p>
<p>Alice did not turn to see whether anything of the sort happened or not,
but she may have surmised that it did. At all events, it was with an
invigorated step that she left the gateway behind her and went cheerfully
up the drive to the house of her friend Mildred.</p>
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