<p><SPAN name="link2HCH0020" id="link2HCH0020"></SPAN></p>
<h2> CHAPTER V. MORE ABOUT CLAUDE FROLLO. </h2>
<p>In 1482, Quasimodo was about twenty years of age; Claude Frollo, about
thirty-six. One had grown up, the other had grown old.</p>
<p>Claude Frollo was no longer the simple scholar of the college of Torch,
the tender protector of a little child, the young and dreamy philosopher
who knew many things and was ignorant of many. He was a priest, austere,
grave, morose; one charged with souls; monsieur the archdeacon of Josas,
the bishop's second acolyte, having charge of the two deaneries of
Montlh�ry, and Ch�teaufort, and one hundred and seventy-four country
curacies. He was an imposing and sombre personage, before whom the choir
boys in alb and in jacket trembled, as well as the machicots*, and the
brothers of Saint-Augustine and the matutinal clerks of Notre-Dame, when
he passed slowly beneath the lofty arches of the choir, majestic,
thoughtful, with arms folded and his head so bent upon his breast that all
one saw of his face was his large, bald brow.</p>
<p>* An official of Notre-Dame, lower than a beneficed clergyman,<br/>
higher than simple paid chanters.<br/></p>
<p>Dom Claude Frollo had, however, abandoned neither science nor the
education of his young brother, those two occupations of his life. But as
time went on, some bitterness had been mingled with these things which
were so sweet. In the long run, says Paul Diacre, the best lard turns
rancid. Little Jehan Frollo, surnamed (<i>du Moulin</i>) "of the Mill"
because of the place where he had been reared, had not grown up in the
direction which Claude would have liked to impose upon him. The big
brother counted upon a pious, docile, learned, and honorable pupil. But
the little brother, like those young trees which deceive the gardener's
hopes and turn obstinately to the quarter whence they receive sun and air,
the little brother did not grow and did not multiply, but only put forth
fine bushy and luxuriant branches on the side of laziness, ignorance, and
debauchery. He was a regular devil, and a very disorderly one, who made
Dom Claude scowl; but very droll and very subtle, which made the big
brother smile.</p>
<p>Claude had confided him to that same college of Torchi where he had passed
his early years in study and meditation; and it was a grief to him that
this sanctuary, formerly edified by the name of Frollo, should to-day be
scandalized by it. He sometimes preached Jehan very long and severe
sermons, which the latter intrepidly endured. After all, the young
scapegrace had a good heart, as can be seen in all comedies. But the
sermon over, he none the less tranquilly resumed his course of seditions
and enormities. Now it was a <i>bejaune</i> or yellow beak (as they called
the new arrivals at the university), whom he had been mauling by way of
welcome; a precious tradition which has been carefully preserved to our
own day. Again, he had set in movement a band of scholars, who had flung
themselves upon a wine-shop in classic fashion, quasi <i>classico excitati</i>,
had then beaten the tavern-keeper "with offensive cudgels," and joyously
pillaged the tavern, even to smashing in the hogsheads of wine in the
cellar. And then it was a fine report in Latin, which the sub-monitor of
Torchi carried piteously to Dom Claude with this dolorous marginal
comment,—<i>Rixa; prima causa vinum optimum potatum</i>. Finally, it
was said, a thing quite horrible in a boy of sixteen, that his debauchery
often extended as far as the Rue de Glatigny.</p>
<p>Claude, saddened and discouraged in his human affections, by all this, had
flung himself eagerly into the arms of learning, that sister which, at
least does not laugh in your face, and which always pays you, though in
money that is sometimes a little hollow, for the attention which you have
paid to her. Hence, he became more and more learned, and, at the same
time, as a natural consequence, more and more rigid as a priest, more and
more sad as a man. There are for each of us several parallelisms between
our intelligence, our habits, and our character, which develop without a
break, and break only in the great disturbances of life.</p>
<p>As Claude Frollo had passed through nearly the entire circle of human
learning—positive, exterior, and permissible—since his youth,
he was obliged, unless he came to a halt, <i>ubi defuit orbis</i>, to
proceed further and seek other aliments for the insatiable activity of his
intelligence. The antique symbol of the serpent biting its tail is, above
all, applicable to science. It would appear that Claude Frollo had
experienced this. Many grave persons affirm that, after having exhausted
the <i>fas</i> of human learning, he had dared to penetrate into the <i>nefas</i>.
He had, they said, tasted in succession all the apples of the tree of
knowledge, and, whether from hunger or disgust, had ended by tasting the
forbidden fruit. He had taken his place by turns, as the reader has seen,
in the conferences of the theologians in Sorbonne,—in the assemblies
of the doctors of art, after the manner of Saint-Hilaire,—in the
disputes of the decretalists, after the manner of Saint-Martin,—in
the congregations of physicians at the holy water font of Notre-Dame, <i>ad
cupam Nostroe-Dominoe</i>. All the dishes permitted and approved, which
those four great kitchens called the four faculties could elaborate and
serve to the understanding, he had devoured, and had been satiated with
them before his hunger was appeased. Then he had penetrated further,
lower, beneath all that finished, material, limited knowledge; he had,
perhaps, risked his soul, and had seated himself in the cavern at that
mysterious table of the alchemists, of the astrologers, of the hermetics,
of which Averro�s, Gillaume de Paris, and Nicolas Flamel hold the end in
the Middle Ages; and which extends in the East, by the light of the
seven-branched candlestick, to Solomon, Pythagoras, and Zoroaster.</p>
<p>That is, at least, what was supposed, whether rightly or not. It is
certain that the archdeacon often visited the cemetery of the
Saints-Innocents, where, it is true, his father and mother had been
buried, with other victims of the plague of 1466; but that he appeared far
less devout before the cross of their grave than before the strange
figures with which the tomb of Nicolas Flamel and Claude Pernelle, erected
just beside it, was loaded.</p>
<p>It is certain that he had frequently been seen to pass along the Rue des
Lombards, and furtively enter a little house which formed the corner of
the Rue des Ecrivans and the Rue Marivault. It was the house which Nicolas
Flamel had built, where he had died about 1417, and which, constantly
deserted since that time, had already begun to fall in ruins,—so
greatly had the hermetics and the alchemists of all countries wasted away
the walls, merely by carving their names upon them. Some neighbors even
affirm that they had once seen, through an air-hole, Archdeacon Claude
excavating, turning over, digging up the earth in the two cellars, whose
supports had been daubed with numberless couplets and hieroglyphics by
Nicolas Flamel himself. It was supposed that Flamel had buried the
philosopher's stone in the cellar; and the alchemists, for the space of
two centuries, from Magistri to Father Pacifique, never ceased to worry
the soil until the house, so cruelly ransacked and turned over, ended by
falling into dust beneath their feet.</p>
<p>Again, it is certain that the archdeacon had been seized with a singular
passion for the symbolical door of Notre-Dame, that page of a conjuring
book written in stone, by Bishop Guillaume de Paris, who has, no doubt,
been damned for having affixed so infernal a frontispiece to the sacred
poem chanted by the rest of the edifice. Archdeacon Claude had the credit
also of having fathomed the mystery of the colossus of Saint Christopher,
and of that lofty, enigmatical statue which then stood at the entrance of
the vestibule, and which the people, in derision, called "Monsieur
Legris." But, what every one might have noticed was the interminable hours
which he often employed, seated upon the parapet of the area in front of
the church, in contemplating the sculptures of the front; examining now
the foolish virgins with their lamps reversed, now the wise virgins with
their lamps upright; again, calculating the angle of vision of that raven
which belongs to the left front, and which is looking at a mysterious
point inside the church, where is concealed the philosopher's stone, if it
be not in the cellar of Nicolas Flamel.</p>
<p>It was, let us remark in passing, a singular fate for the Church of
Notre-Dame at that epoch to be so beloved, in two different degrees, and
with so much devotion, by two beings so dissimilar as Claude and
Quasimodo. Beloved by one, a sort of instinctive and savage half-man, for
its beauty, for its stature, for the harmonies which emanated from its
magnificent ensemble; beloved by the other, a learned and passionate
imagination, for its myth, for the sense which it contains, for the
symbolism scattered beneath the sculptures of its front,—like the
first text underneath the second in a palimpsest,—in a word, for the
enigma which it is eternally propounding to the understanding.</p>
<p>Furthermore, it is certain that the archdeacon had established himself in
that one of the two towers which looks upon the Gr�ve, just beside the
frame for the bells, a very secret little cell, into which no one, not
even the bishop, entered without his leave, it was said. This tiny cell
had formerly been made almost at the summit of the tower, among the
ravens' nests, by Bishop Hugo de Besan�on* who had wrought sorcery there
in his day. What that cell contained, no one knew; but from the strand of
the Terrain, at night, there was often seen to appear, disappear, and
reappear at brief and regular intervals, at a little dormer window opening
upon the back of the tower, a certain red, intermittent, singular light
which seemed to follow the panting breaths of a bellows, and to proceed
from a flame, rather than from a light. In the darkness, at that height,
it produced a singular effect; and the goodwives said: "There's the
archdeacon blowing! hell is sparkling up yonder!"</p>
<p>* Hugo II. de Bisuncio, 1326-1332.<br/></p>
<p>There were no great proofs of sorcery in that, after all, but there was
still enough smoke to warrant a surmise of fire, and the archdeacon bore a
tolerably formidable reputation. We ought to mention however, that the
sciences of Egypt, that necromancy and magic, even the whitest, even the
most innocent, had no more envenomed enemy, no more pitiless denunciator
before the gentlemen of the officialty of Notre-Dame. Whether this was
sincere horror, or the game played by the thief who shouts, "stop thief!"
at all events, it did not prevent the archdeacon from being considered by
the learned heads of the chapter, as a soul who had ventured into the
vestibule of hell, who was lost in the caves of the cabal, groping amid
the shadows of the occult sciences. Neither were the people deceived
thereby; with any one who possessed any sagacity, Quasimodo passed for the
demon; Claude Frollo, for the sorcerer. It was evident that the bellringer
was to serve the archdeacon for a given time, at the end of which he would
carry away the latter's soul, by way of payment. Thus the archdeacon, in
spite of the excessive austerity of his life, was in bad odor among all
pious souls; and there was no devout nose so inexperienced that it could
not smell him out to be a magician.</p>
<p>And if, as he grew older, abysses had formed in his science, they had also
formed in his heart. That at least, is what one had grounds for believing
on scrutinizing that face upon which the soul was only seen to shine
through a sombre cloud. Whence that large, bald brow? that head forever
bent? that breast always heaving with sighs? What secret thought caused
his mouth to smile with so much bitterness, at the same moment that his
scowling brows approached each other like two bulls on the point of
fighting? Why was what hair he had left already gray? What was that
internal fire which sometimes broke forth in his glance, to such a degree
that his eye resembled a hole pierced in the wall of a furnace?</p>
<p>These symptoms of a violent moral preoccupation, had acquired an
especially high degree of intensity at the epoch when this story takes
place. More than once a choir-boy had fled in terror at finding him alone
in the church, so strange and dazzling was his look. More than once, in
the choir, at the hour of the offices, his neighbor in the stalls had
heard him mingle with the plain song, <i>ad omnem tonum</i>,
unintelligible parentheses. More than once the laundress of the Terrain
charged "with washing the chapter" had observed, not without affright, the
marks of nails and clenched fingers on the surplice of monsieur the
archdeacon of Josas.</p>
<p>However, he redoubled his severity, and had never been more exemplary. By
profession as well as by character, he had always held himself aloof from
women; he seemed to hate them more than ever. The mere rustling of a
silken petticoat caused his hood to fall over his eyes. Upon this score he
was so jealous of austerity and reserve, that when the Dame de Beaujeu,
the king's daughter, came to visit the cloister of Notre-Dame, in the
month of December, 1481, he gravely opposed her entrance, reminding the
bishop of the statute of the Black Book, dating from the vigil of
Saint-Barth�lemy, 1334, which interdicts access to the cloister to "any
woman whatever, old or young, mistress or maid." Upon which the bishop had
been constrained to recite to him the ordinance of Legate Odo, which
excepts certain great dames, <i>aliquoe magnates mulieres, quoe sine
scandalo vitari non possunt</i>. And again the archdeacon had protested,
objecting that the ordinance of the legate, which dated back to 1207, was
anterior by a hundred and twenty-seven years to the Black Book, and
consequently was abrogated in fact by it. And he had refused to appear
before the princess.</p>
<p>It was also noticed that his horror for Bohemian women and gypsies had
seemed to redouble for some time past. He had petitioned the bishop for an
edict which expressly forbade the Bohemian women to come and dance and
beat their tambourines on the place of the Parvis; and for about the same
length of time, he had been ransacking the mouldy placards of the
officialty, in order to collect the cases of sorcerers and witches
condemned to fire or the rope, for complicity in crimes with rams, sows,
or goats.</p>
<div style="break-after:column;"></div><br />