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<h2> SECT. V. THE SAME SUBJECT CONTINUED. </h2>
<p>If the second part of my system be true, that the idea of space or
extension is nothing but the idea of visible or tangible points
distributed in a certain order; it follows, that we can form no idea of a
vacuum, or space, where there is nothing visible or tangible. This gives
rise to three objections, which I shall examine together, because the
answer I shall give to one is a consequence of that which I shall make use
of for the others.</p>
<p>First, It may be said, that men have disputed for many ages concerning a
vacuum and a plenum, without being able to bring the affair to a final
decision; and philosophers, even at this day, think themselves at liberty
to take part on either side, as their fancy leads them. But whatever
foundation there may be for a controversy concerning the things
themselves, it may be pretended, that the very dispute is decisive
concerning the idea, and that it is impossible men coued so long reason
about a vacuum, and either refute or defend it, without having a notion of
what they refuted or defended.</p>
<p>Secondly, If this argument should be contested, the reality or at least
the possibility of the idea of a vacuum may be proved by the following
reasoning. Every idea is possible, which is a necessary and infallible
consequence of such as are possible. Now though we allow the world to be
at present a plenum, we may easily conceive it to be deprived of motion;
and this idea will certainly be allowed possible. It must also be allowed
possible, to conceive the annihilation of any part of matter by the
omnipotence of the deity, while the other parts remain at rest. For as
every idea, that is distinguishable, is separable by the imagination; and
as every idea, that is separable by the imagination, may be conceived to
be separately existent; it is evident, that the existence of one particle
of matter, no more implies the existence of another, than a square figure
in one body implies a square figure in every one. This being granted, I
now demand what results from the concurrence of these two possible ideas
of rest and annihilation, and what must we conceive to follow upon the
annihilation of all the air and subtile matter in the chamber, supposing
the walls to remain the same, without any motion or alteration? There are
some metaphysicians, who answer, that since matter and extension are the
same, the annihilation of one necessarily implies that of the other; and
there being now no distance betwixt the walls of the chamber, they touch
each other; in the same manner as my hand touches the paper, which is
immediately before me. But though this answer be very common, I defy these
metaphysicians to conceive the matter according to their hypothesis, or
imagine the floor and roof, with all the opposite sides of the chamber, to
touch each other, while they continue in rest, and preserve the same
position. For how can the two walls, that run from south to north, touch
each other, while they touch the opposite ends of two walls, that run from
east to west? And how can the floor and roof ever meet, while they are
separated by the four walls, that lie in a contrary position? If you
change their position, you suppose a motion. If you conceive any thing
betwixt them, you suppose a new creation. But keeping strictly to the two
ideas of rest and annihilation, it is evident, that the idea, which
results from them, is not that of a contact of parts, but something else;
which is concluded to be the idea of a vacuum.</p>
<p>The third objection carries the matter still farther, and not only
asserts, that the idea of a vacuum is real and possible, but also
necessary and unavoidable. This assertion is founded on the motion we
observe in bodies, which, it is maintained, would be impossible and
inconceivable without a vacuum, into which one body must move in order to
make way for another.. I shall not enlarge upon this objection, because it
principally belongs to natural philosophy, which lies without our present
sphere.</p>
<p>In order to answer these objections, we must take the matter pretty deep,
and consider the nature and origin of several ideas, lest we dispute
without understanding perfectly the subject of the controversy. It is
evident the idea of darkness is no positive idea, but merely the negation
of light, or more properly speaking, of coloured and visible objects. A
man, who enjoys his sight, receives no other perception from turning his
eyes on every side, when entirely deprived of light, than what is common
to him with one born blind; and it is certain such-a-one has no idea
either of light or darkness. The consequence of this is, that it is not
from the mere removal of visible objects we receive the impression of
extension without matter; and that the idea of utter darkness can never be
the same with that of vacuum.</p>
<p>Suppose again a man to be supported in the air, and to be softly conveyed
along by some invisible power; it is evident he is sensible of nothing,
and never receives the idea of extension, nor indeed any idea, from this
invariable motion. Even supposing he moves his limbs to and fro, this
cannot convey to him that idea. He feels in that case a certain sensation
or impression, the parts of which are successive to each other, and may
give him the idea of time: But certainly are not disposed in such a
manner, as is necessary to convey the idea of space or the idea of space
or extension.</p>
<p>Since then it appears, that darkness and motion, with the utter removal of
every thing visible and tangible, can never give us the idea of extension
without matter, or of a vacuum; the next question is, whether they can
convey this idea, when mixed with something visible and tangible?</p>
<p>It is commonly allowed by philosophers, that all bodies, which discover
themselves to the eye, appear as if painted on a plain surface, and that
their different degrees of remoteness from ourselves are discovered more
by reason than by the senses. When I hold up my hand before me, and spread
my fingers, they are separated as perfectly by the blue colour of the
firmament, as they coued be by any visible object, which I coued place
betwixt them. In order, therefore, to know whether the sight can convey
the impression and idea of a vacuum, we must suppose, that amidst an
entire darkness, there are luminous bodies presented to us, whose light
discovers only these bodies themselves, without giving us any impression
of the surrounding objects.</p>
<p>We must form a parallel supposition concerning the objects of our feeling.
It is not proper to suppose a perfect removal of all tangible objects: we
must allow something to be perceived by the feeling; and after an interval
and motion of the hand or other organ of sensation, another object of the
touch to be met with; and upon leaving that, another; and so on, as often
as we please. The question is, whether these intervals do not afford us
the idea of extension without body?</p>
<p>To begin with the first case; it is evident, that when only two luminous
bodies appear to the eye, we can perceive, whether they be conjoined or
separate: whether they be separated by a great or small distance; and if
this distance varies, we can perceive its increase or diminution, with the
motion of the bodies. But as the distance is not in this case any thing
coloured or visible, it may be thought that there is here a vacuum or pure
extension, not only intelligible to the mind, but obvious to the very
senses.</p>
<p>This is our natural and most familiar way of thinking; but which we shall
learn to correct by a little reflection. We may observe, that when two
bodies present themselves, where there was formerly an entire darkness,
the only change, that is discoverable, is in the appearance of these two
objects, and that all the rest continues to be as before, a perfect
negation of light, and of every coloured or visible object. This is not
only true of what may be said to be remote from these bodies, but also of
the very distance; which is interposed betwixt them; that being nothing
but darkness, or the negation of light; without parts, without
composition, invariable and indivisible. Now since this distance causes no
perception different from what a blind man receives from his eyes, or what
is conveyed to us in the darkest night, it must partake of the same
properties: And as blindness and darkness afford us no ideas of extension,
it is impossible that the dark and undistinguishable distance betwixt two
bodies can ever produce that idea.</p>
<p>The sole difference betwixt an absolute darkness and the appearance of two
or more visible luminous objects consists, as I said, in the objects
themselves, and in the manner they affect our senses. The angles, which
the rays of light flowing from them, form with each other; the motion that
is required in the eye, in its passage from one to the other; and the
different parts of the organs, which are affected by them; these produce
the only perceptions, from which we can judge of the distance. But as
these perceptions are each of them simple and indivisible, they can never
give us the idea of extension.</p>
<p>We may illustrate this by considering the sense of feeling, and the
imaginary distance or interval interposed betwixt tangible or solid
objects. I suppose two cases, viz. that of a man supported in the air, and
moving his limbs to and fro, without meeting any thing tangible; and that
of a man, who feeling something tangible, leaves it, and after a motion,
of which he is sensible, perceives another tangible object; and I then
ask, wherein consists the difference betwixt these two cases? No one will
make any scruple to affirm, that it consists meerly in the perceiving
those objects, and that the sensation, which arises from the motion, is in
both cases the same: And as that sensation is not capable of conveying to
us an idea of extension, when unaccompanyed with some other perception, it
can no more give us that idea, when mixed with the impressions of tangible
objects; since that mixture produces no alteration upon it.</p>
<p>But though motion and darkness, either alone, or attended with tangible
and visible objects, convey no idea of a vacuum or extension without
matter, yet they are the causes why we falsly imagine we can form such an
idea. For there is a close relation betwixt that motion and darkness, and
a real extension, or composition of visible and tangible objects.</p>
<p>First, We may observe, that two visible objects appearing in the midst of
utter darkness, affect the senses in the same manner, and form the same
angle by the rays, which flow from them, and meet in the eye, as if the
distance betwixt them were find with visible objects, that give us a true
idea of extension. The sensation of motion is likewise the same, when
there is nothing tangible interposed betwixt two bodies, as when we feel a
compounded body, whose different parts are placed beyond each other.</p>
<p>Secondly, We find by experience, that two bodies, which are so placed as
to affect the senses in the same manner with two others, that have a
certain extent of visible objects interposed betwixt them, are capable of
receiving the same extent, without any sensible impulse or penetration,
and without any change on that angle, under which they appear to the
senses. In like manner, where there is one object, which we cannot feel
after another without an interval, and the perceiving of that sensation we
call motion in our hand or organ of sensation; experience shews us, that
it is possible the same object may be felt with the same sensation of
motion, along with the interposed impression of solid and tangible
objects, attending the sensation. That is, in other words, an invisible
and intangible distance may be converted into a visible and tangible one,
without any change on the distant objects.</p>
<p>Thirdly, We may observe, as another relation betwixt these two kinds of
distance, that they have nearly the same effects on every natural
phaenomenon. For as all qualities, such as heat, cold, light, attraction,
&c. diminish in proportion to the distance; there is but little
difference observed, whether this distance be marled out by compounded and
sensible objects, or be known only by the manner, in which the distant
objects affect the senses.</p>
<p>Here then are three relations betwixt that distance, which conveys the
idea of extension, and that other, which is not filled with any coloured
or solid object. The distant objects affect the senses in the same manner,
whether separated by the one distance or the other; the second species of
distance is found capable of receiving the first; and they both equally
diminish the force of every quality.</p>
<p>These relations betwixt the two kinds of distance will afford us an easy
reason, why the one has so often been taken for the other, and why we
imagine we have an idea of extension without the idea of any object either
of the sight or feeling. For we may establish it as a general maxim in
this science of human nature, that wherever there is a close relation
betwixt two ideas, the mind is very apt to mistake them, and in all its
discourses and reasonings to use the one for the other. This phaenomenon
occurs on so many occasions, and is of such consequence, that I cannot
forbear stopping a moment to examine its causes. I shall only premise,
that we must distinguish exactly betwixt the phaenomenon itself, and the
causes, which I shall assign for it; and must not imagine from any
uncertainty in the latter, that the former is also uncertain. The
phaenomenon may be real, though my explication be chimerical. The falshood
of the one is no consequence of that of the other; though at the same time
we may observe, that it is very natural for us to draw such a consequence;
which is an evident instance of that very principle, which I endeavour to
explain.</p>
<p>When I received the relations of resemblance, contiguity and causation, as
principles of union among ideas, without examining into their causes, it
was more in prosecution of my first maxim, that we must in the end rest
contented with experience, than for want of something specious and
plausible, which I might have displayed on that subject. It would have
been easy to have made an imaginary dissection of the brain, and have
shewn, why upon our conception of any idea, the animal spirits run into
all the contiguous traces, and rouze up the other ideas, that are related
to it. But though I have neglected any advantage, which I might have drawn
from this topic in explaining the relations of ideas, I am afraid I must
here have recourse to it, in order to account for the mistakes that arise
from these relations. I shall therefore observe, that as the mind is
endowed with a power of exciting any idea it pleases; whenever it
dispatches the spirits into that region of the brain, in which the idea is
placed; these spirits always excite the idea, when they run precisely into
the proper traces, and rummage that cell, which belongs to the idea. But
as their motion is seldom direct, and naturally turns a little to the one
side or the other; for this reason the animal spirits, falling into the
contiguous traces, present other related ideas in lieu of that, which the
mind desired at first to survey. This change we are not always sensible
of; but continuing still the same train of thought, make use of the
related idea, which is presented to us, and employ it in our reasoning, as
if it were the same with what we demanded. This is the cause of many
mistakes and sophisms in philosophy; as will naturally be imagined, and as
it would be easy to show, if there was occasion.</p>
<p>Of the three relations above-mentioned that of resemblance is the most
fertile source of error; and indeed there are few mistakes in reasoning,
which do not borrow largely from that origin. Resembling ideas are not
only related together, but the actions of the mind, which we employ in
considering them, are so little different, that we are not able to
distinguish them. This last circumstance is of great consequence, and we
may in general observe, that wherever the actions of the mind in forming
any two ideas are the same or resembling, we are very apt to confound
these ideas, and take the one for the other. Of this we shall see many
instances in the progress of this treatise. But though resemblance be the
relation, which most readily produces a mistake in ideas, yet the others
of causation and contiguity may also concur in the same influence. We
might produce the figures of poets and orators, as sufficient proofs of
this, were it as usual, as it is reasonable, in metaphysical subjects to
draw our arguments from that quarter. But lest metaphysicians should
esteem this below their dignity, I shall borrow a proof from an
observation, which may be made on most of their own discourses, viz. that
it is usual for men to use words for ideas, and to talk instead of
thinking in their reasonings. We use words for ideas, because they are
commonly so closely connected that the mind easily mistakes them. And this
likewise is the reason, why we substitute the idea of a distance, which is
not considered either as visible or tangible, in the room of extension,
which is nothing but a composition of visible or tangible points disposed
in a certain order. In causing this mistake there concur both the
relations of causation and resemblance. As the first species of distance
is found to be convertible into the second, it is in this respect a kind
of cause; and the similarity of their manner of affecting the senses, and
diminishing every quality, forms the relation of resemblance.</p>
<p>After this chain of reasoning and explication of my principles, I am now
prepared to answer all the objections that have been offered, whether
derived from metaphysics or mechanics. The frequent disputes concerning a
vacuum, or extension without matter prove not the reality of the idea,
upon which the dispute turns; there being nothing more common, than to see
men deceive themselves in this particular; especially when by means of any
close relation, there is another idea presented, which may be the occasion
of their mistake.</p>
<p>We may make almost the same answer to the second objection, derived from
the conjunction of the ideas of rest and annihilation. When every thing is
annihilated in the chamber, and the walls continue immoveable, the chamber
must be conceived much in the same manner as at present, when the air that
fills it, is not an object of the senses. This annihilation leaves to the
eye, that fictitious distance, which is discovered by the different parts
of the organ, that are affected, and by the degrees of light and shade;—and
to the feeling, that which consists in a sensation of motion in the hand,
or other member of the body. In vain should we. search any farther. On
whichever side we turn this subject, we shall find that these are the only
impressions such an object can produce after the supposed annihilation;
and it has already been remarked, that impressions can give rise to no
ideas, but to such as resemble them.</p>
<p>Since a body interposed betwixt two others may be supposed to be
annihilated, without producing any change upon such as lie on each hand of
it, it is easily conceived, how it may be created anew, and yet produce as
little alteration. Now the motion of a body has much the same effect as
its creation. The distant bodies are no more affected in the one case,
than in the other. This suffices to satisfy the imagination, and proves
there is no repugnance in such a motion. Afterwards experience comes in
play to persuade us that two bodies, situated in the manner
above-described, have really such a capacity of receiving body betwixt
them, and that there is no obstacle to the conversion of the invisible and
intangible distance into one that is visible and tangible. However natural
that conversion may seem, we cannot be sure it is practicable, before we
have had experience of it.</p>
<p>Thus I seem to have answered the three objections above-mentioned; though
at the same time I am sensible, that few will be satisfyed with these
answers, but will immediately propose new objections and difficulties. It
will probably be said, that my reasoning makes nothing to the matter in
hands and that I explain only the manner in which objects affect the
senses, without endeavouring to account for their real nature and
operations. Though there be nothing visible or tangible interposed betwixt
two bodies, yet we find BY EXPERIENCE, that the bodies may be placed in
the same manner, with regard to the eye, and require the same motion of
the hand in passing from one to the other, as if divided by something
visible and tangible. This invisible and intangible distance is also found
by experience to contain a capacity of receiving body, or of becoming
visible and tangible. Here is the whole of my system; and in no part of it
have I endeavoured to explain the cause, which separates bodies after this
manner, and gives them a capacity of receiving others betwixt them,
without any impulse or penetration.</p>
<p>I answer this objection, by pleading guilty, and by confessing that my
intention never was to penetrate into the nature of bodies, or explain the
secret causes of their operations. For besides that this belongs not to my
present purpose, I am afraid, that such an enterprise is beyond the reach
of human understanding, and that we can never pretend to know body
otherwise than by those external properties, which discover themselves to
the senses. As to those who attempt any thing farther, I cannot approve of
their ambition, till I see, in some one instance at least, that they have
met with success. But at present I content myself with knowing perfectly
the manner in which objects affect my senses, and their connections with
each other, as far as experience informs me of them. This suffices for the
conduct of life; and this also suffices for my philosophy, which pretends
only to explain the nature and causes of our perceptions, or impressions
and ideas [FN 4.].</p>
<p>[FN 4. As long as we confine our speculations to the<br/>
appearances of objects to our senses, without entering into<br/>
disquisitions concerning their real nature and operations,<br/>
we are safe from all difficulties, and can never be<br/>
embarrassed by any question. Thus, if it be asked, if the<br/>
invisible and intangible distance, interposed betwixt two<br/>
objects, be something or nothing: It is easy to answer, that<br/>
it is SOMETHING, VIZ. a property of the objects, which<br/>
affect the SENSES after such a particular manner. If it be<br/>
asked whether two objects, having such a distance betwixt<br/>
them, touch or not: it may be answered, that this depends<br/>
upon the definition of the word, TOUCH. If objects be said<br/>
to touch, when there is nothing SENSIBLE interposed betwixt<br/>
them, these objects touch: it objects be said to touch, when<br/>
their IMAGES strike contiguous parts of the eye, and when<br/>
the hand FEELS both objects successively, without any<br/>
interposed motion, these objects do not touch. The<br/>
appearances of objects to our senses are all consistent; and<br/>
no difficulties can ever arise, but from the obscurity of<br/>
the terms we make use of.<br/>
<br/>
If we carry our enquiry beyond the appearances of objects to<br/>
the senses, I am afraid, that most of our conclusions will<br/>
be full of scepticism and uncertainty. Thus if it be asked,<br/>
whether or not the invisible and intangible distance be<br/>
always full of body, or of something that by an improvement<br/>
of our organs might become visible or tangible, I must<br/>
acknowledge, that I find no very decisive arguments on<br/>
either side; though I am inclined to the contrary opinion,<br/>
as being more suitable to vulgar and popular notions. If THE<br/>
NEWTONIAN philosophy be rightly understood, it will be found<br/>
to mean no more. A vacuum is asserted: That is, bodies are<br/>
said to be placed after such a manner, is to receive bodies<br/>
betwixt them, without impulsion or penetration. The real<br/>
nature of this position of bodies is unknown. We are only<br/>
acquainted with its effects on the senses, and its power of<br/>
receiving body. Nothing is more suitable to that philosophy,<br/>
than a modest scepticism to a certain degree, and a fair<br/>
confession of ignorance in subjects, that exceed all human<br/>
capacity.]<br/></p>
<p>I shall conclude this subject of extension with a paradox, which will
easily be explained from the foregoing reasoning. This paradox is, that if
you are pleased to give to the in-visible and intangible distance, or in
other words, to the capacity of becoming a visible and tangible distance,
the name of a vacuum, extension and matter are the same, and yet there is
a vacuum. If you will not give it that name, motion is possible in a
plenum, without any impulse in infinitum, without returning in a circle,
and without penetration. But however we may express ourselves, we must
always confess, that we have no idea of any real extension without filling
it with sensible objects, and conceiving its parts as visible or tangible.</p>
<p>As to the doctrine, that time is nothing but the manner, in which some
real objects exist; we may observe, that it is liable to the same
objections as the similar doctrine with regard to extension. If it be a
sufficient proof, that we have the idea of a vacuum, because we dispute
and reason concerning it; we must for the same reason have the idea of
time without any changeable existence; since there is no subject of
dispute more frequent and common. But that we really have no such idea, is
certain. For whence should it be derived? Does it arise from an impression
of sensation or of reflection? Point it out distinctly to us, that we may
know its nature and qualities. But if you cannot point out any such
impression, you may be certain you are mistaken, when you imagine you have
any such idea.</p>
<p>But though it be impossible to shew the impression, from which the idea of
time without a changeable existence is derived; yet we can easily point
out those appearances, which make us fancy we have that idea. For we may
observe, that there is a continual succession of perceptions in our mind;
so that the idea of time being for ever present with us; when we consider
a stedfast object at five-a-clock, and regard the same at six; we are apt
to apply to it that idea in the same manner as if every moment were
distinguished by a different position, or an alteration of the object. The
first and second appearances of the object, being compared with the
succession of our perceptions, seem equally removed as if the object had
really changed. To which we may add, what experience shews us, that the
object was susceptible of such a number of changes betwixt these
appearances; as also that the unchangeable or rather fictitious duration
has the same effect upon every quality, by encreasing or diminishing it,
as that succession, which is obvious to the senses. From these three
relations we are apt to confound our ideas, and imagine we can form the
idea of a time and duration, without any change or succession.</p>
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