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<h2> CHAPTER 37. More Warnings than One </h2>
<p>Florence, Edith, and Mrs Skewton were together next day, and the carriage
was waiting at the door to take them out. For Cleopatra had her galley
again now, and Withers, no longer the-wan, stood upright in a
pigeon-breasted jacket and military trousers, behind her wheel-less chair
at dinner-time and butted no more. The hair of Withers was radiant with
pomatum, in these days of down, and he wore kid gloves and smelt of the
water of Cologne.</p>
<p>They were assembled in Cleopatra's room The Serpent of old Nile (not to
mention her disrespectfully) was reposing on her sofa, sipping her morning
chocolate at three o'clock in the afternoon, and Flowers the Maid was
fastening on her youthful cuffs and frills, and performing a kind of
private coronation ceremony on her, with a peach-coloured velvet bonnet;
the artificial roses in which nodded to uncommon advantage, as the palsy
trifled with them, like a breeze.</p>
<p>'I think I am a little nervous this morning, Flowers,' said Mrs Skewton.
'My hand quite shakes.'</p>
<p>'You were the life of the party last night, Ma'am, you know,' returned
Flowers, 'and you suffer for it, to-day, you see.'</p>
<p>Edith, who had beckoned Florence to the window, and was looking out, with
her back turned on the toilet of her esteemed mother, suddenly withdrew
from it, as if it had lightened.</p>
<p>'My darling child,' cried Cleopatra, languidly, 'you are not nervous?
Don't tell me, my dear Edith, that you, so enviably self-possessed, are
beginning to be a martyr too, like your unfortunately constituted mother!
Withers, someone at the door.'</p>
<p>'Card, Ma'am,' said Withers, taking it towards Mrs Dombey.</p>
<p>'I am going out,' she said without looking at it.</p>
<p>'My dear love,' drawled Mrs Skewton, 'how very odd to send that message
without seeing the name! Bring it here, Withers. Dear me, my love; Mr
Carker, too! That very sensible person!'</p>
<p>'I am going out,' repeated Edith, in so imperious a tone that Withers,
going to the door, imperiously informed the servant who was waiting, 'Mrs
Dombey is going out. Get along with you,' and shut it on him.'</p>
<p>But the servant came back after a short absence, and whispered to Withers
again, who once more, and not very willingly, presented himself before Mrs
Dombey.</p>
<p>'If you please, Ma'am, Mr Carker sends his respectful compliments, and
begs you would spare him one minute, if you could—for business,
Ma'am, if you please.'</p>
<p>'Really, my love,' said Mrs Skewton in her mildest manner; for her
daughter's face was threatening; 'if you would allow me to offer a word, I
should recommend—'</p>
<p>'Show him this way,' said Edith. As Withers disappeared to execute the
command, she added, frowning on her mother, 'As he comes at your
recommendation, let him come to your room.'</p>
<p>'May I—shall I go away?' asked Florence, hurriedly.</p>
<p>Edith nodded yes, but on her way to the door Florence met the visitor
coming in. With the same disagreeable mixture of familiarity and
forbearance, with which he had first addressed her, he addressed her now
in his softest manner—hoped she was quite well—needed not to
ask, with such looks to anticipate the answer—had scarcely had the
honour to know her, last night, she was so greatly changed—and held
the door open for her to pass out; with a secret sense of power in her
shrinking from him, that all the deference and politeness of his manner
could not quite conceal.</p>
<p>He then bowed himself for a moment over Mrs Skewton's condescending hand,
and lastly bowed to Edith. Coldly returning his salute without looking at
him, and neither seating herself nor inviting him to be seated, she waited
for him to speak.</p>
<p>Entrenched in her pride and power, and with all the obduracy of her spirit
summoned about her, still her old conviction that she and her mother had
been known by this man in their worst colours, from their first
acquaintance; that every degradation she had suffered in her own eyes was
as plain to him as to herself; that he read her life as though it were a
vile book, and fluttered the leaves before her in slight looks and tones
of voice which no one else could detect; weakened and undermined her.
Proudly as she opposed herself to him, with her commanding face exacting
his humility, her disdainful lip repulsing him, her bosom angry at his
intrusion, and the dark lashes of her eyes sullenly veiling their light,
that no ray of it might shine upon him—and submissively as he stood
before her, with an entreating injured manner, but with complete
submission to her will—she knew, in her own soul, that the cases
were reversed, and that the triumph and superiority were his, and that he
knew it full well.</p>
<p>'I have presumed,' said Mr Carker, 'to solicit an interview, and I have
ventured to describe it as being one of business, because—'</p>
<p>'Perhaps you are charged by Mr Dombey with some message of reproof,' said
Edit 'You possess Mr Dombey's confidence in such an unusual degree, Sir,
that you would scarcely surprise me if that were your business.'</p>
<p>'I have no message to the lady who sheds a lustre upon his name,' said Mr
Carker. 'But I entreat that lady, on my own behalf to be just to a very
humble claimant for justice at her hands—a mere dependant of Mr
Dombey's—which is a position of humility; and to reflect upon my
perfect helplessness last night, and the impossibility of my avoiding the
share that was forced upon me in a very painful occasion.'</p>
<p>'My dearest Edith,' hinted Cleopatra in a low voice, as she held her
eye-glass aside, 'really very charming of Mr What's-his-name. And full of
heart!'</p>
<p>'For I do,' said Mr Carker, appealing to Mrs Skewton with a look of
grateful deference,—'I do venture to call it a painful occasion,
though merely because it was so to me, who had the misfortune to be
present. So slight a difference, as between the principals—between
those who love each other with disinterested devotion, and would make any
sacrifice of self in such a cause—is nothing. As Mrs Skewton herself
expressed, with so much truth and feeling last night, it is nothing.'</p>
<p>Edith could not look at him, but she said after a few moments.</p>
<p>'And your business, Sir—'</p>
<p>'Edith, my pet,' said Mrs Skewton, 'all this time Mr Carker is standing!
My dear Mr Carker, take a seat, I beg.'</p>
<p>He offered no reply to the mother, but fixed his eyes on the proud
daughter, as though he would only be bidden by her, and was resolved to be
bidden by her. Edith, in spite of herself sat down, and slightly motioned
with her hand to him to be seated too. No action could be colder,
haughtier, more insolent in its air of supremacy and disrespect, but she
had struggled against even that concession ineffectually, and it was
wrested from her. That was enough! Mr Carker sat down.</p>
<p>'May I be allowed, Madam,' said Carker, turning his white teeth on Mrs
Skewton like a light—'a lady of your excellent sense and quick
feeling will give me credit, for good reason, I am sure—to address
what I have to say, to Mrs Dombey, and to leave her to impart it to you
who are her best and dearest friend—next to Mr Dombey?'</p>
<p>Mrs Skewton would have retired, but Edith stopped her. Edith would have
stopped him too, and indignantly ordered him to speak openly or not at
all, but that he said, in a low Voice—'Miss Florence—the young
lady who has just left the room—'</p>
<p>Edith suffered him to proceed. She looked at him now. As he bent forward,
to be nearer, with the utmost show of delicacy and respect, and with his
teeth persuasively arrayed, in a self-depreciating smile, she felt as if
she could have struck him dead.</p>
<p>'Miss Florence's position,' he began, 'has been an unfortunate one. I have
a difficulty in alluding to it to you, whose attachment to her father is
naturally watchful and jealous of every word that applies to him.' Always
distinct and soft in speech, no language could describe the extent of his
distinctness and softness, when he said these words, or came to any others
of a similar import. 'But, as one who is devoted to Mr Dombey in his
different way, and whose life is passed in admiration of Mr Dombey's
character, may I say, without offence to your tenderness as a wife, that
Miss Florence has unhappily been neglected—by her father. May I say
by her father?'</p>
<p>Edith replied, 'I know it.'</p>
<p>'You know it!' said Mr Carker, with a great appearance of relief. 'It
removes a mountain from my breast. May I hope you know how the neglect
originated; in what an amiable phase of Mr Dombey's pride—character
I mean?'</p>
<p>'You may pass that by, Sir,' she returned, 'and come the sooner to the end
of what you have to say.'</p>
<p>'Indeed, I am sensible, Madam,' replied Carker,—'trust me, I am
deeply sensible, that Mr Dombey can require no justification in anything
to you. But, kindly judge of my breast by your own, and you will forgive
my interest in him, if in its excess, it goes at all astray.</p>
<p>What a stab to her proud heart, to sit there, face to face with him, and
have him tendering her false oath at the altar again and again for her
acceptance, and pressing it upon her like the dregs of a sickening cup she
could not own her loathing of or turn away from'. How shame, remorse, and
passion raged within her, when, upright and majestic in her beauty before
him, she knew that in her spirit she was down at his feet!</p>
<p>'Miss Florence,' said Carker, 'left to the care—if one may call it
care—of servants and mercenary people, in every way her inferiors,
necessarily wanted some guide and compass in her younger days, and,
naturally, for want of them, has been indiscreet, and has in some degree
forgotten her station. There was some folly about one Walter, a common
lad, who is fortunately dead now: and some very undesirable association, I
regret to say, with certain coasting sailors, of anything but good repute,
and a runaway old bankrupt.'</p>
<p>'I have heard the circumstances, Sir,' said Edith, flashing her disdainful
glance upon him, 'and I know that you pervert them. You may not know it. I
hope so.'</p>
<p>'Pardon me,' said Mr Carker, 'I believe that nobody knows them so well as
I. Your generous and ardent nature, Madam—the same nature which is
so nobly imperative in vindication of your beloved and honoured husband,
and which has blessed him as even his merits deserve—I must respect,
defer to, bow before. But, as regards the circumstances, which is indeed
the business I presumed to solicit your attention to, I can have no doubt,
since, in the execution of my trust as Mr Dombey's confidential—I
presume to say—friend, I have fully ascertained them. In my
execution of that trust; in my deep concern, which you can so well
understand, for everything relating to him, intensified, if you will (for
I fear I labour under your displeasure), by the lower motive of desire to
prove my diligence, and make myself the more acceptable; I have long
pursued these circumstances by myself and trustworthy instruments, and
have innumerable and most minute proofs.'</p>
<p>She raised her eyes no higher than his mouth, but she saw the means of
mischief vaunted in every tooth it contained.</p>
<p>'Pardon me, Madam,' he continued, 'if in my perplexity, I presume to take
counsel with you, and to consult your pleasure. I think I have observed
that you are greatly interested in Miss Florence?'</p>
<p>What was there in her he had not observed, and did not know? Humbled and
yet maddened by the thought, in every new presentment of it, however
faint, she pressed her teeth upon her quivering lip to force composure on
it, and distantly inclined her head in reply.</p>
<p>'This interest, Madam—so touching an evidence of everything
associated with Mr Dombey being dear to you—induces me to pause
before I make him acquainted with these circumstances, which, as yet, he
does not know. It so shakes me, if I may make the confession, in my
allegiance, that on the intimation of the least desire to that effect from
you, I would suppress them.'</p>
<p>Edith raised her head quickly, and starting back, bent her dark glance
upon him. He met it with his blandest and most deferential smile, and went
on.</p>
<p>'You say that as I describe them, they are perverted. I fear not—I
fear not: but let us assume that they are. The uneasiness I have for some
time felt on the subject, arises in this: that the mere circumstance of
such association often repeated, on the part of Miss Florence, however
innocently and confidingly, would be conclusive with Mr Dombey, already
predisposed against her, and would lead him to take some step (I know he
has occasionally contemplated it) of separation and alienation of her from
his home. Madam, bear with me, and remember my intercourse with Mr Dombey,
and my knowledge of him, and my reverence for him, almost from childhood,
when I say that if he has a fault, it is a lofty stubbornness, rooted in
that noble pride and sense of power which belong to him, and which we must
all defer to; which is not assailable like the obstinacy of other
characters; and which grows upon itself from day to day, and year to year.</p>
<p>She bent her glance upon him still; but, look as steadfast as she would,
her haughty nostrils dilated, and her breath came somewhat deeper, and her
lip would slightly curl, as he described that in his patron to which they
must all bow down. He saw it; and though his expression did not change,
she knew he saw it.</p>
<p>'Even so slight an incident as last night's,' he said, 'if I might refer
to it once more, would serve to illustrate my meaning, better than a
greater one. Dombey and Son know neither time, nor place, nor season, but
bear them all down. But I rejoice in its occurrence, for it has opened the
way for me to approach Mrs Dombey with this subject to-day, even if it has
entailed upon me the penalty of her temporary displeasure. Madam, in the
midst of my uneasiness and apprehension on this subject, I was summoned by
Mr Dombey to Leamington. There I saw you. There I could not help knowing
what relation you would shortly occupy towards him—to his enduring
happiness and yours. There I resolved to await the time of your
establishment at home here, and to do as I have now done. I have, at
heart, no fear that I shall be wanting in my duty to Mr Dombey, if I bury
what I know in your breast; for where there is but one heart and mind
between two persons—as in such a marriage—one almost
represents the other. I can acquit my conscience therefore, almost
equally, by confidence, on such a theme, in you or him. For the reasons I
have mentioned I would select you. May I aspire to the distinction of
believing that my confidence is accepted, and that I am relieved from my
responsibility?'</p>
<p>He long remembered the look she gave him—who could see it, and
forget it?—and the struggle that ensued within her. At last she
said:</p>
<p>'I accept it, Sir You will please to consider this matter at an end, and
that it goes no farther.'</p>
<p>He bowed low, and rose. She rose too, and he took leave with all humility.
But Withers, meeting him on the stairs, stood amazed at the beauty of his
teeth, and at his brilliant smile; and as he rode away upon his
white-legged horse, the people took him for a dentist, such was the
dazzling show he made. The people took her, when she rode out in her
carriage presently, for a great lady, as happy as she was rich and fine.
But they had not seen her, just before, in her own room with no one by;
and they had not heard her utterance of the three words, 'Oh Florence,
Florence!'</p>
<p>Mrs Skewton, reposing on her sofa, and sipping her chocolate, had heard
nothing but the low word business, for which she had a mortal aversion,
insomuch that she had long banished it from her vocabulary, and had gone
nigh, in a charming manner and with an immense amount of heart, to say
nothing of soul, to ruin divers milliners and others in consequence.
Therefore Mrs Skewton asked no questions, and showed no curiosity. Indeed,
the peach-velvet bonnet gave her sufficient occupation out of doors; for
being perched on the back of her head, and the day being rather windy, it
was frantic to escape from Mrs Skewton's company, and would be coaxed into
no sort of compromise. When the carriage was closed, and the wind shut
out, the palsy played among the artificial roses again like an
almshouse-full of superannuated zephyrs; and altogether Mrs Skewton had
enough to do, and got on but indifferently.</p>
<p>She got on no better towards night; for when Mrs Dombey, in her
dressing-room, had been dressed and waiting for her half an hour, and Mr
Dombey, in the drawing-room, had paraded himself into a state of solemn
fretfulness (they were all three going out to dinner), Flowers the Maid
appeared with a pale face to Mrs Dombey, saying:</p>
<p>'If you please, Ma'am, I beg your pardon, but I can't do nothing with
Missis!'</p>
<p>'What do you mean?' asked Edith.</p>
<p>'Well, Ma'am,' replied the frightened maid, 'I hardly know. She's making
faces!'</p>
<p>Edith hurried with her to her mother's room. Cleopatra was arrayed in full
dress, with the diamonds, short sleeves, rouge, curls, teeth, and other
juvenility all complete; but Paralysis was not to be deceived, had known
her for the object of its errand, and had struck her at her glass, where
she lay like a horrible doll that had tumbled down.</p>
<p>They took her to pieces in very shame, and put the little of her that was
real on a bed. Doctors were sent for, and soon came. Powerful remedies
were resorted to; opinions given that she would rally from this shock, but
would not survive another; and there she lay speechless, and staring at
the ceiling, for days; sometimes making inarticulate sounds in answer to
such questions as did she know who were present, and the like: sometimes
giving no reply either by sign or gesture, or in her unwinking eyes.</p>
<p>At length she began to recover consciousness, and in some degree the power
of motion, though not yet of speech. One day the use of her right hand
returned; and showing it to her maid who was in attendance on her, and
appearing very uneasy in her mind, she made signs for a pencil and some
paper. This the maid immediately provided, thinking she was going to make
a will, or write some last request; and Mrs Dombey being from home, the
maid awaited the result with solemn feelings.</p>
<p>After much painful scrawling and erasing, and putting in of wrong
characters, which seemed to tumble out of the pencil of their own accord,
the old woman produced this document:</p>
<p>'Rose-coloured curtains.'</p>
<p>The maid being perfectly transfixed, and with tolerable reason, Cleopatra
amended the manuscript by adding two words more, when it stood thus:</p>
<p>'Rose-coloured curtains for doctors.'</p>
<p>The maid now perceived remotely that she wished these articles to be
provided for the better presentation of her complexion to the faculty; and
as those in the house who knew her best, had no doubt of the correctness
of this opinion, which she was soon able to establish for herself the
rose- coloured curtains were added to her bed, and she mended with
increased rapidity from that hour. She was soon able to sit up, in curls
and a laced cap and nightgown, and to have a little artificial bloom
dropped into the hollow caverns of her cheeks.</p>
<p>It was a tremendous sight to see this old woman in her finery leering and
mincing at Death, and playing off her youthful tricks upon him as if he
had been the Major; but an alteration in her mind that ensued on the
paralytic stroke was fraught with as much matter for reflection, and was
quite as ghastly.</p>
<p>Whether the weakening of her intellect made her more cunning and false
than before, or whether it confused her between what she had assumed to be
and what she really had been, or whether it had awakened any glimmering of
remorse, which could neither struggle into light nor get back into total
darkness, or whether, in the jumble of her faculties, a combination of
these effects had been shaken up, which is perhaps the more likely
supposition, the result was this:—That she became hugely exacting in
respect of Edith's affection and gratitude and attention to her; highly
laudatory of herself as a most inestimable parent; and very jealous of
having any rival in Edith's regard. Further, in place of remembering that
compact made between them for an avoidance of the subject, she constantly
alluded to her daughter's marriage as a proof of her being an incomparable
mother; and all this, with the weakness and peevishness of such a state,
always serving for a sarcastic commentary on her levity and youthfulness.</p>
<p>'Where is Mrs Dombey? she would say to her maid.</p>
<p>'Gone out, Ma'am.'</p>
<p>'Gone out! Does she go out to shun her Mama, Flowers?'</p>
<p>'La bless you, no, Ma'am. Mrs Dombey has only gone out for a ride with
Miss Florence.'</p>
<p>'Miss Florence. Who's Miss Florence? Don't tell me about Miss Florence.
What's Miss Florence to her, compared to me?'</p>
<p>The apposite display of the diamonds, or the peach-velvet bonnet (she sat
in the bonnet to receive visitors, weeks before she could stir out of
doors), or the dressing of her up in some gaud or other, usually stopped
the tears that began to flow hereabouts; and she would remain in a
complacent state until Edith came to see her; when, at a glance of the
proud face, she would relapse again.</p>
<p>'Well, I am sure, Edith!' she would cry, shaking her head.</p>
<p>'What is the matter, mother?'</p>
<p>'Matter! I really don't know what is the matter. The world is coming to
such an artificial and ungrateful state, that I begin to think there's no
Heart—or anything of that sort—left in it, positively. Withers
is more a child to me than you are. He attends to me much more than my own
daughter. I almost wish I didn't look so young—and all that kind of
thing—and then perhaps I should be more considered.'</p>
<p>'What would you have, mother?'</p>
<p>'Oh, a great deal, Edith,' impatiently.</p>
<p>'Is there anything you want that you have not? It is your own fault if
there be.'</p>
<p>'My own fault!' beginning to whimper. 'The parent I have been to you,
Edith: making you a companion from your cradle! And when you neglect me,
and have no more natural affection for me than if I was a stranger—not
a twentieth part of the affection that you have for Florence—but I
am only your mother, and should corrupt her in a day!—you reproach
me with its being my own fault.'</p>
<p>'Mother, mother, I reproach you with nothing. Why will you always dwell on
this?'</p>
<p>'Isn't it natural that I should dwell on this, when I am all affection and
sensitiveness, and am wounded in the cruellest way, whenever you look at
me?'</p>
<p>'I do not mean to wound you, mother. Have you no remembrance of what has
been said between us? Let the Past rest.'</p>
<p>'Yes, rest! And let gratitude to me rest; and let affection for me rest;
and let me rest in my out-of-the-way room, with no society and no
attention, while you find new relations to make much of, who have no
earthly claim upon you! Good gracious, Edith, do you know what an elegant
establishment you are at the head of?'</p>
<p>'Yes. Hush!'</p>
<p>'And that gentlemanly creature, Dombey? Do you know that you are married
to him, Edith, and that you have a settlement and a position, and a
carriage, and I don't know what?'</p>
<p>'Indeed, I know it, mother; well.'</p>
<p>'As you would have had with that delightful good soul—what did they
call him?—Granger—if he hadn't died. And who have you to thank
for all this, Edith?'</p>
<p>'You, mother; you.'</p>
<p>'Then put your arms round my neck, and kiss me; and show me, Edith, that
you know there never was a better Mama than I have been to you. And don't
let me become a perfect fright with teasing and wearing myself at your
ingratitude, or when I'm out again in society no soul will know me, not
even that hateful animal, the Major.'</p>
<p>But, sometimes, when Edith went nearer to her, and bending down her
stately head, Put her cold cheek to hers, the mother would draw back as If
she were afraid of her, and would fall into a fit of trembling, and cry
out that there was a wandering in her wits. And sometimes she would
entreat her, with humility, to sit down on the chair beside her bed, and
would look at her (as she sat there brooding) with a face that even the
rose-coloured curtains could not make otherwise than scared and wild.</p>
<p>The rose-coloured curtains blushed, in course of time, on Cleopatra's
bodily recovery, and on her dress—more juvenile than ever, to repair
the ravages of illness—and on the rouge, and on the teeth, and on
the curls, and on the diamonds, and the short sleeves, and the whole
wardrobe of the doll that had tumbled down before the mirror. They
blushed, too, now and then, upon an indistinctness in her speech which she
turned off with a girlish giggle, and on an occasional failing In her
memory, that had no rule in it, but came and went fantastically, as if in
mockery of her fantastic self.</p>
<p>But they never blushed upon a change in the new manner of her thought and
speech towards her daughter. And though that daughter often came within
their influence, they never blushed upon her loveliness irradiated by a
smile, or softened by the light of filial love, in its stem beauty.</p>
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