<SPAN name="chap61"></SPAN>
<h3>CHAPTER LXI</h3>
<h2><i>OUR BED-CHAMBER</i></h2>
<p> </p>
<p>I had passed a miserable night, and, indeed, for many nights had
not had my due proportion of sleep. Still I sometimes fancy that
I may have swallowed something in my tea that helped to make
me so irresistibly drowsy. It was a very dark night—no moon,
and the stars soon hid by the gathering clouds. Madame sat
silent, and ruminating in her place, with her rugs about her. I,
in my corner similarly enveloped, tried to keep awake. Madame
plainly thought I was asleep already, for she stole a leather flask
from her pocket, and applied it to her lips, causing an aroma of
brandy.</p>
<p>But it was vain struggling against the influence that was
stealing over me, and I was soon in a profound and dreamless
slumber.</p>
<p>Madame awoke me at last, in a huge fuss. She had got out all
our things and hurried them away to a close carriage which was
awaiting us. It was still dark and starless. We got along the
platform, I half asleep, the porter carrying our rugs, by the glare
of a pair of gas-jets in the wall, and out by a small door at
the end.</p>
<p>I remember that Madame, contrary to her wont, gave the man
<span class="pagenum"><SPAN name="page414" id="page414"></SPAN></span>
some money. By the puzzling light of the carriage-lamps we got
in and took our seats.</p>
<p>'Go on,' screamed Madame, and drew up the window with a
great chuck; and we were enclosed in darkness and silence, the
most favourable conditions for thought.</p>
<p>My sleep had not restored me as it might; I felt feverish,
fatigued, and still very drowsy, though unable to sleep as I had
done.</p>
<p>I dozed by fits and starts, and lay awake, or half-awake,
sometimes, not thinking but in a way imagining what kind of a place
Dover would be; but too tired and listless to ask Madame any
questions, and merely seeing the hedges, grey in the lamplight,
glide backward into darkness, as I leaned back.</p>
<p>We turned off the main road, at right angles, and drew up.</p>
<p>'Get down and poosh it, it is open,' screamed Madame from
the window.</p>
<p>A gate, I suppose, was thus passed; for when we resumed our
brisk trot, Madame bawled across the carriage—</p>
<p>'We are now in the 'otel grounds.'</p>
<p>And so all again was darkness and silence, and I fell into
another doze, from which, on waking, I found that we had come to
a standstill, and Madame was standing on the low step of an
open door, paying the driver. She, herself, pulled her box and
the bag in. I was too tired to care what had become of the rest
of our luggage.</p>
<p>I descended, glancing to the right and left, but there was
nothing visible but a patch of light from the lamps on a paved
ground and on the wall.</p>
<p>We stepped into the hall or vestibule, and Madame shut the
door, and I thought I heard the key turn in it. We were in total
darkness.</p>
<p>'Where are the lights, Madame—where are the people?' I
asked, more awake than I had been.</p>
<p>''Tis pass three o'clock, cheaile, bote there is always light
here.' She was groping at the side; and in a moment more
lighted a lucifer match, and so a bedroom candle.</p>
<p>We were in a flagged lobby, under an archway at the right,
and at the left of which opened long flagged passages, lost in
darkness; a winding stair, barely wide enough to admit Madame,
<span class="pagenum"><SPAN name="page415" id="page415"></SPAN></span>
dragging her box, led upward under a doorway, in a corner at the
right.</p>
<p>'Come, dear cheaile, take your bag; don't mind the rugs,
they are safe enough.'</p>
<p>'But where are we to go? There is no one!' I said, looking
round in wonder. It certainly was a strange reception at an
hotel.</p>
<p>'Never mind, my dear cheaile. They know me here, and I
have always the same room ready when I write for it. Follow
me quaitely.'</p>
<p>So she mounted, carrying the candle. The stair was steep, and
the march long. We halted at the second landing, and entered a
gaunt, grimy passage. All the way up we had not heard a single
sound of life, nor seen a human being, nor so much as passed a
gaslight.</p>
<p>'Viola! here 'tis, my dear old room. Enter, dearest Maud.'</p>
<p>And so I did. The room was large and lofty, but shabby and
dismal. There was a tall four-post bed, with its foot beside the
window, hung with dark-green curtains, of some plush or velvet
texture, that looked like a dusty pall. The remaining furniture
was scant and old, and a ravelled square of threadbare carpet
covered a patch of floor at the bedside. The room was grim
and large, and had a cold, vault-like atmosphere, as if long
uninhabited; but there were cinders in the grate and under it. The
imperfect light of our mutton-fat candle made all this look still
more comfortless.</p>
<p>Madame placed the candle on the chimneypiece, locked the
door, and put the key in her pocket.</p>
<p>'I always do so in '<i>otel</i>' said she, with a wink at me.</p>
<p>And, then with a long 'ha!' expressive of fatigue and relief,
she threw herself into a chair.</p>
<p>'So 'ere we are at last!' said she; 'I'm glad. <i>There's</i> your
bed, Maud. <i>Mine</i> is in the dressing-room.'</p>
<p>She took the candle, and I went in with her. A shabby press
bed, a chair, and table were all its furniture; it was rather a
closet than a dressing-room, and had no door except that
through which we had entered. So we returned, and very tired,
wondering, I sat down on the side of my bed and yawned.</p>
<p>'I hope they will call us in time for the packet,' I said.</p>
<span class="pagenum"><SPAN name="page416" id="page416"></SPAN></span>
<p>'Oh yes, they never fail,' she answered, looking steadfastly on
her box, which she was diligently uncording.</p>
<p>Uninviting as was my bed, I was longing to lie down in it;
and having made those ablutions which our journey rendered
necessary, I at length lay down, having first religiously stuck my
talismanic pin, with the head of sealing-wax, into the bolster.</p>
<p>Nothing escaped the restless eye of Madame.</p>
<p>'Wat is that, dear cheaile?' she enquired, drawing near and
scrutinising the head of the gipsy charm, which showed like a
little ladybird newly lighted on the sheet.</p>
<p>'Nothing—a charm—folly. Pray, Madame, allow me to go to
sleep.'</p>
<p>So, with another look and a little twiddle between her finger
and thumb, she seemed satisfied; but, unhappily for me, she did
not seem at all sleepy. She busied herself in unpacking and
displaying over the back of the chair a whole series of London
purchases—silk dresses, a shawl, a sort of lace demi-coiffure then
in vogue, and a variety of other articles.</p>
<p>The vainest and most slammakin of women—the merest slut
at home, a milliner's lay figure out of doors—she had one square
foot of looking-glass upon the chimneypiece, and therein tried
effects, and conjured up grotesque simpers upon her sinister and
weary face.</p>
<p>I knew that the sure way to prolong this worry was to express
my uneasiness under it, so I bore it as quietly as I could;
and at last fell fast asleep with the gaunt image of Madame, with
a festoon of grey silk with a cerise stripe, pinched up in her
finger and thumb, and smiling over her shoulder across it into
the little shaving-glass that stood on the chimney.</p>
<p>I awoke suddenly in the morning, and sat up in my bed, having
for a moment forgotten all about our travelling. A moment
more, however, brought all back again.</p>
<p>'Are we in time, Madame?'</p>
<p>'For the packet?' she enquired, with one of her charming
smiles, and cutting a caper on the floor. 'To be sure; you don't
suppose they would forget. We have two hours yet to wait.'</p>
<p>'Can we see the sea from the window?'</p>
<p>'No, dearest cheaile; you will see't time enough.</p>
<p>'I'd like to get up,' I said.</p>
<span class="pagenum"><SPAN name="page417" id="page417"></SPAN></span>
<p>'Time enough, my dear Maud; you are fatigued; are you sure
you feel quite well?'</p>
<p>'Well enough to get up; I should be better, I think, out of
bed.'</p>
<p>'There is no hurry, you know; you need not even go by the
next packet. Your uncle, he tell me, I may use my discretion.'</p>
<p>'Is there any water?'</p>
<p>'They will bring some.'</p>
<p>'Please, Madame, ring the bell.'</p>
<p>She pulled it with alacrity. I afterwards learnt that it did not
ring.</p>
<p>'What has become of my gipsy pin?' I demanded, with an
unaccountable sinking of the heart.</p>
<p>'Oh! the little pin with the red top? maybe it 'as fall on the
ground; we weel find when you get up.'</p>
<p>I suspected that she had taken it merely to spite me. It would
have been quite the thing she would have liked. I cannot describe
to you how the loss of this little 'charm' depressed and excited
me. I searched the bed; I turned over all the bed-clothes;
I searched in and outside; at last I gave up.</p>
<p>'How odious!' I cried; 'somebody has stolen it merely to
vex me.'</p>
<p>And, like a fool as I was, I threw myself on my face on the bed
and wept, partly in anger, partly in dismay.</p>
<p>After a time, however, this blew over. I had a hope of recovering
it. If Madame had stolen it, it would turn up yet. But
in the meantime its disappearance troubled me like an omen.</p>
<p>'I am afraid, my dear cheaile, you are not very well. It is
really very odd you should make such fuss about a pin! Nobody
would believe! Do you not theenk it would be a good plan to
take a your breakfast in your bed?</p>
<p>She continued to urge this point for some time. At last, however,
having by this time quite recovered my self-command, and
resolved to preserve ostensibly fair terms with Madame, who
could contribute so essentially to make me wretched during
the rest of my journey, and possibly to prejudice me very
seriously on my arrival, I said quietly—</p>
<p>'Well, Madame, I know it is very silly; but I had kept that
foolish little pin so long and so carefully, that I had grown
quite fond of it; but I suppose it is lost, and I must content myself,
<span class="pagenum"><SPAN name="page418" id="page418"></SPAN></span>
though I cannot laugh as you do. So I will get up now, and
dress.'</p>
<p>'I think you will do well to get all the repose you can,' answered
Madame; 'but as you please,' she added, observing that
I was getting up.</p>
<p>So soon as I had got some of my things on, I said—</p>
<p>'Is there a pretty view from the window?'</p>
<p>'No,' said Madame.</p>
<p>I looked out and saw a dreary quadrangle of cut stone, in
one side of which my window was placed. As I looked a dream
rose up before me.</p>
<p>'This hotel,' I said, in a puzzled way. '<i>Is</i> it a hotel? Why this
is just like—it <i>is</i> the inner court of Bartram-Haugh!'</p>
<p>Madame clapped her large hands together, made a fantastic
<i>chass�</i> on the floor, burst into a great nasal laugh like the scream
of a parrot, and then said—</p>
<p>'Well, dearest Maud, is not clever trick?'</p>
<p>I was so utterly confounded that I could only stare about me in
stupid silence, a spectacle which renewed Madame's peals of
laughter.</p>
<p>'We are at Bartram-Haugh!' I repeated, in utter consternation.
'How was this done?'</p>
<p>I had no reply but shrieks of laughter, and one of those Walpurgis
dances in which she excelled.</p>
<p>'It is a mistake—is it? <i>What</i> is it?'</p>
<p>'All a mistake, of course. Bartram-Haugh, it is so like Dover,
as all philosophers know.'</p>
<p>I sat down in total silence, looking out into the deep and dark
enclosure, and trying to comprehend the reality and the meaning of all
this.</p>
<p>'Well, Madame, I suppose you will be able to satisfy my uncle
of your fidelity and intelligence. But to me it seems that his
money has been ill-spent, and his directions anything but well
observed.'</p>
<p>'Ah, ha! Never mind; I think he will forgive me,' laughed
Madame.</p>
<p>Her tone frightened me. I began to think, with a vague but
overpowering sense of danger, that she had acted under the
Machiavellian directions of her superior.</p>
<p>'You have brought me back, then, by my uncle's orders?'</p>
<span class="pagenum"><SPAN name="page419" id="page419"></SPAN></span>
<p>'Did I say so?'</p>
<p>'No; but what you have said can have no other meaning,
though I can't believe it. And why have I been brought here?
What is the object of all this duplicity and trick. I <i>will</i> know.
It is not possible that my uncle, a gentleman and a kinsman, can
be privy to so disreputable a manouvre.'</p>
<p>'First you will eat your breakfast, dear Maud; next you can
tell your story to your uncle, Monsieur Ruthyn; and then you
shall hear what he thinks of my so terrible misconduct. What
nonsense, cheaile! Can you not think how many things may
'appen to change a your uncle's plans? Is he not in danger to be
arrest? Bah! You are cheaile still; you cannot have intelligence
more than a cheaile. Dress yourself, and I will order breakfast.'</p>
<p>I could not comprehend the strategy which had been practised
on me. Why had I been so shamelessly deceived? If it were
decided that I should remain here, for what imaginable reason
had I been sent so far on my journey to France? Why had I
been conveyed back with such mystery? Why was I removed to
this uncomfortable and desolate room, on the same floor with the
apartment in which Charke had met his death, and with no
window commanding the front of the house, and no view but
the deep and weed-choked court, that looked like a deserted
churchyard in a city?</p>
<p>'I suppose I may go to my own room?' I said.</p>
<p>'Not to-day, my dear cheaile, for it was all disarrange when
we go 'way; 'twill be ready again in two three days.'</p>
<p>'Where is Mary Quince?' I asked.</p>
<p>'Mary Quince!—she has follow us to France,' said Madame,
making what in Ireland they call a bull.</p>
<p>'They are not sure where they will go or what will do for day
or two more. I will go and get breakfast. Adieu for a moment.'</p>
<p>Madame was out of the door as she said this, and I thought I
heard the key turn in the lock.</p>
<span class="pagenum"><SPAN name="page420" id="page420"></SPAN></span>
<div style="break-after:column;"></div><br />