<SPAN name="chap21"></SPAN>
<h3>CHAPTER XXI</h3>
<h2><i>ARRIVALS</i></h2>
<p> </p>
<p>My father was dead—as suddenly as if he had been murdered.
One of those fearful aneurisms that lie close to the heart, showing
no outward sign of giving way in a moment, had been detected
a good time since by Dr. Bryerly. My father knew what
must happen, and that it could not be long deferred. He feared
to tell me that he was soon to die. He hinted it only in the allegory
of his journey, and left in that sad enigma some words of
true consolation that remained with me ever after. Under his
rugged ways was hidden a wonderful tenderness. I could not
believe that he was actually dead. Most people for a minute or
two, in the wild tumult of such a shock, have experienced the
<span class="pagenum"><SPAN name="page120" id="page120"></SPAN></span>
same skepticism. I insisted that the doctor should be instantly
sent for from the village.</p>
<p>'Well, Miss Maud, dear, I <i>will</i> send to please you, but it is
all to no use. If only you saw him yourself you'd know that.
Mary Quince, run you down and tell Thomas, Miss Maud desires
he'll go down this minute to the village for Dr. Elweys.'</p>
<p>Every minute of the interval seemed to me like an hour. I
don't know what I said, but I fancied that if he were not already
dead, he would lose his life by the delay. I suppose I was
speaking very wildly, for Mrs. Rusk said—</p>
<p>'My dear child, you ought to come in and see him; indeed
but you should, Miss Maud. He's quite dead an hour ago. You'd
wonder all the blood that's come from him—you would indeed;
it's soaked through the bed already.'</p>
<p>'Oh, don't, don't, <i>don't</i>, Mrs. Rusk.'</p>
<p>'Will you come in and see him, just?</p>
<p>'Oh, no, no, no, no!'</p>
<p>'Well, then, my dear, don't of course, if you don't like;
there's no need. Would not you like to lie down, Miss Maud?
Mary Quince, attend to her. I must go into the room for a
minute or two.'</p>
<p>I was walking up and down the room in distraction. It was a
cool night; but I did not feel it. I could only cry:—'Oh, Mary,
Mary! what shall I do? Oh, Mary Quince! what shall I do?'</p>
<p>It seemed to me it must be near daylight by the time the
Doctor arrived. I had dressed myself. I dared not go into the
room where my beloved father lay.</p>
<p>I had gone out of my room to the gallery, where I awaited
Dr. Elweys, when I saw him walking briskly after the servant,
his coat buttoned up to his chin, his hat in his hand, and his
bald head shining. I felt myself grow cold as ice, and colder and
colder, and with a sudden sten my heart seemed to stand still.</p>
<p>I heard him ask the maid who stood at the door, in that
low, decisive, mysterious tone which doctors cultivate—</p>
<p>'In <i>here</i>?'</p>
<p>And then, with a nod, I saw him enter.</p>
<p>'Would not you like to see the Doctor, Miss Maud?' asked
Mary Quince.</p>
<p>The question roused me a little.</p>
<p>'Thank you, Mary; yes, I must see him.'</p>
<span class="pagenum"><SPAN name="page121" id="page121"></SPAN></span>
<p>And so, in a few minutes, I did. He was very respectful, very
sad, semi-undertakerlike, in air and countenance, but quite
explicit. I heard that my dear father 'had died palpably from
the rupture of some great vessel near the heart.' The disease
had, no doubt, been 'long established, and is in its nature incurable.'
It is 'consolatory in these cases that in the act of dissolution,
which is instantaneous, there can be no suffering.' These,
and a few more remarks, were all he had to offer; and having
had his fee from Mrs. Rusk, he, with a respectful melancholy,
vanished.</p>
<p>I returned to my room, and broke into paroxysms of grief,
and after an hour or more grew more tranquil.</p>
<p>From Mrs. Rusk I learned that he had seemed very well—better
than usual, indeed—that night, and that on her return
from the study with the book he required, he was noting down,
after his wont, some passages which illustrated the text on
which he was employing himself. He took the book, detaining
her in the room, and then mounting on a chair to take down
another book from a shelf, he had fallen, with the dreadful
crash I had heard, dead upon the floor. He fell across the door,
which caused the difficulty in opening it. Mrs. Rusk found she
had not strength to force it open. No wonder she had given way
to terror. I think I should have almost lost my reason.</p>
<p>Everyone knows the reserved aspect and the taciturn mood
of the house, one of whose rooms is tenanted by that mysterious
guest.</p>
<p>I do not know how those awful days, and more awful nights,
passed over. The remembrance is repulsive. I hate to think of
them. I was soon draped in the conventional black, with its
heavy folds of crape. Lady Knollys came, and was very kind.
She undertook the direction of all those details which were to
me so inexpressibly dreadful. She wrote letters for me beside,
and was really most kind and useful, and her society supported
me indescribably. She was odd, but her eccentricity was leavened
with strong common sense; and I have often thought since
with admiration and gratitude of the tact with which she managed
my grief.</p>
<p>There is no dealing with great sorrow as if it were under the
control of our wills. It is a terrible phenomenon, whose laws
we must study, and to whose conditions we must submit, if we
<span class="pagenum"><SPAN name="page122" id="page122"></SPAN></span>
would mitigate it. Cousin Monica talked a great deal of my
father. This was easy to her, for her early recollections were full
of him.</p>
<p>One of the terrible dislocations of our habits of mind respecting
the dead is that our earthly future is robbed of them, and we
thrown exclusively upon retrospect. From the long look forward
they are removed, and every plan, imagination, and hope henceforth
a silent and empty perspective. But in the past they are
all they ever were. Now let me advise all who would comfort
people in a new bereavement to talk to them, very freely, all
they can, in this way of the dead. They will engage in it with
interest, they will talk of their own recollections of the dead,
and listen to yours, though they become sometimes pleasant,
sometimes even laughable. I found it so. It robbed the calamity
of something of its supernatural and horrible abruptness; it
prevented that monotony of object which is to the mind what
it is to the eye, and prepared the faculty for those mesmeric
illusions that derange its sense.</p>
<p>Cousin Monica, I am sure, cheered me wonderfully. I grow to
love her more and more, as I think of all her trouble, care, and
kindness.</p>
<p>I had not forgotten my promise to dear papa about the key,
concerning which he had evinced so great an anxiety. It was
found in the pocket where he had desired me to remember he
always kept it, except when it was placed, while he slept, under
his pillow.</p>
<p>'And so, my dear, that wicked woman was actually found
picking the lock of your poor papa's desk. I <i>wonder</i> he did not
punish her—you know that is <i>burglary</i>.'</p>
<p>'Well, Lady Knollys, you know she is gone, and so I care no
more about her—that is, I mean, I need not fear her.'</p>
<p>'No, my dear, but you must call me Monica—do you mind—I'm
your cousin, and you call me Monica, unless you wish to
vex me. No, of course, you need not be afraid of her. And she's
gone. But I'm an old thing, you know, and not so tender-hearted
as you; and I confess I should have been very glad to hear
that the wicked old witch had been sent to prison and hard
labour—I should. And what do you suppose she was looking
for—what did she want to steal? I think I can guess—what do
<i>you</i> think?'</p>
<span class="pagenum"><SPAN name="page123" id="page123"></SPAN></span>
<p>'To read the papers; maybe to take bank-notes—I'm not sure,'
I answered.</p>
<p>'Well, I think most likely she wanted to get at your poor
papa's <i>will</i>—that's <i>my</i> idea.</p>
<p>'There is nothing surprising in the supposition, dear,' she
resumed. 'Did not you read the curious trial at York, the other
day? There is nothing so valuable to steal as a will, when a
great deal of property is to be disposed of by it. Why, you would
have given her ever so much money to get it back again. Suppose
you go down, dear—I'll go with you, and open the cabinet
in the study.'</p>
<p>'I don't think I can, for I promised to give the key to Dr.
Bryerly, and the meaning was that <i>he</i> only should open it.'</p>
<p>Cousin Monica uttered an inarticulate 'H'm!' of surprise
or disapprobation.</p>
<p>'Has he been written to?'</p>
<p>'No, I do not know his address.'</p>
<p>'Not know his address! come, that is curious,' said Knollys,
a little testily.</p>
<p>I could not—no one now living in the house could furnish
even a conjecture. There was even a dispute as to which train he
had gone by—north or south—they crossed the station at an interval
of five minutes. If Dr. Bryerly had been an evil spirit,
evoked by a secret incantation, there could not have been more
complete darkness as to the immediate process of his approach.</p>
<p>'And how long do you mean to wait, my dear? No matter;
at all events you may open the <i>desk</i>; you may find papers to
direct you—you may find Dr. Bryerly's address—you may find,
heaven knows what.'</p>
<p>So down we went—I assenting—and we opened the desk. How
dreadful the desecration seems—all privacy abrogated—the shocking
compensation for the silence of death!</p>
<p>Henceforward all is circumstantial evidence—all conjectural—except
the <i>litera scripta</i>, and to this evidence every note-book,
and every scrap of paper and private letter, must contribute—ransacked,
bare in the light of day—what it can.</p>
<p>At the top of the desk lay two notes sealed, one to Cousin
Monica, the other to me. Mine was a gentle and loving little
farewell—nothing more—which opened afresh the fountains
of my sorrow, and I cried and sobbed over it bitterly and long.</p>
<span class="pagenum"><SPAN name="page124" id="page124"></SPAN></span>
<p>The other was for 'Lady Knollys.' I did not see how she received
it, for I was already absorbed in mine. But in awhile
she came and kissed me in her girlish, goodnatured way. Her
eyes used to fill with tears at sight of my paroxysms of grief.
Then she would begin, 'I remember it was a saying of his,' and
so she would repeat it—something maybe wise, maybe playful, at
all events consolatory—and the circumstances in which she had
heard him say it, and then would follow the recollections suggested
by these; and so I was stolen away half by him, and half
by Cousin Monica, from my despair and lamentation.</p>
<p>Along with these lay a large envelope, inscribed with the
words 'Directions to be complied with immediately on my
death.' One of which was, 'Let the event be <i>forthwith</i> published
in the <i>county</i> and principal <i>London</i> papers.' This step
had been already taken. We found no record of Dr. Bryerly's
address.</p>
<p>We made search everywhere, except in the cabinet, which I
would on no account permit to be opened except, according to
his direction, by Dr. Bryerly's hand. But nowhere was a will,
or any document resembling one, to be found. I had now, therefore,
no doubt that his will was placed in the cabinet.</p>
<p>In the search among my dear father's papers we found two
sheafs of letters, neatly tied up and labelled—these were from
my uncle Silas.</p>
<p>My cousin Monica looked down upon these papers with a
strange smile; was it satire—was it that indescribable smile
with which a mystery which covers a long reach of years is
sometimes approached?</p>
<p>These were odd letters. If here and there occurred passages
that were querulous and even abject, there were also long
passages of manly and altogether noble sentiment, and the
strangest rodomontade and maunderings about religion. Here
and there a letter would gradually transform itself into a prayer,
and end with a doxology and no signature; and some of them
expressed such wild and disordered views respecting religion, as
I imagine he can never have disclosed to good Mr. Fairfield,
and which approached more nearly to the Swedenborg visions
than to anything in the Church of England.</p>
<p>I read these with a solemn interest, but my cousin Monica
was not similarly moved. She read them with the same smile—faint,
<span class="pagenum"><SPAN name="page125" id="page125"></SPAN></span>
serenely contemptuous, I thought—with which she had
first looked down upon them. It was the countenance of a person
who amusedly traces the working of a character that is well
understood.</p>
<p>'Uncle Silas is very religious?' I said, not quite liking Lady
Knollys' looks.</p>
<p>'Very,' she said, without raising her eyes or abating her old
bitter smile, as she glanced over a passage in one of his letters.</p>
<p>'You don't think he <i>is</i>, Cousin Monica?' said I. She raised
her head and looked straight at me.</p>
<p>'Why do you say that, Maud?'</p>
<p>'Because you smile incredulously, I think, over his letters.'</p>
<p>'Do I?' said she; 'I was not thinking—it was quite an accident.
The fact is, Maud, your poor papa quite mistook me. I
had no prejudice respecting him—no theory. I never knew what
to think about him. I do not think Silas a product of nature,
but a child of the Sphinx, and I never could understand him—that's
all.'</p>
<p>'I always felt so too; but that was because I was left to speculation,
and to glean conjectures as I might from his portrait, or
anywhere. Except what you told me, I never heard more than a
few sentences; poor papa did not like me to ask questions about
him, and I think he ordered the servants to be silent.'</p>
<p>'And much the same injunction this little note lays upon me—not
quite, but something like it; and I don't know the meaning
of it.'</p>
<p>And she looked enquiringly at me.</p>
<p>'You are not to be <i>alarmed</i> about your uncle Silas, because
your being afraid would unfit you for an <i>important service</i>
which you have undertaken for your family, the nature of which
I shall soon understand, and which, although it is quite <i>passive</i>,
would be made very sad if <i>illusory fears</i> were allowed to <i>steal
into your mind</i>.'</p>
<p>She was looking into the letter in poor papa's handwriting,
which she had found addressed to her in his desk, and emphasised
the words, I suppose, which she quoted from it.</p>
<p>'Have you any idea, Maud, darling, what this <i>service</i> may
be?' she enquired, with a grave and anxious curiosity in her
countenance.</p>
<p>'None, Cousin Monica; but I have thought long over my undertaking
<span class="pagenum"><SPAN name="page126" id="page126"></SPAN></span>
to do it, or submit to it, be it what it may; and I will
keep the promise I voluntarily made, although I know what a
coward I am, and often distrust my courage.'</p>
<p>'Well, I am not to frighten you.'</p>
<p>'How could you? Why should I be afraid? <i>Is</i> there anything
frightful to be disclosed? Do tell me—you <i>must</i> tell me.'</p>
<p>'No, darling, I did not mean <i>that</i>—I don't mean that;—I
could, if I would; I—I don't know exactly what I meant. But
your poor papa knew him better than I—in fact, I did not know
him at all—that is, ever quite understood him—which your poor
papa, I see, had ample opportunities of doing.' And after a
little pause, she added—'So you do not know what you are
expected to do or to undergo.'</p>
<p>'Oh! Cousin Monica, I know you think he committed that
murder,' I cried, starting up, I don't know why, and I felt that I
grew deadly pale.</p>
<p>'I don't believe any such thing, you little fool; you must not
say such horrible things, Maud,' she said, rising also, and looking
both pale and angry. 'Shall we go out for a little walk?
Come, lock up these papers, dear, and get your things on;
and if that Dr. Bryerly does not turn up to-morrow, you must
send for the Rector, good Doctor Clay, and let him make search
for the will—there may be directions about many things, you
know; and, my dear Maud, you are to remember that Silas is
<i>my</i> cousin as well as your uncle. Come, dear, put on your hat.'</p>
<p>So we went out together for a little cloistered walk.</p>
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