<p><SPAN name="link2H_4_0036" id="link2H_4_0036"></SPAN></p>
<h2> XXXIII. ALONE </h2>
<p>Oswald had heard nothing, seen nothing. But he took note of Doris'
silence, and turning towards her in frenzy saw what had happened, and so
was in a measure prepared for the stern, short sentence which now rang
through the room:</p>
<p>"Wait, Miss Scott! you tell the story badly. Let him listen to me. From my
mouth only shall he hear the stern and seemingly unnatural part I played
in this family tragedy."</p>
<p>The face of Oswald hardened. Those pliant features—beloved for their
gracious kindliness—set themselves in lines which altered them
almost beyond recognition; but his voice was not without some of its
natural sweetness, as, after a long and hollow look at the other's
composed countenance, he abruptly exclaimed:</p>
<p>"Speak! I am bound to listen; you are my brother."</p>
<p>Orlando turned towards Doris. She was slipping away.</p>
<p>"Don't go," said he.</p>
<p>But she was gone.</p>
<p>Slowly he turned back.</p>
<p>Oswald raised his hand and checked the words with which he would have
begun his story.</p>
<p>"Never mind the beginnings," said he. "Doris has told all that. You saw
Miss Challoner in Lenox—admired her—offered yourself to her
and afterwards wrote her a threatening letter because she rejected you."</p>
<p>"It is true. Other men have followed just such unworthy impulses—and
been ashamed and sorry afterwards. I was sorry and I was ashamed, and as
soon as my first anger was over went to tell her so. But she mistook my
purpose and—"</p>
<p>"And what?"</p>
<p>Orlando hesitated. Even his iron nature trembled before the misery he saw—a
misery he was destined to augment rather than soothe. With pains
altogether out of keeping with his character, he sought in the recesses of
his darkened mind for words less bitter and less abrupt than those which
sprang involuntarily to his lips. But he did not find them. Though he
pitied his brother and wished to show that he did, nothing but the stern
language suitable to the stern fact he wished to impart, would leave his
lips.</p>
<p>"And ended the pitiful struggle of the moment with one quick,
unpremeditated blow," was what he said. "There is no other explanation
possible for this act, Oswald. Bitter as it is for me to acknowledge it, I
am thus far guilty of this beloved woman's death. But, as God hears me,
from the moment I first saw her, to the moment I saw her last, I did not
know, nor did I for a moment dream that she was anything to you or to any
other man of my stamp and station. I thought she despised my country
birth, my mechanical attempts, my lack of aristocratic pretensions and
traditions."</p>
<p>"Edith?"</p>
<p>"Now that I know she had other reasons for her contempt—that the
words she wrote were in rebuke to the brother rather than to the man, I
feel my guilt and deplore my anger. I cannot say more. I should but insult
your grief by any lengthy expressions of regret and sorrow."</p>
<p>A groan of intolerable anguish from the sick man's lips, and then the
quick thrust of his re-awakened intelligence rising superior to the
overthrow of all his hopes.</p>
<p>"For a woman of Edith's principle to seek death in a moment of
desperation, the provocation must have been very great. Tell me if I'm to
hate you through life—yea through all eternity—or if I must
seek in some unimaginable failure of my own character or conduct the cause
of her intolerable despair."</p>
<p>"Oswald!" The tone was controlling, and yet that of one strong man to
another. "Is it for us to read the heart of any woman, least of all of a
woman of her susceptibilities and keen inner life? The wish to end all
comes to some natures like a lightning flash from a clear sky. It comes,
it goes, often without leaving a sign. But if a weapon chances to be near—(here
it was in hand)—then death follows the impulse which, given an
instant of thought, would have vanished in a back sweep of other emotions.
Chance was the real accessory to this death by suicide. Oswald, let us
realise it as such and accept our sorrow as a mutual burden and turn to
what remains to us of life and labour. Work is grief's only consolation.
Then let us work."</p>
<p>But of all this Oswald had caught but the one word.</p>
<p>"Chance?" he repeated. "Orlando, I believe in God."</p>
<p>"Then seek your comfort there. I find it in harnessing the winds; in
forcing the powers of nature to do my bidding."</p>
<p>The other did not speak, and the silence grew heavy. It was broken, when
it was broken, by a cry from Oswald:</p>
<p>"No more," said he, "no more." Then, in a yearning accent, "Send Doris to
me."</p>
<p>Orlando started. This name coming so close upon that word comfort produced
a strange effect upon him. But another look at Oswald and he was ready to
do his bidding. The bitter ordeal was over; let him have his solace if it
was in her power to give it to him.</p>
<p>Orlando, upon leaving his brother's room, did not stop to deliver that
brother's message directly to Doris; he left this for Truda to do, and
retired immediately to his hangar in the woods. Locking himself in, he
slightly raised the roof and then sat down before the car which was
rapidly taking on shape and assuming that individuality and appearance of
sentient life which hitherto he had only seen in dreams. But his eye,
which had never failed to kindle at this sight before, shone dully in the
semi-gloom. The air-car could wait; he would first have his hour in this
solitude of his own making. The gaze he dreaded, the words from which he
shrank could not penetrate here. He might even shout her name aloud, and
only these windowless walls would respond. He was alone with his past, his
present and his future.</p>
<p>Alone!</p>
<p>He needed to be. The strongest must pause when the precipice yawns before
him. The gulf can be spanned; he feels himself forceful enough for that;
but his eyes must take their measurement of it first; he must know its
depths and possible dangers. Only a fool would ignore these steeps of
jagged rock; and he was no fool, only a man to whom the unexpected had
happened, a man who had seen his way clear to the horizon and then had
come up against this! Love, when he thought such folly dead! Remorse, when
Glory called for the quiet mind and heart!</p>
<p>He recognised its mordant fang, and knew that its ravages, though only
just begun, would last his lifetime. Nothing could stop them now, nothing,
nothing. And he laughed, as the thought went home; laughed at the irony of
fate and its inexorableness; laughed at his own defeat and his nearness to
a barred Paradise. Oswald loved Edith, loved her yet, with a flame time
would take long to quench. Doris loved Oswald and he Doris; and not one of
them would ever attain the delights each was so fitted to enjoy. Why
shouldn't he laugh? What is left to man but mockery when all props fall?
Disappointment was the universal lot; and it should go merrily with him if
he must take his turn at it. But here the strong spirit of the man
re-asserted itself; it should be but a turn. A man's joys are not bounded
by his loves or even by the satisfaction of a perfectly untrammelled mind.
Performance makes a world of its own for the capable and the strong, and
this was still left to him. He, Orlando Brotherson, despair while his
great work lay unfinished! That would be to lay stress on the inevitable
pains and fears of commonplace humanity. He was not of that ilk. Intellect
was his god; ambition his motive power. What would this casual blight upon
his supreme contentment be to him, when with the wings of his air-car
spread, he should spurn the earth and soar into the heaven of fame
simultaneously with his flight into the open.</p>
<p>He could wait for that hour. He had measured the gulf before him and found
it passable. Henceforth no looking back.</p>
<p>Rising, he stood for a moment gazing, with an alert eye now, upon such
sections of his car as had not yet been fitted into their places; then he
bent forward to his work, and soon the lips which had uttered that
sardonic laugh a few minutes before, parted in gentler fashion, and song
took the place of curses—a ballad of love and fondest truth. But
Orlando never knew what he sang. He had the gift and used it.</p>
<p>Would his tones, however, have rung out with quite so mellow a sweetness
had he seen the restless figure even then circling his retreat with eyes
darting accusation and arms lifted towards him in wild but impotent
threat?</p>
<p>Yes, I think they would; for he knew that the man who thus expressed his
helplessness along with his convictions, was no nearer the end he had set
himself to attain than on the day he first betrayed his suspicions.</p>
<div style="break-after:column;"></div><br />