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<h2> XX. CONFUSION </h2>
<p>In his interest in what was going on on the other side of the wall,
Sweetwater had forgotten himself. Daylight had declined, but in the
darkness of the closet this change had passed unheeded. Night itself might
come, but that should not force him to leave his post so long as his
neighbour remained behind his locked door, brooding over the words of love
and devotion which had come to him, as it were from the other world.</p>
<p>But was he brooding? That sound of iron clattering upon iron! That
smothered exclamation and the laugh which ended it! Anger and
determination rang in that laugh. It had a hideous sound which prepared
Sweetwater for the smell which now reached his nostrils. The letters were
burning; this time the lid had been lifted from the stove with unrelenting
purpose. Poor Edith Challoner's touching words had met, a different fate
from any which she, in her ignorance of this man's nature,—a nature
to which she had ascribed untold perfections—could possibly have
conceived.</p>
<p>As Sweetwater thought of this, he stirred nervously in the darkness, and
broke into silent invective against the man who could so insult the memory
of one who had perished under the blight of his own coldness and
misunderstanding. Then he suddenly started back surprised and
apprehensive. Brotherson had unlocked his door, and was coming rapidly his
way. Sweetwater heard his step in the hall and had hardly time to bound
from his closet, when he saw his own door burst in and found himself face
to face with his redoubtable neighbour, in a state of such rage as few men
could meet without quailing, even were they of his own stature, physical
vigour and prowess; and Sweetwater was a small man.</p>
<p>However, disappointment such as he had just experienced brings with it a
desperation which often outdoes courage, and the detective, smiling with
an air of gay surprise, shouted out:</p>
<p>"Well, what's the matter now? Has the machine busted, or tumbled into the
fire or sailed away to lands unknown out of your open window?"</p>
<p>"You were coming out of that closet," was the fierce rejoinder. "What have
you got there? Something which concerns me, or why should your face go
pale at my presence and your forehead drip with sweat? Don't think that
you've deceived me for a moment as to your business here. I recognised you
immediately. You've played the stranger well, but you've a nose and an eye
nobody could forget. I have known all along that I had a police spy for a
neighbour; but it didn't faze me. I've nothing to conceal, and wouldn't
mind a regiment of you fellows if you'd only play a straight game. But
when it comes to foisting upon me a parcel of letters to which I have no
right, and then setting a fellow like you to count my groans or whatever
else they expected to hear, I have a right to defend myself, and defend
myself I will, by God! But first, let me be sure that my accusations will
stand. Come into this closet with me. It abuts on the wall of my room and
has its own secret, I know. What is it? I have you at an advantage now,
and you shall tell."</p>
<p>He did have Sweetwater at an advantage, and the detective knew it and
disdained a struggle which would have only called up a crowd, friendly to
the other but inimical to himself. Allowing Brotherson to drag him into
the closet, he stood quiescent, while the determined man who held him with
one hand, felt about with the other over the shelves and along the
partitions till he came to the hole which had offered such a happy means
of communication between the two rooms. Then, with a laugh almost as
bitter in tone as that which rang from Brotherson's lips, he acknowledged
that business had its necessities and that apologies from him were in
order; adding, as they both stepped out into the rapidly darkening room:</p>
<p>"We've played a bout, we two; and you've come out ahead. Allow me to
congratulate you, Mr. Brotherson. You've cleared yourself so far as I am
concerned. I leave this ranch to-night."</p>
<p>The frown had come back to the forehead of the indignant man who
confronted him.</p>
<p>"So you listened," he cried; "listened when you weren't sneaking under my
eye! A fine occupation for a man who can dove-tail a corner like an adept.
I wish I had let you join the brotherhood you were good enough to mention.
They would know how to appreciate your double gifts and how to reward your
excellence in the one, if not in the other. What did the police expect to
learn about me that they should consider it necessary to call into
exercise such extraordinary talents?"</p>
<p>"I'm not good at conundrums. I was given a task to perform, and I
performed it," was Sweetwater's sturdy reply. Then slowly, with his eye
fixed directly upon his antagonist, "I guess they thought you a man. And
so did I until I heard you burn those letters. Fortunately we have
copies."</p>
<p>"Letters!" Fury thickened the speaker's voice, and lent a savage gleam to
his eye. "Forgeries! Make believes! Miss Challoner never wrote the drivel
you dare to designate as letters. It was concocted at Police Headquarters.
They made me tell my story and then they found some one who could wield
the poetic pen. I'm obliged to them for the confidence they show in my
credulity. I credit Miss Challoner with such words as have been given me
to read here to-day? I knew the lady, and I know myself. Nothing that
passed between us, not an event in which we were both concerned, has been
forgotten by me, and no feature of our intercourse fits the language you
have ascribed to her. On the contrary, there is a lamentable contradiction
between facts as they were and the fancies you have made her indulge in.
And this, as you must acknowledge, not only proves their falsity, but
exonerates Miss Challoner from all possible charge of sentimentality."</p>
<p>"Yet she certainly wrote those letters. We had them from Mr. Challoner.
The woman who brought them was really her maid. We have not deceived you
in this."</p>
<p>"I do not believe you."</p>
<p>It was not offensively said; but the conviction it expressed was absolute.
Sweetwater recognised the tone, as one of truth, and inwardly laid down
his arms. He could never like the man; there was too much iron in his
fibre; but he had to acknowledge that as a foe he was invulnerable and
therefore admirable to one who had the good sense to appreciate him.</p>
<p>"I do not want to believe you." Thus did Brotherson supplement his former
sentence. "For if I were to attribute those letters to her, I should have
to acknowledge that they were written to another man than myself. And this
would be anything but agreeable to me. Now I am going to my room and to my
work. You may spend the rest of the evening or the whole night, if you
will, listening at that hole. As heretofore, the labour will be all yours,
and the indifference mine."</p>
<p>With a satirical play of feature which could hardly be called a smile, he
nodded and left the room.</p>
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