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<h2> XIX. THE DANGER MOMENT </h2>
<p>For a day Sweetwater acknowledged himself to be mentally crushed,
disillusioned and defeated. Then his spirits regained their poise. It
would take a heavy weight indeed to keep them down permanently.</p>
<p>His opinion was not changed in regard to his neighbour's secret guilt. A
demeanour of this sort suggested bravado rather than bravery to the ever
suspicious detective. But he saw, very plainly by this time, that he would
have to employ more subtle methods yet ere his hand would touch the goal
which so tantalisingly eluded him.</p>
<p>His work at the bench suffered that week; he made two mistakes. But by
Saturday night he had satisfied himself that he had reached the point
where he would be justified in making use of Miss Challoner's letters. So
he telephoned his wishes to New York, and awaited the promised
developments with an anxiety we can only understand by realising how much
greater were his chances of failure than of success. To ensure the latter,
every factor in his scheme must work to perfection. The medium of
communication (a young, untried girl) must do her part with all the skill
of artist and author combined. Would she disappoint them? He did not think
so. Women possess a marvellous adaptability for this kind of work and this
one was French, which made the case still more hopeful.</p>
<p>But Brotherson! In what spirit would he meet the proposed advances? Would
he even admit the girl, and, if he did, would the interview bear any such
fruit as Sweetwater hoped for? The man who could mock the terrors of the
night by a careless repetition of a strain instinct with the most sacred
memories, was not to be depended upon to show much feeling at sight of a
departed woman's writing. But no other hope remained, and Sweetwater faced
the attempt with heroic determination.</p>
<p>The day was Sunday, which ensured Brotherson's being at home. Nothing
would have lured Sweetwater out for a moment, though he had no reason to
expect that the affair he was anticipating would come off till early
evening.</p>
<p>But it did. Late in the afternoon he heard the expected steps go by his
door—a woman's steps. But they were not alone. A man's accompanied
them. What man? Sweetwater hastened to satisfy himself on this point by
laying his ear to the partition.</p>
<p>Instantly the whole conversation became audible. "An errand? Oh, yes, I
have an errand!" explained the evidently unwelcome intruder, in her broken
English. "This is my brother Pierre. My name is Celeste; Celeste Ledru. I
understand English ver well. I have worked much in families. But he
understands nothing. He is all French. He accompanies me for—for the—what
you call it? les convenances. He knows nothing of the beesiness."</p>
<p>Sweetwater in the darkness of his closet laughed in his gleeful
appreciation.</p>
<p>"Great!" was his comment. "Just great! She has thought of everything—or
Mr. Gryce has."</p>
<p>Meanwhile, the girl was proceeding with increased volubility.</p>
<p>"What is this beesiness, monsieur? I have something to sell—so you
Americans speak. Something you will want much—ver sacred, ver
precious. A souvenir from the tomb, monsieur. Will you give ten—no,
that is too leetle—fifteen dollars for it? It is worth—Oh,
more, much more to the true lover. Pierre, tu es bete. Teins-tu droit sur
ta chaise. M. Brotherson est un monsieur comme il faut."</p>
<p>This adjuration, uttered in sharp reprimand and with but little of the
French grace, may or may not have been understood by the unsympathetic man
they were meant to impress. But the name which accompanied them—his
own name, never heard but once before in this house, undoubtedly caused
the silence which almost reached the point of embarrassment, before he
broke it with the harsh remark:</p>
<p>"Your French may be good, but it does not go with me. Yet is it more
intelligible than your English. What do you want here? What have you in
that bag you wish to open; and what do you mean by the sentimental trash
with which you offer it?"</p>
<p>"Ah, monsieur has not memory of me," came in the sweetest tones of a
really seductive voice. "You astonish me, monsieur. I thought you knew—everybody
else does—Oh, tout le monde, monsieur, that I was Miss Challoner's
maid—near her when other people were not—near her the very day
she died."</p>
<p>A pause; then an angry exclamation from some one. Sweetwater thought from
the brother, who may have misinterpreted some look or gesture on
Brotherson's part. Brotherson himself would not be apt to show surprise in
any such noisy way.</p>
<p>"I saw many things—Oh many things—" the girl proceeded with an
admirable mixture of suggestion and reserve. "That day and other days too.
She did not talk—Oh, no, she did not talk, but I saw—Oh, yes,
I saw that she—that you—I'll have to say it, monsieur, that
you were tres bons amis after that week in Lenox."</p>
<p>"Well?" His utterance of this word was vigorous, but not tender. "What are
you coming to? What can you have to show me in this connection that I will
believe in for a moment?"</p>
<p>"I have these—is monsieur certaine that no one can hear? I wouldn't
have anybody hear what I have to tell you, for the world—for all the
world."</p>
<p>"No one can overhear."</p>
<p>For the first time that day Sweetwater breathed a full, deep breath. This
assurance had sounded heartfelt. "Blessings on her cunning young head. She
thinks of everything."</p>
<p>"You are unhappy. You have thought Miss Challoner cold;—that she had
no response for your ver ardent passion. But—" these words were
uttered sotto voce and with telling pauses "—but—I—know—ver
much better than that. She was ver proud. She had a right; she was no poor
girl like me—but she spend hours—hours in writing letters she—nevaire
send. I saw one, just once, for a leetle minute; while you could breathe
so short as that; and began with Cheri, or your English for that, and
ended with words—Oh, ver much like these: You may nevaire see these
lines, which was ver interesting, veree so, and made one want to see what
she did with letters she wrote and nevaire mail; so I watch and look, and
one day I see them. She had a leetle ivory box—Oh, ver nice, ver
pretty. I thought it was jewels she kept locked up so tight. But, non,
non, non. It was letters—these letters. I heard them rattle, rattle,
not once but many times. You believe me, monsieur?"</p>
<p>"I believe you to have taken every advantage possible to spy upon your
mistress. I believe that, yes."</p>
<p>"From interest, monsieur, from great interest."</p>
<p>"Self-interest."</p>
<p>"As monsieur pleases. But it was strange, ver strange for a grande dame
like that to write letters—sheets on sheets—and then not send
them, nevaire. I dreamed of those letters—I could not help it, no;
and when she died so quick—with no word for any one, no word at all,
I thought of those writings so secret, so of the heart, and when no one
noticed—or thought about this box, or—or the key she kept shut
tight, oh, always tight in her leetle gold purse, I—Monsieur, do you
want to see those letters?" asked the girl, with a gulp. Evidently his
appearance frightened her—or had her acting reached this point of
extreme finish? "I had nevaire the chance to put them back. And—and
they belong to monsieur. They are his—all his—and so
beautiful! Ah, just like poetry."</p>
<p>"I don't consider them mine. I haven't a particle of confidence in you or
in your story. You are a thief—self-convicted; or you're an agent of
the police whose motives I neither understand nor care to investigate.
Take up your bag and go. I haven't a cent's worth of interest in its
contents."</p>
<p>She started to her feet. Sweetwater heard her chair grate on the painted
floor, as she pushed it back in rising. The brother rose too, but more
calmly. Brotherson did not stir. Sweetwater felt his hopes rapidly dying
down—down into ashes, when suddenly her voice broke forth in pants:</p>
<p>"And Marie said—everybody said—that you loved our great lady;
that you, of the people, common, common, working with the hands, living
with men and women working with the hands, that you had soul, sentiment—what
you will of the good and the great, and that you would give your eyes for
her words, si fines, si spirituelles, so like des vers de poete. False!
false! all false! She was an angel. You are—read that!" she
vehemently broke in, opening her bag and whisking a paper down before him.
"Read and understand my proud and lovely lady. She did right to die. You
are hard—hard. You would have killed her if she had not—"</p>
<p>"Silence, woman! I will read nothing!" came hissing from the strong man's
teeth, set in almost ungovernable anger. "Take back this letter, as you
call it, and leave my room."</p>
<p>"Nevaire! You will not read? But you shall, you shall. Behold another!
One, two, three, four!" Madly they flew from her hand. Madly she continued
her vituperative attack. "Beast! beast! That she should pour out her
innocent heart to you, you! I do not want your money, Monsieur of the
common street, of the common house. It would be dirt. Pierre, it would be
dirt. Ah, bah! je m'oublie tout a fait. Pierre, il est bete. Il refuse de
les toucher. Mais il faut qu'il les touche, si je les laisse sur le
plancher. Va-t'en! Je me moque de lui. Canaille! L'homme du peuple, tout a
fait du peuple!"</p>
<p>A loud slam—the skurrying of feet through the hall, accompanied by
the slower and heavier tread of the so-called brother, then silence, and
such silence that Sweetwater fancied he could catch the sound of
Brotherson's heavy breathing. His own was silenced to a gasp. What a
treasure of a girl! How natural her indignation! What an instinct she
showed and what comprehension! This high and mighty handling of a most
difficult situation and a most difficult man, had imposed on Brotherson,
had almost imposed upon himself. Those letters so beautiful, so
spirituelle! Yet, the odds were that she had never read them, much less
abstracted them. The minx! the ready, resourceful, wily, daring minx!</p>
<p>But had she imposed on Brotherson? As the silence continued, Sweetwater
began to doubt. He understood quite well the importance of his neighbour's
first movement. Were he to tear those letters into shreds! He might be
thus tempted. All depended on the strength of his present mood and the
real nature of the secret which lay buried in his heart.</p>
<p>Was that heart as flinty as it seemed? Was there no place for doubt or
even for curiosity, in its impenetrable depths? Seemingly, he had not
moved foot or hand since his unwelcome visitors had left. He was doubtless
still staring at the scattered sheets lying before him; possibly battling
with unaccustomed impulses; possibly weighing deeds and consequences in
those slow moving scales of his in which no man could cast a weight with
any certainty how far its even balance would be disturbed.</p>
<p>There was a sound as of settling coal. Only at night would one expect to
hear so slight a sound as that in a tenement full of noisy children. But
the moment chanced to be propitious, and it not only attracted the
attention of Sweetwater on his side of the wall, but it struck the ear of
Brotherson also. With an ejaculation as bitter as it was impatient, he
roused himself and gathered up the letters. Sweetwater could hear the
successive rustlings as he bundled them up in his hand. Then came another
silence—then the lifting of a stove lid.</p>
<p>Sweetwater had not been wrong in his secret apprehension. His
identification with his unimpressionable neighbour's mood had shown him
what to expect. These letters—these innocent and precious
outpourings of a rare and womanly soul—the only conceivable open
sesame to the hard-locked nature he found himself pitted against, would
soon be resolved into a vanishing puff of smoke.</p>
<p>But the lid was thrust back, and the letters remained in hand. Mortal
strength has its limits. Even Brotherson could not shut down that lid on
words which might have been meant for him, harshly as he had repelled the
idea.</p>
<p>The pause which followed told little; but when Sweetwater heard the man
within move with characteristic energy to the door, turn the key and step
back again to his place at the table, he knew that the danger moment had
passed and that those letters were about to be read, not casually, but
seriously, as indeed their contents merited.</p>
<p>This caused Sweetwater to feel serious himself. Upon what result might he
calculate? What would happen to this hardy soul, when the fact he so
scornfully repudiated, was borne in upon him, and he saw that the disdain
which had antagonised him was a mere device—a cloak to hide the
secret heart of love and eager womanly devotion? Her death—little as
Brotherson would believe it up till now—had been his personal loss
the greatest which can befall a man. When he came to see this—when
the modest fervour of her unusual nature began to dawn upon him in these
self-revelations, would the result be remorse, or just the deadening and
final extinction of whatever tenderness he may have retained for her
memory?</p>
<p>Impossible to tell. The balance of probability hung even. Sweetwater
recognised this, and clung, breathless, to his loop-hole. Fain would he
have seen, as well as heard.</p>
<p>Mr. Brotherson read the first letter, standing. As it soon became public
property, I will give it here, just as it afterwards appeared in the
columns of the greedy journals:</p>
<p>"Beloved:<br/>
<br/>
"When I sit, as I often do, in perfect quiet under the stars,<br/>
and dream that you are looking at them too, not for hours as I<br/>
do, but for one full moment in which your thoughts are with me as<br/>
wholly as mine are with you, I feel that the bond between us,<br/>
unseen by the world, and possibly not wholly recognised by<br/>
ourselves, is instinct with the same power which links together<br/>
the eternities.<br/>
<br/>
"It seems to have always been; to have known no beginning, only a<br/>
budding, an efflorescence, the visible product of a hidden but<br/>
always present reality. A month ago and I was ignorant, even, of<br/>
your name. Now, you seem the best known to me, the best understood,<br/>
of God's creatures. One afternoon of perfect companionship—one<br/>
flash of strong emotion, with its deep, true insight into each<br/>
other's soul, and the miracle was wrought. We had met, and<br/>
henceforth, parting would mean separation only, and not the<br/>
severing of a mutual bond. One hand, and one only, could do that<br/>
now. I will not name that hand. For us there is nought ahead but<br/>
life.<br/>
<br/>
"Thus do I ease my heart in the silence which conditions impose<br/>
upon us. Some day I shall hear your voice again, and then-"<br/></p>
<p>The paper dropped from the reader's hand. It was several minutes before he
took up another.</p>
<p>This one, as it happened, antedated the other, as will appear on reading
it:</p>
<p>"My friend:<br/>
<br/>
"I said that I could not write to you—that we must wait. You<br/>
were willing; but there is much to be accomplished, and the<br/>
silence may be long. My father is not an easy man to please, but<br/>
he desires my happiness and will listen to my plea when the right<br/>
hour comes. When you have won your place—when you have shown<br/>
yourself to be the man I feel you to be, then my father will<br/>
recognise your worth, and the way will be cleared, despite the<br/>
obstacles which now intervene.<br/>
<br/>
"But meantime! Ah, you will not know it, but words will rise<br/>
—the heart must find utterance. What the lip cannot utter, nor<br/>
the looks reveal, these pages shall hold in sacred trust for you<br/>
till the day when my father will place my hand in yours, with<br/>
heart-felt approval.<br/>
<br/>
"Is it a folly? A woman's weak evasion of the strong silence of<br/>
man? You may say so some day; but somehow, I doubt it—I doubt<br/>
it."<br/></p>
<p>The creaking of a chair;—the man within had seated himself. There
was no other sound; a soul in turmoil wakens no echoes. Sweetwater envied
the walls surrounding the unsympathetic reader. They could see. He could
only listen.</p>
<p>A little while; then that slight rustling again of the unfolding sheet.
The following was read, and then the fourth and last:</p>
<p>"Dearest:<br/>
<br/>
"Did you think I had never seen you till that day we met in Lenox?<br/>
I am going to tell you a secret—a great, great secret—such a<br/>
one as a woman hardly whispers to her own heart.<br/>
<br/>
"One day, in early summer, I was sitting in St. Bartholomew's<br/>
Church on Fifth Avenue, waiting for the services to begin. It<br/>
was early and the congregation was assembling. While idly<br/>
watching the people coming in, I saw a gentleman pass by me up<br/>
the aisle, who made me forget all the others. He had not the<br/>
air of a New Yorker; he was not even dressed in city style, but<br/>
as I noted his face and expression, I said way down in my heart,<br/>
'That is the kind of man I could love; the only man I have ever<br/>
seen who could make me forget my own world and my own people.'<br/>
It was a passing thought, soon forgotten. But when in that hour<br/>
of embarrassment and peril on Greylock Mountain, I looked up into<br/>
the face of my rescuer and saw again that countenance which so<br/>
short a time before had called into life impulses till then<br/>
utterly unknown, I knew that my hour was come. And that was why<br/>
my confidence was so spontaneous and my belief in the future so<br/>
absolute.<br/>
<br/>
"I trust your love which will work wonders; and I trust my own,<br/>
which sprang at a look but only gathered strength and permanence<br/>
when I found that the soul of the man I loved bettered his outward<br/>
attractions, making the ideal of my foolish girlhood seem as<br/>
unsubstantial and evanescent as a dream in the glowing noontide."<br/>
<br/>
"My Own:<br/>
<br/>
"I can say so now; for you have written to me, and I have the<br/>
dancing words with which to silence any unsought doubt which might<br/>
subdue the exuberance of these secret outpourings.<br/>
<br/>
"I did not expect this. I thought that you would remain as silent<br/>
as myself. But men's ways are not our ways. They cannot exhaust<br/>
longing in purposeless words on scraps of soulless paper, and I am<br/>
glad that they cannot. I love you for your impatience; for your<br/>
purpose, and for the manliness which will win for you yet all that<br/>
you covet of fame, accomplishment and love. You expect no reply,<br/>
but there are ways in which one can keep silent and yet speak.<br/>
Won't you be surprised when your answer comes in a manner you have<br/>
never thought of?"<br/></p>
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