<h2> CHAPTER XVII </h2>
<p>As I re-entered the cave with my burden Nuflo sat up and stared at me with
a frightened look in his eyes. Throwing my cloak down, I placed the girl
on it and briefly related what had happened.</p>
<p>He drew near to examine her; then placed his hand on her heart. "Dead!—she
is dead!" he exclaimed.</p>
<p>My own anxiety changed to an irrational anger at his words. "Old fool! She
has only fainted," I returned. "Get me some water, quick."</p>
<p>But the water failed to restore her, and my anxiety deepened as I gazed on
that white, still face. Oh, why had I told her that sad tragedy I had
imagined with so little preparation? Alas! I had succeeded too well in my
purpose, killing her vain hope and her at the same moment.</p>
<p>The old man, still bending over her, spoke again. "No, I will not believe
that she is dead yet; but, sir, if not dead, then she is dying."</p>
<p>I could have struck him down for his words. "She will die in my arms,
then," I exclaimed, thrusting him roughly aside, and lifting her up with
the cloak beneath her.</p>
<p>And while I held her thus, her head resting on my arm, and gazed with
unutterable anguish into her strangely white face, insanely praying to
Heaven to restore her to me, Nuflo fell on his knees before her, and with
bowed head, and hands clasped in supplication, began to speak.</p>
<p>"Rima! Grandchild!" he prayed, his quivering voice betraying his
agitation. "Do not die just yet: you must not die—not wholly die—until
you have heard what I have to say to you. I do not ask you to answer in
words—you are past that, and I am not unreasonable. Only, when I
finish, make some sign—a sigh, a movement of the eyelid, a twitch of
the lips, even in the small corners of the mouth; nothing more than that,
just to show that you have heard, and I shall be satisfied. Remember all
the years that I have been your protector, and this long journey that I
have taken on your account; also all that I did for your sainted mother
before she died at Voa, to become one of the most important of those who
surround the Queen of Heaven, and who, when they wish for any favour, have
only to say half a word to get it. And do not cast in oblivion that at the
last I obeyed your wish and brought you safely to Riolama. It is true that
in some small things I deceived you; but that must not weigh with you,
because it is a small matter and not worthy of mention when you consider
the claims I have on you. In your hands, Rima, I leave everything, relying
on the promise you made me, and on my services. Only one word of caution
remains to be added. Do not let the magnificence of the place you are now
about to enter, the new sights and colours, and the noise of shouting, and
musical instruments and blowing of trumpets, put these things out of your
head. Nor must you begin to think meanly of yourself and be abashed when
you find yourself surrounded by saints and angels; for you are not less
than they, although it may not seem so at first when you see them in their
bright clothes, which, they say, shine like the sun. I cannot ask you to
tie a string round your finger; I can only trust to your memory, which was
always good, even about the smallest things; and when you are asked, as no
doubt you will be, to express a wish, remember before everything to speak
of your grandfather, and his claims on you, also on your angelic mother,
to whom you will present my humble remembrances."</p>
<p>During this petition, which in other circumstances would have moved me to
laughter but now only irritated me, a subtle change seemed to come to the
apparently lifeless girl to make me hope. The small hand in mine felt not
so icy cold, and though no faintest colour had come to the face, its
pallor had lost something of its deathly waxen appearance; and now the
compressed lips had relaxed a little and seemed ready to part. I laid my
finger-tips on her heart and felt, or imagined that I felt, a faint
fluttering; and at last I became convinced that her heart was really
beating.</p>
<p>I turned my eyes on the old man, still bending forward, intently watching
for the sign he had asked her to make. My anger and disgust at his gross
earthy egoism had vanished. "Let us thank God, old man," I said, the tears
of joy half choking my utterance. "She lives—she is recovering from
her fit."</p>
<p>He drew back, and on his knees, with bowed head, murmured a prayer of
thanks to Heaven.</p>
<p>Together we continued watching her face for half an hour longer, I still
holding her in my arms, which could never grow weary of that sweet burden,
waiting for other, surer signs of returning life; and she seemed now like
one that had fallen into a profound, death-like sleep which must end in
death. Yet when I remembered her face as it had looked an hour ago, I was
confirmed in the belief that the progress to recovery, so strangely slow,
was yet sure. So slow, so gradual was this passing from death to life that
we had hardly ceased to fear when we noticed that the lips were parted, or
almost parted, that they were no longer white, and that under her pale,
transparent skin a faint, bluish-rosy colour was now visible. And at
length, seeing that all danger was past and recovery so slow, old Nuflo
withdrew once more to the fireside and, stretching himself out on the
sandy floor, soon fell into a deep sleep.</p>
<p>If he had not been lying there before me in the strong light of the
glowing embers and dancing flames, I could not have felt more alone with
Rima—alone amid those remote mountains, in that secret cavern, with
lights and shadows dancing on its grey vault. In that profound silence and
solitude the mysterious loveliness of the still face I continued to gaze
on, its appearance of life without consciousness, produced a strange
feeling in me, hard, perhaps impossible, to describe.</p>
<p>Once, when clambering among the rough rocks, overgrown with forest, among
the Queneveta mountains, I came on a single white flower which was new to
me, which I have never seen since. After I had looked long at it, and
passed on, the image of that perfect flower remained so persistently in my
mind that on the following day I went again, in the hope of seeing it
still untouched by decay. There was no change; and on this occasion I
spent a much longer time looking at it, admiring the marvellous beauty of
its form, which seemed so greatly to exceed that of all other flowers. It
had thick petals, and at first gave me the idea of an artificial flower,
cut by a divinely inspired artist from some unknown precious stone, of the
size of a large orange and whiter than milk, and yet, in spite of its
opacity, with a crystalline lustre on the surface. Next day I went again,
scarcely hoping to find it still unwithered; it was fresh as if only just
opened; and after that I went often, sometimes at intervals of several
days, and still no faintest sign of any change, the clear, exquisite lines
still undimmed, the purity and lustre as I had first seen it. Why, I often
asked, does not this mystic forest flower fade and perish like others?
That first impression of its artificial appearance had soon left me; it
was, indeed, a flower, and, like other flowers, had life and growth, only
with that transcendent beauty it had a different kind of life.
Unconscious, but higher; perhaps immortal. Thus it would continue to bloom
when I had looked my last on it; wind and rain and sunlight would never
stain, never tinge, its sacred purity; the savage Indian, though he sees
little to admire in a flower, yet seeing this one would veil his face and
turn back; even the browsing beast crashing his way through the forest,
struck with its strange glory, would swerve aside and pass on without
harming it. Afterwards I heard from some Indians to whom I described it
that the flower I had discovered was called Hata; also that they had a
superstition concerning it—a strange belief. They said that only one
Hata flower existed in the world; that it bloomed in one spot for the
space of a moon; that on the disappearance of the moon in the sky the Hata
disappeared from its place, only to reappear blooming in some other spot,
sometimes in some distant forest. And they also said that whosoever
discovered the Hata flower in the forest would overcome all his enemies
and obtain all his desires, and finally outlive other men by many years.
But, as I have said, all this I heard afterwards, and my
half-superstitious feeling for the flower had grown up independently in my
own mind. A feeling like that was in me while I gazed on the face that had
no motion, no consciousness in it, and yet had life, a life of so high a
kind as to match with its pure, surpassing loveliness. I could almost
believe that, like the forest flower, in this state and aspect it would
endure for ever; endure and perhaps give of its own immortality to
everything around it—to me, holding her in my arms and gazing
fixedly on the pale face framed in its cloud of dark, silken hair; to the
leaping flames that threw changing lights on the dim stony wall of rock;
to old Nuflo and his two yellow dogs stretched out on the floor in
eternal, unawakening sleep.</p>
<p>This feeling took such firm possession of my mind that it kept me for a
time as motionless as the form I held in my arms. I was only released from
its power by noting still further changes in the face I watched, a more
distinct advance towards conscious life. The faint colour, which had
scarcely been more than a suspicion of colour, had deepened perceptibly;
the lids were lifted so as to show a gleam of the crystal orbs beneath;
the lips, too, were slightly parted.</p>
<p>And, at last, bending lower down to feel her breath, the beauty and
sweetness of those lips could no longer be resisted, and I touched them
with mine. Having once tasted their sweetness and fragrance, it was
impossible to keep from touching them again and again. She was not
conscious—how could she be and not shrink from my caress? Yet there
was a suspicion in my mind, and drawing back I gazed into her face once
more. A strange new radiance had overspread it. Or was this only an
illusive colour thrown on her skin by the red firelight? I shaded her face
with my open hand, and saw that her pallor had really gone, that the rosy
flame on her cheeks was part of her life. Her lustrous eyes, half open,
were gazing into mine. Oh, surely consciousness had returned to her! Had
she been sensible of those stolen kisses? Would she now shrink from
another caress? Trembling, I bent down and touched her lips again,
lightly, but lingeringly, and then again, and when I drew back and looked
at her face the rosy flame was brighter, and the eyes, more open still,
were looking into mine. And gazing with those open, conscious eyes, it
seemed to me that at last, at last, the shadow that had rested between us
had vanished, that we were united in perfect love and confidence, and that
speech was superfluous. And when I spoke, it was not without doubt and
hesitation: our bliss in those silent moments had been so complete, what
could speaking do but make it less!</p>
<p>"My love, my life, my sweet Rima, I know that you will understand me now
as you did not before, on that dark night—do you remember it, Rima?—when
I held you clasped to my breast in the wood. How it pierced my heart with
pain to speak plainly to you as I did on the mountain tonight—to
kill the hope that had sustained and brought you so far from home! But now
that anguish is over; the shadow has gone out of those beautiful eyes that
are looking at me. It is because loving me, knowing now what love is,
knowing, too, how much I love you, that you no longer need to speak to any
other living being of such things? To tell it, to show it, to me is now
enough—is it not so, Rima? How strange it seemed, at first, when you
shrank in fear from me! But, afterwards, when you prayed aloud to your
mother, opening all the secrets of your heart, I understood it. In that
lonely, isolated life in the wood you had heard nothing of love, of its
power over the heart, its infinite sweetness; when it came to you at last
it was a new, inexplicable thing, and filled you with misgivings and
tumultuous thoughts, so that you feared it and hid yourself from its
cause. Such tremors would be felt if it had always been night, with no
light except that of the stars and the pale moon, as we saw it a little
while ago on the mountain; and, at last, day dawned, and a strange,
unheard-of rose and purple flame kindled in the eastern sky, foretelling
the coming sun. It would seem beautiful beyond anything that night had
shown to you, yet you would tremble and your heart beat fast at that
strange sight; you would wish to fly to those who might be able to tell
you its meaning, and whether the sweet things it prophesied would ever
really come. That is why you wished to find your people, and came to
Riolama to seek them; and when you knew—when I cruelly told you—that
they would never be found, then you imagined that that strange feeling in
your heart must remain a secret for ever, and you could not endure the
thought of your loneliness. If you had not fainted so quickly, then I
should have told you what I must tell you now. They are lost, Rima—your
people—but I am with you, and know what you feel, even if you have
no words to tell it. But what need of words? It shines in your eyes, it
burns like a flame in your face; I can feel it in your hands. Do you not
also see it in my face—all that I feel for you, the love that makes
me happy? For this is love, Rima, the flower and the melody of life, the
sweetest thing, the sweet miracle that makes our two souls one."</p>
<p>Still resting in my arms, as if glad to rest there, still gazing into my
face, it was clear to me that she understood my every word. And then, with
no trace of doubt or fear left, I stooped again, until my lips were on
hers; and when I drew back once more, hardly knowing which bliss was
greatest—kissing her delicate mouth or gazing into her face—she
all at once put her arms about my neck and drew herself up until she sat
on my knee.</p>
<p>"Abel—shall I call you Abel now—and always?" she spoke, still
with her arms round my neck. "Ah, why did you let me come to Riolama? I
would come! I made him come—old grandfather, sleeping there: he does
not count, but you—you! After you had heard my story, and knew that
it was all for nothing! And all I wished to know was there—in you.
Oh, how sweet it is! But a little while ago, what pain! When I stood on
the mountain when you talked to me, and I knew that you knew best, and
tried and tried not to know. At last I could try no more; they were all
dead like mother; I had chased the false water on the savannah. 'Oh, let
me die too,' I said, for I could not bear the pain. And afterwards, here
in the cave, I was like one asleep, and when I woke I did not really wake.
It was like morning with the light teasing me to open my eyes and look at
it. Not yet, dear light; a little while longer, it is so sweet to lie
still. But it would not leave me, and stayed teasing me still, like a
small shining green fly; until, because it teased me so, I opened my lids
just a little. It was not morning, but the firelight, and I was in your
arms, not in my little bed. Your eyes looking, looking into mine. But I
could see yours better. I remembered everything then, how you once asked
me to look into your eyes. I remembered so many things—oh, so many!"</p>
<p>"How many things did you remember, Rima?"</p>
<p>"Listen, Abel, do you ever lie on the dry moss and look straight up into a
tree and count a thousand leaves?"</p>
<p>"No, sweetest, that could not be done, it is so many to count. Do you know
how many a thousand are?"</p>
<p>"Oh, do I not! When a humming-bird flies close to my face and stops still
in the air, humming like a bee, and then is gone, in that short time I can
count a hundred small round bright feathers on its throat. That is only a
hundred; a thousand are more, ten times. Looking up I count a thousand
leaves; then stop counting, because there are thousands more behind the
first, and thousands more, crowded together so that I cannot count them.
Lying in your arms, looking up into your face, it was like that; I could
not count the things I remembered. In the wood, when you were there, and
before; and long, long ago at Voa, when I was a child with mother."</p>
<p>"Tell me some of the things you remembered, Rima."</p>
<p>"Yes, one—only one now. When I was a child at Voa mother was very
lame—you know that. Whenever we went out, away from the houses, into
the forest, walking slowly, slowly, she would sit under a tree while I ran
about playing. And every time I came back to her I would find her so pale,
so sad, crying—crying. That was when I would hide and come softly
back so that she would not hear me coming. 'Oh, mother, why are you
crying? Does your lame foot hurt you?' And one day she took me in her arms
and told me truly why she cried."</p>
<p>She ceased speaking, but looked at me with a strange new light coming into
her eyes.</p>
<p>"Why did she cry, my love?"</p>
<p>"Oh, Abel, can you understand—now—at last!" And putting her
lips close to my ear, she began to murmur soft, melodious sounds that told
me nothing. Then drawing back her head, she looked again at me, her eyes
glistening with tears, her lips half parted with a smile, tender and
wistful.</p>
<p>Ah, poor child! in spite of all that had been said, all that had happened,
she had returned to the old delusion that I must understand her speech. I
could only return her look, sorrowfully and in silence.</p>
<p>Her face became clouded with disappointment, then she spoke again with
something of pleading in her tone. "Look, we are not now apart, I hiding
in the wood, you seeking, but together, saying the same things. In your
language—yours and now mine. But before you came I knew nothing,
nothing, for there was only grandfather to talk to. A few words each day,
the same words. If yours is mine, mine must be yours. Oh, do you not know
that mine is better?"</p>
<p>"Yes, better; but alas! Rima, I can never hope to understand your sweet
speech, much less to speak it. The bird that only chirps and twitters can
never sing like the organ-bird."</p>
<p>Crying, she hid her face against my neck, murmuring sadly between her
sobs: "Never—never!"</p>
<p>How strange it seemed, in that moment of joy, such a passion of tears,
such despondent words!</p>
<p>For some minutes I preserved a sorrowful silence, realizing for the first
time, so far as it was possible to realize such a thing, what my inability
to understand her secret language meant to her—that finer language
in which alone her swift thoughts and vivid emotions could be expressed.
Easily and well as she seemed able to declare herself in my tongue, I
could well imagine that to her it would seem like the merest stammering.
As she had said to me once when I asked her to speak in Spanish, "That is
not speaking." And so long as she could not commune with me in that better
language, which reflected her mind, there would not be that perfect union
of soul she so passionately desired.</p>
<p>By and by, as she grew calmer, I sought to say something that would be
consoling to both of us. "Sweetest Rima," I spoke, "it is so sad that I
can never hope to talk with you in your way; but a greater love than this
that is ours we could never feel, and love will make us happy, unutterably
happy, in spite of that one sadness. And perhaps, after a while, you will
be able to say all you wish in my language, which is also yours, as you
said some time ago. When we are back again in the beloved wood, and talk
once more under that tree where we first talked, and under the old mora,
where you hid yourself and threw down leaves on me, and where you caught
the little spider to show me how you made yourself a dress, you shall
speak to me in your own sweet tongue, and then try to say the same things
in mine.... And in the end, perhaps, you will find that it is not so
impossible as you think."</p>
<p>She looked at me, smiling again through her tears, and shook her head a
little.</p>
<p>"Remember what I have heard, that before your mother died you were able to
tell Nuflo and the priest what her wish was. Can you not, in the same way,
tell me why she cried?"</p>
<p>"I can tell you, but it will not be telling you."</p>
<p>"I understand. You can tell the bare facts. I can imagine something more,
and the rest I must lose. Tell me, Rima."</p>
<p>Her face became troubled; she glanced away and let her eyes wander round
the dim, firelit cavern; then they returned to mine once more.</p>
<p>"Look," she said, "grandfather lying asleep by the fire. So far away from
us—oh, so far! But if we were to go out from the cave, and on and on
to the great mountains where the city of the sun is, and stood there at
last in the midst of great crowds of people, all looking at us, talking to
us, it would be just the same. They would be like the trees and rocks and
animals—so far! Not with us nor we with them. But we are everywhere
alone together, apart—we two. It is love; I know it now, but I did
not know it before because I had forgotten what she told me. Do you think
I can tell you what she said when I asked her why she cried? Oh no! Only
this, she and another were like one, always, apart from the others. Then
something came—something came! O Abel, was that the something you
told me about on the mountain? And the other was lost for ever, and she
was alone in the forests and mountains of the world. Oh, why do we cry for
what is lost? Why do we not quickly forget it and feel glad again? Now
only do I know what you felt, O sweet mother, when you sat still and
cried, while I ran about and played and laughed! O poor mother! Oh, what
pain!" And hiding her face against my neck, she sobbed once more.</p>
<p>To my eyes also love and sympathy brought the tears; but in a little while
the fond, comforting words I spoke and my caresses recalled her from that
sad past to the present; then, lying back as at first, her head resting on
my folded cloak, her body partly supported by my encircling arm and partly
by the rock we were leaning against, her half-closed eyes turned to mine
expressed a tender assured happiness—the chastened gladness of
sunshine after rain; a soft delicious languor that was partly passionate
with the passion etherealized.</p>
<p>"Tell me, Rima," I said, bending down to her, "in all those troubled days
with me in the woods had you no happy moments? Did not something in your
heart tell you that it was sweet to love, even before you knew what love
meant?"</p>
<p>"Yes; and once—O Abel, do you remember that night, after returning
from Ytaioa, when you sat so late talking by the fire—I in the
shadow, never stirring, listening, listening; you by the fire with the
light on your face, saying so many strange things? I was happy then—oh,
how happy! It was black night and raining, and I a plant growing in the
dark, feeling the sweet raindrops falling, falling on my leaves. Oh, it
will be morning by and by and the sun will shine on my wet leaves; and
that made me glad till I trembled with happiness. Then suddenly the
lightning would come, so bright, and I would tremble with fear, and wish
that it would be dark again. That was when you looked at me sitting in the
shadow, and I could not take my eyes away quickly and could not meet
yours, so that I trembled with fear."</p>
<p>"And now there is no fear—no shadow; now you are perfectly happy?"</p>
<p>"Oh, so happy! If the way back to the wood was longer, ten times, and if
the great mountains, white with snow on their tops, were between, and the
great dark forest, and rivers wider than Orinoco, still I would go alone
without fear, because you would come after me, to join me in the wood, to
be with me at last and always."</p>
<p>"But I should not let you go alone, Rima—your lonely days are over
now."</p>
<p>She opened her eyes wider and looked earnestly into my face. "I must go
back alone, Abel," she said. "Before day comes I must leave you. Rest
here, with grandfather, for a few days and nights, then follow me."</p>
<p>I heard her with astonishment. "It must not be, Rima," I cried. "What, let
you leave me—now you are mine—to go all that distance, through
all that wild country where you might lose yourself and perish alone? Oh,
do not think of it!"</p>
<p>She listened, regarding me with some slight trouble in her eyes, but
smiling a little at the same time. Her small hand moved up my arm and
caressed my cheek; then she drew my face down to hers until our lips met.
But when I looked at her eyes again, I saw that she had not consented to
my wish. "Do I not know all the way now," she spoke, "all the mountains,
rivers, forests—how should I lose myself? And I must return quickly,
not step by step, walking—resting, resting—walking, stopping
to cook and eat, stopping to gather firewood, to make a shelter—so
many things! Oh, I shall be back in half the time; and I have so much to
do."</p>
<p>"What can you have to do, love?—everything can be done when we are
in the wood together."</p>
<p>A bright smile with a touch of mockery in it flitted over her face as she
replied: "Oh, must I tell you that there are things you cannot do? Look,
Abel," and she touched the slight garment she wore, thinner now than at
first, and dulled by long exposure to sun and wind and rain.</p>
<p>I could not command her, and seemed powerless to persuade her; but I had
not done yet, and proceeded to use every argument I could find to bring
her round to my view; and when I finished she put her arms around my neck
and drew herself up once more. "O Abel, how happy I shall be!" she said,
taking no notice of all I had said. "Think of me alone, days and days, in
the wood, waiting for you, working all the time; saying: 'Come quickly,
Abel; come slow, Abel. O Abel, how long you are! Oh, do not come until my
work is finished!' And when it is finished and you arrive you shall find
me, but not at once. First you will seek for me in the house, then in the
wood, calling: 'Rima! Rima!' And she will be there, listening, hid in the
trees, wishing to be in your arms, wishing for your lips—oh, so
glad, yet fearing to show herself. Do you know why? He told you—did
he not?—that when he first saw her she was standing before him all
in white—a dress that was like snow on the mountain-tops when the
sun is setting and gives it rose and purple colour. I shall be like that,
hidden among the trees, saying: 'Am I different—not like Rima? Will
he know me—will he love me just the same?' Oh, do I not know that
you will be glad, and love me, and call me beautiful? Listen! Listen!" she
suddenly exclaimed, lifting her face.</p>
<p>Among the bushes not far from the cave's mouth a small bird had broken out
in song, a clear, tender melody soon taken up by other birds further away.</p>
<p>"It will soon be morning," she said, and then clasped her arms about me
once more and held me in a long, passionate embrace; then slipping away
from my arms and with one swift glance at the sleeping old man, passed out
of the cave.</p>
<p>For a few moments I remained sitting, not yet realizing that she had left
me, so suddenly and swiftly had she passed from my arms and my sight;
then, recovering my faculties, I started up and rushed out in hopes of
overtaking her.</p>
<p>It was not yet dawn, but there was still some light from the full moon,
now somewhere behind the mountains. Running to the verge of the bushgrown
plateau, I explored the rocky slope beneath without seeing her form, and
then called: "Rima! Rima!"</p>
<p>A soft, warbling sound, uttered by no bird, came up from the shadowy
bushes far below; and in that direction I ran on; then pausing, called
again. The sweet sound was repeated once more, but much lower down now,
and so faintly that I scarcely heard it. And when I went on further and
called again and again, there was no reply, and I knew that she had indeed
gone on that long journey alone.</p>
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