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<h2> CHAPTER XIV. William Bent Pitman Hears of Something to his Advantage </h2>
<p>On the morning of Sunday, William Dent Pitman rose at his usual hour,
although with something more than the usual reluctance. The day before (it
should be explained) an addition had been made to his family in the person
of a lodger. Michael Finsbury had acted sponsor in the business, and
guaranteed the weekly bill; on the other hand, no doubt with a spice of
his prevailing jocularity, he had drawn a depressing portrait of the
lodger's character. Mr Pitman had been led to understand his guest was not
good company; he had approached the gentleman with fear, and had rejoiced
to find himself the entertainer of an angel. At tea he had been vastly
pleased; till hard on one in the morning he had sat entranced by eloquence
and progressively fortified with information in the studio; and now, as he
reviewed over his toilet the harmless pleasures of the evening, the future
smiled upon him with revived attractions. 'Mr Finsbury is indeed an
acquisition,' he remarked to himself; and as he entered the little
parlour, where the table was already laid for breakfast, the cordiality of
his greeting would have befitted an acquaintanceship already old.</p>
<p>'I am delighted to see you, sir'—these were his expressions—'and
I trust you have slept well.'</p>
<p>'Accustomed as I have been for so long to a life of almost perpetual
change,' replied the guest, 'the disturbance so often complained of by the
more sedentary, as attending their first night in (what is called) a new
bed, is a complaint from which I am entirely free.'</p>
<p>'I am delighted to hear it,' said the drawing-master warmly. 'But I see I
have interrupted you over the paper.'</p>
<p>'The Sunday paper is one of the features of the age,' said Mr Finsbury.
'In America, I am told, it supersedes all other literature, the bone and
sinew of the nation finding their requirements catered for; hundreds of
columns will be occupied with interesting details of the world's doings,
such as water-spouts, elopements, conflagrations, and public
entertainments; there is a corner for politics, ladies' work, chess,
religion, and even literature; and a few spicy editorials serve to direct
the course of public thought. It is difficult to estimate the part played
by such enormous and miscellaneous repositories in the education of the
people. But this (though interesting in itself) partakes of the nature of
a digression; and what I was about to ask you was this: Are you yourself a
student of the daily press?'</p>
<p>'There is not much in the papers to interest an artist,' returned Pitman.</p>
<p>'In that case,' resumed Joseph, 'an advertisement which has appeared the
last two days in various journals, and reappears this morning, may
possibly have failed to catch your eye. The name, with a trifling
variation, bears a strong resemblance to your own. Ah, here it is. If you
please, I will read it to you:</p>
<p>WILIAM BENT PITMAN, if this should meet the eye of, he will hear of
SOMETHING TO HIS ADVANTAGE at the far end of the main line departure
platform, Waterloo Station, 2 to 4 P.M. today.</p>
<p>'Is that in print?' cried Pitman. 'Let me see it! Bent? It must be Dent!
SOMETHING TO MY ADVANTAGE? Mr Finsbury, excuse me offering a word of
caution; I am aware how strangely this must sound in your ears, but there
are domestic reasons why this little circumstance might perhaps be better
kept between ourselves. Mrs Pitman—my dear Sir, I assure you there
is nothing dishonourable in my secrecy; the reasons are domestic, merely
domestic; and I may set your conscience at rest when I assure you all the
circumstances are known to our common friend, your excellent nephew, Mr
Michael, who has not withdrawn from me his esteem.'</p>
<p>'A word is enough, Mr Pitman,' said Joseph, with one of his Oriental
reverences.</p>
<p>Half an hour later, the drawing-master found Michael in bed and reading a
book, the picture of good-humour and repose.</p>
<p>'Hillo, Pitman,' he said, laying down his book, 'what brings you here at
this inclement hour? Ought to be in church, my boy!'</p>
<p>'I have little thought of church today, Mr Finsbury,' said the
drawing-master. 'I am on the brink of something new, Sir.' And he
presented the advertisement.</p>
<p>'Why, what is this?' cried Michael, sitting suddenly up. He studied it for
half a minute with a frown. 'Pitman, I don't care about this document a
particle,' said he.</p>
<p>'It will have to be attended to, however,' said Pitman.</p>
<p>'I thought you'd had enough of Waterloo,' returned the lawyer. 'Have you
started a morbid craving? You've never been yourself anyway since you lost
that beard. I believe now it was where you kept your senses.'</p>
<p>'Mr Finsbury,' said the drawing-master, 'I have tried to reason this
matter out, and, with your permission, I should like to lay before you the
results.'</p>
<p>'Fire away,' said Michael; 'but please, Pitman, remember it's Sunday, and
let's have no bad language.'</p>
<p>'There are three views open to us,' began Pitman. 'First this may be
connected with the barrel; second, it may be connected with Mr
Semitopolis's statue; and third, it may be from my wife's brother, who
went to Australia. In the first case, which is of course possible, I
confess the matter would be best allowed to drop.'</p>
<p>'The court is with you there, Brother Pitman,' said Michael.</p>
<p>'In the second,' continued the other, 'it is plainly my duty to leave no
stone unturned for the recovery of the lost antique.'</p>
<p>'My dear fellow, Semitopolis has come down like a trump; he has pocketed
the loss and left you the profit. What more would you have?' enquired the
lawyer.</p>
<p>'I conceive, sir, under correction, that Mr Semitopolis's generosity binds
me to even greater exertion,' said the drawing-master. 'The whole business
was unfortunate; it was—I need not disguise it from you—it was
illegal from the first: the more reason that I should try to behave like a
gentleman,' concluded Pitman, flushing.</p>
<p>'I have nothing to say to that,' returned the lawyer. 'I have sometimes
thought I should like to try to behave like a gentleman myself; only it's
such a one-sided business, with the world and the legal profession as they
are.'</p>
<p>'Then, in the third,' resumed the drawing-master, 'if it's Uncle Tim, of
course, our fortune's made.'</p>
<p>'It's not Uncle Tim, though,' said the lawyer.</p>
<p>'Have you observed that very remarkable expression: SOMETHING TO HIS
ADVANTAGE?' enquired Pitman shrewdly.</p>
<p>'You innocent mutton,' said Michael, 'it's the seediest commonplace in the
English language, and only proves the advertiser is an ass. Let me
demolish your house of cards for you at once. Would Uncle Tim make that
blunder in your name?—in itself, the blunder is delicious, a huge
improvement on the gross reality, and I mean to adopt it in the future;
but is it like Uncle Tim?'</p>
<p>'No, it's not like him,' Pitman admitted. 'But his mind may have become
unhinged at Ballarat.'</p>
<p>'If you come to that, Pitman,' said Michael, 'the advertiser may be Queen
Victoria, fired with the desire to make a duke of you. I put it to
yourself if that's probable; and yet it's not against the laws of nature.
But we sit here to consider probabilities; and with your genteel
permission, I eliminate her Majesty and Uncle Tim on the threshold. To
proceed, we have your second idea, that this has some connection with the
statue. Possible; but in that case who is the advertiser? Not Ricardi, for
he knows your address; not the person who got the box, for he doesn't know
your name. The vanman, I hear you suggest, in a lucid interval. He might
have got your name, and got it incorrectly, at the station; and he might
have failed to get your address. I grant the vanman. But a question: Do
you really wish to meet the vanman?'</p>
<p>'Why should I not?' asked Pitman.</p>
<p>'If he wants to meet you,' replied Michael, 'observe this: it is because
he has found his address-book, has been to the house that got the statue,
and-mark my words!—is moving at the instigation of the murderer.'</p>
<p>'I should be very sorry to think so,' said Pitman; 'but I still consider
it my duty to Mr Sernitopolis. . .'</p>
<p>'Pitman,' interrupted Michael, 'this will not do. Don't seek to impose on
your legal adviser; don't try to pass yourself off for the Duke of
Wellington, for that is not your line. Come, I wager a dinner I can read
your thoughts. You still believe it's Uncle Tim.'</p>
<p>'Mr Finsbury,' said the drawing-master, colouring, 'you are not a man in
narrow circumstances, and you have no family. Guendolen is growing up, a
very promising girl—she was confirmed this year; and I think you
will be able to enter into my feelings as a parent when I tell you she is
quite ignorant of dancing. The boys are at the board school, which is all
very well in its way; at least, I am the last man in the world to
criticize the institutions of my native land. But I had fondly hoped that
Harold might become a professional musician; and little Otho shows a quite
remarkable vocation for the Church. I am not exactly an ambitious man...'</p>
<p>'Well, well,' interrupted Michael. 'Be explicit; you think it's Uncle
Tim?'</p>
<p>'It might be Uncle Tim,' insisted Pitman, 'and if it were, and I neglected
the occasion, how could I ever took my children in the face? I do not
refer to Mrs Pitman. . .'</p>
<p>'No, you never do,' said Michael.</p>
<p>'. . . but in the case of her own brother returning from Ballarat. . .'
continued Pitman.</p>
<p>'. . . with his mind unhinged,' put in the lawyer.</p>
<p>'. . . returning from Ballarat with a large fortune, her impatience may be
more easily imagined than described,' concluded Pitman.</p>
<p>'All right,' said Michael, 'be it so. And what do you propose to do?'</p>
<p>'I am going to Waterloo,' said Pitman, 'in disguise.'</p>
<p>'All by your little self?' enquired the lawyer. 'Well, I hope you think it
safe. Mind and send me word from the police cells.'</p>
<p>'O, Mr Finsbury, I had ventured to hope—perhaps you might be induced
to—to make one of us,' faltered Pitman.</p>
<p>'Disguise myself on Sunday?' cried Michael. 'How little you understand my
principles!'</p>
<p>'Mr Finsbury, I have no means of showing you my gratitude; but let me ask
you one question,' said Pitman. 'If I were a very rich client, would you
not take the risk?'</p>
<p>'Diamond, Diamond, you know not what you do!' cried Michael. 'Why, man, do
you suppose I make a practice of cutting about London with my clients in
disguise? Do you suppose money would induce me to touch this business with
a stick? I give you my word of honour, it would not. But I own I have a
real curiosity to see how you conduct this interview—that tempts me;
it tempts me, Pitman, more than gold—it should be exquisitely rich.'
And suddenly Michael laughed. 'Well, Pitman,' said he, 'have all the truck
ready in the studio. I'll go.'</p>
<p>About twenty minutes after two, on this eventful day, the vast and gloomy
shed of Waterloo lay, like the temple of a dead religion, silent and
deserted. Here and there at one of the platforms, a train lay becalmed;
here and there a wandering footfall echoed; the cab-horses outside stamped
with startling reverberations on the stones; or from the neighbouring
wilderness of railway an engine snorted forth a whistle. The main-line
departure platform slumbered like the rest; the booking-hutches closed;
the backs of Mr Haggard's novels, with which upon a weekday the bookstall
shines emblazoned, discreetly hidden behind dingy shutters; the rare
officials, undisguisedly somnambulant; and the customary loiterers, even
to the middle-aged woman with the ulster and the handbag, fled to more
congenial scenes. As in the inmost dells of some small tropic island the
throbbing of the ocean lingers, so here a faint pervading hum and
trepidation told in every corner of surrounding London.</p>
<p>At the hour already named, persons acquainted with John Dickson, of
Ballarat, and Ezra Thomas, of the United States of America, would have
been cheered to behold them enter through the booking-office.</p>
<p>'What names are we to take?' enquired the latter, anxiously adjusting the
window-glass spectacles which he had been suffered on this occasion to
assume.</p>
<p>'There's no choice for you, my boy,' returned Michael. 'Bent Pitman or
nothing. As for me, I think I look as if I might be called Appleby;
something agreeably old-world about Appleby—breathes of Devonshire
cider. Talking of which, suppose you wet your whistle? the interview is
likely to be trying.'</p>
<p>'I think I'll wait till afterwards,' returned Pitman; 'on the whole, I
think I'll wait till the thing's over. I don't know if it strikes you as
it does me; but the place seems deserted and silent, Mr Finsbury, and
filled with very singular echoes.'</p>
<p>'Kind of Jack-in-the-box feeling?' enquired Michael, 'as if all these
empty trains might be filled with policemen waiting for a signal? and Sir
Charles Warren perched among the girders with a silver whistle to his
lips? It's guilt, Pitman.'</p>
<p>In this uneasy frame of mind they walked nearly the whole length of the
departure platform, and at the western extremity became aware of a slender
figure standing back against a pillar. The figure was plainly sunk into a
deep abstraction; he was not aware of their approach, but gazed far abroad
over the sunlit station. Michael stopped.</p>
<p>'Holloa!' said he, 'can that be your advertiser? If so, I'm done with it.'
And then, on second thoughts: 'Not so, either,' he resumed more
cheerfully. 'Here, turn your back a moment. So. Give me the specs.'</p>
<p>'But you agreed I was to have them,' protested Pitman.</p>
<p>'Ah, but that man knows me,' said Michael.</p>
<p>'Does he? what's his name?' cried Pitman.</p>
<p>'O, he took me into his confidence,' returned the lawyer. 'But I may say
one thing: if he's your advertiser (and he may be, for he seems to have
been seized with criminal lunacy) you can go ahead with a clear
conscience, for I hold him in the hollow of my hand.'</p>
<p>The change effected, and Pitman comforted with this good news, the pair
drew near to Morris.</p>
<p>'Are you looking for Mr William Bent Pitman?' enquired the drawing-master.
'I am he.'</p>
<p>Morris raised his head. He saw before him, in the speaker, a person of
almost indescribable insignificance, in white spats and a shirt cut
indecently low. A little behind, a second and more burly figure offered
little to criticism, except ulster, whiskers, spectacles, and deerstalker
hat. Since he had decided to call up devils from the underworld of London,
Morris had pondered deeply on the probabilities of their appearance. His
first emotion, like that of Charoba when she beheld the sea, was one of
disappointment; his second did more justice to the case. Never before had
he seen a couple dressed like these; he had struck a new stratum.</p>
<p>'I must speak with you alone,' said he.</p>
<p>'You need not mind Mr Appleby,' returned Pitman. 'He knows all.'</p>
<p>'All? Do you know what I am here to speak of?' enquired Morris—.
'The barrel.'</p>
<p>Pitman turned pale, but it was with manly indignation. 'You are the man!'
he cried. 'You very wicked person.'</p>
<p>'Am I to speak before him?' asked Morris, disregarding these severe
expressions.</p>
<p>'He has been present throughout,' said Pitman. 'He opened the barrel; your
guilty secret is already known to him, as well as to your Maker and
myself.'</p>
<p>'Well, then,' said Morris, 'what have you done with the money?'</p>
<p>'I know nothing about any money,' said Pitman.</p>
<p>'You needn't try that on,' said Morris. 'I have tracked you down; you came
to the station sacrilegiously disguised as a clergyman, procured my
barrel, opened it, rifled the body, and cashed the bill. I have been to
the bank, I tell you! I have followed you step by step, and your denials
are childish and absurd.'</p>
<p>'Come, come, Morris, keep your temper,' said Mr Appleby.</p>
<p>'Michael!' cried Morris, 'Michael here too!'</p>
<p>'Here too,' echoed the lawyer; 'here and everywhere, my good fellow; every
step you take is counted; trained detectives follow you like your shadow;
they report to me every three-quarters of an hour; no expense is spared.'</p>
<p>Morris's face took on a hue of dirty grey. 'Well, I don't care; I have the
less reserve to keep,' he cried. 'That man cashed my bill; it's a theft,
and I want the money back.'</p>
<p>'Do you think I would lie to you, Morris?' asked Michael.</p>
<p>'I don't know,' said his cousin. 'I want my money.'</p>
<p>'It was I alone who touched the body,' began Michael.</p>
<p>'You? Michael!' cried Morris, starting back. 'Then why haven't you
declared the death?' 'What the devil do you mean?' asked Michael.</p>
<p>'Am I mad? or are you?' cried Morris.</p>
<p>'I think it must be Pitman,' said Michael.</p>
<p>The three men stared at each other, wild-eyed.</p>
<p>'This is dreadful,' said Morris, 'dreadful. I do not understand one word
that is addressed to me.'</p>
<p>'I give you my word of honour, no more do I,' said Michael.</p>
<p>'And in God's name, why whiskers?' cried Morris, pointing in a ghastly
manner at his cousin. 'Does my brain reel? How whiskers?'</p>
<p>'O, that's a matter of detail,' said Michael.</p>
<p>There was another silence, during which Morris appeared to himself to be
shot in a trapeze as high as St Paul's, and as low as Baker Street
Station.</p>
<p>'Let us recapitulate,' said Michael, 'unless it's really a dream, in which
case I wish Teena would call me for breakfast. My friend Pitman, here,
received a barrel which, it now appears, was meant for you. The barrel
contained the body of a man. How or why you killed him...'</p>
<p>'I never laid a hand on him,' protested Morris. 'This is what I have
dreaded all along. But think, Michael! I'm not that kind of man; with all
my faults, I wouldn't touch a hair of anybody's head, and it was all dead
loss to me. He got killed in that vile accident.'</p>
<p>Suddenly Michael was seized by mirth so prolonged and excessive that his
companions supposed beyond a doubt his reason had deserted him. Again and
again he struggled to compose himself, and again and again laughter
overwhelmed him like a tide. In all this maddening interview there had
been no more spectral feature than this of Michael's merriment; and Pitman
and Morris, drawn together by the common fear, exchanged glances of
anxiety.</p>
<p>'Morris,' gasped the lawyer, when he was at last able to articulate, 'hold
on, I see it all now. I can make it clear in one word. Here's the key: I
NEVER GUESSED IT WAS UNCLE JOSEPH TILL THIS MOMENT.'</p>
<p>This remark produced an instant lightening of the tension for Morris. For
Pitman it quenched the last ray of hope and daylight. Uncle Joseph, whom
he had left an hour ago in Norfolk Street, pasting newspaper cuttings?—it?—the
dead body?—then who was he, Pitman? and was this Waterloo Station or
Colney Hatch?</p>
<p>'To be sure!' cried Morris; 'it was badly smashed, I know. How stupid not
to think of that! Why, then, all's clear; and, my dear Michael, I'll tell
you what—we're saved, both saved. You get the tontine—I don't
grudge it you the least—and I get the leather business, which is
really beginning to look up. Declare the death at once, don't mind me in
the smallest, don't consider me; declare the death, and we're all right.'</p>
<p>'Ah, but I can't declare it,' said Michael.</p>
<p>'Why not?' cried Morris.</p>
<p>'I can't produce the corpus, Morris. I've lost it,' said the lawyer.</p>
<p>'Stop a bit,' ejaculated the leather merchant. 'How is this? It's not
possible. I lost it.'</p>
<p>'Well, I've lost it too, my son,' said Michael, with extreme serenity.
'Not recognizing it, you see, and suspecting something irregular in its
origin, I got rid of—what shall we say?—got rid of the
proceeds at once.'</p>
<p>'You got rid of the body? What made you do that?' walled Morris. 'But you
can get it again? You know where it is?'</p>
<p>'I wish I did, Morris, and you may believe me there, for it would be a
small sum in my pocket; but the fact is, I don't,' said Michael.</p>
<p>'Good Lord,' said Morris, addressing heaven and earth, 'good Lord, I've
lost the leather business!'</p>
<p>Michael was once more shaken with laughter.</p>
<p>'Why do you laugh, you fool?' cried his cousin, 'you lose more than I.
You've bungled it worse than even I did. If you had a spark of feeling,
you would be shaking in your boots with vexation. But I'll tell you one
thing—I'll have that eight hundred pound—I'll have that and go
to Swan River—that's mine, anyway, and your friend must have forged
to cash it. Give me the eight hundred, here, upon this platform, or I go
straight to Scotland Yard and turn the whole disreputable story inside
out.'</p>
<p>'Morris,' said Michael, laying his hand upon his shoulder, 'hear reason.
It wasn't us, it was the other man. We never even searched the body.'</p>
<p>'The other man?' repeated Morris.</p>
<p>'Yes, the other man. We palmed Uncle Joseph off upon another man,' said
Michael.</p>
<p>'You what? You palmed him off? That's surely a singular expression,' said
Morris.</p>
<p>'Yes, palmed him off for a piano,' said Michael with perfect simplicity.
'Remarkably full, rich tone,' he added.</p>
<p>Morris carried his hand to his brow and looked at it; it was wet with
sweat. 'Fever,' said he.</p>
<p>'No, it was a Broadwood grand,' said Michael. 'Pitman here will tell you
if it was genuine or not.'</p>
<p>'Eh? O! O yes, I believe it was a genuine Broadwood; I have played upon it
several times myself,' said Pitman. 'The three-letter E was broken.'</p>
<p>'Don't say anything more about pianos,' said Morris, with a strong
shudder; 'I'm not the man I used to be! This—this other man—let's
come to him, if I can only manage to follow. Who is he? Where can I get
hold of him?'</p>
<p>'Ah, that's the rub,' said Michael. 'He's been in possession of the
desired article, let me see—since Wednesday, about four o'clock, and
is now, I should imagine, on his way to the isles of Javan and Gadire.'</p>
<p>'Michael,' said Morris pleadingly, 'I am in a very weak state, and I beg
your consideration for a kinsman. Say it slowly again, and be sure you are
correct. When did he get it?'</p>
<p>Michael repeated his statement.</p>
<p>'Yes, that's the worst thing yet,' said Morris, drawing in his breath.</p>
<p>'What is?' asked the lawyer.</p>
<p>'Even the dates are sheer nonsense,' said the leather merchant.</p>
<p>'The bill was cashed on Tuesday. There's not a gleam of reason in the
whole transaction.'</p>
<p>A young gentleman, who had passed the trio and suddenly started and turned
back, at this moment laid a heavy hand on Michael's shoulder.</p>
<p>'Aha! so this is Mr Dickson?' said he.</p>
<p>The trump of judgement could scarce have rung with a more dreadful note in
the ears of Pitman and the lawyer. To Morris this erroneous name seemed a
legitimate enough continuation of the nightmare in which he had so long
been wandering. And when Michael, with his brand-new bushy whiskers, broke
from the grasp of the stranger and turned to run, and the weird little
shaven creature in the low-necked shirt followed his example with a
bird-like screech, and the stranger (finding the rest of his prey escape
him) pounced with a rude grasp on Morris himself, that gentleman's frame
of mind might be very nearly expressed in the colloquial phrase: 'I told
you so!'</p>
<p>'I have one of the gang,' said Gideon Forsyth.</p>
<p>'I do not understand,' said Morris dully.</p>
<p>'O, I will make you understand,' returned Gideon grimly.</p>
<p>'You will be a good friend to me if you can make me understand anything,'
cried Morris, with a sudden energy of conviction.</p>
<p>'I don't know you personally, do I?' continued Gideon, examining his
unresisting prisoner. 'Never mind, I know your friends. They are your
friends, are they not?'</p>
<p>'I do not understand you,' said Morris.</p>
<p>'You had possibly something to do with a piano?' suggested Gideon.</p>
<p>'A piano!' cried Morris, convulsively clasping Gideon by the arm. 'Then
you're the other man! Where is it? Where is the body? And did you cash the
draft?'</p>
<p>'Where is the body? This is very strange,' mused Gideon. 'Do you want the
body?'</p>
<p>'Want it?' cried Morris. 'My whole fortune depends upon it! I lost it.
Where is it? Take me to it?</p>
<p>'O, you want it, do you? And the other man, Dickson—does he want
it?' enquired Gideon.</p>
<p>'Who do you mean by Dickson? O, Michael Finsbury! Why, of course he does!
He lost it too. If he had it, he'd have won the tontine tomorrow.'</p>
<p>'Michael Finsbury! Not the solicitor?' cried Gideon. 'Yes, the solicitor,'
said Morris. 'But where is the body?'</p>
<p>'Then that is why he sent the brief! What is Mr Finsbury's private
address?' asked Gideon.</p>
<p>'233 King's Road. What brief? Where are you going? Where is the body?'
cried Morris, clinging to Gideon's arm.</p>
<p>'I have lost it myself,' returned Gideon, and ran out of the station.</p>
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