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<h2> XIV. </h2>
<p>While Pete and Philip were driving over the road from Douglas, Kate was
sitting with the child on her lap before the fire in Elm Cottage. Her eyes
were restless, her manner agitated. She looked out at the window from time
to time. The setting sun behind the house still held the day with
horizontal shafts of light in the spring green of the transparent leaves.</p>
<p>"Wouldn't you like to see the procession to-night, Nancy?" she said.</p>
<p>"Aw, mortal," said Nancy. "But I won't get lave, though. 'Take care of my
two girls,' says he——"</p>
<p>"You may go, Nancy; I'll see to baby," said Kate.</p>
<p>"But the man himself, woman; he'll be coming home as hungry as a hunter."</p>
<p>"I'll see to his supper, too," said Kate. "Carry the key with you that you
may let yourself in, and be back at half-past seven."</p>
<p>Then Nancy began to fly about the kitchen like sputter-ings out of the
frying-pan—filling the kettle, lighting the lamp, and getting
together the baby's night-clothes. Kate watched her and glanced at the
clock.</p>
<p>"Was the town quiet when you were out for the bacon, Nancy?" she said.</p>
<p>"Quiet enough," said Nancy. "Everybody flying off Le-zayre way already—except
what were making for the quay."</p>
<p>"Is the steamer sailing to-night, then?''</p>
<p>"Yes, the <i>Peveril</i>; but not water enough to float her till half-past
seven, they were saying. Here's the lil one's nightdress, and here's her
binder, bless her—just big enough for a bandage for a person's wrist
if she sprained it churning."</p>
<p>"Lay them on the fender to air, Nancy—I'll not undress baby yet
awhile. And see—it's nearly seven."</p>
<p>"I'll be pinning my shawl on and away like the wind," said Nancy. "The
bogh!" she said, with the pin between her teeth. "She's off again. Do you
really think, now, the angels in heaven are as sweet and innocent, Kirry?
I don't. They can't if they're grown up. And having to climb Jacob's
ladder, poor things, they must be. Then, if they're men—but that's
ridiculous, anyway."</p>
<p>"The clock is striking, Nancy. No use going when everything's over," said
Kate, and the foot with which she rocked the child went faster now that
the little one was asleep.</p>
<p>"Sakes alive! Let me tie the strings of my bonnet, woman. Pity you can't
come yourself, Kitty. But if they're worth their salt they'll be whipping
round this way and giving you a lil tune, anyway."</p>
<p>"Have you got the key, Nancy?"</p>
<p>"Yes, and I'll be back in an hour. And mind you put baby to bed soon, and
mind you—and mind you——"</p>
<p>With as many warnings as if she had been mistress and Kate the servant,
Nancy backed herself out of the house. It was now dark outside.</p>
<p>Kate rose immediately, put the child in the cradle, and began to lay the
table for Pete's supper—the cruet, the plates, the teapot on the hob
to warm, and then—by force of habit—two cups and saucers. But
sight of the cups awakened her to painful consciousness. She put one of
them back in the cupboard, broke the coal on the fire, settled the kettle
up to the blaze, fixed the Dutch oven with three rashers of bacon before
the bars, then lit a candle, and, with a nervous look around, turned to go
upstairs.</p>
<p>In the bedroom she drew on her cloak, pinned her hat and veil with
trembling fingers, then took her purse from her pocket and emptied its
contents onto the dressing-table.</p>
<p>"Not mine," she thought. And standing before the mirror at that moment,
she caught sight of her earrings. "I must take nothing of his," she told
herself, and she raised her hands to her ears. Then her heart smote her.
"As if Pete would ever think of such things," she thought. "No, not if I
took everything he has in the world. And must <i>I</i> be thinking of
them?... Yet I cannot—I will not take them with me."</p>
<p>She opened a drawer and hurried everything into it—the money, the
earrings, the keeper off her finger, and then she paused at the touch of
the wedding-ring. A superstitious instinct restrained her. Yet the ring
was the badge of her broken covenant. "With this ring I thee wed——"
She tore off the wedding-ring also, and cast it with the rest.</p>
<p>"He will find them," she thought. "There will be nothing else to tell him
what has happened. He will come, and I shall be gone. He will call, and
there will be no answer. He will look for me, and I shall be lost to him
for ever. Not a word left behind. Not a line to say, 'Thank you and
good-bye and God bless you, dear Pete, for all your love and goodness to
rae."'</p>
<p>It was cruel—very cruel—yet what could she write? What could
she say that had not better be left unsaid? The least syllable—no,
the uncertainty would be kinder. Perhaps Pete would think she was dead—perhaps
that she had destroyed herself. Even that would not be so bitter as the
truth. He would get over it—he would become reconciled. "No," she
thought, "I can write nothing—I can leave no message."</p>
<p>She shut the drawer quickly, and picked up the candle. As she did so, the
shadow of herself moved about her. It mounted from the floor to the wall,
from the wall to the ceiling. When she walked it seemed to be on top of
her, hanging over her, pressing down on her, crushing her. She grew cold
and sick, and hastened to the door. The room was full of other shadows—the
memories of sleepless nights and of painful awakenings. These stared at
her from every familiar thing—the watch ticking in its stand on the
mantelpiece, the handle of the wardrobe, the pink curtains of the bed, the
white pillow beneath them. She felt like a frightened child. With a
terrified glance over her shoulder she crept out of the room.</p>
<p>Being downstairs again, she breathed more freely. There was light all
about her, and the hall-parlour was bright and warm. The kettle was now
singing in the cheerful blaze, the cat was purring on the rug, and there
was a smell of bacon slowly frying. She looked at the clock—it was a
quarter after seven. "Time to waken baby," she thought.</p>
<p>She took from a chest the child's outdoor clothes—a robe, a pelisse,
and a white hood. Her fingers had touched a scarlet hood in a cardboard
box, but "not that" she thought, and left it. She spread the clothes about
her chair, and then lifted the little one from the cradle to her pillowing
arm. The child awoke as she raised it, and made a fretful cry, which she
smothered in a gurgling kiss.</p>
<p>"I can love the darling without shame now," she thought. "It's sweet face
will reproach me no more."</p>
<p>With soft cooings at the baby's cheek, she was stooping to take the robe
that lay at her feet, when her eyes fell on the round place in the cradle
where the child had been. That made her think again of Pete. He would come
home and find the little nest cold and empty. It would kill him; it would
be a second bereavement. Was it not enough that she should go away
herself? Must she rob him of the child as well? He loved it; he doted on
it. It was the light of his eyes, the joy of his life. To lose it would be
a blow like the blow of death.</p>
<p>Yet could a mother leave her child behind her? Impossible! The full tide
of motherhood came over her, and its tender selfishness swept down
everything. "I cannot," she thought; "come what may, I cannot and I will
not leave her." And then she reached her hand for the child's pelisse.</p>
<p>"It would be a kind of atonement, though," she thought. To leave the
little one to Pete would be making amends in some sort for the wrong that
she was doing him. To deny herself the sight of the child's sweet face day
by day and hour by hour—that would be a punishment also, and she
deserved to be punished. "Can I leave her?" she thought. "Can I? Oh, what
mother could bear it? No, no—never, never! And yet I ought—I
must—Oh, this is terrible!"</p>
<p>In the midst of this agony of uncertainty, thinking of Pete and of the
wrong she had done him, yet pressing the child to her breast with
trembling arms, as if some one were tearing it away, the babe itself
settled everything. Making some inarticulate whimper of communication, it
nuzzled up to her, its eyes closed, but its head working against her bosom
with the instinct of suckling, though it had never sucked.</p>
<p>"I'm only half a mother, after all," she thought.</p>
<p>The highest joys, the deepest rights of motherhood had been denied to her—the
child taking from the mother, the mother giving to the child, the child
and the mother one—: this had not been hers.</p>
<p>"My little baby can live without me," she thought. "If I leave her, she
will never miss me."</p>
<p>She nearly broke down at that thought, and almost let her purpose slip. It
was like God's punishment in advance, God's hand directing her—thus
to withdraw the child from dependence on herself.</p>
<p>"Yes, I must leave her with Pete," she thought.</p>
<p>She put the child back into the cradle, half dressed as it was, and rocked
it until it slept again. Then she hung over the tiny bed as a mother hangs
over the little coffin that is soon to be shut up from her eyes for ever.
Her tears rained down on the small counterpane. "My sweet baby I my little
Katherine! I may never kiss you again—never see you any more'—you
may grow up to be a woman and know nothing of your mother!"</p>
<p>The clock ticked loud in the quiet room—it was twenty-five minutes
past seven.</p>
<p>"One kiss more, my little darling. If they ever tell you... they'll say
because your mother left you... Oh, will she think I did not love her?
Hush!"</p>
<p>Through the walls of the house there came the sound of a band playing at a
distance. She looked at the clock again—it was nearly half-past
seven. Almost at the same moment there was the rumble of carriage-wheels
on the road. They stopped in the lane that ran between the chapel and the
end of the garden.</p>
<p>Kate rose from her knees and opened the door softly. The house had been as
a dungeon to her, and she was flying from it like a prisoner escaping. A
shrill whistle pierced the air. The <i>Peveril</i> was leaving the quay.
Through the streets there was a sound as of water running over stones. It
was the scuttling of the feet of the townspeople as they ran to meet the
procession.</p>
<p>She stepped out. The garden was dark and quiet as a prison yard; Hardly a
leaf stirred, but the moon was breaking through the old fir-tree as she
lifted her troubled face to the untroubled sky. She stood and listened.
The band was coming nearer. She could hear the thud of the big drum.</p>
<p>Boom! Boom! Boom!</p>
<p>Pete was there. He was helping at Philip's triumph. That was the beat of
his great heart made audible.</p>
<p>At this her own heart stopped for a moment. She grew chill at the thought
of the brave man who asked no better lot than to love and cherish her, and
at the memory of the other upon whose mercy she had cast herself. The band
stopped. There was a noise like the breaking of a mighty rocket in the
sky. The people were cheering and clapping hands. Then a clearer sound
struck her ear. It was the clock inside the house chiming the half-hour.</p>
<p>Nancy would be back soon.</p>
<p>Kate listened intently, inclining her head inwards. If the child had
awakened at that instant, if it had stirred and cried, she must have gone
back for good. She returned for one moment and flung herself over the
cradle again. One spasm more of lingering tenderness. "Good-bye, my little
one! I am leaving you with him, darling, because he loves you dearly. You
will grow up and be a good, good girl to him always. Good-bye, my pet! My
precious, my precious! You will reward him for all he has done for me. You
are half of myself, dearest—the innocent half. Yes, you will wipe
out your mother's sin. You will be all he thinks I am, but never have
been. Farewell, my sweet Katherine, my little, darling baby—good-bye—farewell—good-bye!"</p>
<p>She leapt up and fled out of the house at last, on tiptoe, like a thief,
pulling the door after her.</p>
<p>When she heard the click of the lock she felt both wretchedness and
exultation—immense agony and immense relief. If little Katherine
were to cry now, she could not return to her. The door was closed, the
house was shut, the prison was left behind. And behind her, too, were the
treachery, the duplicity, and deceit of ten stifling months.</p>
<p>She hurried through the garden to a side-door in the wall leading to the
lane. The path was like a wave of the sea to her stumbling feet. Her
breathing was short, her sight was weak, her temples were beating audibly.
Half across the garden something touched her dress, and she made a faint
scream. It was Pete's dog, Dempster. He was looking up at her out of the
darkness of the bushes. By the light through the blind of the house she
could see his bat's ears and watchful eyes.</p>
<p>Boom! Boom! Boom!</p>
<p>The band had begun again. It was coming nearer. Philip! Philip! He was her
only refuge now. All else was a blank.</p>
<p>The side-door had been little used. Its hinges and bolt were rusty and
stiff. She broke her nails in opening it. From the other side came the
light jingle of a curb chain, and over the wall hovered a white sheet of
smoking light.</p>
<p>The carriage was in the lane, and the driver—Philip's servant,
Jem-y-Lord—stood with the door open. Kate stumbled on the step and
fell into the seat. The door was closed.</p>
<p>Then a new thought smote her. It was about the child, about Philip, about
Pete. In leaving the little one behind her, though she had meant it so
unselfishly, she had done the one thing that must be big with
consequences. It would bring its penalty, its punishment, its retribution.
Stop! She would go back even yet. Her face was against the glass; she was
struggling with the strap. But the carriage was moving. She heard the
rumble of the wheels; it was like a deafening reverberation from the day
of doom. Then her senses dwaled away and the carriage drove on.</p>
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