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<h2> IV. </h2>
<p>Philip left home for school at King William's by Castletown, and then Pete
had a hard upbringing. His mother was tender enough, and there were good
souls like Aunty Nan to show pity to both of them. But life went like a
springless bogey, nevertheless. Sin itself is often easier than simpleness
to pardon and condone. It takes a soft heart to feel tenderly towards a
soft head.</p>
<p>Poor Pete's head seemed soft enough and to spare. No power and no
persuasion could teach him to read and write. He went to school at the old
schoolhouse by the church in Maughold village. The schoolmaster was a
little man called John Thomas Corlett, pert and proud, with the sharp nose
of a pike and the gait of a bantam. John Thomas was also a tailor. On a
cowhouse door laid across two school forms he sat cross-legged among his
cloth, his "maidens," and his smoothing irons, with his boys and girls,
class by class, in a big half circle round about him.</p>
<p>The great little man had one standing ground of daily assault on the dusty
jacket of poor Pete, and that was that the lad came late to school. Every
morning Pete's welcome from the tailor-schoolmaster was a volley of
expletives, and a swipe of the cane across his shoulders. "The craythur!
The dunce! The durt! I'm taiching him, and taiching him, and he won't be
taicht."</p>
<p>The soul of the schoolmaster had just two human weaknesses. One of these
was a weakness for drink, and as a little vessel he could not take much
without being full. Then he always taught the Church catechism and swore
at his boys in Manx.</p>
<p>"Peter Quilliam," he cried one day, "who brought you out of the land of
Egypt and the house of bondage?"</p>
<p>"'Deed, master," said Pete, "I never was in no such places, for I never
had the money nor the clothes for it, and that's how stories are getting
about."</p>
<p>The second of the schoolmaster's frailties was love of his daughter, a
child of four, a cripple, whom he had lamed in her infancy, by letting her
fall as he tossed her in his arms while in drink. The constant terror of
his mind was lest some further accident should befall her. Between class
and class he would go to a window, from which, when he had thrown up its
lower sash, dim with the scratches of names, he could see one end of his
own white cottage, and the little pathway, between lines of gilvers,
coming down from the porch.</p>
<p>Pete had seen the little one hobbling along this path on her lame leg, and
giggling with a heart of glee when she had eluded the eyes of her mother
and escaped into the road. One day it chanced, after the heavy spring
rains had swollen every watercourse, that he came upon the little curly
poll, tumbling and tossing like a bell-buoy in a gale, down the flood of
the river that runs to the sea at Port Mooar. Pete rescued the child and
took her home, and then, as if he had done nothing unusual, he went on to
school, dripping water from his legs at every step.</p>
<p>When John Thomas saw him coming, in bare feet, triddle-traddle,
triddle-traddle, up the school-house floor, his indignation at the boy for
being later than usual rose to fiery wrath for being drenched as well.
Waiting for no explanation, concluding that Pete had been fishing for
crabs among the stones of Port Lewaigue, he burst into a loud volley of
his accustomed expletives, and timed and punctuated them by a thwack of
the cane between every word.</p>
<p>"The waistrel! (thwack). The dirt! (thwack). I'm taiching him (thwack),
and taiching him (thwack), and he won't be taicht!" (Thwack, thwack,
thwack.)</p>
<p>Pete said never a word. Boiling his stinging shoulders under his jacket,
and ramming his smarting hands, like wet eels, into his breeches' pockets,
he took his place in silence at the bottom of the class.</p>
<p>But a girl, a little dark thing in a red frock, stepped out from her place
beside the boy, shot up like a gleam to the schoolmaster as he returned to
his seat among the cloth and needles, dealt him a smart slap across the
face, and then burst into a lit of hysterical crying. Her name was
Katherine Cregeen. She was the daughter of C�sar the Cornaa miller, the
founder of Ballajora Chapel, and a mighty man among the Methodists.</p>
<p>Katherine went unpunished, but that was the end of Pete's schooling. His
learning was not too heavy for a big lad's head to carry—a bit of
reading if it was all in print, and no writing at all except half-a-dozen
capital letters. It was not a formidable equipment for the battle of life,
but Bridget would not hear of more.</p>
<p>She herself, meanwhile, had annexed that character which was always the
first and easiest to attach itself to a woman with a child but no visible
father for it—the character of a witch. That name for his mother was
Pete's earliest recollection of the high-road, and when the consciousness
of its meaning came to him, he did not rebel, but sullenly acquiesced, for
he had been born to it and knew nothing to the contrary. If the boys
quarrelled with him at play, the first word was "your mother's a butch."
Then he cried at the reproach, or perhaps fought like a vengeance at the
insult, but he never dreamt of disbelieving the fact or of loving his
mother any the less.</p>
<p>Bridget was accused of the evil eye. Cattle sickened in the fields, and
when there was no proof that she had looked over the gate, the idea was
suggested that she crossed them as a hare. One day a neighbour's dog
started a hare in a meadow where some cows were grazing. This was observed
by a gang of boys playing at hockey in the road. Instantly there was a
shout and a whoop, and the boys with their sticks were in full chase after
the yelping dog, crying, "The butch! The butch! It's Bridget Tom!
Corlett's dogs are hunting Bridget Black Tom! Kill her, Laddie! Kill her,
Sailor! Jump, dog, jump!"</p>
<p>One of the boys playing at hockey was Pete. When his play-fellows ran
after the dogs in their fanatic thirst, he ran too, but with a storm of
other feelings. Outstripping all of them, very close at the heels of the
dogs, kicking some, striking others with the hockey-stick, while the tears
poured down his cheeks, he cried at the top of his voice to the hare
leaping in front, "Run, mammy, run! clink (dodge), mammy, clink! Aw,
mammy, mammy, run faster, run for your life, run!"</p>
<p>The hare dodged aside, shot into a thicket, and escaped its pursuers just
as Corlett, the farmer, who had heard the outcry, came racing up with a
gun. Then Pete swept his coat-sleeve across his gleaming eyes and leapt
off home. When he got there, he found his mother sitting on the bink by
the door knitting quietly. He threw himself into her arms and stroked her
cheek with his hand.</p>
<p>"Oh, mammy, bogh," he cried, "how well you run! If you never run in your
life you run then."</p>
<p>"Is the boy mad?" said Bridget.</p>
<p>But Pete went on stroking her cheek and crying between sobs of joy, "I
heard Corlett shouting to the house for a gun and a fourpenny bit, and I
thought I was never going to see mammy no more. But you did clink, mammy!
You did, though!"</p>
<p>The next time Katherine Cregeen saw Peter Quilliam, he was sitting on the
ridge of rock at the mouth of Ballure Glen, playing doleful strains on a
home-made whistle, and looking the picture of desolation and despair. His
mother was lying near to death. He had left Mrs. Cregeen, Kath-erine's
mother, a good soul getting the name of Grannie, to watch and tend her
while he came out to comfort his simple heart in this lone spot between
the land and the sea.</p>
<p>Katherine's eyes filled at sight of him, and when, without looking up or
speaking, he went on to play his crazy tunes, something took the girl by
the throat and she broke down utterly.</p>
<p>"Never mind, Pete. No—I don't mean that—but don't cry, Pete."</p>
<p>Pete was not crying at all, but only playing away on his whistle and
gazing out to sea with a look of dumb vacancy. Katherine knelt beside him,
put her arms around his neck, and cried for both of them.</p>
<p>Somebody hailed him from the hedge by the water-trough, and he rose, took
off his cap, smoothed his hair with his hand, and walked towards the house
without a word.</p>
<p>Bridget was dying of pleurisy, brought on by a long day's work at hoeing
turnips in a soaking rain. Dr. Mylechreest had poulticed her lungs with
mustard and linseed, but all to no purpose. "It's feeling the same as the
sun on your back at harvest," she murmured, yet the poultices brought no
heat to her frozen chest.</p>
<p>C�sar Cregeen was at her side; John the Clerk, too, called John the Widow;
Kelly, the rural postman, who went by the name of Kelly the Thief; as well
as Black Tom, her father. C�sar was discoursing of sinners and their
latter end. John was remembering how at his election to the clerkship he
had rashly promised to bury the poor for nothing; Kelly was thinking he
would be the first to carry the news to Christian Balla-whaine; and Black
Tom was varying the exercise of pounding rock-sugar for his bees with that
of breaking his playful wit on the dying woman.</p>
<p>"No use; I'm laving you; I'm going on my long journey," said Bridget,
while Granny used a shovel as a fan to relieve her gusty breathing.</p>
<p>"Got anything in your pocket for the road, woman?" said the thatcher.</p>
<p>"It's not houses of bricks and mortal I'm for calling at now," she
answered.</p>
<p>"Dear heart! Put up a bit of a prayer," whispered Grannie to her husband;
and C�sar took a pinch of snuff out of his waistcoat pocket, and fell to
"wrastling with the Lord."</p>
<p>Bridget seemed to be comforted. "I see the jasper gates," she panted,
fixing her hazy eyes on the scraas under the thatch, from which broken
spiders' webs hung down like rats' tails.</p>
<p>Then she called for Pete. She had something to give him. It was the
stocking foot with the eighty greasy Manx banknotes which his father,
Peter Christian, had paid her fifteen years before. Pete lit the candle
and steadied it while Grannie cut the stocking from the wall side of the
bed-ticking.</p>
<p>Black Tom dropped the sugar-pounder and exposed his broken teeth in his
surprise at so much wealth; John the Widow blinked; and Kelly the Thief
poked his head forward until the peak of his postman's cap fell on to the
bridge of his nose.</p>
<p>A sea-fog lay over the land that morning, and when it lifted Bridget's
soul went up as well.</p>
<p>"Poor thing! Poor thing!" said Grannie. "The ways were cold for her—cold,
cold!"</p>
<p>"A dacent lass," said John the Clerk; "and oughtn't to be buried with the
common trash, seeing she's left money."</p>
<p>"A hard-working woman, too, and on her feet for ever; but 'lowanced in her
intellecks, for all," said Kelly.</p>
<p>And C�sar cried, "A brand plucked from the burning! Lord, give me more of
the like at the judgment."</p>
<p>When all was over, and tears both hot and cold were wiped away—Pete
shed none of them—the neighbours who had stood with the lad in the
churchyard on Maughold Head returned to the cottage by the water-trough to
decide what was to be done with his eighty good bank-notes. "It's a
fortune," said one. "Let him put it with Mr. Dumbell," said another. "Get
the boy a trade first—he's a big lump now, sixteen for spring," said
a third. "A draper, eh?" said a fourth. "May I presume? My nephew, Bobbie
Clucas, of Ramsey, now?" "A dacent man, very," said John the Widow; "but
if I'm not ambitious, there's my son-in-law, John Cowley. The lad's cut to
a dot for a grocer, and what more nicer than having your own shop and your
own name over the door, if you plaze—' Peter Quilliam, tay and sugar
merchant!'—they're telling me John will be riding in his carriage
and pair soon."</p>
<p>"Chut! your grannie and your carriage and pairs," shouted a rasping voice
at last. It was Black Tom. "Who says the fortune is belonging to the lad
at all? It's mine, and if there's law in the land I'll have it."</p>
<p>Meanwhile, Pete, with the dull thud in his ears of earth falling on a
coffin, had made his way down to Ballawhaine. He had never been there
before, and he felt confused, but he did not tremble. Half-way up the
carriage-drive he passed a sandy-haired youth of his own age, a slim dandy
who hummed a tune and looked at him carelessly over his shoulder. Pete
knew him—he was Boss, the boys called him Dross, son and heir of
Christian Ballawhaine.</p>
<p>At the big house Pete asked for the master. The English footman, in
scarlet knee-breeches, left him to wait in the stone hall. The place was
very quiet and rather cold, but all as clean as a gull's wing. There was a
dark table in the middle and a high-backed chair against the wall. Two oil
pictures faced each other from opposite sides. One was of an old man
without a beard, but with a high forehead, framed around with short grey
hair. The other was of a woman with a tired look and a baby on her lap.
Under this there was a little black picture that seemed to Pete to be the
likeness of a fancy tombstone. And the print on it, so far as Pete could
spell it out, was that of a tombstone too, "In loving memory of Verbena,
beloved wife of Peter Chr—"</p>
<p>The Ballawhaine came crunching the sand on the hall-floor. He looked old,
and had now a pent-house of bristly eyebrows of a different colour from
his hair. Pete had often seen him on the road riding by.</p>
<p>"Well, my lad, what can I do for <i>you?</i>" he said. He spoke in a jerky
voice, as if he thought to overawe the boy.</p>
<p>Pete fumbled his stocking cap. "Mothers dead," he answered vacantly.</p>
<p>The Ballawhaine knew that already. Kelly the Thief had run hot-foot to
inform him. He thought Pete had come to claim maintenance now that his
mother was gone.</p>
<p>"So she's been telling you the same old story?" he said briskly.</p>
<p>At that Pete's face stiffened all at once. "She's been telling me that
you're my father, sir."</p>
<p>The Ballawhaine tried to laugh. "Indeed!" he replied; "it's a wise child,
now, that knows its own father."</p>
<p>"I'm not rightly knowing what you mane, sir," said Pete.</p>
<p>Then the Ballawhaine fell to slandering the poor woman in her grave,
declaring that she could not know who was the father of her child, and
protesting that no son of hers should ever see the colour of money of his.
Saying this with a snarl, he brought down his right hand with a thump on
to the table. There was a big hairy mole near the joint of the first
finger.</p>
<p>"Aisy, sir, if you plaze," said Pete; "she was telling me you gave her
this."</p>
<p>He turned up the corner of his jersey, tugged out of his pocket, from
behind his flaps, the eighty Manx bank-notes, and held them in his right
hand on the table. There was a mole at the joint of Pete's first finger
also.</p>
<p>The Ballawhaine saw it. He drew back his hand and slid it behind him. Then
in another voice he said, "Well, my lad, isn't it enough? What are you
wanting with more?"</p>
<p>"I'm not wanting more," said Pete; "I'm not wanting this. Take it back,"
and he put down the roll of notes between them.</p>
<p>The Ballawhaine sank into the chair, took a handkerchief out of his tails
with the hand that had been lurking there, and began to mop his forehead.
"Eh? How? What d'ye mean, boy?" he stammered.</p>
<p>"I mane," said Pete, "that if I kept that money there is people would say
my mother was a bad woman, and you bought her and paid her—I'm
hearing the like at some of them."</p>
<p>He took a step nearer. "And I mane, too, that you did wrong by my mother
long ago, and now that she's dead you're blackening her; and you're a bad
heart, and a low tongue, and if I was only a man, and didn't <i>know</i>
you were my father, I'd break every bone in your skin."</p>
<p>Then Pete twisted about and shouted into the dark part of the hall, "Come
along, there, my ould cockatoo! It's time to be putting me to the door."</p>
<p>The English footman in the scarlet breeches had been peeping from under
the stairs.</p>
<p>That was Pete's first and last interview with his father. Peter Christian
Ballawhaine was a terror in the Keys by this time, but he had trembled
before his son like a whipped cur.</p>
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