<h2><SPAN name="CHAPTER_XVIII" id="CHAPTER_XVIII"></SPAN>CHAPTER XVIII.</h2>
<p class="center">THE BEAUTIFUL GHOUL.</p>
<p class="indent">Wee Winnie called at the Club, while the President
was still under the cloud of depression, and Lillie had to
force herself to look cheerful, lest Miss Nimrod should
mistake the melancholy, engendered by so many revelations
of the seamy side of life, for loss of faith in the Club
or its prospects.</p>
<p class="indent">Avid of experience as was the introspective little girl,
she felt almost fated for the present.</p>
<p class="indent">Miss Nimrod was astonished to hear of the number of
rejections, and to learn that she had whipped up the
Writers, and the Junior Widows, and her private friends
to such little purpose. But in the end she agreed with
Lillie that, as no doubt somewhere or other in the wide
universe ideal Old Maids were blooming and breathing,
it would be folly to clog themselves up in advance with
inferior specimens.</p>
<p class="indent">The millionaire, who was pottering about in blue spectacles,
strolled into the club while Wee Winnie was uttering
magnificent rhapsodies about the pages the Club
would occupy in the histories of England, but this time
Lillie was determined the dignity of the by-laws should
be maintained, and had her father shown out by Turple
the magnificent. Miss Nimrod went, too, and so Lord
Silverdale had the pleasure of finding Lillie alone.</p>
<p class="indent"><span class="pagenum"><SPAN name="page292" id="page292"></SPAN>[pg 292]</span>
"You ought to present me with a pair of white gloves,"
he said, gleefully.</p>
<p class="indent">"Why?" asked Lillie.</p>
<p class="indent">"I haven't had a single candidate to try for days."</p>
<p class="indent">"No," said Lillie with a suspicion of weariness in her
voice. "They all broke down in the elementary stage."</p>
<p class="indent">Even as she spoke Turple the magnificent ushered in
Miss Margaret Linbridge. Lord Silverdale, doubly vexed
at having been a little too previous in the counting of his
chickens, took up his hat to go, but Lillie murmured:
"Please amuse yourself in the library for a quarter of an
hour, as I may want you to do the trying at once."</p>
<p class="indent">"How do you expect me to amuse myself in the library?"
he grumbled. "You don't keep one of my books."</p>
<p class="indent">Miss Margaret Linbridge's story was simple, almost
commonplace.</p>
<p class="indent">"I had spent Christmas with a married sister in Plymouth,"
she said, "and was returning to London by the
express on the first of January. My prospects for the
New Year were bright—or seemed so to my then unsophisticated
eyes. I was engaged to be married to Richard
Westbourne—a good and good-looking young man, not
devoid of pecuniary attractions. My brother, with whom
I lived and on whom I was dependent, was a struggling
young firework-manufacturer, and would, I knew, be glad
to see me married, even if it cost him a portion of his
stock to express his joy. The little seaside holiday had
made me look my prettiest, and when my brother-in-law
saw me into a first-class carriage and left me with a fraternally-legal
kiss, I rather pitied him for having to go
back to my sister. There was only one other person in
the carriage beside myself—a stern old gentleman, who
sat crumpled up in the opposite corner and read a paper
steadily.</p>
<p class="indent">"The train flew along the white frosty landscape at express
<span class="pagenum"><SPAN name="page293" id="page293"></SPAN>[pg 293]</span>
rates, but the old gentleman never looked up from
his paper. The temperature was chill and I coughed.
The old gentleman evinced no symptom of sympathy. I
rolled up my veil the better to see the curmudgeon, and
smiled to think what a fool he was, but he betrayed no
sign of sharing my amusement.</p>
<p class="indent">"At last, as he was turning his page, I said in my most
dulcet tones: 'Oh, pray excuse my appropriating the entire
foot-warmer. I don't know why there is only one,
but I will share it with you with pleasure.'</p>
<p class="indent">"'Thank you,' he said gruffly, 'I'm not cold.'</p>
<p class="indent">"'Oh, aren't you!' I murmured inwardly, adding aloud
with a severe wintry tone, 'Gentlemen of your age usually
are.'</p>
<p class="indent">"'Yes, but I'm not a gentleman of my age,' he growled,
mistaking the imbecile statement for repartee.</p>
<p class="indent">"'I beg your pardon,' said I. 'I was judging by appearances.
Is that the <i>Saturday Slasher</i> you have there?'</p>
<p class="indent">"He shook himself impatiently. 'No, it is not.'</p>
<p class="indent">"'I beg your pardon,' said I. 'I was again judging by
appearances. May I ask what it is?'</p>
<p class="indent">"'<i>Threepenny Bits!</i>' he jerked back.</p>
<p class="indent">"'What's that?' I asked. 'I know <i>Broken Bits</i>.'</p>
<p class="indent">"'This is a superior edition of <i>Broken Bits</i> at the price
indicated by the title. It contains the same matter, but
is issued at a price adapted to the means of the moneyed
and intellectual classes. No self-respecting person can
be seen reading penny weeklies—it throws doubt not only
on his income, but on his mental calibre. The idea of
this first-class edition (so to speak) should make the fortune
of the proprietor, and deservedly so. Of course, the
thousand pound railway assurance scheme is likewise
trebled, though this part of the paper does not attract
me personally, for my next-of-kin is a hypocritical young
rogue. But imagine the horror of being found dead with
<span class="pagenum"><SPAN name="page294" id="page294"></SPAN>[pg 294]</span>
a penny weekly in one's pocket! You can't even explain
it away.'</p>
<p class="indent">"He had hardly finished the sentence before a terrible
shock, as of a ton of dynamite exploding under the foot-warmer,
lifted me into the air; the carriage collapsed like
matchwood, and I had the feeling of being thrown into
the next world. For a moment I recovered a gleam of
consciousness, just enough to show me I was lying dying
amid the <i>débris</i>, and that my companion lay, already dead,
in a fragment of the compartment, <i>Threepenny Bits</i> clenched
in his lifeless hand.</p>
<p class="indent">"With a last fond touch I smoothed my hair, which
had got rather ruffled in the catastrophe, and extracting
with infinite agony a puff from my pocket I dabbed it
spasmodically over my face. I dared not consult my
hand-mirror, I was afraid it would reveal a distorted countenance
and unnecessarily sadden my last moments.
Whatever my appearance, I had done my best for it, and
I wanted to die with the consciousness of duty fulfilled.
Murmuring a prayer that those who found my body would
not imitate me in judging by appearances, if they should
prove discreditable after all, I closed my eyes upon the
world in which I had been so young and happy. My
whole life passed in review before me, all my dearly loved
bonnets, my entire wardrobe from infancy upwards. Now
I was an innocent child with a white sash and pink ribbons,
straying amid the sunny meadows and plucking the
daisies to adorn my hats; anon a merry maiden sporting
amid the jocund schoolboys and receiving tribute in toffy;
then again a sedate virgin in original gowns and tailor-made
jackets. Suddenly a strange idea jostled through
the throng of bitter-sweet memories. <i>Threepenny
Bits!</i></p>
<p class="indent">"The old gentleman's next-of-kin would come in for
three thousand pounds! I should die and leave nothing
<span class="pagenum"><SPAN name="page295" id="page295"></SPAN>[pg 295]</span>
to my relatives but regrets; my generous brother would
be forever inconsolable now, and my funeral might be
mean and unworthy. And yet if the old misogynist had
only been courteous enough to lend me the paper, seeing
I had nothing to read, it might have been found on my
body. <i>De mortuis nil nisi bonum.</i> Why reveal his breach
of etiquette to the world? Why should I not enable him
to achieve posthumous politeness! Besides, his heir was
a hypocritical rogue, and it were a crime against society
to place so large a sum at his disposal. Overwhelmed as
I was by the agonies of death, I steeled myself to this last
duty. I wriggled painfully towards the corpse, and stretching
out my neatly-gloved fingers, with a last mighty effort
I pulled the paper cautiously from the dead hand which
<span class="pagenum"><SPAN name="page296" id="page296"></SPAN>[pg 296]</span>
lay heavy upon it. Then I clasped it passionately to my
heart and died."</p>
<div class="image-center" style="max-width: 600px;">
<ANTIMG src="images/i295.jpg" width-obs="600" height-obs="514" alt="" />
<div class="caption">
<p class="center"><i>I pulled the paper from the dead hand.</i></p>
</div>
</div>
<p class="indent">"Died?" echoed Lillie excitedly.</p>
<p class="indent">"Well—lost consciousness. You are particular to a
shade. Myself I see no difference between a fainting
fit and death except that one attack of the latter is
fatal."</p>
<p class="indent">"As to that," answered Lillie. "I consider we die
every night and dream we are alive. To fall asleep is to
die painlessly. It is, perhaps, a pity we are resurrected
to tea and toast and toilette. However, I am glad you
did not really die. I feared I was in for a tale of re-incarnation
or spooks or hypnotism or telepathy or astral
bodies. One hears so many marvellous stories, now that
we have left off believing in miracles. Really, man's
credulity is the perpetual miracle."</p>
<p class="indent">"I have not left off believing in miracles," replied Miss
Linbridge seriously. "How could I? Was I not saved
by one? A very gallant miracle, too, for it took no
trouble to save my crusty old fellow-traveller, while it left
me without a scratch. I am afraid I should not have
been grateful for salvation without good looks. To face
life without a pretty face were worse than death. You
agree with me?"</p>
<p class="indent">"Not entirely. There are higher things in life than
beautiful faces," said Lillie gravely.</p>
<p class="indent">"Certainly. Beautiful bonnets," said the candidate
with laughing levity. "And lower things—beautiful
boots. But you would not seriously argue that there is
anything else so indispensable to a woman as beauty, or
that to live plain is worth the trouble of living?"</p>
<p class="indent">"Why not? Plain living and high thinking!" murmured
Lillie.</p>
<p class="indent">"All nonsense! We needn't pretend—we aren't with
men. You would talk differently if you were born ugly!
<span class="pagenum"><SPAN name="page297" id="page297"></SPAN>[pg 297]</span>
Goodness gracious, don't we know that a girl may have a
whole cemetery of virtues and no man will look at her if
she is devoid of charms of face or purse. It's all nonsense
what Ruskin says about a well-bred modest girl being
necessarily beautiful. It is only a pleasing fiction that morality
is invaluable to the complexion. Of course if Ruskin's
girl chose to dress with care, she could express her
goodness less plainly; but as a rule goodness and dowdiness
are synonymous. I think the function of a woman
is to look well, and our severest reprobation should be
extended to those conscienceless creatures who allow
themselves to be seen in the company of gentlemen in
frumpish attire. It is a breach of etiquette towards the
other sex. A woman must do credit to the man who
stakes his reputation for good taste by being seen in her
society. She must achieve beauty for his sake, and
should no more leave her boudoir without it than if she
were an actress leaving her dressing-room."</p>
<p class="indent">"That the man expects the woman to make his friends
envy him is true," answered Lillie, "and I have myself
expressed this in yonder epigram, <i>It is man who is vain
of woman's dress</i>. But were we created merely to gratify
man's vanity?"</p>
<p class="indent">"Is not that a place in nature to be vain of? We are
certainly not proud of him. Think of the average husband
over whom the woman has to shed the halo of her
beauty. It is like poetry and prose bound together. It
is because I intend to be permanently beautiful that I
have come to cast in my lot with the Old Maids' Club.
Your rules ordain it so—and rightly."</p>
<p class="indent">"The Club must be beautiful, certainly, but merely to
escape being twitted with ugliness by the shallow; for the
rest, it should disdain beauty. However, pray continue
your story. It left off at a most interesting point. You
lost consciousness!"</p>
<p class="indent"><span class="pagenum"><SPAN name="page298" id="page298"></SPAN>[pg 298]</span>
"Yes, but as my chivalrous miracle had saved me from
damage, I was found unconsciously beautiful (which I
have always heard is the most graceful way of wearing
your beauty). I soon came to myself with the aid of a
dark-eyed doctor, and I then learnt that the old gentleman
had been too weak to sustain the shock and that his
poor old pulse had ceased to beat. My rescuers had not
disturbed <i>Threepenny Bits</i> from its position 'twixt my
hand and heart in case I should die and need it; so when
the line was cleared and I was sent on to London after a
pleasant lunch with the dark-eyed doctor, I had the journal
to read after all, despite the discourtesy of the deceased.
When I arrived at Paddington I found Richard Westbourne
walking the platform like Hamlet's ghost, white
and trembling. He was scanning the carriages feverishly,
as the train glided in with its habitual nonchalance.</p>
<p class="indent">"'My darling!' he cried when he caught sight of my
dainty hat with its sweet trimmings. 'Thank Heaven!'
He twisted the door violently open and kissed me before
the crowd. Fortunately I had my lovely spotted veil
all down, so he only pressed the tulle to my lips.</p>
<p class="indent">"'What is the matter?' I said ingenuously.</p>
<p class="indent">"'The accident!' he gasped. Weren't you in the
accident?'</p>
<p class="indent">"'Of course I was. But I was not very much crumpled.
If I had sat in the other corner I should have
been killed!"</p>
<p class="indent">"'My heroine!' he cried. 'How brave of you!' He
made as if he would rumple my hair but I drew back.</p>
<p class="indent">"'Were you waiting for me?' I asked.</p>
<p class="indent">"'Of course. Hours and hours. O the agony of it!
See, here is the evening paper! It gives you as dead.'</p>
<p class="indent">"'Where?' I cried, nervously. His trembling forefinger
pointed to the place. 'A beautiful young lady was also
<span class="pagenum"><SPAN name="page299" id="page299"></SPAN>[pg 299]</span>
extricated in an unconscious condition from this carriage.'</p>
<p class="indent">"'Isn't it wonderful the news should be in London
before me?' I murmured. 'But I suppose they will have
names and fuller particulars in a later edition.'</p>
<p class="indent">"'Of course. But fancy my having to be in London,
unable to get to you for love or money!'</p>
<p class="indent">"'Yes, it was very hard for me to be there all alone,'
I murmured. 'But please run and see after my luggage,
there are three portmanteaus and a little black one, and
three bonnet boxes, and two parasols, and call a hansom,
oh—and a brown paper parcel, and a long narrow
cardboard box—and get me the latest editions of the
evening papers—and please see that the driver isn't
drunk, and don't take a knock-kneed horse or one that
paws the ground, you know those hansom doors fly open
and shoot you out like rubbish—I do so hate them—and
oh! Richard, don't forget those novels from Mudie's,—they're
done up with a strap. Three bonnet boxes,
remember, and <i>all</i> the evening papers, mind.'</p>
<p class="indent">"When we were bowling homewards he kept expressing
his joy by word and deed, so that I was unable to read
my papers. At last, annoyed, I said: 'You wouldn't be
so glad if you knew that my resurrection cost three thousand
pounds.'</p>
<p class="indent">"'How do you mean?'</p>
<p class="indent">"'Why, if I had died, somebody would have had three
thousand pounds. This number of <i>Threepenny Bits</i>
would have been found on my body, and would have
entitled my heir to that amount of assurance money. I
need not tell you who my heir is, nor to whom I had left
my little all.'</p>
<p class="indent">"I looked into his face and from the tenderness that
overflowed it I saw he fancied himself the favored
mortal. There is no end to the conceit of young men.
<span class="pagenum"><SPAN name="page300" id="page300"></SPAN>[pg 300]</span>
A sensible fellow would have known at once that my
brother was the only person reasonably entitled to my
scanty belongings. However, there is no good done by
disturbing a lover's complacency.</p>
<p class="indent">"'I do not want your money,' he answered, again
passionately pressing my tulle veil to my lips. 'I infinitely
prefer your life.'</p>
<p class="indent">"'What a bloodthirsty highwayman!'</p>
<p class="indent">"'I shall steal another kiss. I would rather have you
than all the gold in the world.'</p>
<p class="indent">"'Still, gold is the next best thing,' I said, smiling at
his affectionateness which my absence had evidently
fostered. 'So being on the point of death, as I thought,
I resolved to make death worth dying, and leave a heap
of gold to the man I loved. This number of <i>Threepenny
Bits</i> was not mine originally. When the crash occurred
it was being read by the old gentleman in the opposite
corner but his next of kin is a hypocritical young scapegrace
(so he told me) and I thought it would be far
nicer for <i>my</i> heir to come in for the money. So I took it
from his body the very instant before I fainted dead
away!'</p>
<p class="indent">"'My heroine!' he cried again. 'So you thought of
your Richard even at the point of death. What a sweet
assurance of your love!'</p>
<p class="indent">"'Yes, an assurance of three thousand pounds,' I answered,
laughing merrily. 'And now, perhaps, you will
let me read the details of the catastrophe. The reporters
seem to know ever so much more about it than I do. It's
getting dusk and I can hardly see—I wonder what was
the name of old grizzly-growler—ah! here it is—"The
pocket-book contained letters addressed to Josiah Twaddon,
Esquire, and——"'</p>
<p class="indent">"'Twaddon, did you say?' gasped Richard, clutching
the paper frantically.</p>
<p class="indent"><span class="pagenum"><SPAN name="page301" id="page301"></SPAN>[pg 301]</span>
"'Yes—don't! You've torn it. Twaddon, I can see it
plainly.'</p>
<p class="indent">"'Does it give his address?' Richard panted.</p>
<p class="indent">"'Yes,' I said, surprised. I was just going on to read
that, '4, Bucklesbury Buildings——'"</p>
<p class="indent">"'Great heavens!' he cried.</p>
<p class="indent">"'What is it? Why are you so pale and agitated? Was
he anything to you. Ah, I guess it—by my prophetic
soul, your uncle!'</p>
<p class="indent">"'Yes,' he answered bitterly. 'My uncle! My
mother's brother! Wretched woman, what have you
done?'</p>
<p class="indent">"My heart was beating painfully and I felt hot all over,
but outwardly I froze.</p>
<p class="indent">"'You know what I have done,' I replied icily.</p>
<p class="indent">"'Yes, robbed me of three thousand pounds!' he cried.</p>
<p class="indent">"'How dare you say that?' I answered indignantly.
'Why, it was for you I meant them.'</p>
<p class="indent">"The statement was not, perhaps, strictly accurate, but
my indignation was sufficiently righteous to cover a whole
pack of lies.</p>
<p class="indent">"'Your intentions may have been strictly honorable,'
he retorted, 'but your behavior was abominable. Great
heavens! Do you know that you could be prosecuted?'</p>
<p class="indent">"'Nonsense!' I said stoutly, though my heart misgave
me. 'What for?'</p>
<p class="indent">"'What for? You, a plunderer of the dead, a harpy,
a ghoul, ask what for?'</p>
<p class="indent">"'But the thing was of no value!' I urged.</p>
<p class="indent">"'Of no intrinsic value, perhaps, but of immense value
under the peculiar circumstances. Why, if anyone chose
to initiate a prosecution, you would be sent to jail as a
common thief."</p>
<p class="indent">"'Pardon me,' I said haughtily. 'You forget you are
speaking to a lady. As such, I can never be more than a
<span class="pagenum"><SPAN name="page303" id="page303"></SPAN>[pg 303]</span>
kleptomaniac. You might make me suffer from hysteria
yesterday, but the worst that could befall me now would
be a most interesting advertisement. Prosecute me and
you will create for me an army of friends all over the
world. If it is thus that lovers behave, it is better to have
friends. I shall be glad of the exchange.'</p>
<div class="image-center" style="max-width: 624px;">
<ANTIMG src="images/i302.jpg" width-obs="624" height-obs="700" alt="" />
<div class="caption">
<p class="center"><i>I can never be more than a kleptomaniac.</i></p>
</div>
</div>
<p class="indent">"'You know I could not prosecute you,' he answered
more gently.</p>
<p class="indent">"'After your language to me you are capable of anything.
Your uncle called you a rogue with his dying
breath, and statements made with that are generally veracious.
Prosecute me if you will—I have done you out of
three thousand pounds and I am glad of it. Only one
favor I will ask of you—for the sake of our old relations,
give me fair warning!'</p>
<p class="indent">"'That you may flee the country?'</p>
<p class="indent">"'No, that I may get a new collection of photographs.'</p>
<p class="indent">"'You will submit to being taken by the police?'</p>
<p class="indent">"'Yes—after I have been taken by the photographer.'</p>
<p class="indent">"'But look at the position you will be in?'</p>
<p class="indent">"'I shall be in six different positions—one for each of
the chief illustrated papers.'</p>
<p class="indent">"'Your flippancy is ill-timed, Margaret,' said Richard
sternly.</p>
<p class="indent">"'Flippant, good heavens! Do you know me so little
as to consider me capable of flippancy? Richard, this
is the last straw. You have called me a thief, you have
threatened to place me in the felon's dock, and I have
answered you with soft words, but no man shall call me
flippant and continue to be engaged to me!'</p>
<p class="indent">"'But, Maggie, darling!' His tone was changing.
He saw he had gone too far. 'Consider! It is not only
I that am the loser by your—indiscretion, your generous
indiscretion——'</p>
<p class="indent"><span class="pagenum"><SPAN name="page304" id="page304"></SPAN>[pg 304]</span>
"'My indiscreet generosity,' I corrected.</p>
<p class="indent">"He accepted my 'indiscreet generosity' and went on.
'Cannot you see that, as my future wife, you will also
suffer?'</p>
<p class="indent">"'But surely you will come in for something under your
uncle's will all the same,' I reminded him.</p>
<p class="indent">"'Not a stiver. He never made a will, he never saved
any money. He was the most selfish brute that ever
breathed. All the money he couldn't spend on himself
he gave away in charity so as to get the kudos during his
lifetime, pretending that there was no merit in post-mortem
philanthropy. And now all the good he might have
done by his death you have cancelled.'</p>
<p class="indent">"I sat mute, my complexion altered for the worse by
pangs of compunction.</p>
<p class="indent">"'But I can make amends,' I murmured at last.</p>
<p class="indent">"'How?' he asked eagerly.</p>
<p class="indent">"'I can tell the truth—at least partially. I can make
an affidavit that <i>Threepenny Bits</i> belonged to my fellow-passenger,
that he lent it me just before the accident, or
that, seeing he was dead, I took it to hand over to his
relatives.'</p>
<p class="indent">"For a moment his face brightened up, then it grew dark
as suddenly as if it had been lit by electricity. 'They
will not believe you,' he said. 'Even if you were a
stranger, the paper would contest my claim. But considering
your relation to me, considering that the money
would fall to you as much as to me, no common-sense jury
would credit your evidence.'</p>
<p class="indent">"'Well, then, we must break off our engagement.'</p>
<p class="indent">"'What would be the good of that? They would ferret
out our past relations, would suspect their resumption
immediately after the verdict.'</p>
<p class="indent">"'Well, then, we must break off our engagement,' I
repeated decisively. 'I could never marry a prosecutor
<span class="pagenum"><SPAN name="page305" id="page305"></SPAN>[pg 305]</span>
in posse—a man in whose heart was smouldering a petty
sense of pecuniary injury.'</p>
<p class="indent">"'If you married me, I should cease to be a prosecutor in
posse,' he said soothingly. 'As the law stands, a husband
cannot give evidence against his wife in criminal cases.'</p>
<p class="indent">"'Oh, well, then you'd become a persecutor in esse,' I
retorted. 'You'd always have something to throw in
my teeth, and for my part I could never forgive you the
wrong I have done you. We could not possibly live together.'</p>
<p class="indent">"My demeanor was so chilling, my tone so resolute
that Richard was panic-stricken. He vowed, protested,
stormed, entreated, but nothing could move me.</p>
<p class="indent">"'A kindly accident has shown me your soul,' I answered,
'and the sight is not encouraging. Fortunately I
have seen it in time. You remember when you took me
to see <i>The Doll's House</i>, you said that Norah was quite
right in all she did. I daresay it was because the actress
was so charming—but let that pass. And yet what are
you but another Helmer? Just see how exact is the parallel
between our story and Ibsen's. Norah in all innocence
forged her husband's name in order to get the
money to restore him to health. I, in all innocence, steal
a threepenny paper, in order to leave you three thousand
pounds by my death. When things turn out wrong, you
turn round on me just as Helmer turned round on Norah—forgetting
for whose sake the deed was done. If Norah
was justified in leaving her husband, how much more
justified must I be in leaving my betrothed!'"</p>
<p class="indent">"The cases are not quite on all fours," interrupted the
President who had pricked up her ears at the mention of
the "Woman's Poet." "You must not forget that you did
not really sin for his sake but for your brother's."</p>
<p class="indent">"That is an irrelevant detail," replied the beautiful
ghoul. "He thought I did—which comes to the same
<span class="pagenum"><SPAN name="page306" id="page306"></SPAN>[pg 306]</span>
thing. Besides, my telling him I did only increases the
resemblance between me and Norah. She was an awful
fibber, if you remember. Richard, of course, disclaimed
the likeness to Helmer, though in doing so he was more
like him than ever. But I would give him no word of
hope. 'We could never be happy together,' I said.
'Our union would never be real. There would always
be the three thousand pounds between us.'</p>
<p class="indent">"'Well, that would be fifteen hundred each,' he answered
with ghastly jocularity.</p>
<p class="indent">"'This ill-timed flippancy ends all,' I said solemnly.
'Henceforth, Mr. Westbourne, we must be strangers.'</p>
<p class="indent">"He sat like one turned to stone. Not till the cab arrived
at my brother's house did he speak again.</p>
<div class="image-center" style="max-width: 600px;">
<ANTIMG src="images/i322.jpg" width-obs="600" height-obs="621" alt="" />
<div class="caption">
<p class="center"><i>The Old Maid arrives.</i></p>
</div>
</div>
<p class="indent">"Then he said in low tones: 'Maggie, can I never
become anything to you but a stranger?'</p>
<p class="indent">"'The greatest miracle of all would have to happen then,
Richard,' I quoted coldly. Then, rejecting his proffered
assistance, I alighted from the vehicle, passed majestically
across the threshold and mounted the stairs with stately
step, not a sign, not the slightest tremor of a muscle betraying
what I felt. Only when I was safe in my own little
room, with its lavender-scented sheets and its thousand
childish associations did my pent-up emotions overpower
me. I threw myself upon my little white bed in a paroxysm
of laughter. I had come out of a disagreeable situation
agreeably, leaving Dick in the wrong, and I felt sure
I could whistle him back as easily as the hansom."</p>
<p class="indent">"And what became of Richard?" asked Lillie.</p>
<p class="indent">"I left him to settle with the cabman. I have never
seen him since."</p>
<p class="indent">Lillie gave a little shudder. "You speak as if the cabman
had settled with him. But are you sure you are willing
to renounce all mankind because you find one man
unsatisfactory?"</p>
<p class="indent"><span class="pagenum"><SPAN name="page307" id="page307"></SPAN>[pg 307]</span>
"All. I was very young when I got engaged. I did
not want to be a burden on my brother. But now his firework
factory is a brilliant success. He lives in a golden
rain. Having only myself to please now, I don't see why
I should have to please a husband. The more I think of
marriage the less I think of it. I have not kept my eyes
open for nothing. I am sure it wouldn't suit me. Husbands
are anything but the creatures a young girl's romantic
fancy pictures. They have a way of disarranging the
most careful toilettes. They ruffle your hair and your
temper. They disorder the furniture—and put their feet
on the mantelpiece. They scratch the fenders, read books
and stretch themselves on the most valuable sofas. If they
help in the household they only make more work. The
trail of tobacco is over all you prize. All day long the
smoke gets into your eyes. Filthy pipes clog your cabinets,
your window-curtains reek of stale cigars. You have
bartered your liberty for a mess of cigar-ash. There is an
odor of bar saloons about the house and boon companions
come to welter in whiskey and water. Their talk is of
science and art and politics and it makes them guffaw
noisily and dig one another in the ribs. There is not a
man in the world to whom I would trust my sensitive
fragility—they are all coarse, clumsy creatures with a code
of morals that they don't profess and a creed of chivalry
that they never practise. Falsehood abides permanently
in their mouth like artificial teeth and corruption lurks
beneath the whited sepulchres of their shirt-fronts. They
adore us in secret and deride us when they are together.
They feign a contempt for us which we feel for them."
These sentiments re-instated Miss Linbridge in the good
opinion of the President, conscious heretofore of a jarring
chord. She ordered in some refreshments to get an opportunity
of whispering to Turple the magnificent that the
Honorary Trier might return.</p>
<p class="indent"><span class="pagenum"><SPAN name="page308" id="page308"></SPAN>[pg 308]</span>
"Oh, by the way," said Miss Linbridge, "I hunted out
that copy of <i>Threepenny Bits</i> before coming out. I've
kept it in a drawer as a curiosity. Here it is!"</p>
<p class="indent">Lillie took the paper and examined it anxiously.</p>
<p class="indent">"What's that? <i>You</i> reading <i>Threepenny Bits</i>?" said
Silverdale coming in.</p>
<p class="indent">"It is only an old number," said Lillie, "whereby hangs
a tale. Miss Linbridge was in a railway accident with it."</p>
<p class="indent">"Miss Linbridge, Lord Silverdale."</p>
<p class="indent">The Honorary Trier bowed.</p>
<p class="indent">"Oh what a pity it was an old number," he said. "Miss
Linbridge might have had a claim for damages."</p>
<p class="indent">"How very ungallant," said Lillie. "Miss Linbridge
could have had no claim unless she had been killed."</p>
<p class="indent">"Besides," added Miss Linbridge laughing at Lillie's
bull, "it wasn't an old number then. The accident
happened on New Year's Day."</p>
<p class="indent">"Even then it would have been too old," answered
Silverdale, "for it is dated December 2d and the assurance
policy is only valid during the week of issue."</p>
<p class="indent">"What is that?" gasped Miss Linbridge. Her face
was passing through a variety of shades.</p>
<p class="indent">"Yes," said Lillie. "Here is the condition in print.
You don't seem to have noticed it was a back number.
But of course I don't wonder at that—there's no topical
interest whatever, one week's very much like another.
And see! Here is even 'Specimen Copy' marked on
the outside sheet. Richard's uncle must have had it given
to him in the street."</p>
<p class="indent">"The miracle!" exclaimed Miss Linbridge in exultant
tones, and repossessing herself of the paper she darted
from the Club.</p>
<p class="indent"><span class="pagenum"><SPAN name="page309" id="page309"></SPAN>[pg 309]</span></p>
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