<p><SPAN name="link2HCH0059" id="link2HCH0059"></SPAN></p>
<h2> CHAPTER 59. Retribution </h2>
<p>Changes have come again upon the great house in the long dull street, once
the scene of Florence's childhood and loneliness. It is a great house
still, proof against wind and weather, without breaches in the roof, or
shattered windows, or dilapidated walls; but it is a ruin none the less,
and the rats fly from it.</p>
<p>Mr Towlinson and company are, at first, incredulous in respect of the
shapeless rumours that they hear. Cook says our people's credit ain't so
easy shook as that comes to, thank God; and Mr Towlinson expects to hear
it reported next, that the Bank of England's a-going to break, or the
jewels in the Tower to be sold up. But, next come the Gazette, and Mr
Perch; and Mr Perch brings Mrs Perch to talk it over in the kitchen, and
to spend a pleasant evening.</p>
<p>As soon as there is no doubt about it, Mr Towlinson's main anxiety is that
the failure should be a good round one—not less than a hundred
thousand pound. Mr Perch don't think himself that a hundred thousand pound
will nearly cover it. The women, led by Mrs Perch and Cook, often repeat
'a hun-dred thou-sand pound!' with awful satisfaction—as if handling
the words were like handling the money; and the housemaid, who has her eye
on Mr Towlinson, wishes she had only a hundredth part of the sum to bestow
on the man of her choice. Mr Towlinson, still mindful of his old wrong,
opines that a foreigner would hardly know what to do with so much money,
unless he spent it on his whiskers; which bitter sarcasm causes the
housemaid to withdraw in tears.</p>
<p>But not to remain long absent; for Cook, who has the reputation of being
extremely good-hearted, says, whatever they do, let 'em stand by one
another now, Towlinson, for there's no telling how soon they may be
divided. They have been in that house (says Cook) through a funeral, a
wedding, and a running-away; and let it not be said that they couldn't
agree among themselves at such a time as the present. Mrs Perch is
immensely affected by this moving address, and openly remarks that Cook is
an angel. Mr Towlinson replies to Cook, far be it from him to stand in the
way of that good feeling which he could wish to see; and adjourning in
quest of the housemaid, and presently returning with that young lady on
his arm, informs the kitchen that foreigners is only his fun, and that him
and Anne have now resolved to take one another for better for worse, and
to settle in Oxford Market in the general greengrocery and herb and leech
line, where your kind favours is particular requested. This announcement
is received with acclamation; and Mrs Perch, projecting her soul into
futurity, says, 'girls,' in Cook's ear, in a solemn whisper.</p>
<p>Misfortune in the family without feasting, in these lower regions,
couldn't be. Therefore Cook tosses up a hot dish or two for supper, and Mr
Towlinson compounds a lobster salad to be devoted to the same hospitable
purpose. Even Mrs Pipchin, agitated by the occasion, rings her bell, and
sends down word that she requests to have that little bit of sweetbread
that was left, warmed up for her supper, and sent to her on a tray with
about a quarter of a tumbler-full of mulled sherry; for she feels poorly.</p>
<p>There is a little talk about Mr Dombey, but very little. It is chiefly
speculation as to how long he has known that this was going to happen.
Cook says shrewdly, 'Oh a long time, bless you! Take your oath of that.'
And reference being made to Mr Perch, he confirms her view of the case.
Somebody wonders what he'll do, and whether he'll go out in any situation.
Mr Towlinson thinks not, and hints at a refuge in one of them genteel
almshouses of the better kind. 'Ah, where he'll have his little garden,
you know,' says Cook plaintively, 'and bring up sweet peas in the spring.'
'Exactly so,' says Mr Towlinson, 'and be one of the Brethren of something
or another.' 'We are all brethren,' says Mrs Perch, in a pause of her
drink. 'Except the sisters,' says Mr Perch. 'How are the mighty fallen!'
remarks Cook. 'Pride shall have a fall, and it always was and will be so!'
observes the housemaid.</p>
<p>It is wonderful how good they feel, in making these reflections; and what
a Christian unanimity they are sensible of, in bearing the common shock
with resignation. There is only one interruption to this excellent state
of mind, which is occasioned by a young kitchen-maid of inferior rank—in
black stockings—who, having sat with her mouth open for a long time,
unexpectedly discharges from it words to this effect, 'Suppose the wages
shouldn't be paid!' The company sit for a moment speechless; but Cook
recovering first, turns upon the young woman, and requests to know how she
dares insult the family, whose bread she eats, by such a dishonest
supposition, and whether she thinks that anybody, with a scrap of honour
left, could deprive poor servants of their pittance? 'Because if that is
your religious feelings, Mary Daws,' says Cook warmly, 'I don't know where
you mean to go to.</p>
<p>Mr Towlinson don't know either; nor anybody; and the young kitchen-maid,
appearing not to know exactly, herself, and scouted by the general voice,
is covered with confusion, as with a garment.</p>
<p>After a few days, strange people begin to call at the house, and to make
appointments with one another in the dining-room, as if they lived there.
Especially, there is a gentleman, of a Mosaic Arabian cast of countenance,
with a very massive watch-guard, who whistles in the drawing-room, and,
while he is waiting for the other gentleman, who always has pen and ink in
his pocket, asks Mr Towlinson (by the easy name of 'Old Cock,') if he
happens to know what the figure of them crimson and gold hangings might
have been, when new bought. The callers and appointments in the
dining-room become more numerous every day, and every gentleman seems to
have pen and ink in his pocket, and to have some occasion to use it. At
last it is said that there is going to be a Sale; and then more people
arrive, with pen and ink in their pockets, commanding a detachment of men
with carpet caps, who immediately begin to pull up the carpets, and knock
the furniture about, and to print off thousands of impressions of their
shoes upon the hall and staircase.</p>
<p>The council downstairs are in full conclave all this time, and, having
nothing to do, perform perfect feats of eating. At length, they are one
day summoned in a body to Mrs Pipchin's room, and thus addressed by the
fair Peruvian:</p>
<p>'Your master's in difficulties,' says Mrs Pipchin, tartly. 'You know that,
I suppose?'</p>
<p>Mr Towlinson, as spokesman, admits a general knowledge of the fact.</p>
<p>'And you're all on the look-out for yourselves, I warrant you, says Mrs
Pipchin, shaking her head at them.</p>
<p>A shrill voice from the rear exclaims, 'No more than yourself!'</p>
<p>'That's your opinion, Mrs Impudence, is it?' says the ireful Pipchin,
looking with a fiery eye over the intermediate heads.</p>
<p>'Yes, Mrs Pipchin, it is,' replies Cook, advancing. 'And what then, pray?'</p>
<p>'Why, then you may go as soon as you like,' says Mrs Pipchin. 'The sooner
the better; and I hope I shall never see your face again.'</p>
<p>With this the doughty Pipchin produces a canvas bag; and tells her wages
out to that day, and a month beyond it; and clutches the money tight,
until a receipt for the same is duly signed, to the last upstroke; when
she grudgingly lets it go. This form of proceeding Mrs Pipchin repeats
with every member of the household, until all are paid.</p>
<p>'Now those that choose, can go about their business,' says Mrs Pipchin,
'and those that choose can stay here on board wages for a week or so, and
make themselves useful. Except,' says the inflammable Pipchin, 'that slut
of a cook, who'll go immediately.'</p>
<p>'That,' says Cook, 'she certainly will! I wish you good day, Mrs Pipchin,
and sincerely wish I could compliment you on the sweetness of your
appearance!'</p>
<p>'Get along with you,' says Mrs Pipchin, stamping her foot.</p>
<p>Cook sails off with an air of beneficent dignity, highly exasperating to
Mrs Pipchin, and is shortly joined below stairs by the rest of the
confederation.</p>
<p>Mr Towlinson then says that, in the first place, he would beg to propose a
little snack of something to eat; and over that snack would desire to
offer a suggestion which he thinks will meet the position in which they
find themselves. The refreshment being produced, and very heartily
partaken of, Mr Towlinson's suggestion is, in effect, that Cook is going,
and that if we are not true to ourselves, nobody will be true to us. That
they have lived in that house a long time, and exerted themselves very
much to be sociable together. (At this, Cook says, with emotion, 'Hear,
hear!' and Mrs Perch, who is there again, and full to the throat, sheds
tears.) And that he thinks, at the present time, the feeling ought to be
'Go one, go all!' The housemaid is much affected by this generous
sentiment, and warmly seconds it. Cook says she feels it's right, and only
hopes it's not done as a compliment to her, but from a sense of duty. Mr
Towlinson replies, from a sense of duty; and that now he is driven to
express his opinions, he will openly say, that he does not think it
over-respectable to remain in a house where Sales and such-like are
carrying forwards. The housemaid is sure of it; and relates, in
confirmation, that a strange man, in a carpet cap, offered, this very
morning, to kiss her on the stairs. Hereupon, Mr Towlinson is starting
from his chair, to seek and 'smash' the offender; when he is laid hold on
by the ladies, who beseech him to calm himself, and to reflect that it is
easier and wiser to leave the scene of such indecencies at once. Mrs
Perch, presenting the case in a new light, even shows that delicacy
towards Mr Dombey, shut up in his own rooms, imperatively demands
precipitate retreat. 'For what,' says the good woman, 'must his feelings
be, if he was to come upon any of the poor servants that he once deceived
into thinking him immensely rich!' Cook is so struck by this moral
consideration, that Mrs Perch improves it with several pious axioms,
original and selected. It becomes a clear case that they must all go.
Boxes are packed, cabs fetched, and at dusk that evening there is not one
member of the party left.</p>
<p>The house stands, large and weather-proof, in the long dull street; but it
is a ruin, and the rats fly from it.</p>
<p>The men in the carpet caps go on tumbling the furniture about; and the
gentlemen with the pens and ink make out inventories of it, and sit upon
pieces of furniture never made to be sat upon, and eat bread and cheese
from the public-house on other pieces of furniture never made to be eaten
on, and seem to have a delight in appropriating precious articles to
strange uses. Chaotic combinations of furniture also take place.
Mattresses and bedding appear in the dining-room; the glass and china get
into the conservatory; the great dinner service is set out in heaps on the
long divan in the large drawing-room; and the stair-wires, made into
fasces, decorate the marble chimneypieces. Finally, a rug, with a printed
bill upon it, is hung out from the balcony; and a similar appendage graces
either side of the hall door.</p>
<p>Then, all day long, there is a retinue of mouldy gigs and chaise-carts in
the street; and herds of shabby vampires, Jew and Christian, over-run the
house, sounding the plate-glass minors with their knuckles, striking
discordant octaves on the Grand Piano, drawing wet forefingers over the
pictures, breathing on the blades of the best dinner-knives, punching the
squabs of chairs and sofas with their dirty fists, touzling the feather
beds, opening and shutting all the drawers, balancing the silver spoons
and forks, looking into the very threads of the drapery and linen, and
disparaging everything. There is not a secret place in the whole house.
Fluffy and snuffy strangers stare into the kitchen-range as curiously as
into the attic clothes-press. Stout men with napless hats on, look out of
the bedroom windows, and cut jokes with friends in the street. Quiet,
calculating spirits withdraw into the dressing-rooms with catalogues, and
make marginal notes thereon, with stumps of pencils. Two brokers invade
the very fire-escape, and take a panoramic survey of the neighbourhood
from the top of the house. The swarm and buzz, and going up and down,
endure for days. The Capital Modern Household Furniture, &c., is on
view.</p>
<p>Then there is a palisade of tables made in the best drawing-room; and on
the capital, french-polished, extending, telescopic range of Spanish
mahogany dining-tables with turned legs, the pulpit of the Auctioneer is
erected; and the herds of shabby vampires, Jew and Christian, the
strangers fluffy and snuffy, and the stout men with the napless hats,
congregate about it and sit upon everything within reach, mantel-pieces
included, and begin to bid. Hot, humming, and dusty are the rooms all day;
and—high above the heat, hum, and dust—the head and shoulders,
voice and hammer, of the Auctioneer, are ever at work. The men in the
carpet caps get flustered and vicious with tumbling the Lots about, and
still the Lots are going, going, gone; still coming on. Sometimes there is
joking and a general roar. This lasts all day and three days following.
The Capital Modern Household Furniture, &c., is on sale.</p>
<p>Then the mouldy gigs and chaise-carts reappear; and with them come
spring-vans and waggons, and an army of porters with knots. All day long,
the men with carpet caps are screwing at screw-drivers and bed-winches, or
staggering by the dozen together on the staircase under heavy burdens, or
upheaving perfect rocks of Spanish mahogany, best rose-wood, or
plate-glass, into the gigs and chaise-carts, vans and waggons. All sorts
of vehicles of burden are in attendance, from a tilted waggon to a
wheelbarrow. Poor Paul's little bedstead is carried off in a
donkey-tandem. For nearly a whole week, the Capital Modern Household
Furniture, & c., is in course of removal.</p>
<p>At last it is all gone. Nothing is left about the house but scattered
leaves of catalogues, littered scraps of straw and hay, and a battery of
pewter pots behind the hall-door. The men with the carpet-caps gather up
their screw-drivers and bed-winches into bags, shoulder them, and walk
off. One of the pen-and-ink gentlemen goes over the house as a last
attention; sticking up bills in the windows respecting the lease of this
desirable family mansion, and shutting the shutters. At length he follows
the men with the carpet caps. None of the invaders remain. The house is a
ruin, and the rats fly from it.</p>
<p>Mrs Pipchin's apartments, together with those locked rooms on the
ground-floor where the window-blinds are drawn down close, have been
spared the general devastation. Mrs Pipchin has remained austere and stony
during the proceedings, in her own room; or has occasionally looked in at
the sale to see what the goods are fetching, and to bid for one particular
easy chair. Mrs Pipchin has been the highest bidder for the easy chair,
and sits upon her property when Mrs Chick comes to see her.</p>
<p>'How is my brother, Mrs Pipchin?' says Mrs Chick.</p>
<p>'I don't know any more than the deuce,' says Mrs Pipchin. 'He never does
me the honour to speak to me. He has his meat and drink put in the next
room to his own; and what he takes, he comes out and takes when there's
nobody there. It's no use asking me. I know no more about him than the man
in the south who burnt his mouth by eating cold plum porridge.'</p>
<p>This the acrimonious Pipchin says with a flounce.</p>
<p>'But good gracious me!' cries Mrs Chick blandly. 'How long is this to
last! If my brother will not make an effort, Mrs Pipchin, what is to
become of him? I am sure I should have thought he had seen enough of the
consequences of not making an effort, by this time, to be warned against
that fatal error.'</p>
<p>'Hoity toity!' says Mrs Pipchin, rubbing her nose. 'There's a great fuss,
I think, about it. It ain't so wonderful a case. People have had
misfortunes before now, and been obliged to part with their furniture. I'm
sure I have!'</p>
<p>'My brother,' pursues Mrs Chick profoundly, 'is so peculiar—so
strange a man. He is the most peculiar man I ever saw. Would anyone
believe that when he received news of the marriage and emigration of that
unnatural child—it's a comfort to me, now, to remember that I always
said there was something extraordinary about that child: but nobody minds
me—would anybody believe, I say, that he should then turn round upon
me and say he had supposed, from my manner, that she had come to my house?
Why, my gracious! And would anybody believe that when I merely say to him,
"Paul, I may be very foolish, and I have no doubt I am, but I cannot
understand how your affairs can have got into this state," he should
actually fly at me, and request that I will come to see him no more until
he asks me! Why, my goodness!'</p>
<p>'Ah'!' says Mrs Pipchin. 'It's a pity he hadn't a little more to do with
mines. They'd have tried his temper for him.'</p>
<p>'And what,' resumes Mrs Chick, quite regardless of Mrs Pipchin's
observations, 'is it to end in? That's what I want to know. What does my
brother mean to do? He must do something. It's of no use remaining shut up
in his own rooms. Business won't come to him. No. He must go to it. Then
why don't he go? He knows where to go, I suppose, having been a man of
business all his life. Very good. Then why not go there?'</p>
<p>Mrs Chick, after forging this powerful chain of reasoning, remains silent
for a minute to admire it.</p>
<p>'Besides,' says the discreet lady, with an argumentative air, 'who ever
heard of such obstinacy as his staying shut up here through all these
dreadful disagreeables? It's not as if there was no place for him to go
to. Of course he could have come to our house. He knows he is at home
there, I suppose? Mr Chick has perfectly bored about it, and I said with
my own lips, "Why surely, Paul, you don't imagine that because your
affairs have got into this state, you are the less at home to such near
relatives as ourselves? You don't imagine that we are like the rest of the
world?" But no; here he stays all through, and here he is. Why, good
gracious me, suppose the house was to be let! What would he do then? He
couldn't remain here then. If he attempted to do so, there would be an
ejectment, an action for Doe, and all sorts of things; and then he must
go. Then why not go at first instead of at last? And that brings me back
to what I said just now, and I naturally ask what is to be the end of it?'</p>
<p>'I know what's to be the end of it, as far as I am concerned,' replies Mrs
Pipchin, 'and that's enough for me. I'm going to take myself off in a
jiffy.'</p>
<p>'In a which, Mrs Pipchin,' says Mrs Chick.</p>
<p>'In a jiffy,' retorts Mrs Pipchin sharply.</p>
<p>'Ah, well! really I can't blame you, Mrs Pipchin,' says Mrs Chick, with
frankness.</p>
<p>'It would be pretty much the same to me, if you could,' replies the
sardonic Pipchin. 'At any rate I'm going. I can't stop here. I should be
dead in a week. I had to cook my own pork chop yesterday, and I'm not used
to it. My constitution will be giving way next. Besides, I had a very fair
connexion at Brighton when I came here—little Pankey's folks alone
were worth a good eighty pounds a-year to me—and I can't afford to
throw it away. I've written to my niece, and she expects me by this time.'</p>
<p>'Have you spoken to my brother?' inquires Mrs Chick</p>
<p>'Oh, yes, it's very easy to say speak to him,' retorts Mrs Pipchin. 'How
is it done? I called out to him yesterday, that I was no use here, and
that he had better let me send for Mrs Richards. He grunted something or
other that meant yes, and I sent. Grunt indeed! If he had been Mr Pipchin,
he'd have had some reason to grunt. Yah! I've no patience with it!'</p>
<p>Here this exemplary female, who has pumped up so much fortitude and virtue
from the depths of the Peruvian mines, rises from her cushioned property
to see Mrs Chick to the door. Mrs Chick, deploring to the last the
peculiar character of her brother, noiselessly retires, much occupied with
her own sagacity and clearness of head.</p>
<p>In the dusk of the evening Mr Toodle, being off duty, arrives with Polly
and a box, and leaves them, with a sounding kiss, in the hall of the empty
house, the retired character of which affects Mr Toodle's spirits
strongly.</p>
<p>'I tell you what, Polly, me dear,' says Mr Toodle, 'being now an
ingine-driver, and well to do in the world, I shouldn't allow of your
coming here, to be made dull-like, if it warn't for favours past. But
favours past, Polly, is never to be forgot. To them which is in adversity,
besides, your face is a cord'l. So let's have another kiss on it, my dear.
You wish no better than to do a right act, I know; and my views is, that
it's right and dutiful to do this. Good-night, Polly!'</p>
<p>Mrs Pipchin by this time looms dark in her black bombazeen skirts, black
bonnet, and shawl; and has her personal property packed up; and has her
chair (late a favourite chair of Mr Dombey's and the dead bargain of the
sale) ready near the street door; and is only waiting for a fly-van, going
to-night to Brighton on private service, which is to call for her, by
private contract, and convey her home.</p>
<p>Presently it comes. Mrs Pipchin's wardrobe being handed in and stowed
away, Mrs Pipchin's chair is next handed in, and placed in a convenient
corner among certain trusses of hay; it being the intention of the amiable
woman to occupy the chair during her journey. Mrs Pipchin herself is next
handed in, and grimly takes her seat. There is a snaky gleam in her hard
grey eye, as of anticipated rounds of buttered toast, relays of hot chops,
worryings and quellings of young children, sharp snappings at poor Berry,
and all the other delights of her Ogress's castle. Mrs Pipchin almost
laughs as the fly-van drives off, and she composes her black bombazeen
skirts, and settles herself among the cushions of her easy chair.</p>
<p>The house is such a ruin that the rats have fled, and there is not one
left.</p>
<p>But Polly, though alone in the deserted mansion—for there is no
companionship in the shut-up rooms in which its late master hides his head—is
not alone long. It is night; and she is sitting at work in the
housekeeper's room, trying to forget what a lonely house it is, and what a
history belongs to it; when there is a knock at the hall door, as loud
sounding as any knock can be, striking into such an empty place. Opening
it, she returns across the echoing hall, accompanied by a female figure in
a close black bonnet. It is Miss Tox, and Miss Tox's eyes are red.</p>
<p>'Oh, Polly,' says Miss Tox, 'when I looked in to have a little lesson with
the children just now, I got the message that you left for me; and as soon
as I could recover my spirits at all, I came on after you. Is there no one
here but you?'</p>
<p>'Ah! not a soul,' says Polly.</p>
<p>'Have you seen him?' whispers Miss Tox.</p>
<p>'Bless you,' returns Polly, 'no; he has not been seen this many a day.
They tell me he never leaves his room.'</p>
<p>'Is he said to be ill?' inquires Miss Tox.</p>
<p>'No, Ma'am, not that I know of,' returns Polly, 'except in his mind. He
must be very bad there, poor gentleman!'</p>
<p>Miss Tox's sympathy is such that she can scarcely speak. She is no
chicken, but she has not grown tough with age and celibacy. Her heart is
very tender, her compassion very genuine, her homage very real. Beneath
the locket with the fishy eye in it, Miss Tox bears better qualities than
many a less whimsical outside; such qualities as will outlive, by many
courses of the sun, the best outsides and brightest husks that fall in the
harvest of the great reaper.</p>
<p>It is long before Miss Tox goes away, and before Polly, with a candle
flaring on the blank stairs, looks after her, for company, down the
street, and feels unwilling to go back into the dreary house, and jar its
emptiness with the heavy fastenings of the door, and glide away to bed.
But all this Polly does; and in the morning sets in one of those darkened
rooms such matters as she has been advised to prepare, and then retires
and enters them no more until next morning at the same hour. There are
bells there, but they never ring; and though she can sometimes hear a
footfall going to and fro, it never comes out.</p>
<p>Miss Tox returns early in the day. It then begins to be Miss Tox's
occupation to prepare little dainties—or what are such to her—to
be carried into these rooms next morning. She derives so much satisfaction
from the pursuit, that she enters on it regularly from that time; and
brings daily in her little basket, various choice condiments selected from
the scanty stores of the deceased owner of the powdered head and pigtail.
She likewise brings, in sheets of curl-paper, morsels of cold meats,
tongues of sheep, halves of fowls, for her own dinner; and sharing these
collations with Polly, passes the greater part of her time in the ruined
house that the rats have fled from: hiding, in a fright at every sound,
stealing in and out like a criminal; only desiring to be true to the
fallen object of her admiration, unknown to him, unknown to all the world
but one poor simple woman.</p>
<p>The Major knows it; but no one is the wiser for that, though the Major is
much the merrier. The Major, in a fit of curiosity, has charged the Native
to watch the house sometimes, and find out what becomes of Dombey. The
Native has reported Miss Tox's fidelity, and the Major has nearly choked
himself dead with laughter. He is permanently bluer from that hour, and
constantly wheezes to himself, his lobster eyes starting out of his head,
'Damme, Sir, the woman's a born idiot!'</p>
<p>And the ruined man. How does he pass the hours, alone?</p>
<p>'Let him remember it in that room, years to come!' He did remember it. It
was heavy on his mind now; heavier than all the rest.</p>
<p>'Let him remember it in that room, years to come! The rain that falls upon
the roof, the wind that mourns outside the door, may have foreknowledge in
their melancholy sound. Let him remember it in that room, years to come!'</p>
<p>He did remember it. In the miserable night he thought of it; in the dreary
day, the wretched dawn, the ghostly, memory-haunted twilight. He did
remember it. In agony, in sorrow, in remorse, in despair! 'Papa! Papa!
Speak to me, dear Papa!' He heard the words again, and saw the face. He
saw it fall upon the trembling hands, and heard the one prolonged low cry
go upward.</p>
<p>He was fallen, never to be raised up any more. For the night of his
worldly ruin there was no to-morrow's sun; for the stain of his domestic
shame there was no purification; nothing, thank Heaven, could bring his
dead child back to life. But that which he might have made so different in
all the Past—which might have made the Past itself so different,
though this he hardly thought of now—that which was his own work,
that which he could so easily have wrought into a blessing, and had set
himself so steadily for years to form into a curse: that was the sharp
grief of his soul.</p>
<p>Oh! He did remember it! The rain that fell upon the roof, the wind that
mourned outside the door that night, had had foreknowledge in their
melancholy sound. He knew, now, what he had done. He knew, now, that he
had called down that upon his head, which bowed it lower than the heaviest
stroke of fortune. He knew, now, what it was to be rejected and deserted;
now, when every loving blossom he had withered in his innocent daughter's
heart was snowing down in ashes on him.</p>
<p>He thought of her, as she had been that night when he and his bride came
home. He thought of her as she had been, in all the home-events of the
abandoned house. He thought, now, that of all around him, she alone had
never changed. His boy had faded into dust, his proud wife had sunk into a
polluted creature, his flatterer and friend had been transformed into the
worst of villains, his riches had melted away, the very walls that
sheltered him looked on him as a stranger; she alone had turned the same
mild gentle look upon him always. Yes, to the latest and the last. She had
never changed to him—nor had he ever changed to her—and she
was lost.</p>
<p>As, one by one, they fell away before his mind—his baby—hope,
his wife, his friend, his fortune—oh how the mist, through which he
had seen her, cleared, and showed him her true self! Oh, how much better
than this that he had loved her as he had his boy, and lost her as he had
his boy, and laid them in their early grave together!</p>
<p>In his pride—for he was proud yet—he let the world go from him
freely. As it fell away, he shook it off. Whether he imagined its face as
expressing pity for him, or indifference to him, he shunned it alike. It
was in the same degree to be avoided, in either aspect. He had no idea of
any one companion in his misery, but the one he had driven away. What he
would have said to her, or what consolation submitted to receive from her,
he never pictured to himself. But he always knew she would have been true
to him, if he had suffered her. He always knew she would have loved him
better now, than at any other time; he was as certain that it was in her
nature, as he was that there was a sky above him; and he sat thinking so,
in his loneliness, from hour to hour. Day after day uttered this speech;
night after night showed him this knowledge.</p>
<p>It began, beyond all doubt (however slow it advanced for some time), in
the receipt of her young husband's letter, and the certainty that she was
gone. And yet—so proud he was in his ruin, or so reminiscent of her
only as something that might have been his, but was lost beyond redemption—that
if he could have heard her voice in an adjoining room, he would not have
gone to her. If he could have seen her in the street, and she had done no
more than look at him as she had been used to look, he would have passed
on with his old cold unforgiving face, and not addressed her, or relaxed
it, though his heart should have broken soon afterwards. However turbulent
his thoughts, or harsh his anger had been, at first, concerning her
marriage, or her husband, that was all past now. He chiefly thought of
what might have been, and what was not. What was, was all summed up in
this: that she was lost, and he bowed down with sorrow and remorse.</p>
<p>And now he felt that he had had two children born to him in that house,
and that between him and the bare wide empty walls there was a tie,
mournful, but hard to rend asunder, connected with a double childhood, and
a double loss. He had thought to leave the house—knowing he must go,
not knowing whither—upon the evening of the day on which this
feeling first struck root in his breast; but he resolved to stay another
night, and in the night to ramble through the rooms once more.</p>
<p>He came out of his solitude when it was the dead of night, and with a
candle in his hand went softly up the stairs. Of all the footmarks there,
making them as common as the common street, there was not one, he thought,
but had seemed at the time to set itself upon his brain while he had kept
close, listening. He looked at their number, and their hurry, and
contention—foot treading foot out, and upward track and downward
jostling one another—and thought, with absolute dread and wonder,
how much he must have suffered during that trial, and what a changed man
he had cause to be. He thought, besides, oh was there, somewhere in the
world, a light footstep that might have worn out in a moment half those
marks!—and bent his head, and wept as he went up.</p>
<p>He almost saw it, going on before. He stopped, looking up towards the
skylight; and a figure, childish itself, but carrying a child, and singing
as it went, seemed to be there again. Anon, it was the same figure, alone,
stopping for an instant, with suspended breath; the bright hair clustering
loosely round its tearful face; and looking back at him.</p>
<p>He wandered through the rooms: lately so luxurious; now so bare and dismal
and so changed, apparently, even in their shape and size. The press of
footsteps was as thick here; and the same consideration of the suffering
he had had, perplexed and terrified him. He began to fear that all this
intricacy in his brain would drive him mad; and that his thoughts already
lost coherence as the footprints did, and were pieced on to one another,
with the same trackless involutions, and varieties of indistinct shapes.</p>
<p>He did not so much as know in which of these rooms she had lived, when she
was alone. He was glad to leave them, and go wandering higher up.
Abundance of associations were here, connected with his false wife, his
false friend and servant, his false grounds of pride; but he put them all
by now, and only recalled miserably, weakly, fondly, his two children.</p>
<p>Everywhere, the footsteps! They had had no respect for the old room high
up, where the little bed had been; he could hardly find a clear space
there, to throw himself down, on the floor, against the wall, poor broken
man, and let his tears flow as they would. He had shed so many tears here,
long ago, that he was less ashamed of his weakness in this place than in
any other—perhaps, with that consciousness, had made excuses to
himself for coming here. Here, with stooping shoulders, and his chin
dropped on his breast, he had come. Here, thrown upon the bare boards, in
the dead of night, he wept, alone—a proud man, even then; who, if a
kind hand could have been stretched out, or a kind face could have looked
in, would have risen up, and turned away, and gone down to his cell.</p>
<p>When the day broke he was shut up in his rooms again. He had meant to go
away to-day, but clung to this tie in the house as the last and only thing
left to him. He would go to-morrow. To-morrow came. He would go to-morrow.
Every night, within the knowledge of no human creature, he came forth, and
wandered through the despoiled house like a ghost. Many a morning when the
day broke, his altered face, drooping behind the closed blind in his
window, imperfectly transparent to the light as yet, pondered on the loss
of his two children. It was one child no more. He reunited them in his
thoughts, and they were never asunder. Oh, that he could have united them
in his past love, and in death, and that one had not been so much worse
than dead!</p>
<p>Strong mental agitation and disturbance was no novelty to him, even before
his late sufferings. It never is, to obstinate and sullen natures; for
they struggle hard to be such. Ground, long undermined, will often fall
down in a moment; what was undermined here in so many ways, weakened, and
crumbled, little by little, more and more, as the hand moved on the dial.</p>
<p>At last he began to think he need not go at all. He might yet give up what
his creditors had spared him (that they had not spared him more, was his
own act), and only sever the tie between him and the ruined house, by
severing that other link—</p>
<p>It was then that his footfall was audible in the late housekeeper's room,
as he walked to and fro; but not audible in its true meaning, or it would
have had an appalling sound.</p>
<p>The world was very busy and restless about him. He became aware of that
again. It was whispering and babbling. It was never quiet. This, and the
intricacy and complication of the footsteps, harassed him to death.
Objects began to take a bleared and russet colour in his eyes. Dombey and
Son was no more—his children no more. This must be thought of, well,
to-morrow.</p>
<p>He thought of it to-morrow; and sitting thinking in his chair, saw in the
glass, from time to time, this picture:</p>
<p>A spectral, haggard, wasted likeness of himself, brooded and brooded over
the empty fireplace. Now it lifted up its head, examining the lines and
hollows in its face; now hung it down again, and brooded afresh. Now it
rose and walked about; now passed into the next room, and came back with
something from the dressing-table in its breast. Now, it was looking at
the bottom of the door, and thinking.</p>
<p>Hush! what? It was thinking that if blood were to trickle that way, and to
leak out into the hall, it must be a long time going so far. It would move
so stealthily and slowly, creeping on, with here a lazy little pool, and
there a start, and then another little pool, that a desperately wounded
man could only be discovered through its means, either dead or dying. When
it had thought of this a long while, it got up again, and walked to and
fro with its hand in its breast. He glanced at it occasionally, very
curious to watch its motions, and he marked how wicked and murderous that
hand looked.</p>
<p>Now it was thinking again! What was it thinking?</p>
<p>Whether they would tread in the blood when it crept so far, and carry it
about the house among those many prints of feet, or even out into the
street.</p>
<p>It sat down, with its eyes upon the empty fireplace, and as it lost itself
in thought there shone into the room a gleam of light; a ray of sun. It
was quite unmindful, and sat thinking. Suddenly it rose, with a terrible
face, and that guilty hand grasping what was in its breast. Then it was
arrested by a cry—a wild, loud, piercing, loving, rapturous cry—and
he only saw his own reflection in the glass, and at his knees, his
daughter!</p>
<p>Yes. His daughter! Look at her! Look here! Down upon the ground, clinging
to him, calling to him, folding her hands, praying to him.</p>
<p>'Papa! Dearest Papa! Pardon me, forgive me! I have come back to ask
forgiveness on my knees. I never can be happy more, without it!'</p>
<p>Unchanged still. Of all the world, unchanged. Raising the same face to
his, as on that miserable night. Asking his forgiveness!</p>
<p>'Dear Papa, oh don't look strangely on me! I never meant to leave you. I
never thought of it, before or afterwards. I was frightened when I went
away, and could not think. Papa, dear, I am changed. I am penitent. I know
my fault. I know my duty better now. Papa, don't cast me off, or I shall
die!'</p>
<p>He tottered to his chair. He felt her draw his arms about her neck; he
felt her put her own round his; he felt her kisses on his face; he felt
her wet cheek laid against his own; he felt—oh, how deeply!—all
that he had done.</p>
<p>Upon the breast that he had bruised, against the heart that he had almost
broken, she laid his face, now covered with his hands, and said, sobbing:</p>
<p>'Papa, love, I am a mother. I have a child who will soon call Walter by
the name by which I call you. When it was born, and when I knew how much I
loved it, I knew what I had done in leaving you. Forgive me, dear Papa! oh
say God bless me, and my little child!'</p>
<p>He would have said it, if he could. He would have raised his hands and
besought her for pardon, but she caught them in her own, and put them
down, hurriedly.</p>
<p>'My little child was born at sea, Papa I prayed to God (and so did Walter
for me) to spare me, that I might come home. The moment I could land, I
came back to you. Never let us be parted any more, Papa. Never let us be
parted any more!'</p>
<p>His head, now grey, was encircled by her arm; and he groaned to think that
never, never, had it rested so before.</p>
<p>'You will come home with me, Papa, and see my baby. A boy, Papa. His name
is Paul. I think—I hope—he's like—'</p>
<p>Her tears stopped her.</p>
<p>'Dear Papa, for the sake of my child, for the sake of the name we have
given him, for my sake, pardon Walter. He is so kind and tender to me. I
am so happy with him. It was not his fault that we were married. It was
mine. I loved him so much.'</p>
<p>She clung closer to him, more endearing and more earnest.</p>
<p>'He is the darling of my heart, Papa I would die for him. He will love and
honour you as I will. We will teach our little child to love and honour
you; and we will tell him, when he can understand, that you had a son of
that name once, and that he died, and you were very sorry; but that he is
gone to Heaven, where we all hope to see him when our time for resting
comes. Kiss me, Papa, as a promise that you will be reconciled to Walter—to
my dearest husband—to the father of the little child who taught me
to come back, Papa Who taught me to come back!'</p>
<p>As she clung closer to him, in another burst of tears, he kissed her on
her lips, and, lifting up his eyes, said, 'Oh my God, forgive me, for I
need it very much!'</p>
<p>With that he dropped his head again, lamenting over and caressing her, and
there was not a sound in all the house for a long, long time; they
remaining clasped in one another's arms, in the glorious sunshine that had
crept in with Florence.</p>
<p>He dressed himself for going out, with a docile submission to her
entreaty; and walking with a feeble gait, and looking back, with a
tremble, at the room in which he had been so long shut up, and where he
had seen the picture in the glass, passed out with her into the hall.
Florence, hardly glancing round her, lest she should remind him freshly of
their last parting—for their feet were on the very stones where he
had struck her in his madness—and keeping close to him, with her
eyes upon his face, and his arm about her, led him out to a coach that was
waiting at the door, and carried him away.</p>
<p>Then, Miss Tox and Polly came out of their concealment, and exulted
tearfully. And then they packed his clothes, and books, and so forth, with
great care; and consigned them in due course to certain persons sent by
Florence, in the evening, to fetch them. And then they took a last cup of
tea in the lonely house.</p>
<p>'And so Dombey and Son, as I observed upon a certain sad occasion,' said
Miss Tox, winding up a host of recollections, 'is indeed a daughter,
Polly, after all.'</p>
<p>'And a good one!' exclaimed Polly.</p>
<p>'You are right,' said Miss Tox; 'and it's a credit to you, Polly, that you
were always her friend when she was a little child. You were her friend
long before I was, Polly,' said Miss Tox; 'and you're a good creature.
Robin!'</p>
<p>Miss Tox addressed herself to a bullet-headed young man, who appeared to
be in but indifferent circumstances, and in depressed spirits, and who was
sitting in a remote corner. Rising, he disclosed to view the form and
features of the Grinder.</p>
<p>'Robin,' said Miss Tox, 'I have just observed to your mother, as you may
have heard, that she is a good creature.</p>
<p>'And so she is, Miss,' quoth the Grinder, with some feeling.</p>
<p>'Very well, Robin,' said Miss Tox, 'I am glad to hear you say so. Now,
Robin, as I am going to give you a trial, at your urgent request, as my
domestic, with a view to your restoration to respectability, I will take
this impressive occasion of remarking that I hope you will never forget
that you have, and have always had, a good mother, and that you will
endeavour so to conduct yourself as to be a comfort to her.'</p>
<p>'Upon my soul I will, Miss,' returned the Grinder. 'I have come through a
good deal, and my intentions is now as straightfor'ard, Miss, as a cove's—'</p>
<p>'I must get you to break yourself of that word, Robin, if you Please,'
interposed Miss Tox, politely.</p>
<p>'If you please, Miss, as a chap's—'</p>
<p>'Thankee, Robin, no,' returned Miss Tox, 'I should prefer individual.'</p>
<p>'As a indiwiddle's,' said the Grinder.</p>
<p>'Much better,' remarked Miss Tox, complacently; 'infinitely more
expressive!'</p>
<p>'—can be,' pursued Rob. 'If I hadn't been and got made a Grinder on,
Miss and Mother, which was a most unfortunate circumstance for a young co—
indiwiddle.'</p>
<p>'Very good indeed,' observed Miss Tox, approvingly.</p>
<p>'—and if I hadn't been led away by birds, and then fallen into a bad
service,' said the Grinder, 'I hope I might have done better. But it's
never too late for a—'</p>
<p>'Indi—' suggested Miss Tox.</p>
<p>'—widdle,' said the Grinder, 'to mend; and I hope to mend, Miss,
with your kind trial; and wishing, Mother, my love to father, and brothers
and sisters, and saying of it.'</p>
<p>'I am very glad indeed to hear it,' observed Miss Tox. 'Will you take a
little bread and butter, and a cup of tea, before we go, Robin?'</p>
<p>'Thankee, Miss,' returned the Grinder; who immediately began to use his
own personal grinders in a most remarkable manner, as if he had been on
very short allowance for a considerable period.</p>
<p>Miss Tox, being, in good time, bonneted and shawled, and Polly too, Rob
hugged his mother, and followed his new mistress away; so much to the
hopeful admiration of Polly, that something in her eyes made luminous
rings round the gas-lamps as she looked after him. Polly then put out her
light, locked the house-door, delivered the key at an agent's hard by, and
went home as fast as she could go; rejoicing in the shrill delight that
her unexpected arrival would occasion there. The great house, dumb as to
all that had been suffered in it, and the changes it had witnessed, stood
frowning like a dark mute on the street; baulking any nearer inquiries
with the staring announcement that the lease of this desirable Family
Mansion was to be disposed of.</p>
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