<h2><SPAN name="page209"></SPAN><span class="pagenum"></span>MORLVERA</h2>
<p>The Olympic Toy Emporium occupied a conspicuous frontage in an
important West End street. It was happily named Toy
Emporium, because one would never have dreamed of according it
the familiar and yet pulse-quickening name of toyshop.
There was an air of cold splendour and elaborate failure about
the wares that were set out in its ample windows; they were the
sort of toys that a tired shop-assistant displays and explains at
Christmas time to exclamatory parents and bored, silent
children. The animal toys looked more like natural history
models than the comfortable, sympathetic companions that one
would wish, at a certain age, to take to bed with one, and to
smuggle into the bath-room. The mechanical toys incessantly
did things that no one could want a toy to do more than a half a
dozen times in its lifetime; it was a merciful reflection that in
any right-minded nursery the lifetime would certainly be
short.</p>
<p>Prominent among the elegantly-dressed dolls that filled an
entire section of the window frontage was a large hobble-skirted
lady in a confection of peach-coloured velvet, elaborately set
off with leopard skin accessories, if one may use such a
conveniently comprehensive word in describing an intricate
feminine toilette. She lacked nothing that is to be found
in a carefully detailed fashion-plate—in fact, she might be
said to have something more than the average fashion-plate female
possesses; in place of a vacant, expressionless stare she had
character in her face. It must be admitted that it was bad
character, cold, hostile, inquisitorial, with a sinister lowering
of one eyebrow and a merciless hardness about the corners of the
mouth. One might have imagined histories about her by the
hour, histories in which unworthy ambition, the desire for money,
and an entire absence of all decent feeling would play a
conspicuous part.</p>
<p>As a matter of fact, she was not without her judges and
biographers, even in this shop-window stage of her career.
Emmeline, aged ten, and Bert, aged seven, had halted on the way
from their obscure back street to the minnow-stocked water of St.
James’s Park, and were critically examining the
hobble-skirted doll, and dissecting her character in no very
tolerant spirit. There is probably a latent enmity between
the necessarily under-clad and the unnecessarily overdressed, but
a little kindness and good fellowship on the part of the latter
will often change the sentiment to admiring devotion; if the lady
in peach-coloured velvet and leopard skin had worn a pleasant
expression in addition to her other elaborate furnishings,
Emmeline at least might have respected and even loved her.
As it was, she gave her a horrible reputation, based chiefly on a
secondhand knowledge of gilded depravity derived from the
conversation of those who were skilled in the art of novelette
reading; Bert filled in a few damaging details from his own
limited imagination.</p>
<p>“She’s a bad lot, that one is,” declared
Emmeline, after a long unfriendly stare; “’er
’usbind ’ates ’er.”</p>
<p>“’E knocks ’er abart,” said Bert, with
enthusiasm.</p>
<p>“No, ’e don’t, cos ’e’s dead;
she poisoned ’im slow and gradual, so that nobody
didn’t know. Now she wants to marry a lord, with
’eaps and ’eaps of money. ’E’s got
a wife already, but she’s going to poison ’er,
too.”</p>
<p>“She’s a bad lot,” said Bert with growing
hostility.</p>
<p>“’Er mother ’ates her, and she’s
afraid of ’er, too, cos she’s got a serkestic tongue;
always talking serkesms, she is. She’s greedy, too;
if there’s fish going, she eats ’er own share and
’er little girl’s as well, though the little girl is
dellikit.”</p>
<p>“She ’ad a little boy once,” said Bert,
“but she pushed ’im into the water when nobody
wasn’t looking.”</p>
<p>“No she didn’t,” said Emmeline, “she
sent ’im away to be kep’ by poor people, so ’er
’usbind wouldn’t know where ’e was. They
ill-treat ’im somethink cruel.”</p>
<p>“Wot’s ’er nime?” asked Bert, thinking
that it was time that so interesting a personality should be
labelled.</p>
<p>“’Er nime?” said Emmeline, thinking hard,
“’er nime’s Morlvera.” It was as
near as she could get to the name of an adventuress who figured
prominently in a cinema drama. There was silence for a
moment while the possibilities of the name were turned over in
the children’s minds.</p>
<p>“Those clothes she’s got on ain’t paid for,
and never won’t be,” said Emmeline; “she thinks
she’ll get the rich lord to pay for ’em, but ’e
won’t. ’E’s given ’er jools,
’underds of pounds’ worth.”</p>
<p>“’E won’t pay for the clothes,” said
Bert, with conviction. Evidently there was some limit to
the weak good nature of wealthy lords.</p>
<p>At that moment a motor carriage with liveried servants drew up
at the emporium entrance; a large lady, with a penetrating and
rather hurried manner of talking, stepped out, followed slowly
and sulkily by a small boy, who had a very black scowl on his
face and a very white sailor suit over the rest of him. The
lady was continuing an argument which had probably commenced in
Portman Square.</p>
<p>“Now, Victor, you are to come in and buy a nice doll for
your cousin Bertha. She gave you a beautiful box of
soldiers on your birthday, and you must give her a present on
hers.”</p>
<p>“Bertha is a fat little fool,” said Victor, in a
voice that was as loud as his mother’s and had more
assurance in it.</p>
<p>“Victor, you are not to say such things. Bertha is
not a fool, and she is not in the least fat. You are to
come in and choose a doll for her.”</p>
<p>The couple passed into the shop, out of view and hearing of
the two back-street children.</p>
<p>“My, he is in a wicked temper,” exclaimed
Emmeline, but both she and Bert were inclined to side with him
against the absent Bertha, who was doubtless as fat and foolish
as he had described her to be.</p>
<p>“I want to see some dolls,” said the mother of
Victor to the nearest assistant; “it’s for a little
girl of eleven.”</p>
<p>“A fat little girl of eleven,” added Victor by way
of supplementary information.</p>
<p>“Victor, if you say such rude things about your cousin,
you shall go to bed the moment we get home, without having any
tea.”</p>
<p>“This is one of the newest things we have in
dolls,” said the assistant, removing a hobble-skirted
figure in peach-coloured velvet from the window; “leopard
skin toque and stole, the latest fashion. You won’t
get anything newer than that anywhere. It’s an
exclusive design.”</p>
<p>“Look!” whispered Emmeline outside;
“they’ve bin and took Morlvera.”</p>
<p>There was a mingling of excitement and a certain sense of
bereavement in her mind; she would have liked to gaze at that
embodiment of overdressed depravity for just a little longer.</p>
<p>“I ’spect she’s going away in a kerridge to
marry the rich lord,” hazarded Bert.</p>
<p>“She’s up to no good,” said Emmeline
vaguely.</p>
<p>Inside the shop the purchase of the doll had been decided
on.</p>
<p>“It’s a beautiful doll, and Bertha will be
delighted with it,” asserted the mother of Victor
loudly.</p>
<p>“Oh, very well,” said Victor sulkily; “you
needn’t have it stuck into a box and wait an hour while
it’s being done up into a parcel. I’ll take it
as it is, and we can go round to Manchester Square and give it to
Bertha, and get the thing done with. That will save me the
trouble of writing: ‘For dear Bertha, with Victor’s
love,’ on a bit of paper.”</p>
<p>“Very well,” said his mother, “we can go to
Manchester Square on our way home. You must wish her many
happy returns of to-morrow, and give her the doll.”</p>
<p>“I won’t let the little beast kiss me,”
stipulated Victor.</p>
<p>His mother said nothing; Victor had not been half as
troublesome as she had anticipated. When he chose he could
really be dreadfully naughty.</p>
<p>Emmeline and Bert were just moving away from the window when
Morlvera made her exit from the shop, very carefully in
Victor’s arms. A look of sinister triumph seemed to
glow in her hard, inquisitorial face. As for Victor, a
certain scornful serenity had replaced the earlier scowls; he had
evidently accepted defeat with a contemptuous good grace.</p>
<p>The tall lady gave a direction to the footman and settled
herself in the carriage. The little figure in the white
sailor suit clambered in beside her, still carefully holding the
elegantly garbed doll.</p>
<p>The car had to be backed a few yards in the process of
turning. Very stealthily, very gently, very mercilessly
Victor sent Morlvera flying over his shoulder, so that she fell
into the road just behind the retrogressing wheel. With a
soft, pleasant-sounding scrunch the car went over the prostrate
form, then it moved forward again with another scrunch. The
carriage moved off and left Bert and Emmeline gazing in scared
delight at a sorry mess of petrol-smeared velvet, sawdust, and
leopard skin, which was all that remained of the hateful
Morlvera. They gave a shrill cheer, and then raced away
shuddering from the scene of so much rapidly enacted tragedy.</p>
<p>Later that afternoon, when they were engaged in the pursuit of
minnows by the waterside in St. James’s Park, Emmeline said
in a solemn undertone to Bert—</p>
<p>“I’ve bin finking. Do you know oo ’e
was? ’E was ’er little boy wot she’d sent
away to live wiv poor folks. ’E come back and done
that.”</p>
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