<p><SPAN name="c4" id="c4"></SPAN> </p>
<p> </p>
<h3>CHAPTER IV</h3>
<h3>Treading in Perilous Places<br/> </h3>
<p>Sunday came, as brilliant as if there were no sorrow, or death, or
guilt in the world; a day or two of rain had made the earth fresh and
brave as the blue heavens above. Ruth thought it was too strong a
realisation of her hopes, and looked for an over-clouding at noon;
but the glory endured, and at two o'clock she was in the Leasowes,
with a beating heart full of joy, longing to stop the hours, which
would pass too quickly through the afternoon.</p>
<p>They sauntered through the fragrant lanes, as if their loitering
would prolong the time, and check the fiery-footed steeds galloping
apace towards the close of the happy day. It was past five o'clock
before they came to the great mill-wheel, which stood in Sabbath
idleness, motionless in a brown mass of shade, and still wet with
yesterday's immersion in the deep transparent water beneath. They
clambered the little hill, not yet fully shaded by the overarching
elms; and then Ruth checked Mr Bellingham, by a slight motion of the
hand which lay within his arm, and glanced up into his face to see
what that face should express as it looked on Milham Grange, now
lying still and peaceful in its afternoon shadows. It was a house of
after-thoughts; building materials were plentiful in the
neighbourhood, and every successive owner had found a necessity for
some addition or projection, till it was a picturesque mass of
irregularity—of broken light and shadow—which, as a whole, gave a
full and complete idea of a "Home." All its gables and nooks were
blended and held together by the tender green of the climbing roses
and young creepers. An old couple were living in the house until it
should be let, but they dwelt in the back part, and never used the
front door; so the little birds had grown tame and familiar, and
perched upon the window-sills and porch, and on the old stone cistern
which caught the water from the roof.</p>
<p>They went silently through the untrimmed garden, full of the
pale-coloured flowers of spring. A spider had spread her web over the
front door. The sight of this conveyed a sense of desolation to
Ruth's heart; she thought it was possible the state entrance had
never been used since her father's dead body had been borne forth,
and, without speaking a word, she turned abruptly away, and went
round the house to another door. Mr Bellingham followed without
questioning, little understanding her feelings, but full of
admiration for the varying expression called out upon her face.</p>
<p>The old woman had not yet returned from church, or from the weekly
gossip or neighbourly tea which succeeded. The husband sat in the
kitchen, spelling the psalms for the day in his Prayer-book, and
reading the words out aloud—a habit he had acquired from the double
solitude of his life, for he was deaf. He did not hear the quiet
entrance of the pair, and they were struck with the sort of ghostly
echo which seems to haunt half-furnished and uninhabited houses. The
verses he was reading were the following:<br/> </p>
<blockquote>
<p>Why art thou so vexed, O my soul: and why art thou so
disquieted within me?</p>
<p>O put thy trust in God: for I will yet thank him, which is
the help of my countenance, and my God.<br/> </p>
</blockquote>
<p>And when he had finished he shut the book, and sighed with the
satisfaction of having done his duty. The words of holy trust, though
perhaps they were not fully understood, carried a faithful peace down
into the depths of his soul. As he looked up, he saw the young couple
standing on the middle of the floor. He pushed his iron-rimmed
spectacles on to his forehead, and rose to greet the daughter of his
old master and ever-honoured mistress.</p>
<p>"God bless thee, lass; God bless thee! My old eyes are glad to see
thee again."</p>
<p>Ruth sprang forward to shake the horny hand stretched forward in the
action of blessing. She pressed it between both of hers, as she
rapidly poured out questions. Mr Bellingham was not altogether
comfortable at seeing one whom he had already begun to appropriate as
his own, so tenderly familiar with a hard-featured, meanly-dressed
day-labourer. He sauntered to the window, and looked out into the
grass-grown farm-yard; but he could not help overhearing some of the
conversation, which seemed to him carried on too much in the tone of
equality. "And who's yon?" asked the old labourer at last. "Is he
your sweetheart? Your missis's son, I reckon. He's a spruce young
chap, anyhow."</p>
<p>Mr Bellingham's "blood of all the Howards" rose and tingled about his
ears, so that he could not hear Ruth's answer. It began by "Hush,
Thomas; pray hush!" but how it went on he did not catch. The idea of
his being Mrs Mason's son! It was really too ridiculous; but, like
most things which are "too ridiculous," it made him very angry. He
was hardly himself again when Ruth shyly came to the window-recess
and asked him if he would like to see the house-place, into which the
front door entered; many people thought it very pretty, she said,
half timidly, for his face had unconsciously assumed a hard and
haughty expression, which he could not instantly soften down. He
followed her, however; but before he left the kitchen he saw the old
man standing, looking at Ruth's companion with a strange, grave air
of dissatisfaction.</p>
<p>They went along one or two zigzag, damp-smelling stone passages, and
then entered the house-place, or common sitting-room for a farmer's
family in that part of the country. The front door opened into it,
and several other apartments issued out of it, such as the dairy, the
state bedroom (which was half-parlour as well), and a small room
which had been appropriated to the late Mrs Hilton, where she sat, or
more frequently lay, commanding through the open door the comings and
goings of her household. In those days the house-place had been a
cheerful room, full of life, with the passing to and fro of husband,
child, and servants; with a great merry wood fire crackling and
blazing away every evening, and hardly let out in the very heat of
summer; for with the thick stone walls, and the deep window-seats,
and the drapery of vine-leaves and ivy, that room, with its
flag-floor, seemed always to want the sparkle and cheery warmth of a
fire. But now the green shadows from without seemed to have become
black in the uninhabited desolation. The oaken shovel-board, the
heavy dresser, and the carved cupboards, were now dull and damp,
which were formerly polished up to the brightness of a looking-glass
where the fire-blaze was for ever glinting; they only added to the
oppressive gloom; the flag-floor was wet with heavy moisture. Ruth
stood gazing into the room, seeing nothing of what was present. She
saw a vision of former days—an evening in the days of her childhood;
her father sitting in the "master's corner" near the fire, sedately
smoking his pipe, while he dreamily watched his wife and child; her
mother reading to her, as she sat on a little stool at her feet. It
was gone—all gone into the land of shadows; but for the moment it
seemed so present in the old room, that Ruth believed her actual life
to be the dream. Then, still silent, she went on into her mother's
parlour. But there, the bleak look of what had once been full of
peace and mother's love, struck cold on her heart. She uttered a cry,
and threw herself down by the sofa, hiding her face in her hands,
while her frame quivered with her repressed sobs.</p>
<p>"Dearest Ruth, don't give way so. It can do no good; it cannot bring
back the dead," said Mr Bellingham, distressed at witnessing her
distress.</p>
<p>"I know it cannot," murmured Ruth; "and that is why I cry. I cry
because nothing will ever bring them back again." She sobbed afresh,
but more gently, for his kind words soothed her, and softened, if
they could not take away, her sense of desolation.</p>
<p>"Come away; I cannot have you stay here, full of painful associations
as these rooms must be. Come"—raising her with gentle
violence—"show me your little garden you have often told me about.
Near the window of this very room, is it not? See how well I remember
everything you tell me."</p>
<p>He led her round through the back part of the house into the pretty
old-fashioned garden. There was a sunny border just under the
windows, and clipped box and yew-trees by the grass-plat, further
away from the house; and she prattled again of her childish
adventures and solitary plays. When they turned round they saw the
old man, who had hobbled out with the help of his stick, and was
looking at them with the same grave, sad look of anxiety.</p>
<p>Mr Bellingham spoke rather sharply:</p>
<p>"Why does that old man follow us about in that way? It is excessively
impertinent of him, I think."</p>
<p>"Oh, don't call old Thomas impertinent. He is so good and kind, he is
like a father to me. I remember sitting on his knee many and many a
time when I was a child, whilst he told me stories out of the
'Pilgrim's Progress.' He taught me to suck up milk through a straw.
Mamma was very fond of him too. He used to sit with us always in the
evenings when papa was away at market, for mamma was rather afraid of
having no man in the house, and used to beg old Thomas to stay; and
he would take me on his knee, and listen just as attentively as I did
while mamma read aloud."</p>
<p>"You don't mean to say you have sat upon that old fellow's knee?"</p>
<p>"Oh, yes! many and many a time."</p>
<p>Mr Bellingham looked graver than he had done while witnessing Ruth's
passionate emotion in her mother's room. But he lost his sense of
indignity in admiration of his companion as she wandered among the
flowers, seeking for favourite bushes or plants, to which some
history or remembrance was attached. She wound in and out in natural,
graceful, wavy lines between the luxuriant and overgrown shrubs,
which were fragrant with a leafy smell of spring growth; she went on,
careless of watching eyes, indeed unconscious, for the time, of their
existence. Once she stopped to take hold of a spray of jessamine, and
softly kiss it; it had been her mother's favourite flower.</p>
<p>Old Thomas was standing by the horse-mount, and was also an observer
of all her goings-on. But, while Mr Bellingham's feeling was that of
passionate admiration mingled with a selfish kind of love, the old
man gazed with tender anxiety, and his lips moved in words of
blessing:</p>
<p>"She's a pretty creature, with a glint of her mother about her; and
she's the same kind lass as ever. Not a bit set up with yon fine
manty-maker's shop she's in. I misdoubt that young fellow though, for
all she called him a real gentleman, and checked me when I asked if
he was her sweetheart. If his are not sweetheart's looks, I've
forgotten all my young days. Here! they're going, I suppose. Look! he
wants her to go without a word to the old man; but she is none so
changed as that, I reckon."</p>
<p>Not Ruth, indeed! She never perceived the dissatisfied expression of
Mr Bellingham's countenance, visible to the old man's keen eye; but
came running up to Thomas to send her love to his wife, and to shake
him many times by the hand.</p>
<p>"Tell Mary I'll make her such a fine gown, as soon as ever I set up
for myself; it shall be all in the fashion, big gigot sleeves, that
she shall not know herself in them! Mind you tell her that, Thomas,
will you?"</p>
<p>"Aye, that I will, lass; and I reckon she'll be pleased to hear thou
hast not forgotten thy old merry ways. The Lord bless thee—the Lord
lift up the light of His countenance upon thee."</p>
<p>Ruth was half-way towards the impatient Mr Bellingham when her old
friend called her back. He longed to give her a warning of the danger
that he thought she was in, and yet he did not know how. When she
came up, all he could think of to say was a text; indeed, the
language of the Bible was the language in which he thought, whenever
his ideas went beyond practical everyday life into expressions of
emotion or feeling. "My dear, remember the devil goeth about as a
roaring lion, seeking whom he may devour; remember that, Ruth."</p>
<p>The words fell on her ear, but gave no definite idea. The utmost they
suggested was the remembrance of the dread she felt as a child when
this verse came into her mind, and how she used to imagine a lion's
head with glaring eyes peering out of the bushes in a dark shady part
of the wood, which, for this reason, she had always avoided, and even
now could hardly think of without a shudder. She never imagined that
the grim warning related to the handsome young man who awaited her
with a countenance beaming with love, and tenderly drew her hand
within his arm.</p>
<p>The old man sighed as he watched them away. "The Lord may help her to
guide her steps aright. He may. But I'm afeard she's treading in
perilous places. I'll put my missis up to going to the town and
getting speech of her, and telling her a bit of her danger. An old
motherly woman like our Mary will set about it better nor a stupid
fellow like me."</p>
<p>The poor old labourer prayed long and earnestly that night for Ruth.
He called it "wrestling for her soul;" and I think his prayers were
heard, for "God judgeth not as man judgeth."</p>
<p>Ruth went on her way, all unconscious of the dark phantoms of the
future that were gathering around her; her melancholy turned, with
the pliancy of childish years, at sixteen not yet lost, into a
softened manner which was infinitely charming. By-and-by she cleared
up into sunny happiness. The evening was still and full of mellow
light, and the new-born summer was so delicious that, in common with
all young creatures, she shared its influence and was glad.</p>
<p>They stood together at the top of a steep ascent, "the hill" of the
hundred. At the summit there was a level space, sixty or seventy
yards square, of unenclosed and broken ground, over which the golden
bloom of the gorse cast a rich hue, while its delicious scent
perfumed the fresh and nimble air. On one side of this common, the
ground sloped down to a clear bright pond, in which were mirrored the
rough sand-cliffs that rose abrupt on the opposite bank; hundreds of
martens found a home there, and were now wheeling over the
transparent water, and dipping in their wings in their evening sport.
Indeed, all sorts of birds seemed to haunt the lonely pool; the
water-wagtails were scattered around its margin, the linnets perched
on the topmost sprays of the gorse-bushes, and other hidden warblers
sang their vespers on the uneven ground beyond. On the far side of
the green waste, close by the road, and well placed for the
requirements of horses or their riders who might be weary with the
ascent of the hill, there was a public-house, which was more of a
farm than an inn. It was a long, low building, rich in dormer-windows
on the weather side, which were necessary in such an exposed
situation, and with odd projections and unlooked-for gables on every
side; there was a deep porch in front, on whose hospitable benches a
dozen persons might sit and enjoy the balmy air. A noble sycamore
grew right before the house, with seats all round it ("such tents the
patriarchs loved"); and a nondescript sign hung from a branch on the
side next to the road, which, being wisely furnished with an
interpretation, was found to mean King Charles in the oak.</p>
<p>Near this comfortable, quiet, unfrequented inn, there was another
pond, for household and farm-yard purposes, from which the cattle
were drinking, before returning to the fields after they had been
milked. Their very motions were so lazy and slow, that they served to
fill up the mind with the sensation of dreamy rest. Ruth and Mr
Bellingham plunged through the broken ground to regain the road near
the wayside inn. Hand-in-hand, now pricked by the far-spreading
gorse, now ankle-deep in sand; now pressing the soft, thick heath,
which should make so brave an autumn show; and now over wild thyme
and other fragrant herbs, they made their way, with many a merry
laugh. Once on the road, at the summit, Ruth stood silent, in
breathless delight at the view before her. The hill fell suddenly
down into the plain, extending for a dozen miles or more. There was a
clump of dark Scotch firs close to them, which cut clear against the
western sky, and threw back the nearest levels into distance. The
plain below them was richly wooded, and was tinted by the young
tender hues of the earliest summer, for all the trees of the wood had
donned their leaves except the cautious ash, which here and there
gave a soft, pleasant greyness to the landscape. Far away in the
champaign were spires, and towers, and stacks of chimneys belonging
to some distant hidden farm-house, which were traced downwards
through the golden air by the thin columns of blue smoke sent up from
the evening fires. The view was bounded by some rising ground in deep
purple shadow against the sunset sky.</p>
<p>When first they stopped, silent with sighing pleasure, the air seemed
full of pleasant noises; distant church-bells made harmonious music
with the little singing-birds near at hand; nor were the lowings of
the cattle, nor the calls of the farm-servants discordant, for the
voices seemed to be hushed by the brooding consciousness of the
Sabbath. They stood loitering before the house, quietly enjoying the
view. The clock in the little inn struck eight, and it sounded clear
and sharp in the stillness.</p>
<p>"Can it be so late?" asked Ruth.</p>
<p>"I should not have thought it possible," answered Mr Bellingham.
"But, never mind, you will be at home long before nine. Stay, there
is a shorter road, I know, through the fields; just wait a moment,
while I go in and ask the exact way." He dropped Ruth's arm, and went
into the public-house.</p>
<p>A gig had been slowly toiling up the sandy hill behind, unperceived
by the young couple, and now it reached the table-land, and was close
upon them as they separated. Ruth turned round, when the sound of the
horse's footsteps came distinctly as he reached the level. She faced
Mrs Mason!</p>
<p>They were not ten—no, not five yards apart. At the same moment they
recognised each other, and, what was worse, Mrs Mason had clearly
seen, with her sharp, needle-like eyes, the attitude in which Ruth
had stood with the young man who had just quitted her. Ruth's hand
had been lying in his arm, and fondly held there by his other hand.</p>
<p>Mrs Mason was careless about the circumstances of temptation into
which the girls entrusted to her as apprentices were thrown, but
severely intolerant if their conduct was in any degree influenced by
the force of these temptations. She called this intolerance "keeping
up the character of her establishment." It would have been a better
and more Christian thing, if she had kept up the character of her
girls by tender vigilance and maternal care.</p>
<p>This evening, too, she was in an irritated state of temper. Her
brother had undertaken to drive her round by Henbury, in order to
give her the unpleasant information of the misbehaviour of her eldest
son, who was an assistant in a draper's shop in a neighbouring town.
She was full of indignation against want of steadiness, though not
willing to direct her indignation against the right object—her
ne'er-do-well darling. While she was thus charged with anger (for her
brother justly defended her son's master and companions from her
attacks), she saw Ruth standing with a lover, far away from home, at
such a time in the evening, and she boiled over with intemperate
displeasure.</p>
<p>"Come here directly, Miss Hilton," she exclaimed, sharply. Then,
dropping her voice to low, bitter tones of concentrated wrath, she
said to the trembling, guilty Ruth:</p>
<p>"Don't attempt to show your face at my house again after this
conduct. I saw you, and your spark, too. I'll have no slurs on the
character of my apprentices. Don't say a word. I saw enough. I shall
write and tell your guardian to-morrow."</p>
<p>The horse started away, for he was impatient to be off, and Ruth was
left standing there, stony, sick, and pale, as if the lightning had
torn up the ground beneath her feet. She could not go on standing,
she was so sick and faint; she staggered back to the broken
sand-bank, and sank down, and covered her face with her hands.</p>
<p>"My dearest Ruth! are you ill? Speak, darling! My love, my love, do
speak to me!"</p>
<p>What tender words after such harsh ones! They loosened the fountain
of Ruth's tears, and she cried bitterly.</p>
<p>"Oh! did you see her—did you hear what she said?"</p>
<p>"She! Who, my darling? Don't sob so, Ruth; tell me what it is. Who
has been near you?—who has been speaking to you to make you cry so?"</p>
<p>"Oh, Mrs Mason." And there was a fresh burst of sorrow.</p>
<p>"You don't say so! are you sure? I was not away five minutes."</p>
<p>"Oh, yes, sir, I'm quite sure. She was so angry; she said I must
never show my face there again. Oh, dear! what shall I do?"</p>
<p>It seemed to the poor child as if Mrs Mason's words were irrevocable,
and, that being so, she was shut out from every house. She saw how
much she had done that was deserving of blame, now when it was too
late to undo it. She knew with what severity and taunts Mrs Mason had
often treated her for involuntary failings, of which she had been
quite unconscious; and now she had really done wrong, and shrank with
terror from the consequences. Her eyes were so blinded by the
fast-falling tears, she did not see (nor had she seen would she have
been able to interpret) the change in Mr Bellingham's countenance, as
he stood silently watching her. He was silent so long, that even in
her sorrow she began to wonder that he did not speak, and to wish to
hear his soothing words once more.</p>
<p>"It is very unfortunate," he began, at last; and then he stopped;
then he began again: "It is very unfortunate; for, you see, I did not
like to name it to you before, but, I believe—I have business, in
fact, which obliges me to go to town to-morrow—to London, I mean;
and I don't know when I shall be able to return."</p>
<p>"To London!" cried Ruth; "are you going away? Oh, Mr Bellingham!" She
wept afresh, giving herself up to the desolate feeling of sorrow,
which absorbed all the terror she had been experiencing at the idea
of Mrs Mason's anger. It seemed to her at this moment as though she
could have borne everything but his departure; but she did not speak
again; and after two or three minutes had elapsed, he spoke—not in
his natural careless voice, but in a sort of constrained, agitated
tone.</p>
<p>"I can hardly bear the idea of leaving you, my own Ruth. In such
distress, too; for where you can go I do not know at all. From all
you have told me of Mrs Mason, I don't think she is likely to
mitigate her severity in your case."</p>
<p>No answer, but tears quietly, incessantly flowing. Mrs Mason's
displeasure seemed a distant thing; his going away was the present
distress. He went on:</p>
<p>"Ruth, would you go with me to London? My darling, I cannot leave you
here without a home; the thought of leaving you at all is pain
enough, but in these circumstances—so friendless, so homeless—it is
impossible. You must come with me, love, and trust to me."</p>
<p>Still she did not speak. Remember how young, and innocent, and
motherless she was! It seemed to her as if it would be happiness
enough to be with him; and as for the future, he would arrange and
decide for that. The future lay wrapped in a golden mist, which she
did not care to penetrate; but if he, her sun, was out of sight and
gone, the golden mist became dark heavy gloom, through which no hope
could come. He took her hand.</p>
<p>"Will you not come with me? Do you not love me enough to trust me?
Oh, Ruth," (reproachfully), "can you not trust me?"</p>
<p>She had stopped crying, but was sobbing sadly.</p>
<p>"I cannot bear this, love. Your sorrow is absolute pain to me; but it
is worse to feel how indifferent you are—how little you care about
our separation."</p>
<p>He dropped her hand. She burst into a fresh fit of crying.</p>
<p>"I may have to join my mother in Paris; I don't know when I shall see
you again. Oh, Ruth!" said he, vehemently, "do you love me at all?"</p>
<p>She said something in a very low voice; he could not hear it, though
he bent down his head—but he took her hand again.</p>
<p>"What was it you said, love? Was it not that you did love me? My
darling, you do! I can tell it by the trembling of this little hand;
then you will not suffer me to go away alone and unhappy, most
anxious about you? There is no other course open to you; my poor girl
has no friends to receive her. I will go home directly, and return in
an hour with a carriage. You make me too happy by your silence,
Ruth."</p>
<p>"Oh, what can I do!" exclaimed Ruth. "Mr Bellingham, you should help
me, and instead of that you only bewilder me."</p>
<p>"How, my dearest Ruth? Bewilder you! It seems so clear to me. Look at
the case fairly! Here you are, an orphan, with only one person to
love you, poor child!—thrown off, for no fault of yours, by the only
creature on whom you have a claim, that creature a tyrannical,
inflexible woman; what is more natural (and, being natural, more
right) than that you should throw yourself upon the care of the one
who loves you dearly—who would go through fire and water for
you—who would shelter you from all harm? Unless, indeed, as I
suspect, you do not care for him. If so, Ruth! if you do not care for
me, we had better part—I will leave you at once; it will be better
for me to go, if you do not care for me."</p>
<p>He said this very sadly (it seemed so to Ruth, at least), and made as
though he would have drawn his hand from hers, but now she held it
with soft force.</p>
<p>"Don't leave me, please, sir. It is very true I have no friend but
you. Don't leave me, please. But, oh! do tell me what I must do!"</p>
<p>"Will you do it if I tell you? If you will trust me, I will do my
very best for you. I will give you my best advice. You see your
position. Mrs Mason writes and gives her own exaggerated account to
your guardian; he is bound by no great love to you, from what I have
heard you say, and throws you off; I, who might be able to befriend
you—through my mother, perhaps—I, who could at least comfort you a
little (could not I, Ruth?), am away, far away, for an indefinite
time; that is your position at present. Now, what I advise is this.
Come with me into this little inn; I will order tea for you—(I am
sure you require it sadly)—and I will leave you there, and go home
for the carriage. I will return in an hour at the latest. Then we are
together, come what may; that is enough for me; is it not for you,
Ruth? Say, yes—say it ever so low, but give me the delight of
hearing it. Ruth, say yes."</p>
<p>Low and soft, with much hesitation, came the "Yes;" the fatal word of
which she so little imagined the infinite consequences. The thought
of being with him was all and everything.</p>
<p>"How you tremble, my darling! You are cold, love! Come into the
house, and I'll order tea directly and be off."</p>
<p>She rose, and, leaning on his arm, went into the house. She was
shaking and dizzy with the agitation of the last hour. He spoke to
the civil farmer-landlord, who conducted them into a neat parlour,
with windows opening into the garden at the back of the house. They
had admitted much of the evening's fragrance through their open
casements, before they were hastily closed by the attentive host.</p>
<p>"Tea, directly, for this lady!" The landlord vanished.</p>
<p>"Dearest Ruth, I must go; there is not an instant to be lost; promise
me to take some tea, for you are shivering all over, and deadly pale
with the fright that abominable woman has given you. I must go; I
shall be back in half an hour—and then no more partings, darling."</p>
<p>He kissed her pale cold face, and went away. The room whirled round
before Ruth; it was a dream—a strange, varying, shifting dream—with
the old home of her childhood for one scene, with the terror of Mrs
Mason's unexpected appearance for another; and then, strangest,
dizziest, happiest of all, there was the consciousness of his love,
who was all the world to her; and the remembrance of the tender
words, which still kept up their low soft echo in her heart.</p>
<p>Her head ached so much that she could hardly see; even the dusky
twilight was a dazzling glare to her poor eyes; and when the daughter
of the house brought in the sharp light of the candles, preparatory
for tea, Ruth hid her face in the sofa pillows with a low exclamation
of pain.</p>
<p>"Does your head ache, miss?" asked the girl, in a gentle,
sympathising voice. "Let me make you some tea, miss, it will do you
good. Many's the time poor mother's headaches were cured by good
strong tea."</p>
<p>Ruth murmured acquiescence; the young girl (about Ruth's own age, but
who was the mistress of the little establishment, owing to her
mother's death) made tea, and brought Ruth a cup to the sofa where
she lay. Ruth was feverish and thirsty, and eagerly drank it off,
although she could not touch the bread and butter which the girl
offered her. She felt better and fresher, though she was still faint
and weak.</p>
<p>"Thank you," said Ruth. "Don't let me keep you; perhaps you are busy.
You have been very kind, and the tea has done me a great deal of
good."</p>
<p>The girl left the room. Ruth became as hot as she had previously been
cold, and went and opened the window, and leant out into the still,
sweet, evening air. The bush of sweetbrier, underneath the window,
scented the place, and the delicious fragrance reminded her of her
old home. I think scents affect and quicken the memory more than
either sights or sounds; for Ruth had instantly before her eyes the
little garden beneath the window of her mother's room, with the old
man leaning on his stick, watching her, just as he had done, not
three hours before, on that very afternoon.</p>
<p>"Dear old Thomas! He and Mary would take me in, I think; they would
love me all the more if I were cast off. And Mr Bellingham would,
perhaps, not be so very long away; and he would know where to find me
if I stayed at Milham Grange. Oh, would it not be better to go to
them? I wonder if he would be very sorry! I could not bear to make
him sorry, so kind as he has been to me; but I do believe it would be
better to go to them, and ask their advice, at any rate. He would
follow me there; and I could talk over what I had better do, with the
three best friends I have in the world—the only friends I have."</p>
<p>She put on her bonnet, and opened the parlour-door; but then she saw
the square figure of the landlord standing at the open house-door,
smoking his evening pipe, and looming large and distinct against the
dark air and landscape beyond. Ruth remembered the cup of tea that
she had drank; it must be paid for, and she had no money with her.
She feared that he would not let her quit the house without paying.
She thought that she would leave a note for Mr Bellingham, saying
where she was gone, and how she had left the house in debt, for (like
a child) all dilemmas appeared of equal magnitude to her; and the
difficulty of passing the landlord while he stood there, and of
giving him an explanation of the circumstances (as far as such
explanation was due to him), appeared insuperable, and as awkward,
and fraught with inconvenience, as far more serious situations. She
kept peeping out of her room, after she had written her little
pencil-note, to see if the outer door was still obstructed. There he
stood, motionless, enjoying his pipe, and looking out into the
darkness which gathered thick with the coming night. The fumes of the
tobacco were carried by the air into the house, and brought back
Ruth's sick headache. Her energy left her; she became stupid and
languid, and incapable of spirited exertion; she modified her plan of
action, to the determination of asking Mr Bellingham to take her to
Milham Grange, to the care of her humble friends, instead of to
London. And she thought, in her simplicity, that he would instantly
consent when he had heard her reasons.</p>
<p>She started up. A carriage dashed up to the door. She hushed her
beating heart, and tried to stop her throbbing head to listen. She
heard him speaking to the landlord, though she could not distinguish
what he said; heard the jingling of money, and, in another moment, he
was in the room, and had taken her arm to lead her to the carriage.</p>
<p>"Oh, sir! I want you to take me to Milham Grange," said she, holding
back. "Old Thomas would give me a home."</p>
<p>"Well, dearest, we'll talk of all that in the carriage; I am sure you
will listen to reason. Nay, if you will go to Milham you must go in
the carriage," said he, hurriedly. She was little accustomed to
oppose the wishes of any one—obedient and docile by nature, and
unsuspicious and innocent of any harmful consequences. She entered
the carriage, and drove towards London.</p>
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