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<p class='line0' style='text-align:center;font-size:2em;'>THE TALE OF TRIONA</p>
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<p class='line0' style='text-align:center;'><span class='ul'><span class='it'>BY THE SAME AUTHOR</span></span></p>
<p class='line0'>IDOLS</p>
<p class='line0'>JAFFERY</p>
<p class='line0'>VIVIETTE</p>
<p class='line0'>SEPTIMUS</p>
<p class='line0'>DERELICTS</p>
<p class='line0'>THE USURPER</p>
<p class='line0'>STELLA MARIS</p>
<p class='line0'>WHERE LOVE IS</p>
<p class='line0'>THE ROUGH ROAD</p>
<p class='line0'>THE MOUNTEBANK</p>
<p class='line0'>THE RED PLANET</p>
<p class='line0'>THE WHITE DOVE</p>
<p class='line0'>FAR-AWAY STORIES</p>
<p class='line0'>SIMON THE JESTER</p>
<p class='line0'>A STUDY IN SHADOWS</p>
<p class='line0'>A CHRISTMAS MYSTERY</p>
<p class='line0'>THE WONDERFUL YEAR</p>
<p class='line0'>THE HOUSE OF BALTAZAR</p>
<p class='line0'>THE FORTUNATE YOUTH</p>
<p class='line0'>THE BELOVÈD VAGABOND</p>
<p class='line0'>AT THE GATE OF SAMARIA</p>
<p class='line0'>THE GLORY OF CLEMENTINA</p>
<p class='line0'>THE MORALS OF MARCUS ORDEYNE</p>
<p class='line0'>THE DEMAGOGUE AND LADY PHAYRE</p>
<p class='line0'>THE JOYOUS ADVENTURES OF ARISTIDE PUJOL</p>
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<p class='line'> </p>
<p class='line0' style='margin-bottom:3em;font-size:3em;'>THE TALE OF TRIONA</p>
<p class='line'> </p>
<p class='line'> </p>
<p class='line0'>BY</p>
<p class='line0' style='font-size:1.5em;'>WILLIAM J. LOCKE</p>
<p class='line'> </p>
<p class='line0' style='font-size:1em;'>Author of “<span class='sc'>The Belovèd Vagabond</span>,” “<span class='sc'>The Morals of</span></p>
<p class='line0' style='margin-bottom:5em;font-size:1em;'><span class='sc'>Marcus Ordeyne</span>,” etc.</p>
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<p class='line0' style='margin-top:5em;'>NEW YORK</p>
<p class='line0'>DODD, MEAD AND COMPANY</p>
<p class='line0'>1922</p>
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<p class='line0' style='text-align:center;margin-top:5em;font-size:0.8em;'><span class='sc'>Copyright, 1922</span></p>
<p class='line0' style='text-align:center;margin-bottom:5em;font-size:0.8em;'><span class='sc'>By DODD, MEAD AND COMPANY, Inc.</span></p>
<p class='line0' style='text-align:center;margin-bottom:5em;font-size:0.8em;'>PRINTED IN U. S. A.</p>
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<p class='line0' style='text-align:center;margin-top:5em;margin-bottom:5em;font-size:3em;'>THE TALE OF TRIONA</p>
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<div><h1>THE TALE OF TRIONA</h1></div>
<h2 class='nobreak'><span class='pageno' title='1' id='Page_1'></span>CHAPTER I</h2>
<p class='noindent'><span class='dropcap'>O</span><span class='sc'>LIVIA GALE</span> leaned back in her chair at the
end of the dining-room table, and looked first
at the elderly gentleman on her right, and then
at the elderly gentleman on her left.</p>
<p class='pindent'>“You’re both of you as kind as can be, and I’m more
than grateful for all you’ve done; but I do wish you’d
see that it’s no use arguing. It only hurts and makes
us tired. Do help yourself, Mr. Trivett. And—another
cup of tea, Mr. Fenmarch?”</p>
<p class='pindent'>Mr. Fenmarch, on her left, passed his cup with a sigh.
He was a dusty, greyish man, his face covered with an
indeterminate growth of thin short hair. His eyes were
of a dull, unspeculative blue.</p>
<p class='pindent'>“As your solicitor, my dear Olivia,” said he, “I can
only obey instructions. As the friend of your family,
I venture to give you advice.”</p>
<p class='pindent'>“Why the deuce your father didn’t tie you up in a
trusteeship till you were twenty-five, at any rate,” said
Mr. Trivett on her right, helping himself to whisky
and soda—the table, covered with a green baize cloth,
was littered with papers and afternoon refreshments.
“Why the dickens——” he began again after a sizzling
gulp.</p>
<p class='pindent'>“Yes, it’s most unfortunate,” said Mr. Fenmarch,
cutting off his friend’s period. “And what you are going
to do with yourself, all alone in the world, with this
enormous amount of liquid money is more than I can
imagine.”</p>
<p class='pindent'>Olivia smiled and tapped the blue-veined hand that
set down his teacup.</p>
<p class='pindent'>“Of course you can’t. If imagination ran away with
a solicitor, it would land him in the workhouse.”</p>
<p class='pindent'>“That’s where it will land you, Olivia,” said Mr. Trivett.
“Common sense is the better mount.”</p>
<p class='pindent'>“That’s rather neat,” she said.</p>
<p class='pindent'>“If it wasn’t, I wouldn’t have said it,” retorted Mr.
Trivett, sinking his red jowls into his collar, which made
them redder than before.</p>
<p class='pindent'>“You’re so quick and clever,” said Olivia, “that I can’t
understand why you won’t see things from my point of
view.”</p>
<p class='pindent'>“You’ve got to learn that a man of experience can’t
take the view of a wrong-headed young woman.”</p>
<p class='pindent'>Mr. Trivett emphasized the asperity of his tone by
a thump of his palm on the table.</p>
<p class='pindent'>As a matter of fact, he was genuinely angry. He was
the senior partner in Trivett and Gale, Auctioneers and
Estate Agents, in the comfortable little Shropshire town
of Medlow; or rather the only surviving partner, for
Gale, Olivia’s father, and his two sons had one after the
other been wiped out in a recent world accident. Olivia’s
decision, inspired from no other fount he could think of
than lunacy, involved the withdrawal of considerable
capital from the business. This, of course, being an
honourable man, he could not dispute; but here were peace
and reconstruction and inflated prices, and heaven knew
how much percentage on the middleman’s capital, and
here was this inexperienced girl throwing away a safe
income and clamouring for a settlement in full. They
had argued and argued. It may be stated here that
Mr. Trivett was the Executor of her father’s estate,
which made his position the more delicate and exasperating.</p>
<p class='pindent'>And now Mr. Trivett’s exasperation reached the table-thumping
point.</p>
<p class='pindent'>Olivia smiled wearily.</p>
<p class='pindent'>“It’s such a pity.”</p>
<p class='pindent'>“What’s a pity?”</p>
<p class='pindent'>“Oh, everything. One thing is that there’s no more
gold. Of course, I know you can’t understand. But
that’s your fault, not mine. I should have liked to realize
all that I’ve got in sovereigns. Do you think they’d
fill a bath? Have you ever thought how lovely it would
be to wallow in a bath of sovereigns? Treasury notes
are not the same thing. They’re either very dirty and
smell of plumbers, or very new and smell of rancid oil.
Gold is the real basis of Romance.”</p>
<p class='pindent'>He put her down for a mere female fool, and replied
practically:</p>
<p class='pindent'>“We’ll not see a gold coin in England again for the
next fifty years.”</p>
<p class='pindent'>“Well, well,” she said; “anyhow, there’s still some
romance in mounting the deadly breech of the bank
counter with a drawn cheque in one’s hand.”</p>
<p class='pindent'>“I’m afraid, my dear Olivia,” said Mr. Fenmarch
mildly, “I don’t quite see what we’re talking about.”</p>
<p class='pindent'>“Why, we’ve discussed it every day for the last three
months,” cried Olivia, “and now this is the very last end
of everything. A final settlement, as you call it! That’s
what you two dears have come for, isn’t it?”</p>
<p class='pindent'>“Unfortunately, yes,” said Mr. Fenmarch.</p>
<p class='pindent'>“Then it’s all so simple. You’ve shown me this”—she
picked up a foolscap document and dropped it—“the
full statement of account of my father’s estate, and
I approve—I being the only person concerned. You’ve
got to give me one last cheque for that amount”—she
tapped the document—“and I give you my receipt,
signed over a penny stamp—you’ll have to stand me a
penny stamp, for I’ve only got three-halfpenny ones in
the house—and there’s an end of the matter.”</p>
<p class='pindent'>“My clerk made out the receipt and put the penny
stamp on,” said Mr. Fenmarch, untroubled by her smile.
“Here it is.”</p>
<p class='pindent'>“Solicitors’ clerks seem to think of everything,” said
Olivia. “Fancy his remembering the penny stamp!”</p>
<p class='pindent'>“It’s charged up against you, in Fenmarch’s bill—item
‘sundries,’ ” remarked Mr. Trivett, pointing a fat forefinger.</p>
<p class='pindent'>“Why, naturally. Why should Mr. Fenmarch shower
pennies on me? It’s the delicate thoughtfulness that I
admire. I hope you’ll raise that young man’s salary.”</p>
<p class='pindent'>Mr. Fenmarch looked pained, like a horse to whom one
had offered wooden oats, and swung his head away. Mr.
Trivett opened his mouth to speak, but before he spoke
finished his whisky and soda.</p>
<p class='pindent'>“My dear Olivia,” said he, “I’m sorry to see you so
flippant. You’ve disappointed me and Mrs. Trivett
who’ve known you since you were born, more than I can
say. Until your poor mother died—God bless her—we
thought you the most capable, level-headed young woman
in this town. But for the last three months—you’ll forgive
my freedom in saying so—you have shown yourself
to be quite impossible.”</p>
<p class='pindent'>He paused, angry. Olivia smiled and drummed on the
table.</p>
<p class='pindent'>“Have some more whisky.”</p>
<p class='pindent'>“No, I won’t,” he said in a loud voice. “Whisky’s too
expensive to ladle out in that offhand fashion. It’s a
luxury, as you’ll jolly well soon discover. I’m talking for
your good, Olivia. That’s why Fenmarch and I are here.
Two minutes will wind up the business. But we have
your interests at heart, my girl, and we want to make a
last appeal.”</p>
<p class='pindent'>She covered with hers the back of his red-glazed hand
and spoke in a softened voice:—</p>
<p class='pindent'>“Yes, I know, I know. I’ve said already that you and
Mr. Fenmarch were dears. But what would you have
me do? I’m twenty-three. Alone in the world.”</p>
<p class='pindent'>“You have your uncle and aunt at Clapham,” said Mr.
Trivett.</p>
<p class='pindent'>“I’ve also some sort of relations in the monkey cage
at the Zoo,” said Olivia.</p>
<p class='pindent'>The repartee to the effect that it was the fittest home
for her only occurring to Mr. Trivett when he was getting
into bed that night, he merely stared at her gaspingly.
She continued:</p>
<p class='pindent'>“I’m absolutely alone in the world. Do you think it
reasonable for me to stay in this dull old house, in this
mouldering old town, where one never sees a man from
one year’s end to another, living for the rest of my life
on the few hundreds a year which I could get if my capital
were properly invested?”</p>
<p class='pindent'>“We don’t grant your premises, Olivia,” said Mr. Fenmarch.
“ ‘The Towers’ may be old, but it is not dull.
Medlow is not mouldering, but singularly progressive,
and the place seems to—to pullulate with young men. So
I think our advice to you is eminently reasonable.”</p>
<p class='pindent'>“Oh, dear!” sighed Olivia. “That’s where all the
trouble comes in. Our ideas of dullness, mouldering and
pullu—what you call it; don’t correspond. Mother was
very fond of a story of Sydney Smith. Perhaps she told
you. He was walking one day with a friend through the
slums and came across two women quarrelling across
the street, through opposite windows. And Sydney Smith
said: ‘They’ll never come to an agreement, because they
are arguing from different premises.’ ”</p>
<p class='pindent'>There was a silence.</p>
<p class='pindent'>“I’ll have a drop more whisky,” said Mr. Trivett.</p>
<p class='pindent'>“I think I see the point of the remark,” said Mr. Fenmarch
greyly. “It was a play on the two meanings of
the word.”</p>
<p class='pindent'>“That was what my mother gave me to understand,”
said Olivia.</p>
<p class='pindent'>Then, after another spell of chill silence, she cried,
her nerves on edge:</p>
<p class='pindent'>“Do let us come to the end of it!”</p>
<p class='pindent'>“We will,” said Mr. Trivett impressively. “But not
before I’ve made a few remarks in protest, with Fenmarch
as witness. I’m sorry there’s not another witness——”</p>
<p class='pindent'>“Oh, I’ll get one!” cried Olivia. “Myra—the faithful
Myra.”</p>
<p class='pindent'>“Myra’s a servant, also a fool; and you’ve got her under
your thumb,” said Mr. Trivett.</p>
<p class='pindent'>“Well, well,” said Olivia, “we’ll give Myra a miss.
But I know what you’re going to say—and the kind heart
that makes you say it.”</p>
<p class='pindent'>A touch of real tenderness crept into her fine dark
eyes and almost softened Mr. Trivett. She looked so
young, so slender, so immature in her simple mourning.
Her soft black hair clustered over her forehead in a
manner which he felt was inconsistent with a woman fighting
her way alone in the world. She hadn’t a bit of
colour in her cheeks; wanted feeding up, he thought. She
was capable enough in her own sphere, the management
of her house, the care of a bed-ridden mother, the appreciation
of legal technicalities. Until she had got this bee
in her bonnet he had admired her prodigiously; though,
with the reserve which every Englishman makes in his
admiration, he deplored the shrewdness of her tongue.
But this idea of hers, to realize all her money in hard
cash at the bank and go off into unknown perils was
preposterous. She was not fit for it. You could take
her by the neck in one hand and by the waist in another
and break her to bits. . . . He was a good, honest man
with fatherly instincts developed by the possession of
daughters of his own, strapping red-cheeked girls, who
had stayed soberly at home until the right young man
had come along and carried them off to modest homes of
unimpeachable respectability. So when he met the
tenderness in Olivia’s eyes he mitigated the asperities of
his projected discourse and preached her a very human
little sermon. While he spoke, Mr. Fenmarch nodded his
unhumorous head and stroked the straggling grey hairs
on his cheek. When he had ended, Mr. Fenmarch seconded,
as it were, the resolution.</p>
<p class='pindent'>Then Olivia thanked them prettily, promised to avoid
extravagance, and, in case of difficulty, to come to them
for advice. The final cheque was passed over, the final
receipt signed across the penny stamp provided with
such forethought, and Olivia Gale entered into uncontrolled
possession of her fortune.</p>
<p class='pindent'>The men rose to take their leave. Olivia held the hand
of the burly red-faced man who had been her father’s
partner and looked up at him.</p>
<p class='pindent'>“I know, if you could have your way, you would give
me a good hiding.”</p>
<p class='pindent'>He laughed grimly. “Not the least doubt of it.” Then
he patted her roughly on the shoulder.</p>
<p class='pindent'>“And you, Mr. Fenmarch?”</p>
<p class='pindent'>He regarded her drearily. “After a long experience
in my profession, Olivia, I have come to one conclusion—clients
are a mistake. Good-bye.”</p>
<p class='pindent'>Left alone, Olivia stood for a moment wondering
whether, after all, the dusty lawyer had a jaded sense of
humour. Then she turned and caught up the cheque
and sketched a few triumphant dancing steps. Suddenly,
holding it in her hand, she rushed out into the hall, where
the men were putting on their overcoats.</p>
<p class='pindent'>“We’ve forgotten the most important thing, Mr.
Trivett. You wrote me something about an offer for
the house.”</p>
<p class='pindent'>“An enquiry—not an offer,” replied Mr. Trivett. “Yes.
I forgot to mention it. A Major somebody. Wait——”
He lugged out a fat pocket-book which he consulted.
“That’s it. Major Olifant. Coming down here to-morrow
to look over it. Appointment at twelve, if that suits
you. Unfortunately, I’ve an engagement and can’t show
him round. But I’ll send Perkins, if you like.”</p>
<p class='pindent'>“If the Major wants to eat me, he’ll eat up poor little
Mr. Perkins, too,” said Olivia. “So don’t worry.”</p>
<p class='pindent'>She waited until Myra, the maid, had helped them into
their overcoats and opened the front door. After final
leavetakings, they were gone. Olivia put up her hands,
one of them still holding the cheque, on Myra’s gaunt
shoulders and shook her and laughed.</p>
<p class='pindent'>“I’ve beaten them at last. I knew I should. Now you
and I are going to have the devil’s own time.”</p>
<p class='pindent'>“We’ll have, Miss Olivia,” said Myra, withdrawing
like a wooden automaton from the embrace, “the time
we’ll be deserving.”</p>
<p class='pindent'>Myra was long, lean, and angular, dressed precisely
in parlourmaid’s black; but the absence of cap on her
faultlessly neat iron grey hair and the black apron suggested
a cross between the housekeeper and personal
maid. She shared, with a cook and a vague, print-attired
help, the whole service of the house. The fact
of Myra had been one of the earliest implanted in the
consciousness of Olivia’s awakening childhood. Myra
was there, perdurable as father and mother, as Polly, the
parrot, whose “Drat the child” of that morning was the
same echo of Myra’s voice, as it was when, at the age
of two, she began to interpret the bird’s articulate speech.
And, as far as she could remember, Myra had always
been the same. Age had not withered her, nor had custom
staled her infinite invariability. She had been
withered since the beginning of time, and she had been
as unchanging in aspect and flavour as Olivia’s lifelong
breakfast egg. Myra’s origins were hidden in mystery.
A family legend declared her a foundling. She had come
as a girl from Essex, recommended by a friend, long
since dead, of Mrs. Gale. She never spoke of father,
mother, sisters, and brothers; but every year, when she
took her holiday, she was presumed to return to her native
county. With that exception she seemed to have far
less of a private life than the household cat. It never
occurred to Olivia that she could possibly lead an independent
existence. Her age was about forty-five.</p>
<p class='pindent'>“They think I’m either mad or immoral,” said Olivia.
“Thank God, they’re not religious, or they’d be holding
prayer meetings over me.”</p>
<p class='pindent'>“They might do worse,” replied Myra.</p>
<p class='pindent'>The girl laughed. “So you disapprove, too, do you?
Well, you’ll have to get over it.”</p>
<p class='pindent'>“I’ve got over many things—one more or less don’t
matter. And if I were you, Miss, I wouldn’t stand in this
draughty hall.”</p>
<p class='pindent'>“All that I’m thinking of,” said Olivia, in high good
humour, “is that, with you as duenna, I shall look too
respectable. No one will believe it possible for any one
except an adventuress.”</p>
<p class='pindent'>“That’s what I gather you’re going to be,” said Myra.
If she had put any sting into her words it would have
been a retort. But no one knew what emotions guided
Myra’s speech. With the same tonelessness she would
have proclaimed the house to be on fire, or dinner to be
ready, or the day to be fine.</p>
<p class='pindent'>“Well, if you don’t like the prospect, Myra, you
needn’t come,” said Olivia. “I’ll easily find something
fluffy in short skirts and silk stockings to do for me.”</p>
<p class='pindent'>“We’re wasting gas, Miss,” said Myra, pulling the
little chain of the bye-pass and thereby plunging the hall
in darkness.</p>
<p class='pindent'>“Oh, bother you!” cried Olivia, stumbling into the
passage and knocking against the parrot’s cage outside
the dining-room door, and Polly shrieked out:</p>
<p class='pindent'>“Drat the child! Drat the child!”</p>
<p class='pindent'>Before entering the dining-room she aimed a Parthian
shot at Myra.</p>
<p class='pindent'>“I suppose you agree with the little beast. Well, the
two of you’ll have to look after each other, and I wish
you joy.”</p>
<p class='pindent'>She cleared the dining-room table of the tea things and
the whisky and glasses and the superfluous papers, and
opened the window to let out the smell of Mr. Trivett’s
strong cigar, and crossed the passage to the drawing-room
opposite, where a small fire was still burning. And
there, in spite of the exultation of her triumph over Mr.
Trivett and Mr. Fenmarch, she suddenly felt very dreadfully
alone; also just a whit frightened. The precious
cheque, symbol of independence, which she had taken up,
laid down, taken up again, during her little household
duties, fell to the ground as she lay in the arm-chair by
the fireside.</p>
<p class='pindent'>Was her victory, and all it implied, that of a reasonable
being and a decent girl, or that of a little fool and a hussy?</p>
<p class='pindent'>Perhaps the mother whom she worshipped and to whom
she had devotedly sacrificed the last four years of her
young life was the inspiration of her revolt. For her
mother had been a highly bred woman, of a proud old
Anglo-Indian family, all Generals and Colonels and Sirs
and Ladies, whose names had been involved in the history
of British India for generations; and when she threw the
Anglo-Indian family halo over the windmills and married
young Stephen Gale, who used to stand in the market-place
of Medlow and bawl out the bidding for pigs and
sheep, the family turned her down with the Anglo-Indian
thoroughness that had compelled her mother to lose her
life in a plague-stricken district and her father to lose
his on the North-West Frontier. The family argument
was simple. When you—or everything mattering that
means you—have ruled provinces and commanded armies
and been Sahibs from the beginning of Anglo-Indian
time, you can’t go and marry a man who sells pigs at auction,
and remain alive. None of the family deigned to
gauge the personal value of the pig-seller. The Anglo-Brahmin
lost caste. It is true that, afterwards, patronizing
efforts were made by Brahminical uncles and aunts
and cousins to bridge over the impassable gulf; but Mrs.
Gale, very much in love with her pig-selling husband,
snapped her fingers at them and told them, in individually
opposite terms, to go hang.</p>
<p class='pindent'>It was a love match right enough. And a love match
it remained to the very end of all things; after she had
borne him two sons and a daughter; all through the
young lives of the children; up to the day when the telegram
came announcing the death of their elder son—the
younger had been killed in the curious world accident a
month or so before—and Stephen Gale stood by her bedside—she
had even then succumbed to her incurable
malady—and said, shaken with an emotion to which one
does not refer nowadays:</p>
<p class='pindent'>“Mary, my dear, what am I to do?”</p>
<p class='pindent'>And she, the blood in her speaking—the blood that had
given itself at Agra, Lucknow, Khandahar, Chitral—replied:</p>
<p class='pindent'>“Go, dear.”</p>
<p class='pindent'>Olivia, sitting by, gripped her young hands in mingled
horror and grief and passionate wonder. And Stephen
Gale, just fifty, went out to avenge his sons and do what
was right in his wife’s eyes—for his wife was his country
incarnate, her voice, being England’s voice. A love match
it was and a love match it remained while he stuck it
for two or three years—an elderly man at an inglorious
Base, until he died of pneumonia—over there.</p>
<p class='pindent'>Mrs. Gale had lingered for a year, and, close as their
relations had been all Olivia’s life, they grew infinitely
closer during this period of bereavement. It was only
then that the mother gave delicate expression to the nostalgia
of half a lifetime, the longing for her own kind, and
the ways and thoughts and imponderable principles of
her own caste. And, imperceptibly, Olivia’s eyes were
opened to the essential differences between her mother
and the social circle into which she had married. Olivia,
ever since her shrewd child’s mind began to appreciate
values, knew perfectly well that the Trivetts and the
Gales were not accounted as gentlefolk in the town. She
early became aware of the socially divided line across
which she could not pass so as to enter Blair Park, the
high-class girls’ school on the hill, but narrowed her to
Landsdowne House, where the daughters of the tradespeople
received their education. And when the two
crocodiles happened to pass each other on country walks
she hated the smug, stuckup Blair Park girls with their
pretty blue and white ribbons round their straw hats, and
hated her red ribbon with “LH” embroidered on it, as a
badge of servitude. When she grew up she accepted
countless other social facts as immutable conditions of
existence. Mortals were divided by her unquestioning
father into three categories—“the swells,” “homely folk
like ourselves,” and “common people.” So long as each
member of the three sections knew his place and respected
it, the world was as comfortable a planet as sentient being
could desire. That was one factor in his worship of his
wife: she had stepped from her higher plane to his and had
loyally, unmurmuringly identified herself with it. He had
never a notion, good man, of the shocks, the inner wounds,
the instinctive revolts, the longings that she hid behind
her loving eyes. Nor had Olivia; although as a schoolgirl
she knew and felt proud that her mother really belonged
to Blair Park and not to Landsdowne House. As
she grew up, she realized her mother’s refining influence,
and, as far as young blood would allow, used her as a
model of speech and manner. And during the long invalid
years, when she read aloud and discussed a wide
range of literature, she received unconsciously a sensitive
education. But it was only in this last poignant intimacy,
when they were left starkly alone together, that she
sounded the depths of the loyal, loving, and yet strangely
suffering woman.</p>
<p class='pindent'>“I remember once, long ago, when you were a mite of
five,” Mrs. Gale had said in a memorable confidence, “we
were staying at a hotel in Eastbourne, and I got into
conversation on the verandah with a Colonel somebody—I
forget his name—with whom we had spoken several
times before—one of those spare brown, blue-eyed men,
all leather and taut string, that wear their clothes like
uniform. You see, I was born and bred among them,
dear. And we talked and we talked and I didn’t know
how the time flew, and I missed an appointment with
your father in the town. And he came and found us together—and
he was very angry. It was the only time
in our lives he said an unkind word to me. It was the
only time I gave him any sort of cause for jealousy. But
he really hadn’t. It was only just the joy of talking to
a gentleman again. And I couldn’t tell him. It would
have broken his dear heart.”</p>
<p class='pindent'>This was the first flashlight across her mother’s soul,
and in its illumination vanished many obscure and haunting
perplexities of her girlhood. Had Mrs. Gale lived
the normal life of women, surrounded by those that
loved her, she would doubtless have gone to her grave
without revealing her inner self to living mortal. But infinite
sorrow and the weakness engendered by constant
physical pain had transformed her into a spirituality just
breathing the breath of life and regarding her daughter
less as a woman than as a kindred essence from whom
no secrets could be hid. At her bedside Olivia thus
learned the mystery of birth and life and death. Chiefly
the mystery of life, which appealed more to her ardent
maidenhood.</p>
<p class='pindent'>So when at last her mother faded out of existence and
Olivia’s vigil was over, she faced a world of changing
values with a new set of values of her own. She could
not formulate them; but she was acutely conscious that
they were different from those of the good, honest Mr. Trivett
and the dull and honourable Mr. Fenmarch, and that
to all the social circle which these two represented they
would be unintelligible. In a way, she found herself
possessed of a new calculus in which she trusted to solve
the problems which defied the simple arithmetic of the
homely folk of Medlow.</p>
<hr class='tbk'/>
<p class='pindent'>All these memories and vague certainties passed through
the girl’s mind as she sat before the fire in self-examination
after her victory, and conflicted with the prosaic
and indicatively common-sense arguments of her late
advisers. She knew that father and brothers, all beloved
and revered, would have been staunchly on the side of the
Trivetts. On the other hand, her mother, as she had
said to her husband on the edge of a far, far greater adventure,
would have said: “Go, dear.” Of that she had
no doubt. . . . Yet it meant cutting herself adrift from
Medlow and all its ways and all its associations. It
meant a definite struggle to raise herself from her father’s
second social category to the first. It meant, therefore,
justifying herself against odious insinuations on the part
of her scant acquaintance.</p>
<p class='pindent'>And then the youth in her rose insistent. During all
these years of stress and fever which had marked her
development from child into woman she had done nothing
but remain immured within the walls familiar from her
babyhood. Other girls had gone afar, in strange independence,
to vivid scenes, to unforgettable adventures, in
the service of their country, in the service of mankind—just
as her brothers and father had gone—and she had
stayed there, ineradicable, in that one little tiny spot.
The sick-room, the kitchen, the shops in Old Street, where,
in defiance of Food Controller, she had fought for cream
and butter and eggs and English meat so that her mother
could live; the sick-room again, the simple white and
green bedroom which meant to her little more than the
sleep of exhaustion; the sick-room once more, with its
pathos of spiritual love and physical repulsion—such had
been the iron environment of her life. Sorrow after sorrow,
and mourning after mourning had come, and the
little gaieties of the “homely folk” of her father’s definition
had gone on without her participation. And her
girl friends of Landsdowne House had either married rising
young tradesmen in distant towns, or had found
some further scope for their energies at the end of the
Great Adventure and were far away. In the meanwhile
other homely folk whom she did not know had poured
into the town. All kinds of people seemed to be settling
there, anyhow, without rhyme or reason. It was only
when there was not a house to be rented in the neighbourhood
that she understood why.</p>
<p class='pindent'>“You have a comfortable home of your own. Why,
on earth, don’t you stay in it?” Mr. Trivett had asked.</p>
<p class='pindent'>But she had stayed in it, alone, for the three months
since her mother’s death, waiting on the law’s delays;
and those three months had been foretaste enough of
the dreary infinite years that would lie before her, should
she remain. She was too young, too full of sap, to face
the blight of sunlessness. She longed for the sights and
the sounds and the freedom of the great world. What
she would do when she got into it, she did not exactly
know. Possibly she might meet a fairy prince. If such
a speculation was that of a hussy, why then, she argued,
all women are hussies from birth. As for being a fool
for defying advice on the proper investment of her money—well,
perhaps she was not quite such a fool as Mr.
Trivett imagined. If she did not spend her capital, it
would be just as safe lying on deposit at the bank as invested
in stocks and shares; safer, for she had lately had
wearisome experience of the depreciation of securities.
She would not be senselessly extravagant; in fact, with
the sanguineness of youth she hoped to be able to live on
the interest on her deposit and the rent of the furnished
house. But behind her, definite, tangible, uninfluenced
by Stock Exchange fluctuations, would be her fortune.
And then—a contingency which she did not put before
Mr. Trivett and Mr. Fenmarch, for a woman seldom discloses
her main argument to a male adversary—there
might come a glorious moment in some now unconjecturable
adventure when it might be essential for her to
draw cheques for dazzling sums which she could put in
her pocket and go over mysterious hills and far away.
She stood on the edge of her dull tableland and gazed
wide-eyed at the rolling Land of Romance veiled by gold
and purple mist. And in that Land, from immemorial
time, people carried their money in bags, into which they
dipped their hands, as occasion required, and cast the unmeaning
counters at the feet of poverty or into the lap of
greed.</p>
<p class='pindent'>When she sat down to her solitary supper, she had decided
that she was neither hussy nor fool. She held
baffling discourse with Myra, who could not be enticed
into enthusiasm over the immediate future. Teasing
Myra had been her joy from infancy. She sketched their
career—that of female Don Quixote and Sancho Panza—that
of knights of old in quest of glorious adventure.
She quoted, mock heroically:</p>
<p class='pindent'>“The ride abroad redressing human wrong.”</p>
<p class='pindent'>“Better redress the young London women which I see
the pictures of in the illustrated papers,” said Myra.</p>
<p class='pindent'>Olivia laughed. “You are a dear old blessing, you
know.”</p>
<p class='pindent'>“I’m sure of it,” said Myra, with an expressionless face.
“Anyways, you’re not going to buy one of them things
when you get to London.”</p>
<p class='pindent'>“I am,” replied Olivia. “And you’ll have to help me
put it on.”</p>
<p class='pindent'>“You can’t help folks put on nothing,” said Myra.</p>
<p class='pindent'>“What do you think you’ll do when you’re really
shocked?” asked Olivia.</p>
<p class='pindent'>“I never think what I’ll do,” replied Myra. “It’s
waste of time.”</p>
<p class='pindent'>Olivia enjoyed her supper.</p>
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