<h3><SPAN name="CHAPTER_XLVII" id="CHAPTER_XLVII"></SPAN>CHAPTER XLVII.</h3>
<p> </p>
<p>Mrs. Dennistoun had a great deal to say about herself
and the motives which had at the last been too much
for her, which had forced her to come after her children
at a moment's notice, feeling that she could bear the
uncertainty about them no longer; and it was a thing
so unusual with her to have much to say about herself
that there was certainly something apologetic, something
self-defensive in this unaccustomed outburst.
Perhaps she had begun to feel a little the unconscious
criticism that gathers round the elder person in a house,
the inclination involuntarily—which every one would
repudiate, yet which nevertheless is true—to attribute
to her a want of perception, perhaps—oh, not unkindly!—a
little blunting of the faculties, a suggestion quite
unintentional that she is not what she once was. She
explained herself so distinctly that there was no doubt
there was some self-defence in it. "I had not had a
letter for three days."</p>
<p>And Elinor was far more humble than her wont. "I
know, mother: I felt as if it were impossible to write—till
it was over<span class="norewrap">——</span>"</p>
<p>"My darling! I thought at last I must come and
stand by you. I felt that I ought to have seen that all
the time—that you should have had your mother by
your side to give you countenance."</p>
<p>"I had John with me, mother."</p>
<p>"Then it is over!" Mrs. Dennistoun cried.</p>
<p>And at that moment Pippo, very late, pale, and with
eyes which were red with sleeplessness, and perhaps
with tears, came in. Elinor gave her mother a quick
look, almost of blame, and then turned to the boy. She
did not mean it, and yet Mrs. Dennistoun felt as if the
suggestion, "He might never have known had you not
called out like that," was in her daughter's eyes.</p>
<p>"Pippo!" she said. "Why, Elinor! what have you
been doing to the boy?"</p>
<p>"He does not look well," said Elinor, suddenly waking
up to that anxiety which had been always so easily
roused in respect to Pippo. "He was very late last
night. He was at the House with John," she added,
involuntarily, with an apology to her mother for the
neglect which had extended to Pippo too.</p>
<p>"There is nothing the matter with me," he said, with
a touch of sullenness in his tone.</p>
<p>The two women looked at each other with all the
vague trouble in their eyes suddenly concentrated upon
young Philip, but they said nothing more, as he sat
down at table and began to play with the breakfast, for
which he had evidently no appetite. No one had ever
seen that sullen look in Pippo's face before. He bent
his head over the table as if he were intent upon the
food which choked him when he tried to eat, and which
he loathed the very sight of—and did not say a word.
They had certainly not been very light-hearted before,
but the sight of the boy thus obscured and changed
made all the misery more evident. There was always a
possibility of over-riding the storm so long as all was
well with Pippo: but his changed countenance veiled
the very sun in the skies.</p>
<p>"You don't seem surprised to see me here," his grandmother
said.</p>
<p>"Oh!—no, I am not surprised. I wonder you did
not come sooner. Have you been travelling all night?"
he said.</p>
<p>"Just as you did, Pippo. I drove into Penrith last
night and caught the mail train. I was seized with a
panic about you, and felt that I must see for myself."</p>
<p>"It is not the first time you have taken a panic about
us, mother," said Elinor, forcing a smile.</p>
<p>"No; but it is almost the first time I have acted upon
it," said Mrs. Dennistoun, with that faint instinct of
self-defence; "but I think you must have needed me
more than usual to keep you in order. You must have
been going out too much, keeping late hours. You are
pale enough, Elinor, but Pippo—Pippo has suffered
still more."</p>
<p>"I tell you," said Philip, raising his shoulders and
stooping his head over the table, "granny, that there
is nothing the matter with me."</p>
<p>And he took no part in the conversation as they went
on talking, of any subjects but those that were most
near their hearts. They had, indeed, no thoughts at
all to spare but those that were occupied with the situation,
and with this new feature in it, Pippo's worn and
troubled looks, yet had to talk of something, of nothing,
while the meal went on, which was no meal at
all for any of them. When it was over at last Pippo
rose abruptly from the table.</p>
<p>"Are you going out?" Elinor said, alarmed, rising
too. "Have you any engagement with the Marshalls
for to-day?"</p>
<p>"I don't know," Philip said; "Mr. Marshall was ill
yesterday. I didn't see them. I'm not going out. I
am going to my room."</p>
<p>"You've got a headache, Pippo!"</p>
<p>"Nothing of the kind! I tell you there is nothing
the matter with me. I'm only going to my
room."</p>
<p>Elinor put her hands on his arm. "Pippo, I have
something to say to you before you go out. Will you
promise to let me know before you go out? I don't
want to keep you back from anything, but I have something
that I must say."</p>
<p>He did not ask with his usual interest what it was.
He showed no curiosity; on the contrary, he drew his
arm out of her hold almost rudely. "Of course," he
said, "I will come in here before I go out. I have no
intention of going out now."</p>
<p>And thus he left them, and went with a heavy step,
oh, how different from Pippo's flying foot: so that they
could count every step, up-stairs.</p>
<p>"What is the matter, what is the matter, Elinor?"</p>
<p>"I know nothing," she said; "nothing! He was
like himself yesterday morning, full of life. Unless he
is ill, I cannot understand it. But, mother, I have to
tell him—everything to-day."</p>
<p>"God grant it may not be too late, Elinor!" Mrs.
Dennistoun said.</p>
<p>"Too late? How can it be too late? Yes; perhaps
you are right, John and you. He ought to have known
from the beginning; he ought to have been told when
he was a child. I acknowledge that I was wrong; but
it is no use," she said, wiping away some fiery tears,
"to go back upon that now."</p>
<p>"John could not have told him anything?" Mrs.
Dennistoun said, doubtfully.</p>
<p>"John! my best friend, who has always stood by me.
Oh, never, never. How little you know him, mother!
He has been imploring me every day, almost upon his
knees, to tell Pippo everything; and I promised to do
it as soon as the time was come. And then last night I
was so glad to think that he was engaged with John,
and I so worn out, not fit for anything. And then this
morning<span class="norewrap">——</span>"</p>
<p>"Then—this morning I arrived, just when I would
have been better away!"</p>
<p>"Don't say that, mother. It is always, always well
you should be with your children. And, oh, if I had
but taken your advice years and years ago!"</p>
<p>How easy it is to wish this when fate overtakes us,
when the thing so long postponed, so long pushed
away from us, has to be done at last! There is, I fear,
no repentance in it, only the intolerable sense that
the painful act might have been over long ago, and
the soul free now of a burden which is so terrible to
bear.</p>
<p>Philip did not leave his room all the morning. His
mother, overwhelmed now by the new anxiety about
his health, which had no part in her thoughts before,
went to his door and knocked several times, always
with the intention of going in, of insisting upon the removal
of all barriers, and of telling her story, the story
which now was as fire in her veins and had to be told.
But he had locked his door, and only answered from
within that he was reading—getting up something that
he had forgotten—and begged her to leave him undisturbed
till lunch. Poor Elinor! Her story was, as I
have said, like fire in her veins; but when the moment
came, and a little more delay, an hour, a morning was
possible, she accepted it like a boon from heaven,
though she knew very well all the same that it was but
prolonging the agony, and that to get it accomplished—to
get it over—was the only thing to desire. She
tried to arrange her thoughts, to think how she was
to tell it, in the hurrying yet flying minutes when she
sat alone, listening now and then to Philip's movements
over her head, for he was not still as a boy should
be who was reading, but moved about his room, with a
nervous restlessness that seemed almost equal to her
own. Mrs. Dennistoun, to leave her daughter free for
the conversation that ought to take place between
Elinor and her son, had gone to lie down, and lay in
Elinor's room, next door to the boy, listening to every
sound, and hoping, hoping that they would get it over
before she went down-stairs again. She did not believe
that Philip would stand out against his mother, whom
he loved. Oh, if they could but get it over, that explanation—if
the boy but knew! But it was apparent
enough, when she came down to luncheon, where Elinor
awaited her, pale and anxious, and where Philip
followed, so unlike himself, that no explanation had yet
taken place between them. And the luncheon was as
miserable a pretence at a meal as the breakfast had
been—worse as a repetition, yet better in so far that
poor Pippo, with his boyish wholesome appetite, was
by this time too hungry to be restrained even by the
unusual burden of his unhappiness, and ate heartily,
although he was bitterly ashamed of so doing: which
perhaps made him a little better, and certainly did a
great deal of good to the ladies, who thus were convinced
that whatever the matter might be, he was not
ill at least. He was about to return up-stairs after
luncheon was over, but Elinor caught him by the arm:
"You are not going to your room again, Pippo?"</p>
<p>"I—have not finished my reading," he said.</p>
<p>"I have a claim before your reading. I have a great
deal to say to you, and I cannot put it off any longer.
It must be said<span class="norewrap">——</span>"</p>
<p>"As you please, mother," he replied, with an air of
endurance. And he opened the door for her and
followed her up to the drawing-room, the three generations
going one before the other, the anxious grandmother
first, full of sympathy for both; the mother
trembling in every limb, feeling the great crisis of her
life before her; the boy with his heart seared, half bitter,
half contemptuous of the explanation which he had
forestalled, which came too late. Mrs. Dennistoun
turned and kissed first one and then the other with
quivering lips. "Oh, Pippo, be kind to your mother;
she never will have such need of your kindness again in
all your life." The boy could almost have struck her for
this advice. It raised a kind of savage passion in him
to be told to be kind to his mother—kind to her, when
he had held her above all beings on the earth, and
prided himself all his life upon his devotion to her!
What Mrs. Dennistoun said to Elinor I cannot tell, but
she clasped her hands and gave her an imploring look,
which was almost as bitterly taken as her appeal to
Philip. It besought her to tell everything, to hide nothing;
and what was Elinor's meaning but to tell everything,
to lay bare her heart?</p>
<p>But once more at this moment an interruption—the
most wonderful and unthought-of of all interruptions—came.
I suppose it must have been announced by
the usual summons at the street-door, and that in their
agitation they had not heard it. But all that I know
is, that when Mrs. Dennistoun turned to leave the
mother and son to their conversation, which was so full
of fate, the door of the drawing-room opened almost
upon her as she was about to go out, and with a little
demonstration and pride, as of a name which it was a
distinction even to be permitted to say, of a visitor
whose arrival could not be but an honour and delightful
surprise, the husband of the landlady—the man of
the house, once a butler of the highest pretensions, now
only condescending to serve his lodgers when the occasion
was dignified—swept into the room, noiseless and
solemn, holding open the door, and announced "Lord
St. Serf." Mrs. Dennistoun fell back as if she had met
a ghost; and Elinor, too, drew back a step, becoming
as pale as if she had been the ghost her mother saw.
The gasp of the long breath they both drew made a
sound in the room where the very air seemed to tingle;
and young Philip, raising his head, saw, coming in, the
man whom he had seen in court—the man who had
gazed at him in the theatre, the man of the opera-glass.
But was this then not the Philip Compton for whom
Elinor Dennistoun had stood forth, and borne witness
before all the world?</p>
<p>He came in and stood without a word, waiting for a
moment till the servant was gone and the door closed;
and then he advanced with a step, the very assurance
and quickness of which showed his hesitation and uncertainty.
He did not hold out his hands—much less
his arms—to her. "Nell?" he said, as if he had been
asking a question, "Nell?"</p>
<p>She seemed to open her lips to speak, but brought
forth no sound; and then Mrs. Dennistoun came in
with the grave voice of every day, "Will you sit down?"</p>
<p>He looked round at her, perceiving her for the first
time. "Ah," he said, "mamma! how good that you
are here. It is a little droll though, don't you think,
when a man comes into the bosom of his family after
an absence of eighteen years, that the only thing that is
said to him should be, 'Will you sit down?' Better
that, however, a great deal, than 'Will you go away?'"</p>
<p>He sat down as she invited him, with a short laugh.
He was perfectly composed in manner. Looking round
him with curious eyes, "Was this one of the places," he
said, "Nell, that we stayed in in the old times?"</p>
<p>She answered "No" under her breath, her paleness
suddenly giving way to a hot flush of feverish agitation.
And then she took refuge in a vacant chair, unable to
support herself, and he sat too, and the party looked—but
for that agitation in Elinor's face, which she could
not master—as if the ladies were receiving and he paying
a morning call. The other two, however, did not sit
down. Young Philip, confused and excited, went away
to the second room, the little back drawing-room of the
little London house, which can never be made to look
anything but an anteroom—never a habitable place—and
went to the window, and stood there as if he were
looking out, though the window was of coloured glass,
and there was nothing to be seen. Mrs. Dennistoun
stood with her hand upon the back of a chair, her
heart beating too, and yet the most collected of them
all, waiting, with her eyes on <ins title="original has Elinora">Elinor, for a</ins> sign to know her
will, whether she should go or stay. It was the visitor
who was the first to speak.</p>
<p>"Let me beg you," he said, with a little impatience
in his voice, "to sit down too. It is evident that Nell's
reception of me is not likely to be so warm as to make
it unpleasant for a third party. There was a fourth
party in the room a minute ago, if my eyes did not deceive
me. Ah!"—his glance went rapidly to where
Philip's tall boyish figure, with his back turned, was
visible against the further window—"that's all right,"
he said, "now I presume everybody's here."</p>
<p>"Had we expected your visit," said Mrs. Dennistoun,
faltering, after a moment, as Elinor did not speak, "we
should have been—better prepared to receive you, Mr.
Compton."</p>
<p>"That's not spoken with your usual cleverness," he
said, with a laugh. "You used to be a great deal too
clever for me, you and Nell too. But if she did not expect
to see me, I don't know what she thought I was
made of—everything that is bad, I suppose: and yet
you know I could have worried your life out of you if I
had liked, Nell."</p>
<p>She turned to him for the first time, and, putting her
hands together, said almost inaudibly, "I know—I
know. I have thought of that, and I am not ungrateful."</p>
<p>"Grateful! Well, perhaps you have not much call
for that, poor little woman. I don't doubt I behaved
like a brute, and you were quite right in doing what
you did; but you've taken it out of me since, Nell, all
the same."</p>
<p>Then there was again a silence, broken only by the
labouring, which she could not quite conceal, of her
breath.</p>
<p>"You wouldn't believe me," he resumed after a moment,
"if I were to set up a sentimental pose, like a
sort of a disconsolate widower, eh, would you? Of
course it was a position that was not without its advantages.
I was not much made for a family man, and
both in the way of expense and in—other ways, it
suited me well enough. Nobody could expect me to
marry them or their daughters, don't you see, when
they knew I had a wife alive? So I was allowed my
little amusements. You never went in for that kind of
thing, Nell? Don't snap me up. You know I told you
I never was against a little flirtation. It makes a woman
more tolerant, in my opinion, just to know how to
amuse herself a little. But Nell was never one of that
kind<span class="norewrap">——</span>"</p>
<p>"I hope not, indeed," said Mrs. Dennistoun, to whom
he had turned, with indignation.</p>
<p>"I don't see where the emphasis comes in. She was
one that a man could be as sure of as of Westminster
Abbey. The heart of her husband rests upon her—isn't
that what the fellow in the Bible says, or words to that
effect? Nell was always a kind of a Bible to me. And
you may say that in that case to think of her amusing
herself! But you will allow she always did take everything
too much <i>au grand serieux</i>. No? to be sure, you'll
allow nothing. But still that was the truth. However,
I'll allow something if you won't. I'm past my first
youth. Oh, you, not a bit of it! You're just as fresh
and as pretty, by George! as ever you were. When
I saw you stand up in that court yesterday looking as
if—not a week had passed since I saw you last, by Jove!
Nell<span class="norewrap">——</span> And how you were hating it, poor old girl,
and had come out straining your poor little conscience,
and saying what you didn't want to say—for the sake of
a worthless fellow like me<span class="norewrap">——</span>"</p>
<p>A sob came out of Elinor's breast, and something half
inaudible besides, like a name.</p>
<p>"I can tell you this," he said, turning to Mrs. Dennistoun
again, "I couldn't look at her. I'm an unlikely
brute for that sort of thing, but if I had looked at her I
should have cried. I daresay you don't believe me.
Never mind, but it's true."</p>
<p>"I do believe you," said the mother, very low.</p>
<p>"Thank you," he said, with a laugh. "I have always
said for a mother-in-law you were the least difficult to
get on with I ever saw. Do you remember giving me
that money to make ducks and drakes of? It was awfully
silly of you. You didn't deserve to be trusted
with money to throw it away like that, but still I have
not forgotten it. Well! I came to thank you for yesterday,
Nell. And there are things, you know, that we
must talk over. You never gave up your name. That
was like your pluck. But you will have to change it
now. It was indecent of me to have myself announced
like that and poor old St. Serf not in his grave yet. But
I daresay you didn't pay any attention. You are Lady
St. Serf now, my dear. You don't mind, I know, but it's
a change not without importance. Well, who is that
fellow behind there, standing in the window? I think
you ought to present him to me. Or I'll present him
to you instead. I saw him in the theatre, by Jove!
with that fellow Tatham, that cousin John of yours that
I never could bear, smirking and smiling at him as if it
were <i>his</i> son! but <i>I</i> saw the boy then for the first time.
Nell, I tell you there are some things in which you have
taken it well out of me<span class="norewrap">——</span>"</p>
<p>"Mr. Compton," she said, labouring to speak.
"Lord St. Serf. Oh, Phil, Phil!—--"</p>
<p>"Ah," he said, with a start, "do you remember at
last? the garden at that poky old cottage with all the
flowers, and the days when you looked out for wild
Phil Compton that all the world warned you against?
And here I am an old fogey, without either wife or
child, and Tatham taking my boy about and Nell never
looking me in the face."</p>
<p>Philip, at the window looking out at nothing through
the hideous-coloured glass, had heard every word, with
wonder, with horror, with consternation, with dreadful
disappointment and sinking of the heart. For indeed
he had a high ideal of a father, the highest, such
as fatherless boys form in their ignorance. And every
word made it more sure that this was his father, this
man who had so caught his eyes and filled him with such
a fever of interest. But to hear Phil Compton talk had
brought the boy's soaring imagination down, down to
the dust. He had not been prepared for anything like
this. Some tragic rending asunder he could have
believed in, some wild and strange mystery. But this
man of careless speech, of chaff and slang, so little
noble, so little serious, so far from tragic! The disappointment
had been too sudden and dreadful to
leave him with any ears for those tones that went to
his mother's heart. He had no pity or sense of the
pathos that was in them. He stood in his young absolutism
disgusted, miserable. This man his father!—this
man! so talking, so thinking. Young Philip
stood with his back to the group, more miserable than
words could say. He heard some movement behind,
but he was too sick of heart to think what it was, until
suddenly he felt a hand on his shoulder, and most unwillingly
suffered himself to be turned round to meet
his father's eyes. He gave one glance up at the face,
which he did not now feel was worn with study and
care—which now that he saw it near was full of lines
and wrinkles which meant something else, and which
even the emotion in it, emotion of a kind which Pippo
did not understand, hidden by a laugh, did not make
more prepossessing—and then he stood with his eyes
cast down, not caring to see it again.</p>
<p>The elder Philip Compton had, I think, though he
was, as he said, an unlikely subject for that mood, tears
in his eyes—and he had no inclination to see anything
that was painful in the face of his son, whose look he
had never read, whose voice he had never heard, till
now. He held the boy with his hands on his shoulders,
with a grasp more full perhaps of the tender strain of
love (though he did not know him) than ever he had
laid upon any human form before. The boy's looks
were not only satisfactory to him, but filled his own
heart with an unaccustomed spring of pride and delight—his
stature, his complexion, his features, making up
as it were the most wonderful compliment, the utmost
sweetness of flattery that he had ever known. For the
boy was himself over again, not like his mother, like
the unworthy father whom he had never seen. It took
him some time to master the sudden rush of this emotion
which almost overwhelmed him: and then he drew
the boy's arm through his own and led him back to
where the two ladies sat, Elinor still too much agitated
for speech. "I said I'd present my son to you, Nell—if
you wouldn't present him to me," he said, with a
break in his voice which sounded like a chuckle to that
son's angry ears. "I don't know what you call the fellow—but
he's big enough to have a name of his own,
and he's Lomond from this day."</p>
<p>Pippo did not know what was meant by those words:
but he drew his arm from his father's and went and
stood behind Elinor's chair, forgetting in a moment all
grievances against her, taking her side with an energy
impossible to put into words, clinging to his mother as
he had done when he was a little child.</p>
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