<h3><SPAN name="CHAPTER_XVIII" id="CHAPTER_XVIII"></SPAN>CHAPTER XVIII.</h3>
<p> </p>
<p>Mrs. Dennistoun did not go up to town. There are
some women who would have done so, seeing the other
side of the subject—at all hazards; and perhaps they
would have been right—who can tell? She did not—denying
herself, keeping herself by main force in her
solitude, not to interfere with the life of her child,
which was drawn on lines so different from any of hers—and
perhaps she was wrong. Who knows, except by
the event, which is the best or the worst way in any of
our human movements, which are so short-sighted?
And twice during the season Elinor found means to
come to the cottage for a night as she had done at first.
These were occasions of great happiness, it need not be
said—but of many thoughts and wonderings too. She
had always an excuse for Phil. He had meant until the
last moment to come with her—some one had turned
up, quite unexpectedly, who had prevented him. It
was a fatality; especially when she came down in July
did she insist upon this. He had been invited quite
suddenly to a political dinner to meet one of the Ministers
from whom he had hopes of an appointment.
"For we find that we can't go on enjoying ourselves
for ever," she said gayly, "and Phil has made up his
mind he must get something to do."</p>
<p>"It is always the best way," said Mrs. Dennistoun.</p>
<p>"I am not so very sure, mamma, when you have
never been used to it. Of course, some people would
be wretched without work. Fancy John with nothing
to do! How he would torment his wife—if he had
one. But Phil never does that. He is very easy to
live with. He is always after something, and leaves me
as free as if he had a day's work in an office."</p>
<p>This slipped out, with a smile: but evidently after it
was said Elinor regretted she had said it, and thought
that more might be drawn from the admission than she
intended. She added quietly, "Of course a settled occupation
would interfere with many things. We could
not go out together continually as we do now."</p>
<p>Was there any way of reconciling these two statements?
Mrs. Dennistoun tried and tried in vain to
make them fit into each other: and yet no doubt there
was some way.</p>
<p>"And perhaps another season, mother, if Phil was in
a public office—it seems so strange to think of Phil
having an office—you might come up, don't you think,
to town for a time? Would it be a dreadful bore to
you to leave the country just when it is at its best?
I'm afraid it would be a dreadful bore: but we could
run about together in the mornings when he was busy,
and go to see the pictures and things. How pleasant
it would be!"</p>
<p>"It would be delightful for me, Elinor. I shouldn't
mind giving up the country, if it wouldn't interfere
with your engagements, my dear."</p>
<p>"Oh, my engagements! Much I should care for
them if Phil was occupied. I like, of course, to be
with him."</p>
<p>"Of course," said Mrs. Dennistoun.</p>
<p>"And it is good for him, too, I think." This was
another of the little admissions that Elinor regretted
the moment they were made. "I mean it's a pity,
isn't it, when a man likes to have his wife with him that
she shouldn't always be there, ready to go?"</p>
<p>"A great pity," said Mrs. Dennistoun, and then she
changed the subject. "I thought it required all sorts
of examinations and things for a man to get into a public
office now."</p>
<p>"So it does for the ordinary grades, which would be
far, far too much routine for Phil. But they say a minister
always has things in his power. There are still
posts<span class="norewrap">——</span>"</p>
<p>"Sinecures, Elinor?"</p>
<p>"I did not mean exactly sinecures," she said, with an
embarrassed laugh, "though I think those must have
been fine things; but posts where it is not merely routine,
where a man may have a chance of acting for himself
and distinguishing himself, perhaps. And to be in
the service of the country is always better, safer, than
that dreadful city. Don't you think so?"</p>
<p>"I have never thought the city dreadful, Elinor. I
have had many friends connected with the city."</p>
<p>"Ah, but not in those horrid companies, mamma.
Do you know that company which we just escaped,
which Phil saved my money out of, when it was all but
invested—I believe that has ruined people right and
left. He got out of it, fortunately, just before the
smash; that is, of course, he never had very much to
do with it, he was only on the Board."</p>
<p>"And where is your money now?"</p>
<p>"Oh, I can answer that question this time," said
Elinor, gayly. "He had just time to get it into another
company which pays—beautifully! The Jew is in it,
too, and the whole lot of them. Oh! I beg your pardon,
mamma. I tried hard to call her by her proper
name, but when one never hears any other, one can't
help getting into it!"</p>
<p>"I hope," said Mrs. Dennistoun, "that Philip was
not much mixed up with this company if other people
have been ruined, and he has escaped?"</p>
<p>"How could that be?" said Elinor, with a sort of
tremulous dignity. "You don't suppose for a moment
that he<span class="norewrap">——</span>. But of course you don't," she added with
a heightened colour and a momentary cloud over her
eyes, "of course you don't. There was a dreadful manager
who destroyed the books and then fled, so that
there never could be a right winding up of the affairs."</p>
<p>"I hope Philip will take great care never to have to
do with anything of the kind again."</p>
<p>"Oh, no, he has promised me he will not. I will not
have it. He has a kind of ornamental directorship on
this new company, just for the sake of his name: but
he has promised me he will have nothing more to do
with it for my peace of mind."</p>
<p>"I wonder that they should care in the city for so
small a matter as a peer's younger son."</p>
<p>"Oh, do you think it a small matter, mamma? I
don't mean that I care, but people give a good deal of
weight to it, you know."</p>
<p>"I meant only in the city, Elinor."</p>
<p>"Oh!" Elinor said. She was half offended with her
mother's indifference. She had found that to be the
Hon. Mrs. Compton was something, or so at least she
supposed: and she began timidly to give her mother a
list of her engagements, which were indeed many in
number, and there were some dazzling names among
a great many with which Mrs. Dennistoun was unacquainted.
But how could she know who were the
fashionable people nowadays, a woman living so completely
out of the world?</p>
<p>John Tatham, for his part, went through his engagements
that year with a constant expectation of seeing
Elinor, which preoccupied him more than a rising
young barrister going everywhere ought to have been
preoccupied. He thought he went everywhere, and so
did his family at home, especially his sister, Mary Tatham,
who was his father's nurse and attendant, and
never had any chance of sharing these delights. She
made all the more, as was natural, of John's privileges
and social success from the fact of her own seclusion,
and was in the habit of saying that she believed there
was scarcely a party in London to which John was not
invited—three or four in a night. But it would seem
with all this that there were many parties to which he
was not invited, for the Phil Comptons (how strange and
on the whole disgusting to think that this now meant
Elinor!) also went everywhere, and yet they very seldom
met. It was true that John could not expect to
meet them at dinner at a Judge's or in the legal society
in high places which was his especial sphere, and nothing
could be more foolish than the tremor of expectation
with which this very steady-going man would set
out to every house in which the fashionable world met
with the professional, always thinking that perhaps<span class="norewrap">——</span>But
it was rarely, very rarely, that this perhaps came
to pass. When it did it was amid the crowd of some
prodigious reception to which people "looked in" for
half an hour, and where on one occasion he found Elinor
alone, with that curious dignity about her, a little
tragical, which comes of neglect. He agreed with her
mother, that he had never imagined Elinor's youthful
prettiness could have come to anything so near beauty.
There was a strained, wide open look in her eyes, which
was half done by looking out for some one, and half by
defying any one to think that she felt herself alone, or
was pursuing that search with any anxiety. She stood
exceedingly erect, silent, observing everything, yet endeavouring
to appear as if she did not observe, altogether
a singular and very striking figure among the
fashionable crowd, in which it seemed everybody was
chattering, smiling, gay or making believe to be gay,
except herself. When she saw John a sudden gleam of
pleasure, followed by a cloud of embarrassment, came
over her face: but poor Elinor could not help being
glad to see some one she knew, some one who more or
less belonged to her; although it appeared she had the
best of reasons for being alone. "I was to meet Phil
here," she said, "but somehow I must have missed
him." "Let us walk about a little, and we'll be sure
to find him," said John. She was so glad to take his
arm, almost to cling to him, to find herself with a
friend. "I don't know many people here," she confided
to John, leaning on his arm, with the familiar sisterly
dependence of old, "and I am so stupid about
coming out by myself. It is because I have never been
used to it. There has always been mamma, and then
Phil; but I suppose he has been detained somewhere
to-night. I think I never felt so lost before, among all
these strange people. He knows everybody, of course."</p>
<p>"But you have a lot of friends, Elinor."</p>
<p>"Oh, yes," she said, brightly enough; "in our own
set: but this is what Phil calls more serious than our
set. I should not wonder in the least if he had shirked
it at the last, knowing I would be sure to come."</p>
<p>"That is just the reason why I should have thought
he would not shirk it," said John.</p>
<p>"Ah, that's because you're not married," said Elinor,
but with a laugh in which there was no bitterness.
"Don't you know one good of a wife is to do the man's
social duties for him, to appear at the dull places and
save his credit? Oh, I don't object at all; it is quite a
legitimate division of labour. I shall get into it in
time: but I am so stupid about coming into a room
alone, and instead of looking about to see what people
I really do know, I just stiffen into a sort of shell. I
should never have known you if you had not come up
to me, John."</p>
<p>"You see I was looking out for you, and you were
not looking out for me, that makes all the difference."</p>
<p>"You were looking out for us!"</p>
<p>"Ever since the season began I have been looking
out for you, everywhere," said John, with a rather fierce
emphasis on the pronoun, which, however, as everybody
knows, is plural, and means two as much as one, though
it was the reverse of this that John Tatham meant to
show.</p>
<p>"Ah!" said Elinor. "But then I am afraid our set
is different, John. There will always be some places—like
this, for instance—where I hope we shall meet;
but our set perhaps is a little frivolous, and your set a
little—serious, don't you see? You are professional
and political, and all that; and Phil is—well, I don't
know exactly what Phil is—more fashionable and frivolous,
as I said. A race-going, ball-going, always in
motion set."</p>
<p>"Most people," said John, "go more or less to races
and balls."</p>
<p>"More or less, that makes the whole difference. We
go to them all. Now you see the distinction, John.
You go to Ascot perhaps on the cup day; we go all the
days and all the other days, at the other places."</p>
<p>"How knowing you have become!"</p>
<p>"Haven't I?" she said, with a smile that was half a
sigh.</p>
<p>"But I shouldn't have thought that would have
suited you, Elinor."</p>
<p>"Oh, yes, it does," she said, and then she eyed him
with something of the defiance that had been in her
look when she was standing alone. She did not avoid
his look as a less brave woman might have done. "I
like the fun of it," she said.</p>
<p>And then there was a pause, for he did not know
what to reply.</p>
<p>"We have been through all the rooms," she said at
last, "and we have not seen a ghost of Phil. He cannot
be coming now. What o'clock is it? Oh, just the
time he will be due at<span class="norewrap">——</span> I'm sure he can't come now.
Do you think you could get my carriage for me? It's
only a brougham that we hire," she said, with a smile,
"but the man is such a nice, kind man. If he had
been an old family coachman he couldn't take more
care of me."</p>
<p>"That looks as if he had to take care of you often,
Elinor."</p>
<p>"Well," she said, looking him full in the face again,
"you don't suppose my husband goes out with me in
the morning shopping? I hope he has something better
to do."</p>
<p>"Shouldn't you like to have your mother with you
for the shopping, etc.?"</p>
<p>"Ah, dearly!" then with a little quick change of
manner, "another time—not this season, but next, if I
can persuade her to come; for next year I hope we
shall be more settled, perhaps in a house of our own, if
Phil gets the appointment he is after."</p>
<p>"Oh, he is after an appointment?"</p>
<p>"Yes, John; Phil is not so lucky as to have a profession
like you."</p>
<p>This was a new way of looking at the matter, and
John Tatham found nothing to say. It seemed to him,
who had worked very hard for it, a little droll to describe
his possession of a profession as luck. But he
made no remark. He took Elinor down-stairs and
found her brougham for her, and the kind old coachman
on the box, who was well used to taking care of
her, though only hired from the livery stables for the
season—John thought the old man looked suspiciously
at him, and would have stopped him from accompanying
her, had he designed any such proceeding. Poor
little Nelly, to be watched over by the paternal fly-man
on the box! she who might have had<span class="norewrap">——</span> but he
stopped himself there, though his heart felt as heavy as
a stone to see her go away thus, alone from the smart
party where she had been doing duty for her husband.
John could not take upon himself to finish his sentence—she
who might have had love and care of a very different
kind. No, he had never offered her that love
and care. Had Phil Compton never come in her way
it is possible that John Tatham might never have
offered it to her—not, at least, for a long time. He
could never have had any right to be a dog in the
manger, neither would he venture to pretend now that
it was her own fault if she had chosen the wrong man;
was it his fault then, who had never put a better man
within her choice? but John, who was no coxcomb,
blushed in the dark to himself as this question flitted
through his mind. He had no reason to suppose that
Elinor would have been willing to change the brotherly
tie between them into any other. Thank heaven for
that brotherly tie! He would always be able to befriend
her, to stand by her, to help her as much as any
one could help a woman who was married, and thus
outside of all ordinary succour. And as for that blackguard,
that <i>dis</i>-Honourable Phil<span class="norewrap">——</span> But here John,
who was a man of just mind, paused again. For a man
to let his wife go to a party by herself was not after all
so dreadful a thing. Many men did so, and the women
did not complain; to be sure they were generally older,
more accustomed to manage for themselves than Elinor:
but still, a man need not be a blackguard because he
did that. So John stopped his own ready judgment,
but still I am afraid in his heart pronounced Phil Compton's
sentence all the same. He did not say a word
about this encounter to Mrs. Dennistoun; at least, he
did tell her that he had met Elinor at the So-and-So's,
which, as it was one of the best houses in London, was
pleasing to a mother to hear.</p>
<p>"And how was she looking?" Mrs. Dennistoun cried.</p>
<p>"She was looking—beautiful<span class="norewrap">——</span>" said John. "I
don't flatter, and I never thought her so in the old
times—but it is the only word I can use<span class="norewrap">——</span>"</p>
<p>"Didn't I tell you so?" said the mother, pleased.
"She is quite embellished and improved—therefore she
must be happy."</p>
<p>"It is certainly the very best evidence<span class="norewrap">——</span>"</p>
<p>"Isn't it? But it so often happens otherwise, even
in happy marriages. A girl feels strange, awkward,
out of it, in her new life. Elinor must have entirely
accustomed herself, adapted herself to it, and to them,
or she would not look so well. That is the greatest
comfort I can have."</p>
<p>And John kept his own counsel about Elinor's majestic
solitude and the watchful old coachman in the
hired brougham. Her husband might still be full of
love and tenderness all the same. It was a great effort
of the natural integrity of his character to pronounce
like this; but he did it in the interests of justice, and
for Elinor's sake and her mother's said nothing of the
circumstances at all.</p>
<p>It may be supposed that when Elinor paid the last of
her sudden visits at the cottage it was a heavy moment
both for mother and daughter. It was the time when
fashionable people finish the season by going to Goodwood—and
to Goodwood Elinor was going with a
party, Lady Mariamne and a number of the "set."
She told her mother, to amuse her, of the new dresses
she had got for this important occasion. "Phil says
one may go in sackcloth and ashes the remainder of the
year, but we must be fine for Goodwood," she said.
"I wanted him to believe that I had too many clothes
already, but he was inexorable. It is not often, is it,
that one's husband is more anxious than one's self
about one's dress?"</p>
<p>"He wants you to do him credit, Elinor."</p>
<p>"Well, mamma, there is no harm in that. But more
than that—he wants me to look nice, for myself. He
thinks me still a little shy—though I never was shy,
was I?—and he thinks nothing gives you courage like
feeling yourself well dressed—but he takes the greatest
interest in everything I wear."</p>
<p>"And where do you go after Goodwood, Elinor?"</p>
<p>"Oh, mamma, on such a round of visits!—here and
there and everywhere. I don't know," and the tears
sprang into Elinor's eyes, "when I may see you
again."</p>
<p>"You are not coming back to London," said the
mother, with the heart sinking in her breast.</p>
<p>"Not now—they all say London is insupportable—it
is one of the things that everybody says, and I believe
that Phil will not set foot in it again for many
months. Perhaps I might get a moment, when he is
shooting, or something, to run back to you; but it is a
long way from Scotland—and he must be there, you
know, for the 12th. He would think the world was
coming to an end if he did not get a shot at the grouse
on that day."</p>
<p>"But I thought he was looking for an appointment,
Elinor?"</p>
<p>A cloud passed over Elinor's face. "The season is
over," she said, "and all the opportunities are exhausted—and
we don't speak of that any more."</p>
<p>She gave her mother a very close hug at the railway,
and sat with her head partly out of the window watching
her as she stood on the platform, until the train
turned round the corner. No relief on her dear face
now, but an anxious strain in her eyes to see her mother
as long as possible. Mrs. Dennistoun, as she walked
again slowly up the hills that the pony might not suffer,
said to herself, with a chill at her heart, that she would
rather have seen her child sinking back in the corner,
pleased that it was over, as on the first day.</p>
<hr class="narrow" />
<p> </p>
<div style="break-after:column;"></div><br />