<h3><SPAN name="CHAPTER_IX" id="CHAPTER_IX"></SPAN>CHAPTER IX.</h3>
<p> </p>
<p>This day in the copse was one that Elinor never forgot.
At the moment it seemed to her the most blissful
period of all her life. There had been times in which
she had longed that Phil knew more and cared more
for the objects which had always been most familiar,
and told for most in her own existence—although it is
true that at first his very ignorance, real or assumed,
his careless way of treating all intellectual subjects, his
indifference to books and pictures, and even nature,
had amused and pleased her, giving a piquancy to the
physical strength and enjoying manhood, the perpetual
activity and state of doing something in which he was.
It was not a kind of life which she had ever known before,
and it dazzled her with its apparent freedom and fulness,
the variety in it, the constant movement, the crowd
of occupations and people. To her who had been used to
finding a great deal of her amusement in reading, in
sketching (not very well), in playing (tunes), and generally
practising with very moderate success arts for which she
had no individual enthusiasm, it had seemed like a new
life to be plunged into the society of horses and dogs,
into the active world which was made up of a round of
amusements, race meetings, days on the river, follies of
every conceivable kind, exercise, and air, and movement.
The ignorance of all these people dazzled her as if it had
been a new science. It had seemed something wonderful
and piquant to Elinor to find people who knew so
much of subjects she had never heard of, and nothing
at all of those she had been trained to know. And then
there had come a moment when she had begun to sigh
under her breath, as it were, and wish that Phil would
sometimes open a book, that when he took up the
newspaper he would look at something more than the
sporting news and the bits of gossip, that he would talk
now and then of something different from the racings
and the startings, and the odds, and the scrapes other
men got into, and the astonishing "frocks" of the Jew—those
things, so wonderful at first, like a new language,
absurd, yet amusing, came to be a little tiresome,
especially when scraps of them made up the bulk of the
very brief letters which Phil scribbled to his betrothed.
But during this day, after his unexpected arrival, the joy
of seeing him suddenly, the pleasure of feeling that he
had broken through all his engagements to come to her,
and the fervour of his satisfaction in being with her again
(that very fervour which shocked her mother), Elinor's
first glow of delight in her love came fully back. And as
they wandered through the pleasant paths of the copse,
his very talk seemed somehow changed, and to have
gained just that little mingling of perception of her
tastes and wishes which she had desired. There was a
little autumnal mist about the softening haze which
was not decay, but only the "mellow fruitfulness" of
the poet; and the day, notwithstanding this, was as
warm as June, the sky blue, with only a little white
puff of cloud here and there. Phil paused to look down
the combe, with all the folds of the downs that wrapped
it about, going off in blue outlines into the distance,
and said it was "a jolly view"—which amused Elinor
more than if he had used the finest language, and
showed that he was beginning (she thought) to care a
little for the things which pleased her. "And I suppose
you could see a man coming by that bit of road."</p>
<p>"Yes," said Elinor, "you could see a man coming—or
going: but, unless you were to make believe very
strong, like the Marchioness, you could not make out
who the man was."</p>
<p>"What Marchioness?" said Phil. "I didn't know
you had anybody with a title about here. I say, Nell,
it's a very jolly view, but hideously dull for you, my
pet, to have lived so long here."</p>
<p>"I never found it in the least dull," she said.</p>
<p>"Why, there is nothing to do! I suppose you read
books, eh? That's what you call amusing yourself.
You ought to have made the old lady take you about a
deal, abroad, and all over the place: but I expect you
have never stood up for yourself a bit, Nell."</p>
<p>"Don't call mamma the old lady, Phil. She is not
old, and far prettier than most people I know."</p>
<p>"Well, she should have done it for herself. Might
have picked up a good match, eh? a father-in-law that
would have left you a pot of money. You don't mean
to say you wouldn't have liked that?"</p>
<p>"Oh, Phil, Phil! I wish you could understand."</p>
<p>"Well, well, I'll let the old girl alone." And then
came the point at which Phil improved so much. "Tell
me what you've been reading last," he said. "I should
like to know what you are thinking about, even if I
don't understand it myself. I say, Nell, who do you
think that can be dashing so fast along the road?"</p>
<p>"It is the people at Reddown," she said. "I know
their white horses. They always dash along as if they
were in the greatest hurry. Do you really want to
know what I have been reading, Phil? though it is very
little, I fear, because of the dressmakers and—all the
other things."</p>
<p>"You see," he said, "when you have lots to do you
can't keep up with your books: which is the reason
why I never pretend to read—I have no time."</p>
<p>"You might find a little time. I have seen you look
very much bored, and complain that there was nothing
to do."</p>
<p>"Never when you were there, Nell, that I'll answer
for—but of course there are times when a fellow isn't
doing anything much. What would you have me read?
There's always the <i>Sporting and Dramatic</i>, you know,
the <i>Pink 'un</i>, and a few more."</p>
<p>"Oh, Phil! you don't call them literature, I hope."</p>
<p>"I don't know much about what you call literature.
There's Ruff, and Hoyle, and—I say, Nell, there's a dog-cart
going a pace! Who can that be, do you suppose?"</p>
<p>"I don't know all the dog-carts about. I should
think it was some one coming from the station."</p>
<p>"Oh!" he said, and made a long pause. "Driving
like that, if they don't break their necks, they should
be here in ten minutes or so."</p>
<p>"Oh, not for twice that time—the road makes such
a round—but there is no reason to suppose that any
dog-cart from the station should be coming here."</p>
<p>"Well, to return to the literature, as you call it. I
suppose I shall have to get a lot of books for you to
keep you amused—eh, Nell? even in the honeymoon."</p>
<p>"We shall not have time to read very much if we are
moving about all the time."</p>
<p>"Not me, but you. I know what you'll do. You'll
go and leave me planted, and run up-stairs to read your
book. I've seen the Jew do it with some of her confounded
novels that she's always wanting to turn over
to me."</p>
<p>"But there are some novels that you would like to
read, Phil."</p>
<p>"Not a bit. Why, Nell, I know far better stories of
fellows in our own set than any novel these writing men
ever can put on paper: fellows, and women, too—stories
that would make your hair stand on end, and that would
make you die with laughing. You can't think what lots
I know. That cart would have been here by this time
if it had been coming here, eh?"</p>
<p>"Oh, no, not yet—the road makes such a long round.
Do you expect any one, Phil?"</p>
<p>"I don't quite know; there's something on at that
confounded office of ours; everything, you know, has
gone to smash. I didn't think it well to say too much
to the old lady last night. There's been a regular row,
and the manager's absconded, and all turns on whether
they can find some books. I shouldn't wonder if one
of the fellows came down here, if they find out where I
am. I say, Nell, mind you back me up whatever I say."</p>
<p>"But I can't possibly know anything about it," said
Elinor, astonished.</p>
<p>"Never mind—about dates and that—if you don't
stand by me, there may be a fuss, and the wedding delayed.
Remember that, my pet, the wedding delayed—that's
what I want to avoid. Now, come, Nell, let's
have another go about the books. All English, mind
you. I won't buy you any of the French rot. They're
too spicy for a little girl like you."</p>
<p>"I don't know what you mean, Phil. I hope you
don't think that I read nothing but novels," Elinor
said.</p>
<p>"Nothing but novels! Oh, if you go in for mathematics
and that sort of thing, Nell! the novels are too
deep for me. Don't say poetry, if you love me. I could
stand most things from you, Nell, you little darling—but,
Nell, if you come spouting verses all the time<span class="norewrap">——</span>"</p>
<p>His look of horror made Elinor laugh. "You need
not be afraid. I never spout verses," she said.</p>
<p>"Come along this way a little, where we can see the
road. All women seem to like poetry. There's a few
fellows I don't mind myself. Ingoldsby, now that's
something fine. We had him at school, and perhaps
it was the contrast from one's lessons. Do you know
Ingoldsby, Nell?"</p>
<p>"A—little—I have read some<span class="norewrap">——</span>"</p>
<p>"Ah, you like the sentimental best. There's Whyte
Melville, then, there's always something melancholy
about him—'When the old horse died,' and that sort of
thing—makes you cry, don't you know. You all like
that. Certainly, if that dog-cart had been coming here
it must have come by this time."</p>
<p>"Yes, it must have come," Elinor admitted, with a
little wonder at the importance which he gave to this
possible incident. "But there is another train at two
if you are very anxious to see this man."</p>
<p>"Oh, I'm not anxious to see him," said Mr. Compton,
with a laugh, "but probably he will want to see me.
No, Nell, you will not expect me to read poetry to you
while we're away. There's quite a library at Lomond's
place. You can amuse yourself there when I'm shooting;
not that I shall shoot much, or anything that takes
me away from my Nell. But you must come out with
us. There is no such fun as stumping over the moors—the
Jew has got all the turn-out for that sort of thing—short
frocks and knickerbockers, and a duck of a little
breech-loader. She thinks she's a great shot, poor
thing, and men are civil and let her imagine that she's
knocked over a pheasant or a hare, now and then. As for
the partridges, she lets fly, of course, but to say she hits
anything<span class="norewrap">——</span>"</p>
<p>"I should not want to hit anything," said Elinor.
"Oh, please Phil! I will try anything else you like,
but don't make me shoot."</p>
<p>"You little humbug! See what you'll say when you
get quite clear of the old lady. But I don't want you
to shoot, Nell. If you don't get tired sitting at home,
with all of us out on the hill, I like to come in for my
part and find a little duck all tidy, not blowzy and
blown about by the wind, like the Jew with her ridiculous
bag, that all the fellows snigger at behind her
back."</p>
<p>"You should not let any fellow laugh at your sister,
Phil<span class="norewrap">——</span>"</p>
<p>"Oh, as for that! they are all as thick with her as I
am, and why should I interfere? But I promise you
nobody shall cut a joke upon my Nell."</p>
<p>"I should hope not, indeed," said Elinor, indignant;
"but as for your 'fellows,' Phil, as you call them, you
mustn't be angry with me, but I don't much like those
gentlemen; they are a little rude and rough. They
shall not call me by my Christian name, or anything
but my own formal<span class="norewrap">——</span>"</p>
<p>"Mrs. Compton," he said, seizing her in his arms,
"you little duck! they'll be as frightened of you as
if you were fifty. But you mustn't spoil good company,
Nell. I shall like you to keep them at a distance, but
you mustn't go too far; and, above all, my pet, you
mustn't put out the Jew. I calculate on being a lot
there; they have a nice house and a good table, and all
that, and Prestwich is glad of somebody to help about
his horses. You mustn't set up any of your airs with
the Jew."</p>
<p>"I don't know what you mean by my airs, Phil."</p>
<p>"Oh, but I do, and they're delicious, Nell: half like
a little girl and half like a queen: but it will never do
to make the Jew feel small in her own set. Hallo!
there's some one tumbling alone over the stones on that
precious road of yours. I believe it's that cart from the
station after all."</p>
<p>"No," said Elinor, "it is only one of the tradespeople.
You certainly are anxious about those carts from the
station, Phil."</p>
<p>"Not a bit!" he said, and then, after a moment, he
added, "Yes, on the whole, I'd much rather the man
came, if he's coming while I'm here, and while you are
with me, Nell; for I want you to stick to me, and back
me up. They might think I ought to go after that
manager fellow and spoil the wedding. Therefore mind
you back me up."</p>
<p>"I can't think, dear Phil, what there is for me to do.
I know nothing about the business nor what has happened.
You never told me anything, and how can I
back you up about things I don't know?"</p>
<p>"Oh, yes, you can," he said, "you'll soon see if the
fellow comes; just you stand by me, whatever I say.
You mayn't know—or even I may seem to make a mistake;
but you know me if you don't know the circumstances,
and I hope you can trust me, Nell, that it will
be all right."</p>
<p>"But<span class="norewrap">——</span>" said Elinor, confused.</p>
<p>"Don't go on with your buts; there's a darling,
don't contradict me. There is nothing looks so silly to
strangers as a woman contradicting every word a fellow
says. I only want you to stand by me, don't you know,
that's all; and I'll tell you everything about it after,
when there's time."</p>
<p>"Tell me about it now," said Elinor; "you may
be sure I shall be interested; there's plenty of time
now."</p>
<p>"Talk about business to you! when I've only a single
day, and not half time enough, you little duck, to tell
you what a darling you are, and how I count every
hour till I can have you all to myself. Ah, Nell, Nell,
if that day were only here<span class="norewrap">——</span>"</p>
<p>And then Phil turned to those subjects and those
methods which cast so much confusion into the mind of
Mrs. Dennistoun, when practised under her sedate and
middle-aged eyes. But Elinor, as has been said, did
not take exactly the same view.</p>
<p>Presently they went to luncheon, and Phil secured
himself a place at table commanding the road. "I
never knew before how jolly it was," he said, "though
everything is jolly here. And that peep of the road
must give you warning when any invasion is coming."</p>
<p>"It is too far off for that," said Mrs. Dennistoun.</p>
<p>"Oh, no, not for sharp eyes. Nell there told me who
several people were—those white horses—the people at—where
did you say, Nell?"</p>
<p>"Reddown, mamma—the Philistines, as you call
them, that are always dashing about the country—<i>nouveaux
riches</i>, with the finest horses in the county."</p>
<p>"I like the <i>nouveaux riches</i> for that," said Phil (he
did not go wrong in his French, which was a great consolation
to Elinor), "they like to have the best of everything.
Your poor swell has to take what he can get,
but the <i>parvenu's</i> the man in these days; and then
there was a dog-cart, which she pronounced to be from
the station, but which turned out to be the butcher, or
the baker, or the candle-stick maker<span class="norewrap">——</span>"</p>
<p>"It is really too far off to make sure of anything, except
white horses."</p>
<p>"Ah, there's no mistaking them. I see something
sweeping along, but that's a country wagon, I suppose.
It gives me a great deal of diversion to see the people
on the road—which perhaps you will think a vulgar
amusement."</p>
<p>"Not at all," said Mrs. Dennistoun, politely, but she
thought within herself how empty the brain must be
which sought diversion from the distant carriages passing
two miles off: to be sure across the combe, as the
crow flies, it was not a quarter part so far as that.</p>
<p>"Phil thinks some one may possibly come to him on
business—to explain things," said Elinor, anxious on
her part to make it clear that it was not out of mere
vacancy that her lover had watched so closely the carriages
on the road.</p>
<p>"Unfortunately, there is something like a smash," he
said; "they'll keep it out of the papers if they can, but
you may see it in the papers; the manager has run
away, and there's a question about some books. I don't
suppose you would understand—they may come to me
here about it, or they may wait till I go back to town."</p>
<p>"I thought you were going to Ireland, Phil."</p>
<p>"So I shall, probably, just for three days—to fill up
the time. One wants to be doing something to keep
one's self down. You can't keep quiet and behave yourself
when you are going to be married in a week: unless
you're a little chit of a girl without any feelings,"
he said with a laugh. And Elinor laughed too; while
Mrs. Dennistoun sat as grave as a judge at the head of
the table. But Phil was not daunted by her serious
face: so long as the road was quite clear he had all the
appearance of a perfectly easy mind.</p>
<p>"We have been talking about literature," he said.
"I am a stupid fellow, as perhaps you know, for that
sort of thing. But Nell is to indoctrinate me. We
mean to take a big box of books, and I'm to be made to
read poetry and all sorts of fine things in my honeymoon."</p>
<p>"That is a new idea," said Mrs. Dennistoun. "I
thought Elinor meant to give up reading, on the other
hand, to make things square."</p>
<p>There was a little breath of a protest from Elinor.
"Oh, mamma!" but she left the talk (he could do it so
much better) in Compton's hand.</p>
<p>"I expect to figure as a sort of prodigy in my family,"
he said; "we're not bookish. The Jew goes in for
French novels, but I don't intend to let Nell touch
them, so you may be easy in your mind."</p>
<p>"I have no doubt Lady Mariamne makes a good selection,"
said Mrs. Dennistoun.</p>
<p>"Not she! she reads whatever comes, and the more
salt the better. The Jew is quite an emancipated person.
Don't you think she'll bore you rather in this
little house? She carries bales of rubbish with her
wherever she goes, and her maid, and her dog, and I
don't know what. If I were you I'd write, or better
wire, and tell her there's a capital train from Victoria
will bring her here in time for the wedding, and that
it's a thousand pities she should disturb herself to come
for the night."</p>
<p>"If your sister can put up with my small accommodation,
I shall of course be happy to have her, whatever
she brings with her," Mrs. Dennistoun said.</p>
<p>"Oh! it's not a question of putting up—she'd be
delighted, I'm sure: but I think you'll find her a great
bore. She is exceedingly fussy when she has not all
her things about her. However, you must judge for
yourself. But if you think better of it, wire a few
words, and it'll be all right. I'm to go to the old Rectory,
Nell says."</p>
<p>"It is not a particularly old Rectory; it is a very
nice, pleasant house. I think you will find yourself
quite comfortable—you and the gentleman<span class="norewrap">——</span>"</p>
<p>"Dick Bolsover, who is going to see me through it:
and I daresay I should not sleep much, if I were in the
most luxurious bed in the world. They say a man who
is going to be hanged sleeps like a top, but I don't
think I shall; what do you say, Nell?"</p>
<p>"Elinor, I should think, could have no opinion on
the subject," said Mrs. Dennistoun, pale with anger.
"You will all dine here, of course. Some other friends
are coming, and a cousin, Mr. Tatham, of Tatham's
Cross."</p>
<p>"Is that," said Phil, "the Cousin John?"</p>
<p>"John, I am sorry to say, is abroad; the long vacation
is the worst time. It is his father who is coming,
and his sister, Mary Tatham, who is Elinor's bridesmaid—she
and Miss Hudson at the Rectory."</p>
<p>"Only two; and very sensible, instead of the train
one sees, all thinking how best to show themselves off.
Dick Bolsover is man enough to tackle them both. He
expects some fun, I can tell you. What is there to be
after we are gone, Nell?" He stopped and looked
round with a laugh. "Rather close quarters for a ball,"
he said.</p>
<p>"There will be no ball. You forget that when you
take Elinor away I shall be alone. A solitary woman
living in a cottage, as you remark, does not give balls.
I am much afraid that there will be very little fun for
your friend."</p>
<p>"Oh, he'll amuse himself well enough; he's the sort
of fellow who always makes himself at home. A Rectory
will be great fun for him; I don't suppose he was
ever in one before, unless perhaps when he was a boy
at school. Yes, as you say—what a lot of trouble it
will be for you to be sure: not as if Nell had a sister
to enjoy the fun after. It's a thousand pities you did
not decide to bring her up to town, and get us shuffled
off there. You might have got a little house for next
to nothing at this time of the year, and saved all the
row, turning everything upside down in this nice little
place, and troubling yourself with visitors and so forth.
But one always thinks of that sort of thing too late."</p>
<p>"I should not have adopted such an expedient in any
case. Elinor must be married among her own people,
wherever her lot may be cast afterwards. Everybody
here has known her ever since she was born."</p>
<p>"Ah, that's a thing ladies think of, I suppose," said
Compton. He had stuck his glass into his eye and was
gazing out of the window. "Very jolly view," he continued.
"And what's that, Nell, raising clouds of dust?
I haven't such quick eyes as you."</p>
<p>"I should think it must be a circus or a menagerie,
or something, mamma."</p>
<p>"Very likely," said Mrs. Dennistoun. "They sometimes
come this way on the road to Portsmouth, and
give little representations in all the villages, to the
great excitement of the country folk."</p>
<p>"We are the country folk, and I feel quite excited,"
said Phil, dropping his glass. "Nell, if there's a representation,
you and I will go to-night."</p>
<p>"Oh, Phil, what<span class="norewrap">——</span>" Elinor was about to say folly:
but she paused, seeing a look in his eye which she had
already learned to know, and added "fun," in a voice
which sounded almost like an echo of his own.</p>
<p>"There is nothing like being out in the wilderness
like this to make one relish a little fun, eh? I daresay
you always go. The Jew is the one for every village
fair within ten miles when she is in the country. She
says they're better than any play. Hallo! what is
that?"</p>
<p>"It is some one coming round the gravel path."</p>
<p>A more simple statement could not be, but it made
Compton strangely uneasy. He rose up hastily from
the table. "It is, perhaps, the man I am looking for.
If you'll permit me, I'll go and see."</p>
<p>He went out of the room, calling Elinor by a look
and slight movement of his head, but when he came
out into the hall was met by a trim clerical figure and
genial countenance, the benign yet self-assured looks
of the Rector of the Parish: none other could this
smiling yet important personage be.</p>
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