<h3><SPAN name="CHAPTER_III" id="CHAPTER_III"></SPAN>CHAPTER III.</h3>
<p> </p>
<p>The drawing-room of the cottage was large and low,
and had that <i>faux air</i> of being old-fashioned which is
dear to the hearts of superior people generally. Mrs.
Dennistoun and her daughter scarcely belonged to that
class, yet they were, as ladies of leisure with a little
taste for the arts are bound to be, touched by all the
fancies of their time, which was just beginning to adore
Queen Anne. There was still, however, a mixture of
luxury with the square settees and spindle-legged cabinets
which were "the fashion:" and partly because
that was also "the fashion," and partly because on
Windyhill even a July evening was sometimes a little
chill, or looked so by reason of the great darkness of
the silent, little-inhabited country outside—there was a
log burning on the fire-dogs (the newest thing in
furnishing in those days though now so common) on
the hearth. The log burned as little as possible, being,
perhaps, not quite so thoroughly dry and serviceable as
it would have been in its proper period, and made a
faint hissing sound in the silence as it burned, and diffused
its pungent odour through the house. The bow
window was open behind its white curtains, and it was
there that the little party gathered out of reach of the
unnecessary heat and the smoke. There was a low sofa
on either side of this recess, and in the centre the
French window opened into the garden, where all the
scents were balmy in the stillness which had fallen upon
the night.</p>
<p>Mrs. Dennistoun was tall and slim, a woman with a
presence, and sat with a sort of dignity on her side of
the window, with a little table beside her covered with
her little requirements, the properties, so to speak,
without which she was never known to be—a book for
moments when there was nothing else to interest her, a
case for work should there arise any necessity for putting
in a stitch in time, a bottle of salts should she or
any one else become suddenly faint, a paper cutter in
cases of emergency, and finally, for mere ornament, two
roses, a red and a white, in one of those tall old-fashioned
glasses which are so pretty for flowers. I do
wrong to dismiss the roses with such vulgar qualifications
as white and red—the one was a <i>Souvenir de
Malmaison</i>, the other a <i>General</i> <span class="norewrap">——</span> something or other.
If you spoke to Mrs. Dennistoun about her flowers she
said, "Oh, the Malmaison," or "Oh, the General So-and-so."
Rose was only the family name, but happily,
as we all know, under the other appellation they smelt
just as sweet. Mrs. Dennistoun kept up all this little
state because she had been used to do so; because it
was part of a lady's accoutrements, so to speak. She
had also a cushion, which was necessary, if not for comfort,
yet for her sense of being fully equipped, placed
behind her back when she sat down. But with all this
she was not a formal or prim person. She was a woman
who had not produced a great deal of effect in life; one
of those who are not accustomed to have their advice
taken, or to find that their opinion has much weight
upon others. Perhaps it was because Elinor resembled
her father that this peculiarity which had affected all
Mrs. Dennistoun's married life should have continued
into a sphere where she ought to have been paramount.
But she was with her daughter as she had been with
her husband, a person of an ineffective character, taking
refuge from the sensation of being unable to influence
those about her whose wills were stronger than
her own, by relinquishing authority, and in her most
decided moments offering an opinion only, no more.
This was not because she was really undecided, for on
the contrary she knew her own mind well enough; but
it had become a matter of habit with her to insist upon
no opinion, knowing, as she did, how little chance she
had of imposing her opinion upon the stronger wills
about her. She had two other children older than
Elinor: one, the eldest of all, married in India, a woman
with many children of her own, practically altogether
severed from the maternal nest; the other an adventurous
son, who was generally understood to be at the
ends of the earth, but seldom or never had any more
definite address. This lady had naturally gone through
many pangs and anxieties on behalf of these children,
who had dropped away from her side into the unknown;
but it belonged to her character to have said very little
about this, so that she was generally supposed to take
things very easily, and other mothers were apt to admire
the composure of Mrs. Dennistoun, whose son
might be being murdered by savages at any moment,
for anything she knew—or minded, apparently. "Now
it would have driven <i>me</i> out of my senses!" the other
ladies said. Mrs. Dennistoun perhaps did not feel the
back so well fitted to the burden as appeared—but she
kept her own sentiments on this subject entirely to
herself.</p>
<p>(I may say too—but this, the young reader may skip
without disadvantage—by way of explanation of a
peculiarity which has lately been much remarked as
characteristic of those records of human history contemptuously
called fiction, <i>i.e.</i>, the unimportance, or ill-report,
or unjust disapproval of the mother in records
of this description—that it is almost impossible to maintain
her due rank and character in a piece of history,
which has to be kept within certain limits—and where
her daughter the heroine must have the first place. To
lessen <i>her</i> pre-eminence by dwelling at length upon the
mother, unless that mother is a fool, or a termagant, or
something thoroughly contrasting with the beauty and
virtues of the daughter—would in most cases be a
mistake in art. For one thing the necessary incidents
are wanting, for I strongly object, and so I think do
most people, to mothers who fall in love, or think of
marriage, or any such vanity in their own person, and
unless she is to interfere mischievously with the young
lady's prospects, or take more or less the part of the
villain, how is she to be permitted any importance at
all? For there cannot be two suns in one sphere, or
two centres to one world. Thus the mother has to be
sacrificed to the daughter: which is a parable; or else
it is the other way, which is against all the principles
and prepossessions of life.)</p>
<p>Elinor did not sit up like her mother. She had flung
herself upon the opposite sofa, with her arms flung behind
her head, supporting it with her fingers half buried
in the twists of her hair. She was not tall like Mrs.
Dennistoun, and there was far more vivid colour than
had ever been the mother's in her brown eyes and
bright complexion, which was milk-white and rose-red
after an old-fashioned rule of colour, too crude perhaps
for modern artistic taste. Sometimes these delightful
tints go with a placid soul which never varies, but in
Elinor's case there was a demon in the hazel of the
eyes, not dark enough for placidity, all fire at the best
of times, and ready in a moment to burst into flame.
She it was who had to be in the forefront of the interest,
and not her mother, though for metaphysical, or
what I suppose should now be called psychological interests,
the elder lady was probably the most interesting
of the two. Elinor beat her foot upon the carpet, out
of sheer impatience, while John lingered alone in the
dining-room. What did he stay there for? When there
are several men together, and they drink wine, the thing
is comprehensible; but one man alone who takes his
claret with his dinner, and cares for nothing more, why
should he stay behind when there was so much to say
to him, and not one minute too much time till Monday
morning, should the house be given up to talk not only
by day but by night? But it was no use beating one's
foot, for John did not come.</p>
<p>"You spoke to your cousin, Elinor, before dinner?"
her mother said.</p>
<p>"Oh, yes, I spoke to him before dinner. What did
he come here for but that? I sent for him on purpose,
you know, mamma, to hear what he would say."</p>
<p>"And what did he say?"</p>
<p>This most natural question produced a small convulsion
once more on Elinor's side. She loosed the hands
that had been supporting her head and flung them out
in front of her. "Oh, mamma, how can you be so exasperating!
What did he say? What was he likely to
say? If the beggar maid that married King Cophetua
had a family it would have been exactly the same thing—though
in that case surely the advantage was all on
the gentleman's side."</p>
<p>"We know none of the particulars in that case," said
Mrs. Dennistoun, calmly. "I have always thought it
quite possible that the beggar maid was a princess of
an old dynasty and King Cophetua a <i>parvenu</i>. But in
your case, Elinor<span class="norewrap">——</span>"</p>
<p>"You know just as little," said the girl, impetuously.</p>
<p>"That is what I say. I don't know the man who has
possessed himself of my child's fancy and heart. I
want to know more about him. I want<span class="norewrap">——</span>"</p>
<p>"For goodness' sake, whatever you want, don't be
sentimental, mamma!"</p>
<p>"Was I sentimental? I didn't mean it. He has
got your heart, my dear, whatever words may be
used."</p>
<p>"Yes—and for ever!" said the girl, turning round
upon herself. "I know you think I don't know my own
mind; but there will never be any change in me. Oh,
what does John mean, sitting all by himself in that
stuffy room? He has had time to smoke a hundred
cigarettes!"</p>
<p>"Elinor, you must not forget it is rather hard upon
John to be brought down to settle your difficulties for
you. What do you want with him? Only that he
should advise you to do what you have settled upon
doing. If he took the other side, how much attention
would you give him? You must be reasonable, my
dear."</p>
<p>"I would give him every attention," said Elinor, "if
he said what was reasonable. You don't think mere
blind opposition is reasonable, I hope, mamma. To
say Don't, merely, without saying why, what reason is
there in that?"</p>
<p>"My dear, when you argue I am lost. I am not
clever at making out my ground. Mine is not mere
blind opposition, or indeed opposition at all. You
have been always trained to use your own faculties, and
I have never made any stand against you."</p>
<p>"Why not? why not?" said the girl, springing to
her feet. "That is just the dreadful, dreadful part of
it! Why don't you say straight out what I am to do
and keep to it, and not tell me I must make use of
my own faculties? When I do, you put on a face and
object. Either don't object, or tell me point-blank
what I am to do."</p>
<p>"Do you think for one moment if I did, you would
obey me, Elinor?"</p>
<p>"Oh, I don't know what I might do in that case, for
it will never happen. You will never take that responsibility.
For my part, if you locked me up in my room
and kept me on bread and water I should think <i>that</i>
reasonable; but not this kind of letting I dare not wait
upon I would, saying I am to exercise my own faculties,
and then hesitating and finding fault."</p>
<p>"I daresay, my dear," said Mrs. Dennistoun, with
great tolerance, "that this may be provoking to your
impatient mind: but you must put yourself in my
place a little, as I try to put myself in yours. I have
never seen Mr. Compton. It is probable, or at least
quite possible, that if I knew him I might look upon
him with your eyes<span class="norewrap">——</span>"</p>
<p>"Probable! Possible! What words to use! when
all my happiness, all my life, everything I care for is in
it: and my own mother thinks it just possible that she
might be able to tolerate the man that—the man
who<span class="norewrap">——</span>"</p>
<p>She flung herself down on her seat again, panting
and excited. "Did you wear out Adelaide like that,"
she cried, "before she married, papa and you<span class="norewrap">——</span>"</p>
<p>"Adelaide was very different, Elinor. She married
<i>salon les règles</i> a man whom we all knew. There was
no trouble about it. Your father was the one who was
impatient then. He thought it too well arranged, too
commonplace and satisfactory. You may believe he
did not object to that in words, but he laughed at them
and it worried him. It has done very well on the
whole," said Mrs. Dennistoun, with a faint sigh.</p>
<p>"You say that—and then you sigh. There is always
a little reserve. You are never wholly satisfied."</p>
<p>"One seldom is in this world," said Mrs. Dennistoun,
this time with a soft laugh. "This world is not very
satisfactory. One makes the best one can of it."</p>
<p>"And that is just what I hate to hear," said Elinor,
"what I have always heard. Oh, yes, when you don't
say it you mean it, mamma. One can read it in the
turn of your head. You put up with things. You
think perhaps they might have been worse. In every
way that's your philosophy. And it's killing, killing to
all life! I would rather far you said out, 'Adelaide's
husband is a prig and I hate him.'"</p>
<p>"There is only one drawback, that it would not be
true. I don't in the least hate him. I am glad I was
not called upon to marry him myself, I don't think I
should have liked it. But he makes Adelaide a very
good husband, and she is quite happy with him—as far
as I know."</p>
<p>"The same thing again—never more. I wonder, I
wonder after I have been married a dozen years what
you will say of me?"</p>
<p>"I wonder, too: if we could but know that it would
solve the question," the mother said. Elinor looked at
her with a provoked and impatient air, which softened
off after a moment—partly because she heard the door
of the dining-room open—into a smile.</p>
<p>"I try you in every way," she said, half laughing.
"I do everything to beguile you into a pleasanter
speech. I thought you must at least have said then
that you hoped you would have nothing to say but
happiness. No! you are not to be caught, however
one tries, mamma."</p>
<p>John came in at this moment, not without a
whiff about him of the cigarette over which he had
lingered so. It relieved him to see the two ladies
seated opposite each other in the bow window, and to
hear something like a laugh in the air. Perhaps they
were discussing other things, and not this momentous
marriage question, in which certainly no laughter
was.</p>
<p>"You have your usual fire," he said, "but the wind
has quite gone down, and I am sure it is not wanted
to-night."</p>
<p>"It looks cheerful always, John."</p>
<p>"Which is the reason, I suppose, why you carefully
place yourself out of sight of it—one of the prejudices
of English life."</p>
<p>And then he came forward into the recess of the
window, which was partly separated from the room by
a table with flowers on it, and a great bush in a pot, of
delicate maiden-hair fern. It was perhaps significant,
though he did not mean it for any demonstration of
partisanship, that he sat down on Elinor's side. Both
the ladies felt it so instinctively, although, on the
contrary, had the truth been known, all John's real
agreement was with the mother; but in such a conjuncture
it is not truth but personal sympathy that
carries the day. "You are almost in the dark here,"
he said.</p>
<p>"Neither of us is doing anything. One is lazy on a
summer night."</p>
<p>"There is a great deal more in it than that," said
Elinor, in a voice which faltered a little. "You talk
about summer nights, and the weather, and all manner
of indifferent things, but you know all the time there is
but one real subject to talk of, and that we are all
thinking of that."</p>
<p>"That is my line, aunt," said John. "Elinor is
right. We might sit and make conversation, but of
course this is the only subject we are thinking of. It's
very kind of you to take me into the consultation. Of
course I am in a kind of way the nearest in relation,
and the only man in the family—except my father—and
I know a little about law, and all that. Now let
me hear formally, as if I knew nothing about it (and,
in fact, I know very little), what the question is. Elinor
has met someone who—who has proposed to her—not
to put too fine a point upon it," said John, with a
smile that was somewhat ghastly—"and she has accepted
him. Congratulations are understood, but here
there arises a hitch."</p>
<p>"There arises no hitch. Mamma is dissatisfied
(which mamma generally is) chiefly because she does
not know Mr. Compton; and some wretched old
woman, who doesn't know him either, has written to
her—to her and also to me—telling us a pack of lies,"
said Elinor, indignantly, "to which I do not give the
least credence for a moment—not for a moment!"</p>
<p>"That's all very well for you," said John, "it's quite
simple; but for us, Elinor—that is, for your mother
and me, as you are good enough to allow me to have a
say in the matter—it's not so simple. We feel, you
know, that, like Cæsar's wife, our Elinor's—husband"—he
could not help making a grimace as he said that
word, but no one saw or suspected it—"should be
above suspicion."</p>
<p>"That is exactly what I feel, John."</p>
<p>"Well, we must do something about it, don't you
see? Probably it will be as easy as possible for him
to clear himself." (The dis-Honourable Phil! Good
heavens! to think it was a man branded with such a
name that was to marry Elinor! For a moment he was
silenced by the thought, as if some one had given him
a blow.)</p>
<p>"To clear himself!" said Elinor. "And do you
think I will permit him to be asked to clear himself?
Do you think I will allow him to believe for a moment
that <i>I</i> believed anything against him? Do you think I
will take the word of a spiteful old woman?"</p>
<p>"Old women are not always spiteful, and they are
sometimes right." John put out his hand to prevent
Mrs. Dennistoun from speaking, which, indeed, she had
no intention of doing. "I don't mean so, of course, in
Mr. Compton's case—and I don't know what has been
said."</p>
<p>"Things that are very uncomfortable—very inconsistent
with a happy life and a comfortable establishment,"
said Mrs. Dennistoun.</p>
<p>"Oh, if you could only hear yourself, mamma!
You are not generally a Philistine, I must say that for
you; but if you only heard the tone in which you said
'comfortable establishment!' the most conventional
match-making in existence could not have done it
better; and as for what has been said, there has nothing
been said but what is said about everybody—what,
probably, would be said of you yourself, John, for you
play whist sometimes, I hear, and often billiards, at the
club."</p>
<p>A half-audible "God forbid!" had come from John's
lips when she said, "What would probably be said of
yourself"—audible that is to Elinor, not to the mother.
She sprang up as this murmur came to her ear: "Oh,
if you are going to prejudge the case, there is nothing
for me to say!"</p>
<p>"I should be very sorry to prejudge the case, or to
judge it all," said John. "I am too closely interested to
be judicial. Let somebody who knows nothing about it
be your judge. Let the accusations be submitted—to
your Rector, say; he's a sensible man enough, and
knows the world. He won't be scared by a rubber at
the club, or that sort of thing. Let him inquire, and
then your mind will be at rest."</p>
<p>"There is only one difficulty, John," said Mrs. Dennistoun.
"Mr. Hudson would be the best man in the
world, only for one thing—that it is from his sister and
his wife that the warning came."</p>
<p>"Oh!" said John. This fact seemed to take him
aback in the most ludicrous way. He sat and gazed
at them, and had not another word to say. Perhaps
the fact that he himself who suggested the inquiry was
still better informed of the true state of the case, and
of the truth of the accusation, than were those to
whom he might have submitted it, gave him a sense of
the hopelessness and also absurdity of the attempt
more than anything else could have done.</p>
<p>"And that proves, if there was nothing else," said
Elinor, "how false it is: for how could Mrs. Hudson
and Mary Dale know? They are not fashionable
people, they are not in society. How could they or
any one like them know anything of Phil"—she stopped
quickly, drew herself up, and added—"of Mr. Compton,
I mean?"</p>
<p>"They might not know, but they might state their
authority," Mrs. Dennistoun said; "and if the Rector
cannot be used to help us, surely, John, you are a man
of the world, you are not like a woman, unacquainted
with evidence. Why should not you do it, though you
are, as you kindly say, an interested party?"</p>
<p>"He shall not do it. I forbid him to do it. If he
takes in hand anything of the kind he must say good-by
to me."</p>
<p>"You hear?" said John; "but I could not do it in
any case, my dear Elinor. I am too near. I never
could see this thing all round. Why not your lawyer,
old Lynch, a decent old fellow<span class="norewrap">——</span>"</p>
<p>"I will tell him the same," cried Elinor; "I will
never speak to him again."</p>
<p>"My dear," said her mother, "you will give everybody
the idea that you don't want to know the truth."</p>
<p>"I know the truth already," said Elinor, rising with
great dignity. "Do you think that any slander would
for a moment shake my faith in you—or you? You
don't deserve it, John, for you turn against me—you
that I thought were going to take my part; but do you
think if all the people in London set up one story that
I would believe it against you? And how should I
against <i>him</i>?" she added, with an emphasis upon the
word, as expressing something immeasurably more to
be loved and trusted than either mother or cousin, by
which, after having raised John up to a sort of heaven
of gratified affection, she let him down again to the
ground like a stone. Oh, yes! trusted in with perfect
faith, nothing believed against him, whom she had
known all her life—but yet not to be mentioned in the
same breath with the ineffable trust she reposed in the
man she loved—whom she did not know at all. The
first made John's countenance beam with emotion and
pleasure, the second brought a cold shade over his face.
For a moment he could scarcely speak.</p>
<p>"She bribes us," he said at last, forcing a smile.
"She flatters us, but only to let us drop again, Mrs.
Dennistoun; it is as good as saying, 'What are we to
<i>him</i>?'"</p>
<p>"They all do so," said the elder lady, calmly; "I am
used to it."</p>
<p>"But, perhaps, I am not quite—used to it," said
John, with something in his voice which made them
both look at him—Elinor only for a moment, carelessly,
before she swept away—Mrs. Dennistoun with a
more warmly awakened sensation, as if she had made
some discovery. "Ah!" she said, with a tone of pain.
But Elinor did not wait for any further disclosures.
She waved her hand, and went off with her head high,
carrying, as she felt, the honours of war. They might
plot, indeed, behind her back, and try to invent some
tribunal before which her future husband might be
arraigned; but John, at least, would say nothing to
make things worse. John would be true to her—he
would not injure Phil Compton. Elinor, perhaps,
guessed a little of what John was thinking, and felt,
though she could scarcely have told how, that it
would be a point of honour with him not to betray her
love.</p>
<p>He sat with Mrs. Dennistoun in partial silence for
some time after this. He felt as if he had been partially
discovered—partially, and yet more would be discovered
than there was to discover; for if either of them
believed that he was in love with Elinor, they were mistaken,
he said to himself. He had been annoyed by
her engagement, but he had never come to the point
of asking her that question in his own person. No,
nor would not, he said to himself—certainly would not—not
even to save her from the clutches of this gambler
and adventurer. No; they might think what they
liked, but this was the case. He never should have
done it—never would have exposed himself to refusal—never
besought this high-tempered girl to have the
control of his life. Poor Nelly all the same! poor
little thing! To think she had so little judgment as to
ignore what might have been a great deal better, and
to pin her faith to the dis-Honourable Phil.</p>
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