<h2><SPAN name="Chapter_IV" id="Chapter_IV" /><i>Chapter IV</i></h2>
<h2>I</h2>
<p>It was a mellow October afternoon, glowing towards sunset, as Laurie
came across the south end of the park to his appointment next day; and
the effect of it upon his mind was singularly unsuggestive of
supernatural mystery. Instead, the warm sky, the lights beginning to
peep here and there, though an hour before sunset, turned him rather
in the direction of the natural and the domestic.</p>
<p>He wondered what his mother and Maggie would say if they knew his
errand, for he had sufficient self-control not to have told them of
his intentions. As regards his mother he did not care very much. Of
course she would deprecate it and feebly dissuade; but he recognized
that there was no particular principle behind, beyond a sense of
discomfort at the unknown. But it was necessary for him to argue with
himself about Maggie. The angry kind of contempt that he knew she
would feel needed an answer; and he gave it by reminding himself that
she had been brought up in a convent-school, that she knew nothing of
the world, and that, lastly, he himself did not take the matter
seriously. He was aware, too, that the instinctive repulsion that she
felt so keenly found a certain echo in his own feelings; but he
explained this by the novelty of the thing.</p>
<p>In fact, the attitude of mind in which he more or less succeeded in
arraying himself was that of one who goes to see a serious conjurer.
It would be rather fun, he thought, to see a table dancing. But there
was not wholly wanting that inexplicable tendency of some natures
deliberately to deceive themselves on what lies nearest to their
hearts.</p>
<p>Mr. Vincent had not yet arrived when he was shown upstairs, even
though Laurie himself was late. (This was partly deliberate. He
thought it best to show a little nonchalance.) There was only a young
clergyman in the room with the ladies; and the two were introduced.</p>
<p>"Mr. Baxter—Mr. Jamieson."</p>
<p>He seemed a harmless young man, thought Laurie, and plainly a little
nervous at the situation in which he found himself, as might a
greyhound carry himself in a kennel of well-bred foxhounds. He was
very correctly dressed, with Roman collar and stock, and obviously had
not long left a theological college. He had an engaging kind of
courtesy, ecclesiastically cut features, and curly black hair. He sat
balancing a delicate cup adroitly on his knee.</p>
<p>"Mr. Jamieson is so anxious to know all that is going on," explained
Lady Laura, with a voluble frankness. "He thinks it so necessary to be
abreast of the times, as he said to me the other day."</p>
<p>Laurie assented, grimly pitying the young man for his indiscreet
confidences. The clergyman looked priggish in his efforts not to do
so.</p>
<p>"He has a class of young men on Sundays," continued the
hostess—"(Another biscuit, Maud darling?)—whom he tries to interest
in all modern movements. He thinks it so important."</p>
<p>Mr. Jamieson cleared his throat in a virile manner.</p>
<p>"Just so," he said; "exactly so."</p>
<p>"And so I told him he must really come and meet Mr. Vincent.... I
can't think why he is so late; but he has so many calls upon his time,
that I am sure I wonder—"</p>
<p>"Mr. Vincent," announced the footman.</p>
<p>A rather fine figure of a man came forward into the room, dressed in
much better taste than Laurie somehow had expected, and not at all
like the type of an insane dissenting minister in broadcloth which he
had feared. Instead, it was a big man that he saw, stooping a little,
inclined to stoutness, with a full curly beard tinged with grey,
rather overhung brows, and a high forehead, from which the same kind
of curly greyish hair was beginning to retreat. He was in a well-cut
frock-coat and dark trousers, with the collar of the period and a dark
tie.</p>
<p>Lady Laura was in a flutter of welcome, pouring out little sentences,
leading him to a seat, introducing him, and finally pressing
refreshments into his hands.</p>
<p>"It is too good of you," she said; "too good of you, with all your
engagements.... These gentlemen are most anxious.... Mrs. Stapleton of
course you know.... And you will just sit and talk to us ... like
friends ... won't you.... No, no! no formal speech at all ... just a
few words ... and you will allow us to ask you questions...."</p>
<p>And so on.</p>
<p>Meanwhile Laurie observed the high-priest carefully and narrowly, and
was quite unable to see any of the unpleasant qualities he had
expected. He sat easily, without self-consciousness or arrogance or
unpleasant humility. He had a pair of pleasant, shrewd, and rather
kind eyes; and his voice, when he said a word or two in answer to Lady
Laura's volubility, was of that resonant softness that is always a
delight to hear. In fact, his whole bearing and personality was that
of a rather exceptional average man—a publisher, it might be, or a
retired lawyer—a family man with a sober round of life and ordinary
duties, who brought to their fulfillment a wholesome, kindly, but
distinctly strong character of his own. Laurie hardly knew whether he
was pleased or disappointed. He would almost have preferred a wild
creature with rolling eyes, in a cloak; yet he would have been
secretly amused and contemptuous at such a man.</p>
<p>"The sitting is off for Sunday, by the way, Lady Laura," said the
new-comer.</p>
<p>"Indeed! How is that?"</p>
<p>"Oh! there was some mistake about the rooms; it's the secretary's
fault; you mustn't blame me."</p>
<p>Lady Laura cried out her dismay and disappointment, and Mrs.
Stapleton played chorus. It was <i>too</i> tiresome, they said, <i>too</i>
provoking, particularly just now, when "Annie" was so complacent.
(Mrs. Stapleton explained kindly to the two young gentlemen that
"Annie" was a spirit who had lately made various very interesting
revelations.) What was to be done? Were there no other rooms?</p>
<p>Mr. Vincent shook his head. It was too late, he said, to make
arrangements now.</p>
<p>While the ladies continued to buzz, and Mr. Jamieson to listen from
the extreme edge of his chair, Laurie continued to make mental
comments. He felt distinctly puzzled by the marked difference between
the prophet and his disciples. These were so shallow; this so
impressive by the most ordinary of all methods, and the most difficult
of imitation, that is, by sheer human personality. He could not grasp
the least common multiple of the two sides. Yet this man tolerated
these women, and, indeed, seemed very kind and friendly towards them.
He seemed to possess that sort of competence which rises from the fact
of having well-arranged ideas and complete certitude about them.</p>
<p>And at last a pause came. Mr. Vincent set down his cup for the second
time, refused buttered bun, and waited.</p>
<p>"Yes, do smoke, Mr. Vincent."</p>
<p>The man drew out his cigarette-case, smiling, offering it to the two
men. Laurie took one; the clergyman refused.</p>
<p>"And now, Mr. Vincent."</p>
<p>Again he smiled, in a half-embarrassed way.</p>
<p>"But no speeches, I think you said," he remarked.</p>
<p>"Oh! well, you know what I mean; just like friends, you know. Treat
us all like that."</p>
<p>Mrs. Stapleton rose, came nearer the circle, rustled down again, and
sank into an elaborate silence.</p>
<p>"Well, what is it these gentlemen wish to hear?"</p>
<p>"Everything—everything," cried Lady Laura. "They claim to know
nothing at all."</p>
<p>Laurie thought it time to explain himself a little. He felt he would
not like to take this man at an unfair advantage.</p>
<p>"I should just like to say this," he said. "I have told Mrs. Stapleton
already. It is this. I must confess that so far as I am concerned I am
not a believer. But neither am I a skeptic. I am just a real agnostic
in this matter. I have read several books; and I have been impressed.
But there's a great deal in them that seems to me nonsense; perhaps I
had better say which I don't understand. This materializing business,
for instance.... I can understand that the minds of the dead can
affect ours; but I don't see how they can affect matter—in
table-rapping, for instance, and still more in appearing, and our
being able to touch and see them.... I think that's my position," he
ended rather lamely.</p>
<p>The fact was that he was a little disconcerted by the other's eyes.
They were, as I have said, kind and shrewd eyes, but they had a good
deal of power as well. Mr. Vincent sat motionless during this little
speech, just looking at him, not at all offensively, yet with the
effect of making the young man feel rather like a defiant and naughty
little boy who is trying to explain.</p>
<p>Laurie sat back and drew on his cigarette rather hard.</p>
<p>"I understand perfectly," said the steady voice. "You are in a very
reasonable position. I wish all were as open-minded. May I say a word
or two?"</p>
<p>"Please."</p>
<p>"Well, it is materialization that puzzles you, is it?"</p>
<p>"Exactly," said Laurie. "Our theologians tell us—by the way, I am a
Catholic." (The other bowed a little.) "Our theologians, I believe,
tell us that such a thing cannot be, except under peculiar
circumstances, as in the lives of the saints, and so on."</p>
<p>"Are you bound to believe all that your theologians say?" asked the
other quietly.</p>
<p>"Well, it would be very rash indeed—" began Laurie.</p>
<p>"Exactly, I see. But what if you approach it from the other side, and
try to find out instead whether these things actually do happen. I do
not wish to be rude, Mr. Baxter; but you remember that your
theologians—I am not so foolish as to say the Church, for I know that
that was not so—but your theologians, you know, made a mistake about
Galileo."</p>
<p>Laurie winced a little. Mr. Jamieson cleared his throat in gentle
approval.</p>
<p>"Now I don't ask you to accept anything contrary to your faith," went
on the other gently; "but if you really wish to look into this matter,
you must set aside for the present all other presuppositions. You must
not begin by assuming that the theologians are always right, nor even
in asking how or why these things should happen. The one point is, <i>Do
they happen?</i>"</p>
<p>His last words had a curious little effect as of a sudden flame. He
had spoken smoothly and quietly; then he had suddenly put an
unexpected emphasis into the little sentence at the end. Laurie
jumped, internally. Yes, that was the point, he assented internally.</p>
<p>"Now," went on the other, again in that slow, reassuring voice,
flicking off the ash of his cigarette, "is it possible for you to
doubt that these things happen? May I ask you what books you have
read?"</p>
<p>Laurie named three or four.</p>
<p>"And they have not convinced you?"</p>
<p>"Not altogether."</p>
<p>"Yet you accept human evidence for a great many much more remarkable
things than these—as a Catholic."</p>
<p>"That is Divine Revelation," said Laurie, sure of his ground.</p>
<p>"Pardon me," said the other. "I do not in the least say it is not
Divine Revelation—that is another question—but you receive the
statement that it is so, on the word of man. Is that not true?"</p>
<p>Laurie was silent. He did not quite know what to say; and he almost
feared the next words. But he was astonished that the other did not
press home the point.</p>
<p>"Think over that, Mr. Baxter. That is all I ask. And now for the real
thing. You sincerely wish to be convinced?"</p>
<p>"I am ready to be convinced."</p>
<p>The medium paused an instant, looking intently at the fire. Then he
tossed the stump of his cigarette away and lighted another. The two
ladies sat motionless.</p>
<p>"You seem fond of <i>a priori</i> arguments, Mr. Baxter," he began, with a
kindly smile. "Let us have one or two, then.</p>
<p>"Consider first the relation of your soul to your body. That is
infinitely mysterious, is it not? An emotion rises in your soul, and a
flush of blood marks it. That is the subconscious mechanism of your
body. But to say that, does not explain it. It is only a label. You
follow me? Yes? Or still more mysterious is your conscious power. You
will to raise your hand, and it obeys. Muscular action? Oh yes; but
that is but another label." He turned his eyes, suddenly somber, upon
the staring, listening young man, and his voice rose a little. "Go
right behind all that, Mr. Baxter, down to the mysteries. What is that
link between soul and body? You do not know! Nor does the wisest
scientist in the world. Nor ever will. Yet there the link is!"</p>
<p>Again he paused.</p>
<p>Laurie was aware of a rising half-excited interest far beyond the
power of the words he heard. Yet the manner of these too was striking.
It was not the sham mysticism he had expected. There was a certain
reverence in them, an admitting of mysteries, that seemed hard to
reconcile with the ideas he had formed of the dogmatism of these folk.</p>
<p>"Now begin again," continued the quiet, virile voice. "You believe, as
a Christian, in the immortality of the soul, in the survival of
personality after death. Thank God for that! All do not, in these
days. Then I need not labor at that.</p>
<p>"Now, Mr. Baxter, imagine to yourself some soul that you have loved
passionately, who has crossed over to the other side." Laurie drew a
long, noiseless breath, steadying himself with clenched hands. "She
has come to the unimaginable glories, according to her measure; she is
at an end of doubts and fears and suspicions. She knows because she
sees.... But do you think that she is absorbed in these things? You
know nothing of human love, Mr. Baxter" (the voice trembled with
genuine emotion) ... "if you can think that...! If you can think that
her thought turns only to herself and her joys. Why, her life has been
lived in your love by our hypothesis—you were at her bedside when she
died, perhaps; and she clung to you as to God Himself, when the shadow
deepened. Do you think that her first thought, or at least her second,
will not be of you...? In all that she sees, she will desire you to
see it also. She will strive, crave, hunger for you—not that she may
possess you, but that you may be one with her in her own possession;
she will send out vibration after vibration of sympathy and longing;
and you, on this side, will be tuned to her as none other can be—you,
on this side, will be empty for her love, for the sight and sound of
her.... Is death then so strong?—stronger than love? Can a Christian
believe that?"</p>
<p>The change in the man was extraordinary. His heavy beard and brows hid
half his face, but his whole being glowed passionately in his voice,
even in his little trembling gestures, and Laurie sat astonished.
Every word uttered seemed to fit his own case, to express by an almost
perfect vehicle the vague thoughts that had struggled in his own heart
during this last week. It was Amy of whom the man spoke, Amy with her
eyes and hair, peering from the glorious gloom to catch some glimpse
of her lover in his meaningless light of earthly day.</p>
<p>Mr. Vincent cleared his throat a little, and at the sound the two
motionless women stirred and rustled a little. The sound of a hansom,
the spanking trot and wintry jingle of bells swelled out of the
distance, passed, and went into silence before he spoke again. Then it
was in his usual slow voice that he continued.</p>
<p>"Conceive such a soul as that, Mr. Baxter. She desires to communicate
with one she loves on earth, with you or me, and it is a human and
innocent desire. Yet she has lost that connection, that machinery of
which we have spoken—that connection of which we know nothing,
between matter and spirit, except that it exists. What is she to do?
Well, at least she will do this, she will bend every power that she
possesses upon that medium—I mean matter—through which alone the
communication can be made; as a man on an island, beyond the power of
a human voice, will use any instrument, however grotesque, to signal
to a passing ship. Would any decent man, Mr. Baxter, mock at the
pathos and effort of that, even if it were some grotesque thing, like
a flannel shirt on the end of an oar? Yet men mock at the tapping of a
table...!</p>
<p>"Well, then, this longing soul uses every means at her disposal,
concentrates every power she possesses. Is it so very unreasonable, so
very unchristian, so very dishonoring to the love of God, to think
that she sometimes succeeds...? that she is able, under comparatively
exceptional circumstances, to re-establish that connection with
material things, that was perfectly normal and natural to her during
her earthly life.... Tell me, Mr. Baxter."</p>
<p>Laurie shifted a little in his chair.</p>
<p>"I cannot say that it is," he said, in a voice that seemed strange in
his own ears. The medium smiled a little.</p>
<p>"So much for <i>a priori</i> reasoning," he said. "There remains only the
fact whether such things do happen or not. There I must leave you to
yourself, Mr. Baxter."</p>
<p>Laurie sat forward suddenly.</p>
<p>"But that is exactly where I need your help, sir," he said.</p>
<p>A murmur broke from the ladies' lips simultaneously, resembling
applause. Mr. Jamieson sat back and swallowed perceptibly in his
throat.</p>
<p>"You have said so much, sir," went on Laurie deliberately, "that you
have, so to speak, put yourself in my debt. I must ask you to take me
further."</p>
<p>Mr. Vincent smiled full at him.</p>
<p>"You must take your place with others," he said. "These ladies—"</p>
<p>"Mr. Vincent, Mr. Vincent," cried Lady Laura. "He is quite right, you
must help him. You must help us all."</p>
<p>"Well, Sunday week," he began deprecatingly.</p>
<p>Mrs. Stapleton broke in.</p>
<p>"No, no; now, Mr. Vincent, now. Do something now. Surely the
circumstances are favorable."</p>
<p>"I must be gone again at six-thirty," said the man hesitatingly.</p>
<p>Laurie broke in. He felt desperate.</p>
<p>"If you can show me anything of this, sir, you can surely show it now.
If you do not show it now—"</p>
<p>"Well, Mr. Baxter?" put in the voice, sharp and incisive, as if
expecting an insult and challenging it.</p>
<p>Laurie broke down.</p>
<p>"I can only say," he cried, "that I beg and entreat of you to do what
you can—now and here."</p>
<p>There was a silence.</p>
<p>"And you, Mr. Jamieson?"</p>
<p>The young clergyman started, as if from a daze. Then he rose abruptly.</p>
<p>"I—I must be going, Lady Laura," he said. "I had no idea it was so
late. I—I have a confirmation class."</p>
<p>An instant later he was gone.</p>
<p>"That is as well," observed the medium. "And you are sure, Mr. Baxter,
that you wish me to try? You must remember that I promise nothing."</p>
<p>"I wish you to try."</p>
<p>"And if nothing happens?"</p>
<p>"If nothing happens, I will promise to—to continue my search. I shall
know then that—that it is at least sincere."</p>
<p>Mr. Vincent rose to his feet.</p>
<p>"A little table just here, Lady Laura, if you please, and a pencil and
paper.... Will you kindly take your seats...? Yes, Mr. Baxter, draw up
your chair ... here. Now, please, we must have complete silence, and,
so far as possible, silence of thought."</p>
<h2>II</h2>
<p>The table, a small, round rosewood one, stood, bare of any cloth, upon
the hearthrug. The two ladies sat, motionless statues once more, upon
the side furthest from the fire, with their hands resting lightly upon
the surface. Laurie sat on one side and the medium on the other. Mr.
Vincent had received his paper and pencil almost immediately, and now
sat resting his right hand with the pencil upon the paper as if to
write, his left hand upon his knee as he sat, turned away slightly
from the center.</p>
<p>Laurie looked at him closely....</p>
<p>And now he began to be aware of a certain quite indefinable change in
the face at which he looked. The eyes were open—no, it was not in
them that the change lay, nor in the lines about the mouth, so far as
he could see them, nor in any detail, anywhere. Neither was it the
face of a dreamer or a sleepwalker, or of the dead, when the lines
disappear and life retires. It was a living, conscious face, yet it
was changed. The lips were slightly parted, and the breath came evenly
between them. It was more like the face of one lost in deep, absorbed,
introspective thought. Laurie decided that this was the explanation.</p>
<p>He looked at the hand on the paper—well shaped, brownish,
capable—perfectly motionless, the pencil held lightly between the
finger and thumb.</p>
<p>Then he glanced up at the two ladies.</p>
<p>They too were perfectly motionless, but there was no change in them.
The eyes of both were downcast, fixed steadily upon the paper. And as
he looked he saw Lady Laura begin to lift her lids slowly as if to
glance at him. He looked himself upon the paper and the motionless
fingers.</p>
<p>He was astonished at the speed with which the situation had developed.
Five minutes ago he had been listening to talk, and joining in it.
The clergyman had been here; he himself had been sitting a yard
further back. Now they sat here as if they had sat for an hour. It
seemed that the progress of events had stopped....</p>
<p>Then he began to listen for the sounds of the world outside, for
within here it seemed as if a silence of a very strange quality had
suddenly descended and enveloped them. It was as if a section—that
place in which he sat—had been cut out of time and space. It was
apart here, it was different altogether....</p>
<p>He began to be intensely and minutely conscious of the world
outside—so entirely conscious that he lost all perception of that at
which he stared; whether it was the paper, or the strong, motionless
hand, or the introspective face, he was afterwards unaware. But he
heard all the quiet roar of the London evening, and was able to
distinguish even the note of each instrument that helped to make up
that untiring, inconclusive orchestra. Far away to the northwards
sounded a great thoroughfare, the rolling of wheels, a myriad hoofs,
the pulse of motor vehicles, and the cries of street boys; upon all
these his attention dwelt as they came up through the outward windows
into that dead silent, lamp-lit room of which he had lost
consciousness. Again a hansom came up the street, with the rap of
hoofs, the swish of a whip, the wintry jingle of bells....</p>
<p>He began gently to consider these things, to perceive, rather than to
form, little inward pictures of what they signified; he saw the
lighted omnibus, the little swirl of faces round a news-board.</p>
<p>Then he began to consider what had brought him here; it seemed that he
saw himself, coming in his dark suit across the park, turning into the
thoroughfare and across it. He began to consider Amy; and it seemed to
him that in this intense and living silence he was conscious of her
for the first time without sorrow since ten days ago. He began to
consider.</p>
<hr style='width: 45%;' />
<p>Something brought him back in an instant to the room and his
perception of it, but he had not an idea what this was, whether a
movement or a sound. But on considering it afterwards he remembered
that it was as that sound is that wakes a man at the very instant of
his falling asleep, a sharp momentary tick, as of a clock. Yet he had
not been in the least sleepy.</p>
<p>On the contrary, he perceived now with an extreme and alert attention
the hand on the paper; he even turned his head slightly to see if the
pencil had moved. It was as motionless as at the beginning. He glanced
up, with a touch of surprise, at his hostess's face, and caught her in
the very act of turning her eyes from his. There was no impatience in
her movement: rather her face was of one absorbed, listening intently,
not like the bearded face opposite, introspective and intuitive, but
eagerly, though motionlessly, observant of the objective world. He
looked at Mrs. Stapleton. She too bore the same expression of intent
regarding thought on her usually rather tiresome face.</p>
<p>Then once again the silence began to come down, like a long, noiseless
hush.</p>
<p>This time, however, his progress was swifter and more sure. He passed
with the speed of thought through those processes that had been
measurable before, faintly conscious of the words spoken before the
sitting began—</p>
<p>"... If possible, the silence of thought."</p>
<p>He thought he understood now what this signified, and that he was
experiencing it. No longer did he dwell upon, or consider, with any
voluntary activity, the images that passed before him. Rather they
moved past him while he simply regarded them without understanding.
His perception ran swiftly outwards, as through concentric circles,
yet he was not sure whether it were outwards or inwards that he went.
The roar of London, with its flight of ocular visions, sank behind
him, and without any further sense of mental travel, he found himself
perceiving his own home, whether in memory, imagination, or fact he
did not know. But he perceived his mother, in the familiar lamp-lit
room, over her needlework, and Maggie—Maggie looking at him with a
strange, almost terrified expression in her great eyes. Then these too
were gone; and he was out in some warm silence, filled with a single
presence—that which he desired; and there he stopped.</p>
<hr style='width: 45%;' />
<p>He was not in the least aware of how long this lasted. But he found
himself at a certain moment in time, looking steadily at the white
paper on the table, from which the hand had gone, again conscious of
the sudden passing of some clear sound that left no echo—as sharp as
the crack of a whip. Oh! the paper—that was the important point! He
bent a little closer, and was aware of a sharp disappointment as he
saw it was stainless of writing. Then he was astonished that the hand
and pencil had gone from it, and looked up quickly.</p>
<p>Mr. Vincent was looking at him with a strange expression.</p>
<p>At first he thought he might have interrupted, and wondered with
dismay whether this were so. But there was no sign of anger in those
eyes—nothing but a curious and kindly interest.</p>
<p>"Nothing happened?" he exclaimed hastily. "You have written nothing?"</p>
<p>He looked at the ladies.</p>
<p>Lady Laura too was looking at him with the same strange interest as
the medium. Mrs. Stapleton, he noticed, was just folding up, in an
unobtrusive manner, several sheets of paper that he had not noticed
before.</p>
<p>He felt a little stiff, and moved as if to stand up but, to his
astonishment, the big man was up in an instant, laying his hands on
his shoulders.</p>
<p>"Just sit still quietly for a few minutes," said the kindly
voice. "Just sit still."</p>
<p>"Why—why—" began Laurie, bewildered.</p>
<p>"Yes, just sit still quietly," went on the voice; "you feel a little
tired."</p>
<p>"Just a little," said Laurie. "But—"</p>
<p>"Yes, yes; just sit still. No; don't speak."</p>
<p>Then a silence fell again.</p>
<p>Laurie began to wonder what this was all about. Certainly he felt
tired, yet strangely elated. But he felt no inclination to move; and
sat back, passive, looking at his own hands on his knees. But he was
disappointed that nothing had happened.</p>
<p>Then the thought of time came into his mind. He supposed that it would
be about ten minutes past six. The sitting had begun a little before
six. He glanced up at the clock on the mantelpiece; but it was one of
those bulgy-faced Empire gilt affairs that display everything except
the hour. He still waited a moment, feeling all this to be very
unusual and unconventional. Why should he sit here like an invalid,
and why should these three sit here and watch him so closely?</p>
<p>He shifted a little in his chair, feeling that an effort was due from
him. The question of the time of day struck him as a suitably
conventional remark with which to break the embarrassing silence.</p>
<p>"What is the time?" he said. "I am afraid I ought to be—"</p>
<p>"There is plenty of time," said the grave voice across the table.</p>
<p>With a sudden movement Laurie was on his feet, peering at the clock,
knowing that something was wrong somewhere. Then he turned to the
company bewildered and suspicious.</p>
<p>"Why, it is nearly eight," he cried.</p>
<p>Mr. Vincent smiled reassuringly.</p>
<p>"It is about that," he said. "Please sit down again, Mr. Baxter."</p>
<p>"But—but—" began Laurie.</p>
<p>"Please sit down again, Mr. Baxter," repeated the voice, with a touch
of imperiousness that there was no resisting.</p>
<p>Laurie sat down again; but he was alert, suspicious, and intensely
puzzled.</p>
<p>"Will you kindly tell me what has happened?" he asked sharply.</p>
<p>"You feel tired?"</p>
<p>"No; I am all right. Kindly tell me what has happened."</p>
<p>He saw Lady Laura whisper something in an undertone he could not
hear. Mr. Vincent stood up with a nod and leaned himself against the
mantelpiece, looking down at the rather indignant young man.</p>
<p>"Certainly," he said. "You are sure you are not exhausted, Mr.
Baxter?"</p>
<p>"Not in the least," said Laurie.</p>
<p>"Well, then, you passed into trance about five minutes—"</p>
<p>"<i>What?</i>"</p>
<p>"You passed into trance about five minutes past six; you came out of
it five minutes ago."</p>
<p>"Trance?" gasped Laurie.</p>
<p>"Certainly. A very deep and satisfactory trance. There is nothing to
be frightened of, Mr. Baxter. It is an unusual gift, that is all. I
have seldom seen a more satisfactory instance. May I ask you a
question or two, sir?"</p>
<p>Laurie nodded vaguely. He was still trying hopelessly to take in what
had been said.</p>
<p>"You nearly passed into trance a little earlier. May I ask whether you
heard or saw anything that recalled you?"</p>
<p>Laurie shut his eyes tight in an effort to think. He felt dimly rather
proud of himself.</p>
<p>"It was quite short. Then you came back and looked at Lady Laura. Try
to remember."</p>
<p>"I remember thinking I had heard a sound."</p>
<p>The medium nodded.</p>
<p>"Just so," he said.</p>
<p>"That would be the third," said Lady Laura, nodding sagely.</p>
<p>"Third what?" said Laurie rather rudely.</p>
<p>No one paid any attention to him.</p>
<p>"Now can you give any account of the last hour and a half?" continued
the medium tranquilly.</p>
<p>Laurie considered again. He was still a little confused.</p>
<p>"I remember thinking about the streets," he said, "and then of my own
home, and then..." He stopped.</p>
<p>"Yes; and then?"</p>
<p>"Then of a certain private matter."</p>
<p>"Ah! We must not pry then. But can you answer one question more? Was
it connected with any person who has crossed over?"</p>
<p>"It was," said Laurie shortly.</p>
<p>"Just so," said the medium.</p>
<p>Laurie felt suspicious.</p>
<p>"Why do you ask that?" he said.</p>
<p>Mr. Vincent looked at him steadily.</p>
<p>"I think I had better tell you, Mr. Baxter; it is more straightforward,
though you will not like it. You will be surprised to hear that you
talked very considerably during this hour and a half; and from all that
you said I should suppose you were controlled by a spirit recently
crossed over—a young girl who on being questioned gave the name of Amy
Nugent—"</p>
<p>Laurie sprang to his feet, furious.</p>
<p>"You have been spying, sir. How dare you—"</p>
<p>"Sit down, Mr. Baxter, or you shall not hear a word more," rang out
the imperious, unruffled voice. "Sit down this instant."</p>
<p>Laurie shot a look at the two ladies. Then he remembered himself. He
sat down.</p>
<p>"I am not at all angry, Mr. Baxter," came the voice, suave and kindly
again. "Your thought was very natural. But I think I can prove to you
that you are mistaken."</p>
<p>Mr. Vincent glanced at Mrs. Stapleton with an almost imperceptible
frown, then back at Laurie.</p>
<p>"Let me see, Mr. Baxter.... Is there anyone on earth besides yourself
who knew that you had sat out, about ten days ago or so, under some
yew trees in your garden at home, and thought of this young girl—that
you—"</p>
<p>Laurie looked at him in dumb dismay; some little sound broke from his
mouth.</p>
<p>"Well, is that enough, Mr. Baxter?"</p>
<p>Lady Laura slid in a sentence here.</p>
<p>"Dear Mr. Baxter, you need not be in the least alarmed. All that has
passed here is, of course, as sacred as in the confessional. We should
not dream, without your leave—"</p>
<p>"One moment," gasped the boy.</p>
<p>He drove his face into his hands and sat overwhelmed.</p>
<p>Presently he looked up.</p>
<p>"But I knew it," he said. "I knew it. It was just my own self which
spoke."</p>
<p>The medium smiled.</p>
<p>"Yes," he said, "of course that is the first answer." He placed one
hand on the table, leaning forward, and began to play his fingers as
if on a piano. Laurie watched the movement, which seemed vaguely
familiar.</p>
<p>"Can you account for that, Mr. Baxter? You did that several times. It
seemed uncharacteristic of you, somehow."</p>
<p>Laurie looked at him, mute. He remembered now. He half raised a hand
in protest.</p>
<p>"And ... and do you ever stammer?" went on the man.</p>
<p>Still Laurie was silent. It was beyond belief or imagination.</p>
<p>"Now if those things were characteristic—"</p>
<p>"Stop, sir," cried the boy; and then, "But those too might be unconscious
imitation."</p>
<p>"They might," said the other. "But then we had the advantage of
watching you. And there were other things."</p>
<p>"I beg your pardon?"</p>
<p>"There was the loud continuous rapping, at the beginning and the
end. You were awakened twice by these."</p>
<p>Laurie remained perfectly motionless without a word. He was still
striving to marshal this flood of mad ideas. It was incredible,
amazing.</p>
<p>Then he stood up.</p>
<p>"I must go away," he said. "I—I don't know what to think."</p>
<p>"You had better stay a little longer and rest," said the medium
kindly.</p>
<p>The boy shook his head.</p>
<p>"I must go at once," he said. "I cannot trust myself."</p>
<p>He went out without a word, followed by the medium. The two ladies sat
eyeing one another.</p>
<p>"It has been astonishing ... astonishing," sighed Mrs. Stapleton.
"What a find!"</p>
<p>There was no more said. Lady Laura sat as one in trance herself.</p>
<p>Then Mr. Vincent returned.</p>
<p>"You must not lose sight of that young man," he said abruptly. "It is
an extraordinary case."</p>
<p>"I have all the notes here," remarked Mrs. Stapleton.</p>
<p>"Yes; you had better keep them. He must not see them at present."</p>
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