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<div class="figcenter"> <SPAN href="images/cover.jpg"><ANTIMG src="images/cover-th2.jpg" width-obs="324" height-obs="500" alt="Tales of Daring and Danger by G.A. Henty" title="Tales of Daring and Danger by G.A. Henty" /></SPAN></div>
<h1>TALES OF DARING AND DANGER.</h1>
<div class="figcenter"> <SPAN href="images/frontis-fs.jpg"><ANTIMG src="images/frontis.jpg" width-obs="324" height-obs="516" alt="Sighting the wreck of the steamer." title="SIGHTING THE WRECK OF THE STEAMER." /></SPAN> <span class="caption">SIGHTING THE WRECK OF THE STEAMER.</span></div>
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<h3><SPAN name="TALES_OF" id="TALES_OF"></SPAN>TALES OF</h3>
<h1>DARING AND DANGER.</h1>
<h4>BY</h4>
<h3>G. A. HENTY,</h3>
<p class="center">Author of "Yarns on the Beach;" "Sturdy and Strong;" "Facing Death;"<br/>
"By Sheer Pluck;" "With Clive in India;" &c.</p>
<h4><i>ILLUSTRATED.</i></h4>
<div class="figcenter"> <ANTIMG src="images/pub.jpg" width-obs="275" height-obs="118" alt="" title="" /></div>
<p class="center">LONDON:<br/>
BLACKIE & SON, 49 & 50 OLD BAILEY, E. C.<br/>
GLASGOW, EDINBURGH, AND DUBLIN.<br/>
1890.</p>
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<h2><SPAN name="CONTENTS" id="CONTENTS"></SPAN>CONTENTS.</h2>
<table summary="contents" style="border: 0px;">
<tr><td><div class="center" style="line-height: 20pt;">
<SPAN href="#BEARS_AND_DACOITS">BEARS AND DACOITS</SPAN><br/>
<SPAN href="#Paternosters">THE PATERNOSTERS</SPAN><br/>
<SPAN href="#A_PIPE_OF_MYSTERY">A PIPE OF MYSTERY</SPAN><br/>
<SPAN href="#WHITE-FACED_DICK">WHITE-FACED DICK</SPAN><br/>
<SPAN href="#A_BRUSH_WITH_THE_CHINESE">A BRUSH WITH THE CHINESE</SPAN><br/></div>
</td></tr>
</table>
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<div class="figcenter"> <SPAN name="BEARS_AND_DACOITS" id="BEARS_AND_DACOITS"></SPAN> <ANTIMG src="images/bears.jpg" width-obs="324" height-obs="72" alt="" title="" /></div>
<h2>BEARS AND DACOITS.</h2>
<h3>A TALE OF THE GHAUTS.</h3>
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<h2><SPAN name="CHAPTER_I" id="CHAPTER_I"></SPAN>CHAPTER I.</h2>
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<p>merry party were sitting in the verandah of one of the largest and
handsomest bungalows of Poonah. It belonged to Colonel Hastings, colonel
of a native regiment stationed there, and at present, in virtue of
seniority, commanding a brigade. Tiffin was on, and three or four
officers and four ladies had taken their seats in the comfortable cane
lounging chairs which form the invariable furniture of the verandah of a
well-ordered bungalow. Permission had been duly asked, and granted by
Mrs. Hastings, and the cheroots had just begun to draw, when Miss
Hastings, a niece of the colonel, who had only arrived the previous week
from England, said,—<br style="clear: both;" /></p>
<p>"Uncle, I am quite disappointed. Mrs. Lyons <SPAN name="Page_10" id="Page_10"></SPAN>showed me the bear she has
got tied up in their compound, and it is the most wretched little thing,
not bigger than Rover, papa's retriever, and it's full-grown. I thought
bears were great fierce creatures, and this poor little thing seemed so
restless and unhappy that I thought it quite a shame not to let it go."</p>
<p>Colonel Hastings smiled rather grimly.</p>
<p>"And yet, small and insignificant as that bear is, my dear, it is a
question whether he is not as dangerous an animal to meddle with as a
man-eating tiger."</p>
<p>"What, that wretched little bear, Uncle?"</p>
<p>"Yes, that wretched little bear. Any experienced sportsman will tell you
that hunting those little bears is as dangerous a sport as tiger-hunting
on foot, to say nothing of tiger-hunting from an elephant's back, in
which there is scarcely any danger whatever. I can speak feelingly about
it, for my career was pretty nearly brought to an end by a bear, just
after I entered the army, some thirty years ago, at a spot within a few
miles from here. I have got the scars on my shoulder and arm still."</p>
<p>"Oh, do tell me all about it," Miss Hastings said; and the request being
seconded by the rest of the party, none of whom, with the exception of<SPAN name="Page_11" id="Page_11"></SPAN>
Mrs. Hastings, had ever heard the story before—for the colonel was
somewhat chary of relating this special experience—he waited till they
had all drawn up their chairs as close as possible, and then giving two
or three vigorous puffs at his cheroot, began as follows:—</p>
<p>"Thirty years ago, in 1855, things were not so settled in the Deccan as
they are now. There was no idea of insurrection on a large scale, but we
were going through one of those outbreaks of Dacoity, which have several
times proved so troublesome. Bands of marauders kept the country in
confusion, pouring down on a village, now carrying off three or four of
the Bombay money-lenders, who were then, as now, the curse of the
country; sometimes making an onslaught upon a body of traders; and
occasionally venturing to attack small detachments of troops or isolated
parties of police. They were not very formidable, but they were very
troublesome, and most difficult to catch, for the peasantry regarded
them as patriots, and aided and shielded them in every way. The
head-quarters of these gangs of Dacoits were the Ghauts. In the thick
bush and deep valleys and gorges there they could always take refuge,
while sometimes the more daring chiefs converted these detached peaks
and masses of <SPAN name="Page_12" id="Page_12"></SPAN>rock, numbers of which you can see as you come up the
Ghaut by railway, into almost impregnable fortresses. Many of these
masses of rock rise as sheer up from the hillside as walls of masonry,
and look at a short distance like ruined castles. Some are absolutely
inaccessible; others can only be scaled by experienced climbers; and,
although possible for the natives with their bare feet, are
impracticable to European troops. Many of these rock fortresses were at
various times the head-quarters of famous Dacoit leaders, and unless the
summits happened to be commanded from some higher ground within gunshot
range they were all but impregnable except by starvation. When driven to
bay, these fellows would fight well.</p>
<p>"Well, about the time I joined, the Dacoits were unusually troublesome;
the police had a hard time of it, and almost lived in the saddle, and
the cavalry were constantly called up to help them, while detachments of
infantry from the station were under canvas at several places along the
top of the Ghauts to cut the bands off from their strongholds, and to
aid, if necessary, in turning them out of their rock fortresses. The
natives in the valleys at the foot of the Ghauts, who have always been a
semi-independent race, ready to rob whenever they saw a chance, were
<SPAN name="Page_13" id="Page_13"></SPAN>great friends with the Dacoits, and supplied them with provisions
whenever the hunt on the Deccan was too hot for them to make raids in
that direction.</p>
<p>"This is a long introduction, you will say, and does not seem to have
much to do with bears; but it is really necessary, as you will see. I
had joined about six months when three companies of the regiment were
ordered to relieve a wing of the 15th, who had been under canvas at a
village some four miles to the north of the point where the line crosses
the top of the Ghauts. There were three white officers, and little
enough to do, except when a party was sent off to assist the police. We
had one or two brushes with the Dacoits, but I was not out on either
occasion. However, there was plenty of shooting, and a good many pigs
about, so we had very good fun. Of course, as a raw hand, I was very hot
for it, and as the others had both passed the enthusiastic age, except
for pig-sticking and big game, I could always get away. I was supposed
not to go far from camp, because, in the first place, I might be wanted;
and, in the second, because of the Dacoits; and Norworthy, who was in
command, used to impress upon me that I ought not to go beyond the sound
of a bugle. Of course we both knew <SPAN name="Page_14" id="Page_14"></SPAN>that if I intended to get any sport
I must go further afoot than this; but I merely used to say 'All right,
sir, I will keep an ear to the camp,' and he on his part never
considered it necessary to ask where the game which appeared on the
table came from. But in point of fact, I never went very far, and my
servant always had instructions which way to send for me if I was
wanted; while as to the Dacoits I did not believe in their having the
impudence to come in broad daylight within a mile or two of our camp. I
did not often go down the face of the Ghauts. The shooting was good, and
there were plenty of bears in those days, but it needed a long day for
such an expedition, and in view of the Dacoits who might be scattered
about, was not the sort of thing to be undertaken except with a strong
party. Norworthy had not given any precise orders about it, but I must
admit that he said one day:—</p>
<p>"'Of course you won't be fool enough to think of going down the Ghauts,
Hastings?' But I did not look at that as equivalent to a direct
order—whatever I should do now," the colonel put in, on seeing a
furtive smile on the faces of his male listeners.</p>
<p>"However, I never meant to go down, though I used to stand on the edge
and look longingly <SPAN name="Page_15" id="Page_15"></SPAN>down into the bush and fancy I saw bears moving
about in scores. But I don't think I should have gone into their country
if they had not come into mine. One day the fellow who always carried my
spare gun or flask, and who was a sort of shekarry in a small way, told
me he had heard that a farmer, whose house stood near the edge of the
Ghauts, some two miles away, had been seriously annoyed by his fruit and
corn being stolen by bears.</p>
<p>"'I'll go and have a look at the place to-morrow,' I said, 'there is no
parade, and I can start early. You may as well tell the mess cook to put
up a basket with some tiffin and a bottle of claret, and get a boy to
carry it over.'</p>
<p>"'The bears not come in day,' Rahman said.</p>
<p>"'Of course not,' I replied; 'still I may like to find out which way
they come. Just do as you are told.'</p>
<p>"The next morning, at seven o'clock, I was at the farmer's spoken of,
and there was no mistake as to the bears. A patch of Indian corn had
been ruined by them, and two dogs had been killed. The native was in a
terrible state of rage and alarm. He said that on moonlight nights he
had seen eight of them, and they came and sniffed around the door of the
cottage.</p>
<p><SPAN name="Page_16" id="Page_16"></SPAN>"'Why don't you fire through the window at them?' I asked scornfully,
for I had seen a score of tame bears in captivity, and, like you, Mary,
was inclined to despise them, though there was far less excuse for me;
for I had heard stories which should have convinced me that, small as he
is, the Indian bear is not a beast to be attacked with impunity. Upon
walking to the edge of the Ghauts there was no difficulty in discovering
the route by which the bears came up to the farm. For a mile to the
right and left the ground fell away as if cut with a knife, leaving a
precipice of over a hundred feet sheer down; but close by where I was
standing was the head of a watercourse, which in time had gradually worn
a sort of cleft in the wall, up or down which it was not difficult to
make one's way. Further down this little gorge widened out and became a
deep ravine, and further still a wide valley, where it opened upon the
flats far below us. About half a mile down where the ravine was deepest
and darkest was a thick clump of trees and jungle.</p>
<p>"'That's where the bears are?' I asked Rahman. He nodded. It seemed no
distance. I could get down and back in time for tiffin, and perhaps bag
a couple of bears. For a young sportsman the temptation was great. 'How
long would it <SPAN name="Page_17" id="Page_17"></SPAN>take us to go down and have a shot or two at them?'</p>
<p>"'No good go down. Master come here at night, shoot bears when they come
up.'</p>
<p>"I had thought of that; but, in the first place, it did not seem much
sport to shoot the beasts from cover when they were quietly eating, and,
in the next place, I knew that Norworthy could not, even if he were
willing, give me leave to go out of camp at night. I waited, hesitating
for a few minutes, and then I said to myself, 'It is of no use waiting.
I could go down and get a bear and be back again while I am thinking of
it;' then to Rahman, 'No, come along; we will have a look through that
wood anyhow.'</p>
<p>"Rahman evidently did not like it.</p>
<p>"'Not easy find bear, sahib. He very cunning.'</p>
<p>"'Well, very likely we sha'n't find them,' I said, 'but we can try
anyhow. Bring that bottle with you; the tiffin basket can wait here till
we come back.' In another five minutes I had begun to climb down the
watercourse—the shekarry following me. I took the double-barrelled
rifle and handed him the shot-gun, having first dropped a bullet down
each barrel over the charge. The ravine was steep, but there were bushes
to hold on by, and although it was hot work and took <SPAN name="Page_18" id="Page_18"></SPAN>a good deal longer
than I expected, we at last got down to the place which I had fixed upon
as likely to be the bears' home.</p>
<p>"'Sahib, climb up top,' Rahman said; 'come down through wood; no good
fire at bear when he above.'</p>
<p>"I had heard that before; but I was hot, the sun was pouring down, there
was not a breath of wind, and it looked a long way up to the top of the
wood.</p>
<p>"'Give me the claret. It would take too long to search the wood
regularly. We will sit down here for a bit, and if we can see anything
moving up in the wood, well and good; if not, we will come back again
another day with some beaters and dogs.' So saying, I sat down with my
back against a rock, at a spot where I could look up among the trees for
a long way through a natural vista. I had a drink of claret, and then I
sat and watched till gradually I dropped off to sleep. I don't know how
long I slept, but it was some time, and I woke up with a sudden start.
Rahman, who had, I fancy, been asleep too, also started up.</p>
<div class="figcenter"> <SPAN href="images/rahman-fs.jpg"><ANTIMG src="images/rahman.jpg" width-obs="324" height-obs="528" alt=""My gun, Rahman," I shouted." title=""My gun, Rahman," I shouted." /></SPAN> <span class="caption">"MY GUN, RAHMAN," I SHOUTED.</span></div>
<p>"The noise which had aroused us was made by a rolling stone striking a
rock; and looking up I saw some fifty yards away, not in the wood, but
on the rocky hillside on our side of the <SPAN name="Page_19" id="Page_19"></SPAN><SPAN name="Page_20" id="Page_20"></SPAN><SPAN name="Page_21" id="Page_21"></SPAN>ravine, a bear standing, as
though unconscious of our presence, snuffing the air. As was natural, I
seized my rifle, cocked it, and took aim, unheeding a cry of 'No, no,
sahib,' from Rahman. However, I was not going to miss such a chance as
this, and I let fly. The beast had been standing sideways to me, and as
I saw him fall I felt sure I had hit him in the heart. I gave a shout of
triumph, and was about to climb up, when, from behind the rock on which
the bear had stood, appeared another growling fiercely; on seeing me, it
at once prepared to come down. Stupidly, being taken by surprise, and
being new at it, I fired at once at its head. The bear gave a spring,
and then—it seemed instantaneous—down it came at me. Whether it rolled
down, or slipped down, or ran down, I don't know, but it came almost as
if it had jumped straight at me.</p>
<p>"'My gun, Rahman,' I shouted, holding out my hand. There was no answer.
I glanced round, and found that the scoundrel had bolted. I had time,
and only just time, to take a step backwards, and to club my rifle, when
the brute was upon me. I got one fair blow at the side of its head, a
blow that would have smashed the skull of any civilized beast into
pieces, and which did <SPAN name="Page_22" id="Page_22"></SPAN>fortunately break the brute's jaw; then in an
instant he was upon me, and I was fighting for life. My hunting-knife
was out, and with my left hand I had the beast by the throat; while with
my right I tried to drive my knife into its ribs. My bullet had gone
through his chest. The impetus of his charge had knocked me over, and we
rolled on the ground, he tearing with his claws at my shoulder and arm,
I stabbing and struggling, my great effort being to keep my knees up so
as to protect my body with them from his hind claws. After the first
blow with his paw, which laid my shoulder open, I do not think I felt
any special pain whatever. There was a strange faint sensation, and my
whole energy seemed centered in the two ideas—to strike and to keep my
knees up. I knew that I was getting faint, but I was dimly conscious
that his efforts, too, were relaxing. His weight on me seemed to
increase enormously, and the last idea that flashed across me was that
it was a drawn fight.</p>
<p>"The next idea of which I was conscious was that I was being carried. I
seemed to be swinging about, and I thought I was at sea. Then there was
a little jolt and a sense of pain. 'A collision,' I muttered, and opened
my eyes. Beyond the fact that I seemed in a yellow world—<SPAN name="Page_23" id="Page_23"></SPAN>a bright
orange-yellow—my eyes did not help me, and I lay vaguely wondering
about it all, till the rocking ceased. There was another bump, and then
the yellow world seemed to come to an end; and as the daylight streamed
in upon me I fainted again. This time when I awoke to consciousness
things were clearer. I was stretched by a little stream. A native woman
was sprinkling my face and washing the blood from my wounds; while
another, who had with my own knife cut off my coat and shirt, was
tearing the latter into strips to bandage my wounds. The yellow world
was explained. I was lying on the yellow robe of one of the women. They
had tied the ends together, placed a long stick through them, and
carried me in the bag-like hammock. They nodded to me when they saw I
was conscious, and brought water in a large leaf, and poured it into my
mouth. Then one went away for some time, and came back with some leaves
and bark. These they chewed and put on my wounds, bound them up with
strips of my shirt, and then again knotted the ends of the cloth, and
lifting me up, went on as before.</p>
<p>"I was sure that we were much lower down the Ghaut than we had been when
I was watching for the bears, and we were now going still <SPAN name="Page_24" id="Page_24"></SPAN>lower.
However, I knew very little Hindustani, nothing of the language the
women spoke. I was too weak to stand, too weak even to think much; and I
dozed and woke, and dozed again, until, after what seemed to me many
hours of travel, we stopped again, this time before a tent. Two or three
old women and four or five men came out, and there was great talking
between them and the young women—for they were young—who had carried
me down. Some of the party appeared angry; but at last things quieted
down, and I was carried into the tent. I had fever, and was, I suppose,
delirious for days. I afterwards found that for fully a fortnight I had
lost all consciousness; but a good constitution and the nursing of the
women pulled me round. When once the fever had gone, I began to mend
rapidly. I tried to explain to the women that if they would go up to the
camp and tell them where I was they would be well rewarded; but although
I was sure they understood, they shook their heads, and by the fact that
as I became stronger two or three armed men always hung about the tent,
I came to the conclusion that I was a sort of prisoner. This was
annoying, but did not seem serious. If these people were Dacoits, or, as
was more likely, allies of the Dacoits, I could be kept only <SPAN name="Page_25" id="Page_25"></SPAN>for ransom
or exchange. Moreover, I felt sure of my ability to escape when I got
strong, especially as I believed that in the young women who had saved
my life, both by bringing me down and by their careful nursing, I should
find friends."</p>
<p>"Were they pretty, uncle?" Mary Hastings broke in.</p>
<p>"Never mind whether they were pretty, Mary; they were better than
pretty."</p>
<p>"No; but we like to know, uncle."</p>
<p>"Well, except for the soft, dark eyes, common to the race, and the good
temper and lightheartedness, also so general among Hindu girls, and the
tenderness which women feel towards a creature whose life they have
saved, whether it is a wounded bird or a drowning puppy, I suppose they
were nothing remarkable in the way of beauty, but at the time I know
that I thought them charming.</p>
<hr style="width: 65%;" />
<h2><SPAN name="CHAPTER_II" id="CHAPTER_II"></SPAN>CHAPTER II.</h2>
<p>"Just as I was getting strong enough to walk, and was beginning to think
of making my escape, a band of five or six fellows, armed to the teeth,
came in, and made signs that I was to go with them. It was evidently an
arranged thing, <SPAN name="Page_26" id="Page_26"></SPAN>the girls only were surprised, but they were at once
turned out, and as we started I could see two crouching figures in the
shade with their cloths over their heads. I had a native garment thrown
over my shoulders, and in five minutes after the arrival of the fellows
found myself on my way. It took us some six hours before we reached our
destination, which was one of those natural rock citadels. Had I been in
my usual health I could have done the distance in an hour and a half,
but I had to rest constantly, and was finally carried rather than helped
up. I had gone not unwillingly, for the men were clearly, by their
dress, Dacoits of the Deccan, and I had no doubt that it was intended
either to ransom or exchange me.</p>
<p>"At the foot of this natural castle were some twenty or thirty more
robbers, and I was led to a rough sort of arbour in which was lying, on
a pile of maize straw, a man who was evidently their chief. He rose and
we exchanged salaams.</p>
<p>"'What is your name, sahib?' he asked in Mahratta.</p>
<p>"'Hastings—Lieutenant Hastings,' I said. 'And yours?'</p>
<p>"'Sivajee Punt!' he said.</p>
<p>"This was bad. I had fallen into the hands of <SPAN name="Page_27" id="Page_27"></SPAN>the most troublesome,
most ruthless, and most famous of the Dacoit leaders. Over and over
again he had been hotly chased, but had always managed to get away; and
when I last heard anything of what was going on four or five troops of
native police were scouring the country after him. He gave an order
which I did not understand, and a wretched Bombay writer, I suppose a
clerk of some money-lender, was dragged forward. Sivajee Punt spoke to
him for some time, and the fellow then told me in English that I was to
write at once to the officer commanding the troops, telling him that I
was in his hands, and should be put to death directly he was attacked.</p>
<p>"'Ask him,' I said, 'if he will take any sum of money to let me go?'</p>
<p>"Sivajee shook his head very decidedly.</p>
<p>"A piece of paper was put before me, and a pen and ink, and I wrote as I
had been ordered, adding, however, in French, that I had brought myself
into my present position by my own folly, and would take my chance, for
I well knew the importance which Government attached to Sivajee's
capture. I read out loud all that I had written in English, and the
interpreter translated it. Then the paper was folded and I addressed it,
'The Officer Commanding,' and I was given <SPAN name="Page_28" id="Page_28"></SPAN>some chupattis and a drink of
water, and allowed to sleep. The Dacoits had apparently no fear of any
immediate attack.</p>
<p>"It was still dark, although morning was just breaking, when I was
awakened, and was got up to the citadel. I was hoisted rather than
climbed, two men standing above with a rope, tied round my body, so that
I was half-hauled, half-pushed up the difficult places, which would have
taxed all my climbing powers had I been in health.</p>
<p>"The height of this mass of rock was about a hundred feet; the top was
fairly flat, with some depressions and risings, and about eighty feet
long by fifty wide. It had evidently been used as a fortress in ages
past. Along the side facing the hill were the remains of a rough wall.
In the centre of a depression was a cistern, some four feet square,
lined with stone-work, and in another depression a gallery had been cut,
leading to a subterranean store-room or chamber. This natural fortress
rose from the face of the hill at a distance of a thousand yards or so
from the edge of the plateau, which was fully two hundred feet higher
than the top of the rock. In the old days it would have been
impregnable, and even at that time it was an awkward place to <SPAN name="Page_29" id="Page_29"></SPAN>take, for
the troops were armed only with Brown Bess, and rifled cannon were not
thought of. Looking round, I could see that I was some four miles from
the point where I had descended. The camp was gone; but running my eye
along the edge of the plateau I could see the tops of tents a mile to my
right, and again two miles to my left; turning round, and looking down
into the wide valley, I saw a regimental camp.</p>
<p>"It was evident that a vigorous effort was being made to surround and
capture the Dacoits, since troops had been brought up from Bombay. In
addition to the troops above and below, there would probably be a strong
police force, acting on the face of the hill. I did not see all these
things at the time, for I was, as soon as I got to the top, ordered to
sit down behind the parapet, a fellow armed to the teeth squatting down
by me, and signifying that if I showed my head above the stones he would
cut my throat without hesitation. There were, however, sufficient gaps
between the stones to allow me to have a view of the crest of the Ghaut,
while below my view extended down to the hills behind Bombay. It was
evident to me now why the Dacoits did not climb up into the fortress.
There were dozens of similar crags on the face of the Ghauts, and the
<SPAN name="Page_30" id="Page_30"></SPAN>troops did not as yet know their whereabouts. It was a sort of blockade
of the whole face of the hills which was being kept up, and there were,
probably enough, several other bands of Dacoits lurking in the jungle.</p>
<p>"There were only two guards and myself on the rock plateau. I discussed
with myself the chances of my overpowering them and holding the top of
the rock till help came; but I was greatly weakened, and was not a match
for a boy, much less for the two stalwart Mahrattas; besides, I was by
no means sure that the way I had been brought up was the only possible
path to the top. The day passed off quietly. The heat on the bare rock
was frightful, but one of the men, seeing how weak and ill I really was,
fetched a thick rug from the storehouse, and with the aid of a stick
made a sort of lean-to against the wall, under which I lay sheltered
from the sun.</p>
<p>"Once or twice during the day I heard a few distant musket-shots, and
once a sharp heavy outburst of firing. It must have been three or four
miles away, but it was on the side of the Ghaut, and showed that the
troops or police were at work. My guards looked anxiously in that
direction, and uttered sundry curses. When <SPAN name="Page_31" id="Page_31"></SPAN>it was dusk, Sivajee and
eight of the Dacoits came up. From what they said, I gathered that the
rest of the band had dispersed, trusting either to get through the line
of their pursuers, or, if caught, to escape with slight punishment, the
men who remained being too deeply concerned in murderous outrages to
hope for mercy. Sivajee himself handed me a letter, which the man who
had taken my note had brought back in reply. Major Knapp, the writer,
who was the second in command, said that he could not engage the
Government, but that if Lieutenant Hastings was given up the act would
certainly dispose the Government to take the most merciful view
possible; but that if, on the contrary, any harm was suffered by
Lieutenant Hastings, every man taken would be at once hung. Sivajee did
not appear put out about it. I do not think he expected any other
answer, and imagine that his real object in writing was simply to let
them know that I was a prisoner, and so enable him the better to
paralyse the attack upon a position which he no doubt considered all but
impregnable.</p>
<p>"I was given food, and was then allowed to walk as I chose upon the
little plateau, two of the Dacoits taking post as sentries at the
steepest <SPAN name="Page_32" id="Page_32"></SPAN>part of the path, while the rest gathered, chatting and
smoking, in the depression in front of the storehouse. It was still
light enough for me to see for some distance down the face of the rock,
and I strained my eyes to see if I could discern any other spot at which
an ascent or descent was possible. The prospect was not encouraging. At
some places the face fell sheer away from the edge, and so evident was
the impracticability of escape that the only place which I glanced at
twice was the western side, that is the one away from the hill. Here it
sloped gradually for a few feet. I took off my shoes and went down to
the edge. Below, some ten feet, was a ledge, on to which with care I
could get down, but below that was a sheer fall of some fifty feet. As a
means of escape it was hopeless, but it struck me that if an attack was
made I might slip away and get on to the ledge. Once there I could not
be seen except by a person standing where I now was, just on the edge of
the slope, a spot to which it was very unlikely that anyone would come.</p>
<p>"The thought gave me a shadow of hope, and, returning to the upper end
of the platform, I lay down, and in spite of the hardness of the rock,
was soon asleep. The pain of my aching bones <SPAN name="Page_33" id="Page_33"></SPAN>woke me up several times,
and once, just as the first tinge of dawn was coming, I thought I could
hear movements in the jungle. I raised myself somewhat, and I saw that
the sounds had been heard by the Dacoits, for they were standing
listening, and some of them were bringing spare fire-arms from the
storehouse, in evident preparation for attack.</p>
<p>"As I afterwards learned, the police had caught one of the Dacoits
trying to effect his escape, and by means of a little of the ingenious
torture to which the Indian police then frequently resorted, when their
white officers were absent, they obtained from him the exact position of
Sivajee's band, and learned the side from which the ascent must be made.
That the Dacoit and his band were still upon the slopes of the Ghauts
they knew, and were gradually narrowing their circle, but there were so
many rocks and hiding-places that the process of searching was a slow
one, and the intelligence was so important that the news was off at once
to the colonel, who gave orders for the police to surround the rock at
daylight and to storm it if possible. The garrison was so small that the
police were alone ample for the work, supposing that the natural
difficulties were not altogether insuperable.</p>
<p><SPAN name="Page_34" id="Page_34"></SPAN>"Just at daybreak there was a distant noise of men moving in the
jungle, and the Dacoit half-way down the path fired his gun. He was
answered by a shout and a volley. The Dacoits hurried out from the
chamber, and lay down on the edge, where, sheltered by a parapet, they
commanded the path. They paid no attention to me, and I kept as far away
as possible. The fire began—a quiet, steady fire, a shot at a time, and
in strong contrast to the rattle kept up from the surrounding jungle;
but every shot must have told, as man after man who strove to climb that
steep path, fell. It lasted only ten minutes, and then all was quiet
again.</p>
<p>"The attack had failed, as I knew it must do, for two men could have
held the place against an army; a quarter of an hour later a gun from
the crest above spoke out, and a round shot whistled above our heads.
Beyond annoyance, an artillery fire could do no harm, for the party
could be absolutely safe in the store cave. The instant the shot flew
overhead, however, Sivajee Punt beckoned to me, and motioned me to take
my seat on the wall facing the guns. Hesitation was useless, and I took
my seat with my back to the Dacoits and my face to the hill. One of the
Dacoits, as I did so, pulled off the native <SPAN name="Page_35" id="Page_35"></SPAN>cloth which covered my
shoulders, in order that I might be clearly seen.</p>
<p>"Just as I took my place another round shot hummed by; but then there
was a long interval of silence. With a field-glass every feature must
have been distinguishable to the gunners, and I had no doubt that they
were waiting for orders as to what to do next.</p>
<p>"I glanced round and saw that with the exception of one fellow squatted
behind the parapet some half-dozen yards away, clearly as a sentry to
keep me in place, all the others had disappeared. Some, no doubt, were
on sentry down the path, the others were in the store beneath me. After
half an hour's silence the guns spoke out again. Evidently the gunners
were told to be as careful as they could, for some of the shots went
wide on the left, others on the right. A few struck the rock below me.
The situation was not pleasant, but I thought that at a thousand yards
they ought not to hit me, and I tried to distract my attention by
thinking out what I should do under every possible contingency.</p>
<p>"Presently I felt a crash and a shock, and fell backwards to the ground.
I was not hurt, and on picking myself up saw that the ball had struck
<SPAN name="Page_36" id="Page_36"></SPAN>the parapet to the left, just where my guard was sitting, and he lay
covered with its fragments. His turban lay some yards behind him.
Whether he was dead or not I neither knew nor cared.</p>
<p>"I pushed down some of the parapet where I had been sitting, dropped my
cap on the edge outside, so as to make it appear that I had fallen over,
and then picking up the man's turban, ran to the other end of the
platform and scrambled down to the ledge. Then I began to wave my arms
about—I had nothing on above the waist—and in a moment I saw a face
with a uniform cap peer out through the jungle, and a hand was waved. I
made signs to him to make his way to the foot of the perpendicular wall
of rock beneath me. I then unwound the turban, whose length was, I knew,
amply sufficient to reach to the bottom, and then looked round for
something to write on. I had my pencil still in my trousers pocket, but
not a scrap of paper.</p>
<p>"I picked up a flattish piece of rock and wrote on it, 'Get a
rope-ladder quickly, I can haul it up. Ten men in garrison. They are all
under cover. Keep on firing to distract their attention."</p>
<p>"I tied the stone to the end of the turban, and looked over. A
non-commissioned officer of the police was already standing below. I
lowered <SPAN name="Page_37" id="Page_37"></SPAN>the stone; he took it, waved his hand to me, and was gone.</p>
<p>"An hour passed: it seemed an age. The round shots still rang overhead,
and the fire was now much more heavy and sustained than before.
Presently I again saw a movement in the jungle, and Norworthy's face
appeared, and he waved his arm in greeting.</p>
<p>"Five minutes more and a party were gathered at the foot of the rock,
and a strong rope was tied to the cloth. I pulled it up. A rope-ladder
was attached to it, and the top rung was in a minute or two in my hands.
To it was tied a piece of paper with the words: 'Can you fasten the
ladder?" I wrote on the paper: 'No; but I can hold it for a light
weight.'</p>
<p>"I put the paper with a stone in the end of the cloth, and lowered it
again. Then I sat down, tied the rope round my waist, got my feet
against two projections, and waited. There was a jerk, and then I felt
some one was coming up the rope-ladder. The strain was far less than I
expected, but the native policeman who came up first did not weigh half
so much as an average Englishman. There were now two of us to hold. The
officer in command of the police came up next, then Norworthy, then a
dozen more police. I <SPAN name="Page_38" id="Page_38"></SPAN>explained the situation, and we mounted to the
upper level. Not a soul was to be seen. Quickly we advanced and took up
a position to command the door of the underground chamber; while one of
the police waved a white cloth from his bayonet as a signal to the
gunners to cease firing. Then the police officer hailed the party within
the cave.</p>
<p>"'Sivajee Punt! you may as well come out and give yourself up! We are in
possession, and resistance is useless!'</p>
<p>"A yell of rage and surprise was heard, and the Dacoits, all desperate
men, came bounding out, firing as they did so. Half of their number were
shot down at once, and the rest, after a short, sharp struggle, were
bound hand and foot.</p>
<p>"That is pretty well all of the story, I think. Sivajee Punt was one of
the killed. The prisoners were all either hung or imprisoned for life. I
escaped my blowing-up for having gone down the Ghauts after the bear,
because, after all, Sivajee Punt might have defied their force for
months had I not done so.</p>
<p>"It seemed that that scoundrel Rahman had taken back word that I was
killed. Norworthy had sent down a strong party, who <SPAN name="Page_39" id="Page_39"></SPAN>found the two dead
bears, and who, having searched everywhere without finding any signs of
my body, came to the conclusion that I had been found and carried away,
especially as they ascertained that natives used that path. They had
offered rewards, but nothing was heard of me till my note saying I was
in Sivajee's hands arrived."</p>
<p>"And did you ever see the women who carried you off?"</p>
<p>"No, Mary, I never saw them again. I did, however, after immense
trouble, succeed in finding out where it was that I had been taken to. I
went down at once, but found the village deserted. Then after much
inquiry I found where the people had moved to, and sent messages to the
women to come up to the camp, but they never came; and I was reduced at
last to sending them down two sets of silver bracelets, necklaces, and
bangles, which must have rendered them the envy of all the women on the
Ghauts. They sent back a message of grateful thanks, and I never heard
of them afterwards. No doubt their relatives, who knew that their
connection with the Dacoits was now known, would not let them come.
However, I had done all I could, and I have no doubt the women were
perfectly <SPAN name="Page_40" id="Page_40"></SPAN>satisfied. So you see, my dear, that the Indian bear, small
as he is, is an animal which it is as well to leave alone, at any rate
when he happens to be up on the side of a hill while you are at the
foot."</p>
<div class="figcenter"> <ANTIMG src="images/e2.jpg" width-obs="150" height-obs="70" alt="" title="" /></div>
<hr style="width: 65%;" />
<p><SPAN name="Page_41" id="Page_41"></SPAN></p>
<div class="figcenter"> <SPAN name="Paternosters" id="Paternosters"></SPAN> <ANTIMG src="images/pater.jpg" width-obs="324" height-obs="73" alt="" title="" /></div>
<h2>THE PATERNOSTERS.</h2>
<h3>A YACHTING STORY.</h3>
<div class="figleft"> <ANTIMG src="images/b1.jpg" width-obs="75" height-obs="78" alt="A" title="" /></div>
<p style="text-indent: -0.75em;">ND do you really mean that we are to cross by the steamer, Mr. Virtue,
while you go over in the <i>Seabird?</i> I do not approve of that at all.
Fanny, why do you not rebel, and say we won't be put ashore? I call it
horrid, after a fortnight on board this dear little yacht, to have to
get on to a crowded steamer, with no accommodation and lots of sea-sick
women, perhaps, and crying children. You surely cannot be in earnest?"<br style="clear: both;" /></p>
<p>"I do not like it any more than you do, Minnie; but, as Tom says we had
better do it, and my husband agrees with him, I am afraid we must
submit. Do you really think it is quite necessary, Mr. Virtue? Minnie
and I are both good sailors, you know; and we would much rather have a
little extra tossing about on board the <i>Seabird</i> than the discomforts
of a steamer."</p>
<p><SPAN name="Page_42" id="Page_42"></SPAN>"I certainly think that it will be best, Mrs. Grantham. You know very
well we would rather have you on board, and that we shall suffer from
your loss more than you will by going the other way; but there's no
doubt the wind is getting up, and though we don't feel it much here, it
must be blowing pretty hard outside. The <i>Seabird</i> is as good a sea-boat
as anything of her size that floats; but you don't know what it is to be
out in anything like a heavy sea in a thirty-tonner. It would be
impossible for you to stay on deck, and we should have our hands full,
and should not be able to give you the benefit of our society.
Personally, I should not mind being out in the <i>Seabird</i> in any weather,
but I would certainly rather not have ladies on board."</p>
<p>"You don't think we should scream, or do anything foolish, Mr. Virtue?"
Minnie Graham said indignantly.</p>
<p>"Not at all, Miss Graham. Still, I repeat, the knowledge that there are
women on board, delightful at other times, does not tend to comfort in
bad weather. Of course, if you prefer it, we can put off our start till
this puff of wind has blown itself out. It may have dropped before
morning. It may last some little time.<SPAN name="Page_43" id="Page_43"></SPAN> I don't think myself that it
will drop, for the glass has fallen, and I am afraid we may have a spell
of broken weather."</p>
<p>"Oh no; don't put it off," Mrs. Grantham said; "we have only another
fortnight before James must be back again in London, and it would be a
great pity to lose three or four days perhaps; and we have been looking
forward to cruising about among the Channel Islands, and to St. Malo,
and all those places. Oh no; I think the other is much the better
plan—that is, if you won't take us with you."</p>
<p>"It would be bad manners to say that I won't, Mrs. Grantham; but I must
say I would rather not. It will be a very short separation. Grantham
will take you on shore at once, and as soon as the boat comes back I
shall be off. You will start in the steamer this evening, and get into
Jersey at nine or ten o'clock to-morrow morning; and if I am not there
before you, I shall not be many hours after you."</p>
<p>"Well, if it must be it must," Mrs. Grantham said, with an air of
resignation. "Come, Minnie, let us put a few things into a hand-bag for
to-night. You see the skipper is not to be moved by our pleadings."</p>
<p>"That is the worst of you married women,<SPAN name="Page_44" id="Page_44"></SPAN> Fanny," Miss Graham said, with
a little pout. "You get into the way of doing as you are ordered. I call
it too bad. Here have we been cruising about for the last fortnight,
with scarcely a breath of wind, and longing for a good brisk breeze and
a little change and excitement, and now it comes at last, we are to be
packed off in a steamer. I call it horrid of you, Mr. Virtue. You may
laugh, but I do."</p>
<p>Tom Virtue laughed, but he showed no signs of giving way, and ten
minutes later Mr. and Mrs. Grantham and Miss Graham took their places in
the gig, and were rowed into Southampton Harbour, off which the
<i>Seabird</i> was lying.</p>
<p>The last fortnight had been a very pleasant one, and it had cost the
owner of the <i>Seabird</i> as much as his guests to come to the conclusion
that it was better to break up the party for a few hours.</p>
<p>Tom Virtue had, up to the age of five-and-twenty, been possessed of a
sufficient income for his wants. He had entered at the bar, not that he
felt any particular vocation in that direction, but because he thought
it incumbent upon him to do something. Then, at the death of an uncle,
he had come into a considerable fortune, and was <SPAN name="Page_45" id="Page_45"></SPAN>able to indulge his
taste for yachting, which was the sole amusement for which he really
cared, to the fullest.</p>
<p>He sold the little five-tonner he had formerly possessed, and purchased
the <i>Seabird</i>. He could well have afforded a much larger craft, but he
knew that there was far more real enjoyment in sailing to be obtained
from a small craft than a large one, for in the latter he would be
obliged to have a regular skipper, and would be little more than a
passenger, whereas on board the <i>Seabird</i>, although his first hand was
dignified by the name of skipper, he was himself the absolute master.
The boat carried the aforesaid skipper, three hands, and a steward, and
with them he had twice been up the Mediterranean, across to Norway, and
had several times made the circuit of the British Isles.</p>
<p>He had unlimited confidence in his boat, and cared not what weather he
was out in her. This was the first time since his ownership of her that
the <i>Seabird</i> had carried lady passengers. His friend Grantham, an old
school and college chum, was a hard-working barrister, and Virtue had
proposed to him to take a month's holiday on board the <i>Seabird</i>.</p>
<p>"Put aside your books, old man," he said.<SPAN name="Page_46" id="Page_46"></SPAN> "You look fagged and
overworked; a month's blow will do you all the good in the world."</p>
<p>"Thank you, Tom; I have made up my mind for a month's holiday, but I
can't accept your invitation, though I should enjoy it of all things.
But it would not be fair to my wife; she doesn't get very much of my
society, and she has been looking forward to our having a run together.
So I must decline."</p>
<p>Virtue hesitated a moment. He was not very fond of ladies' society, and
thought them especially in the way on board a yacht; but he had a great
liking for his friend's wife, and was almost as much at home in his
house as in his own chambers.</p>
<p>"Why not bring the wife with you?" he said, as soon as his mind was made
up. "It will be a nice change for her too; and I have heard her say that
she is a good sailor. The accommodation is not extensive, but the
after-cabin is a pretty good size, and I would do all I could to make
her comfortable. Perhaps she would like another lady with her; if so by
all means bring one. They could have the after-cabin, you could have the
little state-room, and I could sleep in the saloon."</p>
<p>"It is very good of you, Tom, especially as I <SPAN name="Page_47" id="Page_47"></SPAN>know that it will put you
out frightfully; but the offer is a very tempting one. I will speak to
Fanny, and let you have an answer in the morning."</p>
<p>"That will be delightful, James," Mrs. Grantham said, when the
invitation was repeated to her. "I should like it of all things; and I
am sure the rest and quiet and the sea air will be just the thing for
you. It is wonderful, Tom Virtue making the offer; and I take it as a
great personal compliment, for he certainly is not what is generally
called a lady's man. It is very nice, too, of him to think of my having
another lady on board. Whom shall we ask? Oh, I know," she said
suddenly; "that will be the thing of all others. We will ask my cousin
Minnie; she is full of fun and life, and will make a charming wife for
Tom!"</p>
<p>James Grantham laughed.</p>
<p>"What schemers you all are, Fanny! Now I should call it downright
treachery to take anyone on board the <i>Seabird</i> with the idea of
capturing its master."</p>
<p>"Nonsense, treachery!" Mrs. Grantham said indignantly; "Minnie is the
nicest girl I know, and it would do Tom a world of good to have a wife
to look after him. Why, he is thirty now, <SPAN name="Page_48" id="Page_48"></SPAN>and will be settling down
into a confirmed old bachelor before long. It's the greatest kindness we
could do him, to take Minnie on board; and I am sure he is the sort of
man any girl might fall in love with when she gets to know him. The fact
is, he's shy! He never had any sisters, and spends all his time in
winter at that horrid club; so that really he has never had any women's
society, and even with us he will never come unless he knows we are
alone. I call it a great pity, for I don't know a pleasanter fellow than
he is. I think it will be doing him a real service in asking Minnie; so
that's settled. I will sit down and write him a note."</p>
<p>"In for a penny, in for a pound, I suppose," was Tom Virtue's comment
when he received Mrs. Grantham's letter, thanking him warmly for the
invitation, and saying that she would bring her cousin, Miss Graham,
with her, if that young lady was disengaged.</p>
<p>As a matter of self-defence he at once invited Jack Harvey, who was a
mutual friend of himself and Grantham, to be of the party.</p>
<p>"Jack can help Grantham to amuse the women," he said to himself; "that
will be more in his line than mine. I will run down to Cowes to-morrow
and have a chat with Johnson; we shall want a <SPAN name="Page_49" id="Page_49"></SPAN>different sort of stores
altogether to those we generally carry, and I suppose we must do her up
a bit below."</p>
<p>Having made up his mind to the infliction of female passengers, Tom
Virtue did it handsomely, and when the party came on board at Ryde they
were delighted with the aspect of the yacht below. She had been
repainted, the saloon and ladies' cabin were decorated in delicate
shades of gray, picked out with gold; and the upholsterer, into whose
hands the owner of the <i>Seabird</i> had placed her, had done his work with
taste and judgment, and the ladies' cabin resembled a little boudoir.</p>
<p>"Why, Tom, I should have hardly known her!" Grantham, who had often
spent a day on board the <i>Seabird</i>, said.</p>
<p>"I hardly know her myself," Tom said, rather ruefully; "but I hope she's
all right, Mrs. Grantham, and that you and Miss Graham will find
everything you want."</p>
<p>"It is charming!" Mrs. Grantham said enthusiastically. "It's awfully
good of you, Tom, and we appreciate it; don't we, Minnie? It is such a
surprise, too; for James said that while I should find everything very
comfortable, I must not expect that a small yacht would be got up like a
palace."</p>
<p><SPAN name="Page_50" id="Page_50"></SPAN>So a fortnight had passed; they had cruised along the coast as far as
Plymouth, anchoring at night at the various ports on the way. Then they
had returned to Southampton, and it had been settled that as none of the
party, with the exception of Virtue himself, had been to the Channel
Islands, the last fortnight of the trip should be spent there. The
weather had been delightful, save that there had been some deficiency in
wind, and throughout the cruise the <i>Seabird</i> had been under all the
sail she could spread. But when the gentlemen came on deck early in the
morning a considerable change had taken place; the sky was gray and the
clouds flying fast overhead.</p>
<p>"We are going to have dirty weather," Tom Virtue said at once. "I don't
think it's going to be a gale, but there will be more sea on than will
be pleasant for ladies. I tell you what, Grantham; the best thing will
be for you to go on shore with the two ladies, and cross by the boat
to-night. If you don't mind going directly after breakfast I will start
at once, and shall be at St. Helier's as soon as you are."</p>
<p>And so it had been agreed, but not, as has been seen, without opposition
and protest on the part of the ladies.</p>
<p><SPAN name="Page_51" id="Page_51"></SPAN>Mrs. Grantham's chief reason for objecting had not been given. The
little scheme on which she had set her mind seemed to be working
satisfactorily. From the first day Tom Virtue had exerted himself to
play the part of host satisfactorily, and had ere long shaken off any
shyness he may have felt towards the one stranger of the party, and he
and Miss Graham had speedily got on friendly terms. So things were going
on as well as Mrs. Grantham could have expected.</p>
<p>No sooner had his guests left the side of the yacht than her owner began
to make his preparations for a start.</p>
<p>"What do you think of the weather, Watkins?" he asked his skipper.</p>
<p>"It's going to blow hard, sir; that's my view of it, and if I was you I
shouldn't up anchor to-day. Still, it's just as you likes; the <i>Seabird</i>
won't mind it if we don't. She has had a rough time of it before now;
still, it will be a case of wet jackets, and no mistake."</p>
<p>"Yes, I expect we shall have a rough time of it, Watkins, but I want to
get across. We don't often let ourselves be weather-bound, and I am not
going to begin it to-day. We had better house the topmast at once, and
get two reefs in the main-sail. We can get the other down when <SPAN name="Page_52" id="Page_52"></SPAN>we get
clear of the island. Get number three jib up, and the leg-of-mutton
mizzen; put two reefs in the foresail."</p>
<p>Tom and his friend Harvey, who was a good sailor, assisted the crew in
reefing down the sails, and a few minutes after the gig had returned and
been hoisted in, the yawl was running rapidly down Southampton waters.</p>
<p>"We need hardly have reefed quite so closely," Jack Harvey said, as he
puffed away at his pipe.</p>
<p>"Not yet, Jack; but you will see she has as much as she can carry before
long. It's all the better to make all snug before starting; it saves a
lot of trouble afterwards, and the extra canvas would not have made ten
minutes' difference to us at the outside. We shall have pretty nearly a
dead beat down the Solent. Fortunately tide will be running strong with
us, but there will be a nasty kick-up there. You will see we shall feel
the short choppy seas there more than we shall when we get outside. She
is a grand boat in a really heavy sea, but in short waves she puts her
nose into it with a will. Now, if you will take my advice, you will do
as I am going to do; put on a pair of fisherman's boots and oilskin and
sou'-wester. There are several sets for you to choose from below."</p>
<p><SPAN name="Page_53" id="Page_53"></SPAN>As her owner had predicted, the <i>Seabird</i> put her bowsprit under pretty
frequently in the Solent; the wind was blowing half a gale, and as it
met the tide it knocked up a short, angry sea, crested with white heads,
and Jack Harvey agreed that she had quite as much sail on her as she
wanted. The cabin doors were bolted, and all made snug to prevent the
water getting below before they got to the race off Hurst Castle; and it
was well that they did so, for she was as much under water as she was
above.</p>
<p>"I think if I had given way to the ladies and brought them with us they
would have changed their minds by this time, Jack," Tom Virtue said,
with a laugh.</p>
<p>"I should think so," his friend agreed; "this is not a day for a
fair-weather sailor. Look what a sea is breaking on the shingles!"</p>
<p>"Yes, five minutes there would knock her into matchwood. Another ten
minutes and we shall be fairly out; and I sha'n't be sorry; one feels as
if one was playing football, only just at present the <i>Seabird</i> is the
ball and the waves the kickers."</p>
<p>Another quarter of an hour and they had passed the Needles.</p>
<p>"That is more pleasant, Jack," as the short, chopping motion was
exchanged for a regular <SPAN name="Page_54" id="Page_54"></SPAN>rise and fall; "this is what I enjoy—a steady
wind and a regular sea. The <i>Seabird</i> goes over it like one of her
namesakes; she is not taking a teacupful now over her bows.</p>
<p>"Watkins, you may as well take the helm for a spell, while we go down to
lunch. I am not sorry to give it up for a bit, for it has been jerking
like the kick of a horse.</p>
<p>"That's right, Jack, hang up your oilskin there. Johnson, give us a
couple of towels; we have been pretty well smothered up there on deck.
Now what have you got for us?"</p>
<p>"There is some soup ready, sir, and that cold pie you had for dinner
yesterday."</p>
<p>"That will do; open a couple of bottles of stout."</p>
<p>Lunch, over, they went on deck again.</p>
<p>"She likes a good blow as well as we do," Virtue said, enthusiastically,
as the yawl rose lightly over each wave. "What do you think of it,
Watkins? Is the wind going to lull a bit as the sun goes down?"</p>
<p>"I think not, sir. It seems to me it's blowing harder than it was."</p>
<p>"Then we will prepare for the worst, Watkins; get the try-sail up on
deck. When you are ready we will bring her up into the wind and set it.<SPAN name="Page_55" id="Page_55"></SPAN>
That's the comfort of a yawl, Jack; one can always lie to without any
bother, and one hasn't got such a tremendous boom to handle."</p>
<p>The try-sail was soon on deck, and then the <i>Seabird</i> was brought up
into the wind, the weather fore-sheet hauled aft, the mizzen sheeted
almost fore and aft, and the <i>Seabird</i> lay, head to wind, rising and
falling with a gentle motion, in strong contrast to her impetuous rushes
when under sail.</p>
<p>"She would ride out anything like that," her owner said. "Last time we
came through the Bay on our way from Gib., we were caught in a gale
strong enough to blow the hair off one's head, and we lay to for nearly
three days, and didn't ship a bucket of water all the time. Now let us
lend a hand to get the main-sail stowed."</p>
<p>Ten minutes' work and it was securely fastened and its cover on; two
reefs were put in the try-sail. Two hands went to each of the halliards,
while, as the sail rose, Tom Virtue fastened the toggles round the mast.</p>
<p>"All ready, Watkins?"</p>
<p>"All ready, sir."</p>
<p>"Slack off the weather fore-sheet, then, and haul aft the leeward. Slack
out the mizzen-sheet a little, Jack. That's it; now she's off again,
like a duck."</p>
<p><SPAN name="Page_56" id="Page_56"></SPAN>The <i>Seabird</i> felt the relief from the pressure of the heavy boom to
leeward and rose easily and lightly over the waves.</p>
<p>"She certainly is a splendid sea-boat, Tom; I don't wonder you are ready
to go anywhere in her. I thought we were rather fools for starting this
morning, although I enjoy a good blow; but now I don't care how hard it
comes on."</p>
<p>By night it was blowing a downright gale.</p>
<p>"We will lie to till morning, Watkins. So that we get in by daylight
to-morrow evening, that is all we want. See our side-lights are burning
well, and you had better get up a couple of blue lights, in case
anything comes running up Channel and don't see our lights. We had
better divide into two watches; I will keep one with Matthews and
Dawson, Mr. Harvey will go in your watch with Nicholls. We had better
get the try-sail down altogether, and lie to under the foresail and
mizzen, but don't put many lashings on the try-sail, one will be enough,
and have it ready to cast off in a moment, in case we want to hoist the
sail in a hurry. I will go down and have a glass of hot grog first, and
then I will take my watch to begin with. Let the two hands with me go
down; the steward will serve them out a tot each. Jack, you had better
turn in at once."</p>
<p><SPAN name="Page_57" id="Page_57"></SPAN>Virtue was soon on deck again, muffled up in his oilskins.</p>
<p>"Now, Watkins, you can go below and turn in."</p>
<p>"I sha'n't go below to-night, sir—not to lie down. There's nothing much
to do here, but I couldn't sleep, if I did lie down."</p>
<p>"Very well; you had better go below and get a glass of grog; tell the
steward to give you a big pipe with a cover like this, out of the
locker; and there's plenty of chewing tobacco, if the men are short."</p>
<p>"I will take that instead of a pipe," Watkins said; "there's nothing
like a quid in weather like this, it ain't never in your way, and it
lasts. Even with a cover a pipe would soon be out."</p>
<p>"Please yourself, Watkins; tell the two hands forward to keep a bright
look-out for lights."</p>
<p>The night passed slowly. Occasionally a sea heavier than usual came on
board, curling over the bow and falling with a heavy thud on the deck,
but for the most part the <i>Seabird</i> breasted the waves easily; the
bowsprit had been reefed in to its fullest, thereby adding to the
lightness and buoyancy of the boat. Tom Virtue did not go below when his
friend came up to relieve him at the change of watch, but sat smoking
and <SPAN name="Page_58" id="Page_58"></SPAN>doing much talking in the short intervals between the gusts.</p>
<p>The morning broke gray and misty, driving sleet came along on the wind,
and the horizon was closed in as by a dull curtain.</p>
<p>"How far can we see, do you think, Watkins?"</p>
<p>"Perhaps a couple of miles, sir."</p>
<p>"That will be enough. I think we both know the position of every reef to
within a hundred yards, so we will shape our course for Guernsey. If we
happen to hit it off, we can hold on to St. Helier; but if when we think
we ought to be within sight of Guernsey we see nothing of it, we must
lie to again, till the storm has blown itself out or the clouds lift. It
would never do to go groping our way along with such currents as run
among the islands. Put the last reef in the try-sail before you hoist
it. I think you had better get the foresail down altogether, and run up
the spit-fire jib."</p>
<p>The <i>Seabird</i> was soon under way again.</p>
<p>"Now, Watkins, you take the helm; we will go down and have a cup of hot
coffee, and I will see that the steward has a good supply for you and
the hands; but first, do you take the helm, Jack, whilst Watkins and I
have a look at the <SPAN name="Page_59" id="Page_59"></SPAN>chart, and try and work out where we are, and the
course we had better lie for Guernsey."</p>
<p>Five minutes were spent over the chart, then Watkins went up and Jack
Harvey came down.</p>
<p>"You have got the coffee ready, I hope, Johnson?"</p>
<p>"Yes, sir, coffee and chocolate. I didn't know which you would like."</p>
<p>"Chocolate, by all means. Jack, I recommend the chocolate. Bring two
full-sized bowls, Johnson, and put that cold pie on the table, and a
couple of knives and forks; never mind about a cloth; but first of all
bring a couple of basins of hot water, we shall enjoy our food more
after a wash."</p>
<p>The early breakfast was eaten, dry coats and mufflers put on, pipes
lighted, and they then went up upon deck. Tom took the helm.</p>
<p>"What time do you calculate we ought to make Guernsey, Tom?"</p>
<p>"About twelve. The wind is freer than it was, and we are walking along
at a good pace. Matthews, cast the log, and let's see what we are doing.
About seven knots, I should say."</p>
<p>"Seven and a quarter, sir," the man said, when he checked the line.</p>
<p>"Not a bad guess, Tom; it's always difficult to judge pace in a heavy
sea."</p>
<p><SPAN name="Page_60" id="Page_60"></SPAN>At eleven o'clock the mist ceased.</p>
<p>"That's fortunate," Tom Virtue said; "I shouldn't be surprised if we get
a glimpse of the sun between the clouds, presently. Will you get my
sextant and the chronometer up, Jack, and put them handy?"</p>
<p>Jack Harvey did as he was asked, but there was no occasion to use the
instruments, for ten minutes later, Watkins, who was standing near the
bow gazing fixedly ahead, shouted:</p>
<p>"There's Guernsey, sir, on her lee bow, about six miles away, I should
say."</p>
<p>"That's it, sure enough," Tom agreed, as he gazed in the direction in
which Watkins was pointing. "There's a gleam of sunshine on it, or we
shouldn't have seen it yet. Yes, I think you are about right as to the
distance. Now let us take its bearings, we may lose it again directly."</p>
<p>Having taken the bearings of the island they went below, and marked off
their position on the chart, and they shaped their course for Cape
Grosnez, the north-western point of Jersey. The gleam of sunshine was
transient—the clouds closed in again overhead, darker and grayer than
before. Soon the drops of rain came flying before the wind, the horizon
closed in, and they could not see half a mile away, but, though the sea
was <SPAN name="Page_61" id="Page_61"></SPAN>heavy, the <i>Seabird</i> was making capital weather of it, and the two
friends agreed that, after all, the excitement of a sail like this was
worth a month of pottering about in calms.</p>
<p>"We must keep a bright look-out presently," the skipper said; "there are
some nasty rocks off the coast of Jersey. We must give them a wide
berth. We had best make round to the south of the island, and lay to
there till we can pick up a pilot to take us into St. Helier. I don't
think it will be worth while trying to get into St. Aubyn's Bay by
ourselves."</p>
<p>"I think so, too, Watkins, but we will see what it is like before it
gets dark; if we can pick up a pilot all the better; if not, we will lie
to till morning, if the weather keeps thick; but if it clears so that we
can make out all the lights we ought to be able to get into the bay
anyhow."</p>
<p>An hour later the rain ceased and the sky appeared somewhat clearer.
Suddenly Watkins exclaimed, "There is a wreck, sir! There, three miles
away to leeward. She is on the Paternosters."</p>
<p>"Good heavens! she is a steamer," Tom exclaimed, as he caught sight of
her the next time the <i>Seabird</i> lifted on a wave. "Can she be the
Southampton boat, do you think?"</p>
<p><SPAN name="Page_62" id="Page_62"></SPAN>"Like enough, sir, she may have had it thicker than we had, and may not
have calculated enough for the current."</p>
<p>"Up helm, Jack, and bear away towards her. Shall we shake out a reef,
Watkins?"</p>
<p>"I wouldn't, sir; she has got as much as she can carry on her now. We
must mind what we are doing, sir; the currents run like a millstream,
and if we get that reef under our lee, and the wind and current both
setting us on to it, it will be all up with us in no time."</p>
<p>"Yes, I know that, Watkins. Jack, take the helm a minute while we run
down and look at the chart.</p>
<p>"Our only chance, Watkins, is to work up behind the reef, and try and
get so that they can either fasten a line to a buoy and let it float
down to us, or get into a boat, if they have one left, and drift to us."</p>
<p>"They are an awful group of rocks," Watkins said, as they examined the
chart; "you see some of them show merely at high tide, and a lot of them
are above at low water. It will be an awful business to get among them
rocks, sir, just about as near certain death as a thing can be."</p>
<p>"Well, it's got to be done, Watkins," Tom said, firmly. "I see the
danger as well as you do, but <SPAN name="Page_63" id="Page_63"></SPAN>whatever the risk, it must be tried. Mr.
Grantham and the two ladies went on board by my persuasion, and I should
never forgive myself if anything happened to them. But I will speak to
the men."</p>
<p>He went on deck again and called the men to him. "Look here, lads; you
see that steamer ashore on the Paternosters. In such a sea as this she
may go to pieces in half an hour. I am determined to make an effort to
save the lives of those on board. As you can see for yourselves there is
no lying to weather of her, with the current and wind driving us on to
the reef; we must beat up from behind. Now, lads, the sea there is full
of rocks, and the chances are ten to one we strike on to them and go to
pieces; but, anyhow I am going to try; but I won't take you unless you
are willing. The boat is a good one, and the zinc chambers will keep her
afloat if she fills; well managed, you ought to be able to make the
coast of Jersey in her. Mr. Harvey, Watkins, and I can handle the yacht,
so you can take the boat if you like."</p>
<p>The men replied that they would stick to the yacht wherever Mr. Virtue
chose to take her, and muttered something about the ladies, for the
pleasant faces of Mrs. Grantham and Miss Graham <SPAN name="Page_64" id="Page_64"></SPAN>had, during the
fortnight they had been on board, won the men's hearts.</p>
<p>"Very well, lads, I am glad to find you will stick by me; if we pull
safely through it I will give each of you three months' wages. Now set
to work with a will and get the gig out. We will tow her after us, and
take to her if we make a smash of it."</p>
<p>They were now near enough to see the white breakers, in the middle of
which the ship was lying. She was fast breaking up. The jagged outline
showed that the stern had been beaten in. The masts and funnel were
gone, and the waves seemed to make a clean breach over her, almost
hiding her from sight in a white cloud of spray.</p>
<p>"Wood and iron can't stand that much longer," Jack Harvey said; "another
hour and I should say there won't be two planks left together."</p>
<p>"It is awful, Jack; I would give all I have in the world if I had not
persuaded them to go on board. Keep her off a little more, Watkins."</p>
<p>The <i>Seabird</i> passed within a cable's-length of the breakers at the
northern end of the reef.</p>
<p>"Now, lads, take your places at the sheets, ready to haul or let go as I
give the word." So saying, Tom Virtue took his place in the bow, holding
on by the forestay.</p>
<p><SPAN name="Page_65" id="Page_65"></SPAN>The wind was full on the <i>Seabird's</i> beam as she entered the broken
water. Here and there the dark heads of the rocks showed above the
water. These were easy enough to avoid, the danger lay in those hidden
beneath its surface, and whose position was indicated only by the
occasional break of a sea as it passed over them. Every time the
<i>Seabird</i> sank on a wave those on board involuntarily held their breath,
but the water here was comparatively smooth, the sea having spent its
first force upon the outer reef. With a wave of his hand Tom directed
the helmsman as to his course, and the little yacht was admirably
handled through the dangers.</p>
<p>"I begin to think we shall do it," Tom said to Jack Harvey, who was
standing close to him. "Another five minutes and we shall be within
reach of her."</p>
<p>It could be seen now that there was a group of people clustered in the
bow of the wreck. Two or three light lines were coiled in readiness for
throwing.</p>
<p>"Now, Watkins," Tom said, going aft, "make straight for the wreck. I see
no broken water between us and them, and possibly there may be deep
water under their bow."</p>
<p>It was an anxious moment, as, with the sails <SPAN name="Page_66" id="Page_66"></SPAN>flattened in, the yawl
forged up nearly in the eye of the wind towards the wreck. Her progress
was slow, for she was now stemming the current.</p>
<p>Tom stood with a coil of line in his hand in the bow.</p>
<p>"You get ready to throw, Jack, if I miss."</p>
<p>Nearer and nearer the yacht approached the wreck, until the bowsprit of
the latter seemed to stand almost over her. Then Tom threw the line. It
fell over the bowsprit, and a cheer broke from those on board the wreck
and from the sailors of the <i>Seabird</i>. A stronger line was at once
fastened to that thrown, and to this a strong hawser was attached.</p>
<p>"Down with the helm, Watkins. Now, lads, lower away the try-sail as fast
as you can. Now, one of you, clear that hawser as they haul on it. Now
out with the anchors."</p>
<p>These had been got into readiness; it was not thought that they would
get any hold on the rocky bottom, still they might catch on a projecting
ledge, and at any rate their weight and that of the chain cable would
relieve the strain upon the hawser.</p>
<p>Two sailors had run out on the bowsprit of the wreck as soon as the line
was thrown, and the end of the hawser was now on board the steamer.</p>
<p><SPAN name="Page_67" id="Page_67"></SPAN>"Thank God, there's Grantham!" Jack Harvey exclaimed; "do you see him
waving his hand?"</p>
<p>"I see him," Tom said, "but I don't see the ladies."</p>
<p>"They are there, no doubt," Jack said, confidently; "crouching down, I
expect. He would not be there if they weren't, you may be sure. Yes,
there they are; those two muffled-up figures. There, one of them has
thrown back her cloak and is waving her arm."</p>
<p>The two young men waved their caps.</p>
<p>"Are the anchors holding, Watkins? There's a tremendous strain on that
hawser."</p>
<p>"I think so, sir; they are both tight."</p>
<p>"Put them round the windlass, and give a turn or two, we must relieve
the strain on that hawser."</p>
<p>Since they had first seen the wreck the waves had made great progress in
the work of destruction, and the steamer had broken in two just aft of
the engines.</p>
<p>"Get over the spare spars, Watkins, and fasten them to float in front of
her bows like a triangle. Matthews, catch hold of that boat-hook and try
to fend off any piece of timber that comes along. You get hold of the
sweeps, lads, and do the same.<SPAN name="Page_68" id="Page_68"></SPAN> They would stave her in like a nut-shell
if they struck her.</p>
<p>"Thank God, here comes the first of them!"</p>
<p>Those on board the steamer had not been idle. As soon as the yawl was
seen approaching slings were prepared, and no sooner was the hawser
securely fixed, than the slings were attached to it and a woman placed
in them. The hawser was tight and the descent sharp, and without a check
the figure ran down to the deck of the <i>Seabird</i>. She was lifted out of
the slings by Tom and Jack Harvey, who found she was an old woman and
had entirely lost consciousness.</p>
<p>"Two of you carry her down below; tell Johnson to pour a little brandy
down her throat. Give her some hot soup as soon as she comes to."</p>
<p>Another woman was lowered and helped below. The next to descend was Mrs.
Grantham.</p>
<p>"Thank God, you are rescued!" Tom said, as he helped her out of the
sling.</p>
<p>"Thank God, indeed," Mrs. Grantham said, "and thank you all! Oh, Tom, we
have had a terrible time of it, and had lost all hope till we saw your
sail, and even then the captain said that he was afraid nothing could be
done. Minnie was the first to make out it was you, and then <SPAN name="Page_69" id="Page_69"></SPAN>we began to
hope. She has been so brave, dear girl. Ah! here she comes."</p>
<p>But Minnie's firmness came to an end now that she felt the need for it
was over. She was unable to stand when she was lifted from the slings;
and Tom carried her below.</p>
<p>"Are there any more women, Mrs. Grantham?"</p>
<p>"No; there was only one other lady passenger and the stewardess."</p>
<p>"Then you had better take possession of your own cabin. I ordered
Johnson to spread a couple more mattresses and some bedding on the
floor, so you will all four be able to turn in. There's plenty of hot
coffee and soup. I should advise soup with two or three spoonfuls of
brandy in it. Now, excuse me; I must go upon deck."</p>
<p>Twelve men descended by the hawser, one of them with both legs broken by
the fall of the mizzen. The last to come was the captain.</p>
<p>"Is that all?" Tom asked.</p>
<p>"That is all," the captain said. "Six men were swept overboard when she
first struck, and two were killed by the fall of the funnel. Fortunately
we had only three gentlemen passengers and three ladies on board. The
weather looked so wild when we started that no one else cared about
making the passage. God bless you, sir, for what <SPAN name="Page_70" id="Page_70"></SPAN>you have done! Another
half-hour and it would have been all over with us. But it seems like a
miracle your getting safe through the rocks to us."</p>
<p>"It was fortunate indeed that we came along," Tom said; "three of the
passengers are dear friends of mine; and as it was by my persuasion that
they came across in the steamer instead of in the yacht, I should never
have forgiven myself if they had been lost. Take all your men below,
captain; you will find plenty of hot soup there. Now, Watkins, let us be
off; that steamer won't hold together many minutes longer, so there's no
time to lose. We will go back as we came. Give me a hatchet. Now, lads,
two of you stand at the chain-cables; knock out the shackles the moment
I cut the hawser. Watkins, you take the helm and let her head pay off
till the jib fills. Jack, you lend a hand to the other two, and get up
the try-sail again as soon as we are free."</p>
<p>In a moment all were at their stations. The helm was put on the yacht,
and she payed off on the opposite tack to that on which she had before
been sailing. As soon as the jib filled, Tom gave two vigorous blows
with his hatchet on the hawser, and, as he lifted his hand for a third,
it parted. Then came the sharp rattle of the chains as they <SPAN name="Page_71" id="Page_71"></SPAN>ran round
the hawser-holes. The try-sail was hoisted and sheeted home, and the
<i>Seabird</i> was under way again. Tom, as before, conned the ship from the
bow. Several times she was in close proximity to the rocks, but each
time she avoided them. A shout of gladness rose from all on deck as she
passed the last patch of white water. Then she tacked and bore away for
Jersey.</p>
<p>Tom had now time to go down below and look after his passengers. They
consisted of the captain and two sailors—the sole survivors of those
who had been on deck when the vessel struck—three male passengers, and
six engineers and stokers.</p>
<p>"I have not had time to shake you by the hand before, Tom," Grantham
said, as Tom Virtue entered; "and I thought you would not want me on
deck at present. God bless you, old fellow! we all owe you our lives."</p>
<p>"How did it happen, captain?" Tom asked, as the captain also came up to
him.</p>
<p>"It was the currents, I suppose," the captain said; "it was so thick we
could not see a quarter of a mile any way. The weather was so wild I
would not put into Guernsey, and passed the island without seeing it. I
steered my usual course, but the gale must have altered the cur<SPAN name="Page_72" id="Page_72"></SPAN>rents,
for I thought I was three miles away from the reef, when we saw it on
our beam, not a hundred yards away. It was too late to avoid it then,
and in another minute we ran upon it, and the waves were sweeping over
us. Every one behaved well. I got all, except those who had been swept
overboard or crushed by the funnel, up into the bow of the ship, and
there we waited. There was nothing to be done. No boat would live for a
moment in the sea on that reef, and all I could advise was, that when
she went to pieces every one should try to get hold of a floating
fragment; but I doubt whether a man would have been alive a quarter of
an hour after she went to pieces."</p>
<p>"Perhaps, captain, you will come on deck with me and give me the benefit
of your advice. My skipper and I know the islands pretty well, but no
doubt you know them a good deal better, and I don't want another
mishap."</p>
<p>But the <i>Seabird</i> avoided all further dangers, and as it became dark,
the lights of St. Helier's were in sight, and an hour later the yacht
brought up in the port and landed her involuntary passengers.</p>
<p>A fortnight afterwards the <i>Seabird</i> returned to England, and two months
later Mrs. Grantham <SPAN name="Page_73" id="Page_73"></SPAN>had the satisfaction of being present at the
ceremony which was the successful consummation of her little scheme in
inviting Minnie Graham to be her companion on board the <i>Seabird</i>.</p>
<p>"Well, my dear," her husband said, when she indulged in a little natural
triumph, "I do not say that it has not turned out well, and I am
heartily glad for both Tom and Minnie's sake it has so; but you must
allow that it very nearly had a disastrous ending, and I think if I were
you I should leave matters to take their natural course in future. I
have accepted Tom's invitation for the same party to take a cruise in
the <i>Seabird</i> next summer, but I have bargained that next time a storm
is brewing up we shall stop quietly in port."</p>
<p>"That's all very well, James," Mrs. Grantham said saucily; "but you must
remember that Tom Virtue will only be first-mate of the <i>Seabird</i> in
future."</p>
<p>"That I shall be able to tell you better, my dear, after our next
cruise. All husbands are not as docile and easily led as I am."</p>
<hr style="width: 65%;" />
<p><SPAN name="Page_74" id="Page_74"></SPAN></p>
<p><SPAN name="Page_75" id="Page_75"></SPAN></p>
<div class="figcenter"> <SPAN name="A_PIPE_OF_MYSTERY" id="A_PIPE_OF_MYSTERY"></SPAN> <ANTIMG src="images/pipe.jpg" width-obs="324" height-obs="72" alt="" title="" /></div>
<h2>A PIPE OF MYSTERY.</h2>
<div class="figleft"> <ANTIMG src="images/b1.jpg" width-obs="75" height-obs="78" alt="A" title="" /></div>
<p>jovial party were gathered round a blazing fire in an old grange near
Warwick. The hour was getting late; the very little ones had, after
dancing round the Christmas-tree, enjoying the snapdragon, and playing a
variety of games, gone off to bed; and the elder boys and girls now
gathered round their uncle, Colonel Harley, and asked him for a
story—above all, a ghost story.<br style="clear: both;" /></p>
<p>"But I have never seen any ghosts," the colonel said, laughing; "and,
moreover, I don't believe in them one bit. I have travelled pretty well
all over the world, I have slept in houses said to be haunted, but
nothing have I seen—no noises that could not be accounted for by rats
or the wind have I ever heard. I have never"—and here he paused—"never
but once met with any circumstances or occurrence that could not be
accounted for by the light of reason, and I know you prefer <SPAN name="Page_76" id="Page_76"></SPAN>hearing
stories of my own adventures to mere invention."</p>
<p>"Yes, uncle. But what was the 'once' when circumstances happened that
you could not explain?"</p>
<p>"It's rather a long story," the colonel said, "and it's getting late."</p>
<p>"Oh! no, no, uncle; it does not matter a bit how late we sit up on
Christmas Eve, and the longer the story is, the better; and if you don't
believe in ghosts, how can it be a story of something you could not
account for by the light of nature?"</p>
<p>"You will see when I have done," the colonel said. "It is rather a story
of what the Scotch call second sight, than one of ghosts. As to
accounting for it, you shall form your own opinion when you have heard
me to the end.</p>
<p>"I landed in India in '50, and after going through the regular drill
work, marched with a detachment up country to join my regiment, which
was stationed at Jubbalpore, in the very heart of India. It has become
an important place since; the railroad across India passes through it,
and no end of changes have taken place; but at that time it was one of
the most out-of-the-way stations in India, and, I may say, one of the
most <SPAN name="Page_77" id="Page_77"></SPAN>pleasant. It lay high, there was capital boating on the Nerbudda,
and, above all, it was a grand place for sport, for it lay at the foot
of the hill country, an immense district, then but little known, covered
with forests and jungle, and abounding with big game of all kinds.</p>
<p>"My great friend there was a man named Simmonds. He was just of my own
standing; we had come out in the same ship, had marched up the country
together, and were almost like brothers. He was an old Etonian, I an old
Westminster, and we were both fond of boating, and, indeed, of sport of
all kinds. But I am not going to tell you of that now. The people in
these hills are called Gonds, a true hill tribe—that is to say,
aborigines, somewhat of the negro type. The chiefs are of mixed blood,
but the people are almost black. They are supposed to accept the
religion of the Hindus, but are in reality deplorably ignorant and
superstitious. Their priests are a sort of compound of a Brahmin priest
and a negro fetish man, and among their principal duties is that of
charming away tigers from the villages by means of incantations. There,
as in other parts of India, were a few wandering fakirs, who enjoyed an
immense reputation for holiness and wisdom. The people would go to them
from <SPAN name="Page_78" id="Page_78"></SPAN>great distances for charms or predictions, and believed in their
power with implicit faith.</p>
<p>"At the time when we were at Jubbalpore, there was one of these fellows,
whose reputation altogether eclipsed that of his rivals, and nothing
could be done until his permission had been asked and his blessing
obtained. All sorts of marvellous stories were constantly coming to our
ears of the unerring foresight with which he predicted the termination
of diseases, both in men and animals; and so generally was he believed
in that the colonel ordered that no one connected with the regiment
should consult him, for these predictions very frequently brought about
their own fulfilment; for those who were told that an illness would
terminate fatally, lost all hope, and literally lay down to die.</p>
<p>"However, many of the stories that we heard could not be explained on
these grounds, and the fakir and his doings were often talked over at
mess, some of the officers scoffing at the whole business, others
maintaining that some of these fakirs had, in some way or another, the
power of foretelling the future, citing many well authenticated
anecdotes upon the subject.</p>
<p>"The older officers were the believers, we young fellows were the
scoffers. But for the well-known <SPAN name="Page_79" id="Page_79"></SPAN>fact that it is very seldom indeed
that these fakirs will utter any of their predictions to Europeans, some
of us would have gone to him, to test his powers. As it was, none of us
had ever seen him.</p>
<p>"He lived in an old ruined temple, in the middle of a large patch of
jungle at the foot of the hills, some ten or twelve miles away.</p>
<p>"I had been at Jubbalpore about a year, when I was woke up one night by
a native, who came in to say that at about eight o'clock a tiger had
killed a man in his village, and had dragged off the body.</p>
<p>"Simmonds and I were constantly out after tigers, and the people in all
the villages within twenty miles knew that we were always ready to pay
for early information. This tiger had been doing great damage, and had
carried off about thirty men, women, and children. So great was the fear
of him, indeed, that the people in the neighbourhood he frequented
scarcely dared stir out of doors, except in parties of five or six. We
had had several hunts after him, but, like all man-eaters, he was old
and awfully crafty; and although we got several snap shots at him, he
had always managed to save his skin.</p>
<p>"In a quarter of an hour after the receipt of the message, Charley
Simmonds and I were on <SPAN name="Page_80" id="Page_80"></SPAN>the back of an elephant, which was our joint
property; our shekarry, a capital fellow, was on foot beside us, and
with the native trotting on ahead as guide we went off at the best pace
of old Begaum, for that was the elephant's name. The village was fifteen
miles away, but we got there soon after daybreak, and were received with
delight by the population. In half an hour the hunt was organized; all
the male population turned out as beaters, with sticks, guns, tom-toms,
and other instruments for making a noise.</p>
<p>"The trail was not difficult to find. A broad path, with occasional
smears of blood, showed where he had dragged his victim through the long
grass to a cluster of trees a couple of hundred yards from the village.</p>
<p>"We scarcely expected to find him there, but the villagers held back,
while we went forward with cocked rifles. We found, however, nothing but
a few bones and a quantity of blood. The tiger had made off at the
approach of daylight into the jungle, which was about two miles distant.
We traced him easily enough, and found that he had entered a large
ravine, from which several smaller ones branched off.</p>
<p>"It was an awkward place, as it was next to impossible to surround it
with the number of <SPAN name="Page_81" id="Page_81"></SPAN>people at our command. We posted them at last all
along the upper ground, and told them to make up in noise what they
wanted in numbers. At last all was ready, and we gave the signal.
However, I am not telling you a hunting story, and need only say that we
could neither find nor disturb him. In vain we pushed Begaum through the
thickest of the jungle which clothed the sides and bottom of the ravine,
while the men shouted, beat their tom-toms, and showered imprecations
against the tiger himself and his ancestors up to the remotest
generations.</p>
<p>"The day was tremendously hot, and, after three hours' march, we gave it
up for a time, and lay down in the shade, while the shekarries made a
long examination of the ground all round the hillside, to be sure that
he had not left the ravine. They came back with the news that no traces
could be discovered, and that, beyond a doubt, he was still there. A
tiger will crouch up in an exceedingly small clump of grass or bush, and
will sometimes almost allow himself to be trodden on before moving.
However, we determined to have one more search, and if that should prove
unsuccessful, to send off to Jubbalpore for some more of the men to come
out with elephants, while we kept up a circle of fires, and of noises
<SPAN name="Page_82" id="Page_82"></SPAN>of all descriptions, so as to keep him a prisoner until the arrival of
the reinforcements. Our next search was no more successful than our
first had been; and having, as we imagined, examined every clump and
crevice in which he could have been concealed, we had just reached the
upper end of the ravine, when we heard a tremendous roar, followed by a
perfect babel of yells and screams from the natives.</p>
<p>"The outburst came from the mouth of the ravine, and we felt at once
that he had escaped. We hurried back to find, as we had expected, that
the tiger was gone. He had burst out suddenly from his hiding-place, had
seized a native, torn him horribly, and had made across the open plain.</p>
<p>"This was terribly provoking, but we had nothing to do but follow him.
This was easy enough, and we traced him to a detached patch of wood and
jungle, two miles distant. This wood was four or five hundred yards
across, and the exclamations of the people at once told us that it was
the one in which stood the ruined temple of the fakir of whom I have
been telling you. I forgot to say, that as the tiger broke out one of
the village shekarries had fired at, and, he declared, wounded him.</p>
<p><SPAN name="Page_83" id="Page_83"></SPAN>"It was already getting late in the afternoon, and it was hopeless to
attempt to beat the jungle that night. We therefore sent off a runner
with a note to the colonel, asking him to send the work-elephants, and
to allow a party of volunteers to march over at night, to help surround
the jungle when we commenced beating it in the morning.</p>
<p>"We based our request upon the fact that the tiger was a notorious
man-eater, and had been doing immense damage. We then had a talk with
our shekarry, sent a man off to bring provisions for the people out with
us, and then set them to work cutting sticks and grass to make a circle
of fires.</p>
<p>"We both felt much uneasiness respecting the fakir, who might be seized
at any moment by the enraged tiger. The natives would not allow that
there was any cause for fear, as the tiger would not dare to touch so
holy a man. Our belief in the respect of the tiger for sanctity was by
no means strong, and we determined to go in and warn him of the presence
of the brute in the wood. It was a mission which we could not intrust to
anyone else, for no native would have entered the jungle for untold
gold; so we mounted the Begaum again, and started. The path leading
towards the temple was pretty wide, and as <SPAN name="Page_84" id="Page_84"></SPAN>we went along almost
noiselessly, for the elephant was too well trained to tread upon fallen
sticks, it was just possible we might come upon the tiger suddenly, so
we kept our rifles in readiness in our hands.</p>
<p>"Presently we came in sight of the ruins. No one was at first visible;
but at that very moment the fakir came out from the temple. He did not
see or hear us, for we were rather behind him and still among the trees,
but at once proceeded in a high voice to break into a sing-song prayer.
He had not said two words before his voice was drowned in a terrific
roar, and in an instant the tiger had sprung upon him, struck him to the
ground, seized him as a cat would a mouse, and started off with him at a
trot. The brute evidently had not detected our presence, for he came
right towards us. We halted the Begaum, and with our fingers on the
triggers, awaited the favourable moment. He was a hundred yards from us
when he struck down his victim; he was not more than fifty when he
caught sight of us. He stopped for an instant in surprise. Charley
muttered, 'Both barrels, Harley,' and as the beast turned to plunge into
the jungle, and so showed us his side, we sent four bullets crashing
into him, and he rolled over lifeless.</p>
<p><SPAN name="Page_85" id="Page_85"></SPAN>"We went up to the spot, made the Begaum give him a kick, to be sure
that he was dead, and then got down to examine the unfortunate fakir.
The tiger had seized him by the shoulder, which was terribly torn, and
the bone broken. He was still perfectly conscious.</p>
<p>"We at once fired three shots, our usual signal that the tiger was dead,
and in a few minutes were surrounded by the villagers, who hardly knew
whether to be delighted at the death of their enemy, or to grieve over
the injury to the fakir. We proposed taking the latter to our hospital
at Jubbalpore, but this he positively refused to listen to. However we
finally persuaded him to allow his arm to be set and the wounds dressed
in the first place by our regimental surgeon, after which he could go to
one of the native villages and have his arm dressed in accordance with
his own notions. A litter was soon improvised, and away we went to
Jubbalpore, which we reached about eight in the evening.</p>
<p>"The fakir refused to enter the hospital, so we brought out a couple of
trestles, laid the litter upon them, and the surgeon set his arm and
dressed his wounds by torch-light, when he was lifted into a dhoolie,
and his bearers again prepared to start for the village.</p>
<p><SPAN name="Page_86" id="Page_86"></SPAN>"Hitherto he had only spoken a few words; but he now briefly expressed
his deep gratitude to Simmonds and myself. We told him that we would
ride over to see him shortly, and hoped to find him getting on rapidly.
Another minute and he was gone.</p>
<p>"It happened that we had three or four fellows away on leave or on staff
duty, and several others knocked up with fever just about this time, so
that the duty fell very heavily upon the rest of us, and it was over a
month before we had time to ride over to see the fakir.</p>
<p>"We had heard he was going on well; but we were surprised, on reaching
the village, to find that he had already returned to his old abode in
the jungle. However, we had made up our minds to see him, especially as
we had agreed that we would endeavour to persuade him to do a prediction
for us; so we turned our horses' heads towards the jungle. We found the
fakir sitting on a rock in front of the temple, just where he had been
seized by the tiger. He rose as we rode up.</p>
<p>"'I knew that you would come to-day, sahibs, and was joyful in the
thought of seeing those who have preserved my life.'</p>
<p>"'We are glad to see you looking pretty strong <SPAN name="Page_87" id="Page_87"></SPAN>again, though your arm
is still in a sling,' I said, for Simmonds was not strong in Hindustani.</p>
<p>"'How did you know that we were coming?' I asked, when we had tied up
our horses.</p>
<p>"'Siva has given to his servant to know many things,' he said quietly.</p>
<p>"'Did you know beforehand that the tiger was going to seize you?' I
asked.</p>
<p>"'I knew that a great danger threatened, and that Siva would not let me
die before my time had come.'</p>
<p>"'Could you see into our future?' I asked.</p>
<p>"The fakir hesitated, looked at me for a moment earnestly to see if I
was speaking in mockery, and then said:</p>
<p>"'The sahibs do not believe in the power of Siva or of his servants.
They call his messengers impostors, and scoff at them when they speak of
the events of the future.'</p>
<p>"'No, indeed,' I said. 'My friend and I have no idea of scoffing. We
have heard of so many of your predictions coming true, that we are
really anxious that you should tell us something of the future.'</p>
<p>"The fakir nodded his head, went into the temple, and returned in a
minute or two with two small pipes used by the natives for
opium-<SPAN name="Page_88" id="Page_88"></SPAN>smoking, and a brazier of burning charcoal. The pipes were
already charged. He made signs to us to sit down, and took his place in
front of us. Then he began singing in a low voice, rocking himself to
and fro, and waving a staff which he held in his hand. Gradually his
voice rose, and his gesticulations and actions became more violent. So
far as I could make out, it was a prayer to Siva that he would give some
glimpse of the future which might benefit the sahibs who had saved the
life of his servant. Presently he darted forward, gave us each a pipe,
took two pieces of red-hot charcoal from the brazier in his fingers,
without seeming to know that they were warm, and placed them in the
pipes; then he recommenced his singing and gesticulations.</p>
<p>"A glance at Charley, to see if, like myself, he was ready to carry the
thing through, and then I put the pipe to my lips. I felt at once that
it was opium, of which I had before made experiment, but mixed with some
other substance, which was, I imagine, haschish, a preparation of hemp.
A few puffs, and I felt a drowsiness creeping over me. I saw, as through
a mist, the fakir swaying himself backwards and forwards, his arms
waving, and his face distorted. Another minute, and the pipe slipped
from my fingers, and I fell back insensible.</p>
<p><SPAN name="Page_89" id="Page_89"></SPAN>"How long I lay there I do not know. I woke with a strange and not
unpleasant sensation, and presently became conscious that the fakir was
gently pressing, with a sort of shampooing action, my temples and head.
When he saw that I opened my eyes he left me, and performed the same
process upon Charley. In a few minutes he rose from his stooping
position, waved his hand in token of adieu, and walked slowly back into
the temple.</p>
<p>"As he disappeared I sat up; Charley did the same.</p>
<p>"We stared at each other for a minute without speaking, and then Charley
said:</p>
<p>"'This is a rum go, and no mistake, old man.'</p>
<p>"'You're right, Charley. My opinion is, we've made fools of ourselves.
Let's be off out of this.'</p>
<p>"We staggered to our feet, for we both felt like drunken men, made our
way to our horses, poured a mussuk of water over our heads, took a drink
of brandy from our flasks, and then feeling more like ourselves, mounted
and rode out of the jungle.</p>
<p>"'Well, Harley, if the glimpse of futurity which I had is true, all I
can say is that it was extremely unpleasant.'</p>
<p>"'That was just my case, Charley.'</p>
<p><SPAN name="Page_90" id="Page_90"></SPAN>"'My dream, or whatever you like to call it, was about a mutiny of the
men.'</p>
<p>"'You don't say so, Charley; so was mine. This is monstrously strange,
to say the least of it. However, you tell your story first, and then I
will tell mine.'</p>
<p>"'It was very short,' Charley said. 'We were at mess—not in our present
mess-room—we were dining with the fellows of some other regiment.
Suddenly, without any warning, the windows were filled with a crowd of
Sepoys, who opened fire right and left into us. Half the fellows were
shot down at once; the rest of us made a rush to our swords just as the
niggers came swarming into the room. There was a desperate fight for a
moment. I remember that Subadar Pirán—one of the best native officers
in the regiment, by the way—made a rush at me, and I shot him through
the head with a revolver. At the same moment a ball hit me, and down I
went. At the moment a Sepoy fell dead across me, hiding me partly from
sight. The fight lasted a minute or two longer. I fancy a few fellows
escaped, for I heard shots outside. Then the place became quiet. In
another minute I heard a crackling, and saw that the devils had set the
mess-room on fire. One of our men, who was lying close <SPAN name="Page_91" id="Page_91"></SPAN>by me, got up
and crawled to the window, but he was shot down the moment he showed
himself. I was hesitating whether to do the same or to lie still and be
smothered, when suddenly I rolled the dead sepoy off, crawled into the
ante-room half-suffocated by smoke, raised the lid of a very heavy
trap-door, and stumbled down some steps into a place, half storehouse
half cellar, under the mess-room. How I knew about it being there I
don't know. The trap closed over my head with a bang. That is all I
remember.'</p>
<p>"'Well, Charley, curiously enough my dream was also about an
extraordinary escape from danger, lasting, like yours, only a minute or
two. The first thing I remember—there seems to have been something
before, but what, I don't know—I was on horseback, holding a very
pretty but awfully pale girl in front of me. We were pursued by a whole
troop of Sepoy cavalry, who were firing pistol-shots at us. We were not
more than seventy or eighty yards in front, and they were gaining fast,
just as I rode into a large deserted temple. In the centre was a huge
stone figure. I jumped off my horse with the lady, and as I did so she
said, 'Blow out my brains, Edward; don't let me fall alive into their
hands.'</p>
<p>"'Instead of answering, I hurried her round <SPAN name="Page_92" id="Page_92"></SPAN>behind the idol, pushed
against one of the leaves of a flower in the carving, and the stone
swung back, and showed a hole just large enough to get through, with a
stone staircase inside the body of the idol, made no doubt for the
priest to go up and give responses through the mouth. I hurried the girl
through, crept in after her, and closed the stone, just as our pursuers
came clattering into the courtyard. That is all I remember.'</p>
<p>"'Well, it is monstrously rum,' Charley said, after a pause. 'Did you
understand what the old fellow was singing about before he gave us the
pipes?'</p>
<p>"'Yes; I caught the general drift. It was an entreaty to Siva to give us
some glimpse of futurity which might benefit us.'</p>
<p>"We lit our cheroots and rode for some miles at a brisk canter without
remark. When we were within a short distance of home we reined up.</p>
<p>"'I feel ever so much better,' Charley said. 'We have got that opium out
of our heads now. How do you account for it all, Harley?'</p>
<p>"'I account for it in this way, Charley. The opium naturally had the
effect of making us both dream, and as we took similar doses of the same
mixture, under similar circumstances, it is scarcely extraordinary that
it should have effected the <SPAN name="Page_93" id="Page_93"></SPAN>same portion of the brain, and caused a
certain similarity in our dreams. In all nightmares something terrible
happens, or is on the point of happening; and so it was here. Not
unnaturally in both our cases, our thoughts turned to soldiers. If you
remember there was a talk at mess some little time since, as to what
would happen in the extremely unlikely event of the sepoys mutinying in
a body. I have no doubt that was the foundation of both our dreams. It
is all natural enough when we come to think it over calmly. I think, by
the way, we had better agree to say nothing at all about it in the
regiment.'</p>
<p>"'I should think not,' Charley said. 'We should never hear the end of
it; they would chaff us out of our lives.'</p>
<p>"We kept our secret, and came at last to laugh over it heartily when we
were together. Then the subject dropped, and by the end of a year had as
much escaped our minds as any other dream would have done. Three months
after the affair the regiment was ordered down to Allahabad, and the
change of place no doubt helped to erase all memory of the dream. Four
years after we had left Jubbalpore we went to Beerapore. The time is
very marked in my memory, because the very week we arrived there, your
aunt, then Miss<SPAN name="Page_94" id="Page_94"></SPAN> Gardiner, came out from England, to her father, our
colonel. The instant I saw her I was impressed with the idea that I knew
her intimately. I recollected her face, her figure, and the very tone of
her voice, but wherever I had met her I could not conceive. Upon the
occasion of my first introduction to her, I could not help telling her
that I was convinced that we had met, and asking her if she did not
remember it. No, she did not remember, but very likely she might have
done so, and she suggested the names of several people at whose houses
we might have met. I did not know any of them. Presently she asked how
long I had been out in India?</p>
<p>"'Six years,' I said.</p>
<p>"'And how old, Mr. Harley,' she said, 'do you take me to be?'</p>
<p>"I saw in one instant my stupidity, and was stammering out an apology,
when she went on,—</p>
<p>"'I am very little over eighteen, Mr. Harley, although I evidently look
ever so many years older; but papa can certify to my age; so I was only
twelve when you left England.'</p>
<p>"I tried in vain to clear matters up. Your aunt would insist that I took
her to be forty, and the fun that my blunder made rather drew us
together, and gave me a start over the other <SPAN name="Page_95" id="Page_95"></SPAN>fellows at the station,
half of whom fell straightway in love with her. Some months went on, and
when the mutiny broke out we were engaged to be married. It is a proof
of how completely the opium-dreams had passed out of the minds of both
Simmonds and myself, that even when rumours of general disaffection
among the Sepoys began to be current, they never once recurred to us;
and even when the news of the actual mutiny reached us, we were just as
confident as were the others of the fidelity of our own regiment. It was
the old story, foolish confidence and black treachery. As at very many
other stations, the mutiny broke out when we were at mess. Our regiment
was dining with the 34th Bengalees. Suddenly, just as dinner was over,
the window was opened, and a tremendous fire poured in. Four or five men
fell dead at once, and the poor colonel, who was next to me, was shot
right through the head. Every one rushed to his sword and drew his
pistol—for we had been ordered to carry pistols as part of our uniform.
I was next to Charley Simmonds as the Sepoys of both regiments, headed
by Subadar Pirán, poured in at the windows.</p>
<p>"'I have it now,' Charley said; 'it is the scene I dreamed.'</p>
<p><SPAN name="Page_96" id="Page_96"></SPAN>"As he spoke he fired his revolver at the subadar, who fell dead in his
tracks.</p>
<p>"A Sepoy close by levelled his musket and fired. Charley fell, and the
fellow rushed forward to bayonet him. As he did so I sent a bullet
through his head, and he fell across Charley. It was a wild fight for a
minute or two, and then a few of us made a sudden rush together, cut our
way through the mutineers, and darted through an open window on to the
parade. There were shouts, shots, and screams from the officers'
bungalows, and in several places flames were already rising. What became
of the other men I knew not; I made as hard as I could tear for the
colonel's bungalow. Suddenly I came upon a sowar sitting on his horse
watching the rising flames. Before he saw me I was on him, and ran him
through. I leapt on his horse and galloped down to Gardiner's compound.
I saw lots of Sepoys in and around the bungalow, all engaged in looting.
I dashed into the compound.</p>
<p>"'May! May!' I shouted. 'Where are you?'</p>
<p>"I had scarcely spoken before a dark figure rushed out of a clump of
bushes close by with a scream of delight.</p>
<p>"In an instant she was on the horse before me, and shooting down a
couple of fellows who made <SPAN name="Page_97" id="Page_97"></SPAN>a rush at my reins, I dashed out again.
Stray shots were fired after us. But fortunately the Sepoys were all
busy looting, most of them had laid down their muskets, and no one
really took up the pursuit. I turned off from the parade-ground, dashed
down between the hedges of two compounds, and in another minute we were
in the open country.</p>
<p>"Fortunately, the cavalry were all down looting their own lines, or we
must have been overtaken at once. May happily had fainted as I lifted
her on to my horse—happily, because the fearful screams that we heard
from the various bungalows almost drove me mad, and would probably have
killed her, for the poor ladies were all her intimate friends.</p>
<p>"I rode on for some hours, till I felt quite safe from any immediate
pursuit, and then we halted in the shelter of a clump of trees.</p>
<p>"By this time I had heard May's story. She had felt uneasy at being
alone, but had laughed at herself for being so, until upon her speaking
to one of the servants he had answered in a tone of gross insolence,
which had astonished her. She at once guessed that there was danger, and
the moment that she was alone caught up a large, dark carriage rug,
wrapped it round her so as to <SPAN name="Page_98" id="Page_98"></SPAN>conceal her white dress, and stole out
into the verandah. The night was dark, and scarcely had she left the
house than she heard a burst of firing across at the mess-house. She at
once ran in among the bushes and crouched there, as she heard the rush
of men into the room she had just left. She heard them searching for
her, but they were looking for a white dress, and her dark rug saved
her. What she must have suffered in the five minutes between the firing
of the first shots and my arrival, she only knows. May had spoken but
very little since we started. I believe that she was certain that her
father was dead, although I had given an evasive answer when she asked
me; and her terrible sense of loss, added to the horror of that time of
suspense in the garden, had completely stunned her. We waited in the
tope until the afternoon, and then set out again.</p>
<p>"We had gone but a short distance when we saw a body of the rebel
cavalry in pursuit. They had no doubt been scouring the country
generally, and the discovery was accidental. For a short time we kept
away from them, but this could not be for long, as our horse was
carrying double. I made for a sort of ruin I saw at the foot of a hill
half a mile away. I did so with no idea of <SPAN name="Page_99" id="Page_99"></SPAN>the possibility of
concealment. My intention was simply to get my back to a rock and to
sell my life as dearly as I could, keeping the last two barrels of the
revolver for ourselves. Certainly no remembrance of my dream influenced
me in any way, and in the wild whirl of excitement I had not given a
second thought to Charley Simmonds' exclamation. As we rode up to the
ruins only a hundred yards ahead of us, May said,—</p>
<p>"'Blow out my brains, Edward; don't let me fall alive into their hands.'</p>
<p>"A shock of remembrance shot across me. The chase, her pale face, the
words, the temple—all my dream rushed into my mind.</p>
<p>"'We are saved,' I cried, to her amazement, as we rode into the
courtyard, in whose centre a great figure was sitting.</p>
<p>"I leapt from the horse, snatched the mussuk of water from the saddle,
and then hurried May round the idol, between which and the rock behind,
there was but just room to get along.</p>
<p>"Not a doubt entered my mind but that I should find the spring as I had
dreamed. Sure enough there was the carving, fresh upon my memory as if I
had seen it but the day before. I placed my hand on the leaflet without
hesitation, a solid stone moved back, I hurried my <SPAN name="Page_100" id="Page_100"></SPAN>amazed companion in,
and shut to the stone. I found, and shot to, a massive bolt, evidently
placed to prevent the door being opened by accident or design when
anyone was in the idol.</p>
<p>"At first it seemed quite dark, but a faint light streamed in from
above; we made our way up the stairs, and found that the light came
through a number of small holes pierced in the upper part of the head,
and through still smaller holes lower down, not much larger than a
good-sized knitting-needle could pass through. These holes, we
afterwards found, were in the ornaments round the idol's neck. The holes
enlarged inside, and enabled us to have a view all round.</p>
<p>"The mutineers were furious at our disappearance, and for hours searched
about. Then, saying that we must be hidden somewhere, and that they
would wait till we came out, they proceeded to bivouac in the courtyard
of the temple.</p>
<p>"We passed four terrible days, but on the morning of the fifth a scout
came in to tell the rebels that a column of British troops marching on
Delhi would pass close by the temple. They therefore hastily mounted and
galloped off.</p>
<p>"Three quarters of an hour later we were safe among our own people. A
fortnight afterwards your aunt and I were married. It was no time <SPAN name="Page_101" id="Page_101"></SPAN>for
ceremony then; there were no means of sending her away; no place where
she could have waited until the time for her mourning for her father was
over. So we were married quietly by one of the chaplains of the troops,
and, as your story-books say, have lived very happily ever after."</p>
<p>"And how about Mr. Simmonds, uncle? Did he get safe off too?"</p>
<p>"Yes, his dream came as vividly to his mind as mine had done. He crawled
to the place where he knew the trap-door would be, and got into the
cellar. Fortunately for him there were plenty of eatables there, and he
lived there in concealment for a fortnight. After that he crawled out,
and found the mutineers had marched for Delhi. He went through a lot,
but at last joined us before that city. We often talked over our dreams
together, and there was no question that we owed our lives to them. Even
then we did not talk much to other people about them, for there would
have been a lot of talk, and inquiry, and questions, and you know
fellows hate that sort of thing. So we held our tongues. Poor Charley's
silence was sealed a year later at Lucknow, for on the advance with Lord
Clyde he was killed.</p>
<p>"And now, boys and girls, you must run off to <SPAN name="Page_102" id="Page_102"></SPAN>bed. Five minutes more
and it will be Christmas-day. So you see, Frank, that although I don't
believe in ghosts, I have yet met with a circumstance which I cannot
account for."</p>
<p>"It is very curious anyhow, uncle, and beats ghost stories into fits."</p>
<p>"I like it better, certainly," one of the girls said, "for we can go to
bed without being afraid of dreaming about it."</p>
<p>"Well, you must not talk any more now. Off to bed, off to bed," Colonel
Harley said, "or I shall get into terrible disgrace with your fathers
and mothers, who have been looking very gravely at me for the last three
quarters of an hour."</p>
<p><SPAN name="Page_103" id="Page_103"></SPAN></p>
<div class="figcenter"> <ANTIMG src="images/e3.jpg" width-obs="150" height-obs="65" alt="" title="" /></div>
<hr style="width: 65%;" />
<div class="figcenter"> <SPAN name="WHITE-FACED_DICK" id="WHITE-FACED_DICK"></SPAN> <ANTIMG src="images/white.jpg" width-obs="324" height-obs="71" alt="" title="" /></div>
<h2>WHITE-FACED DICK,</h2>
<h3>A STORY OF PINE-TREE GULCH.</h3>
<div class="figleft"> <ANTIMG src="images/b2.jpg" width-obs="75" height-obs="75" alt="H" title="" /></div>
<p style="text-indent: -0.75em;">OW Pine-tree Gulch got its name no one knew, for in the early days
every ravine and hillside was thickly covered with pines. It may be that
a tree of exceptional size caught the eye of the first explorer, that he
camped under it, and named the place in its honour; or, may be, some
fallen giant lay in the bottom and hindered the work of the first
prospectors. At any rate, Pine-tree Gulch it was, and the name was as
good as any other. The pine-trees were gone now. Cut up for firing, or
for the erection of huts, or the construction of sluices, but the
hillside was ragged with their stumps.<br style="clear: both;" /></p>
<p>The principal camp was at the mouth of the Gulch, where the little
stream, which scarce <SPAN name="Page_104" id="Page_104"></SPAN>afforded water sufficient for the cradles in the
dry season, but which was a rushing torrent in winter, joined the Yuba.
The best ground was at the junction of the streams, and lay, indeed, in
the Yuba valley rather than in the Gulch. At first most gold had been
found higher up, but there was here comparatively little depth down to
the bed-rock, and as the ground became exhausted the miners moved down
towards the mouth of the Gulch. They were doing well as a whole, how
well no one knew, for miners are chary of giving information as to what
they are making; still, it was certain they were doing well, for the
bars were doing a roaring trade, and the store-keepers never refused
credit—a proof in itself that the prospects were good.</p>
<p>The flat at the mouth of the Gulch was a busy scene, every foot was good
paying stuff, for in the eddy, where the torrents in winter rushed down
into the Yuba, the gold had settled down and lay thick among the gravel.
But most of the parties were sinking, and it was a long way down to the
bed-rock; for the hills on both sides sloped steeply, and the Yuba must
here at one time have rushed through a narrow gorge, until, in some
<SPAN name="Page_105" id="Page_105"></SPAN>wild freak, it brought down millions of tons of gravel, and resumed its
course seventy feet above its former level.</p>
<p>A quarter of a mile higher up a ledge of rock ran across the valley, and
over it in the old time the Yuba had poured in a cascade seventy feet
deep into the ravine. But the rock now was level with the gravel, only
showing its jagged points here and there above it. This ledge had been
invaluable to the diggers: without it they could only have sunk their
shafts with the greatest difficulty, for the gravel would have been full
of water, and even with the greatest pains in puddling and timber-work
the pumps would scarcely have sufficed to keep it down as it rose in the
bottom of the shafts. But the miners had made common cause together, and
giving each so many ounces of gold or so many day's work had erected a
dam thirty feet high along the ledge of rock, and had cut a channel for
the Yuba along the lower slopes of the valley. Of course, when the rain
set in, as everybody knew, the dam would go, and the river diggings must
be abandoned till the water subsided and a fresh dam was made; but there
were two months before them yet, and <SPAN name="Page_106" id="Page_106"></SPAN>every one hoped to be down to the
bed-rock before the water interrupted their work.</p>
<p>The hillside, both in the Yuba Valley and for some distance along
Pine-tree Gulch, was dotted by shanties and tents; the former
constructed for the most part of logs roughly squared, the walls being
some three feet in height, on which the sharp sloping roof was placed,
thatched in the first place with boughs, and made all snug, perhaps,
with an old sail stretched over all. The camp was quiet enough during
the day. The few women were away with their washing at the pools, a
quarter of a mile up the Gulch, and the only persons to be seen about
were the men told off for cooking for their respective parties.</p>
<p>But in the evening the camp was lively. Groups of men in red shirts and
corded trousers tied at the knee, in high boots, sat round blazing
fires, and talked of their prospects or discussed the news of the luck
at other camps. The sound of music came from two or three plank
erections which rose conspicuously above the huts of the diggers, and
were bright externally with the glories of white and coloured paints. To
and from these men were always sauntering, and it <SPAN name="Page_107" id="Page_107"></SPAN>needed not the clink
of glasses and the sound of music to tell that they were the bars of the
camp.</p>
<p>Here, standing at the counter, or seated at numerous small tables, men
were drinking villainous liquor, smoking and talking, and paying but
scant attention to the strains of the fiddle or the accordion, save when
some well-known air was played, when all would join in a boisterous
chorus. Some were always passing in or out of a door which led into a
room behind. Here there was comparative quiet, for men were gambling,
and gambling high.</p>
<p>Going backwards and forwards with liquors into the gambling-room of the
Imperial Saloon, which stood just where Pine-tree Gulch opened into Yuba
valley, was a lad, whose appearance had earned for him the name of
White-faced Dick.</p>
<p>White-faced Dick was not one of those who had done well at Pine-tree
Gulch; he had come across the plains with his father, who had died when
half-way over, and Dick had been thrown on the world to shift for
himself. Nature had not intended him for the work, for he was a
delicate, timid lad; what spirits he originally had <SPAN name="Page_108" id="Page_108"></SPAN>having been years
before beaten out of him by a brutal father. So far, indeed, Dick was
the better rather than the worse for the event which had left him an
orphan.</p>
<p>They had been travelling with a large party for mutual security against
Indians and Mormons, and so long as the journey lasted Dick had got on
fairly well. He was always ready to do odd jobs, and as the draught
cattle were growing weaker and weaker, and every pound of weight was of
importance, no one grudged him his rations in return for his services;
but when the company began to descend the slopes of the Sierra Nevada
they began to break up, going off by twos and threes to the diggings, of
which they heard such glowing accounts. Some, however, kept straight on
to Sacramento, determining there to obtain news as to the doings at all
the different places, and then to choose that which seemed to offer the
best prospects of success.</p>
<p>Dick proceeded with them to the town, and there found himself alone. His
companions were absorbed in the busy rush of population, and each had so
much to provide and arrange for, that none gave a thought to the
solitary boy. How<SPAN name="Page_109" id="Page_109"></SPAN>ever, at that time no one who had a pair of hands,
however feeble, to work need starve in Sacramento; and for some weeks
Dick hung around the town doing odd jobs, and then, having saved a few
dollars, determined to try his luck at the diggings, and started on foot
with a shovel on his shoulder and a few day's provisions slung across
it.</p>
<p>Arrived at his destination, the lad soon discovered that gold-digging
was hard work for brawny and seasoned men, and after a few feeble
attempts in spots abandoned as worthless he gave up the effort, and
again began to drift; and even in Pine-tree Gulch it was not difficult
to get a living. At first he tried rocking cradles, but the work was far
harder than it appeared. He was standing ankle deep in water from
morning till night, and his cheeks grew paler, and his strength, instead
of increasing, seemed to fade away. Still, there were jobs within his
strength. He could keep a fire alight and watch a cooking-pot, he could
carry up buckets of water or wash a flannel shirt, and so he struggled
on, until at last some kind-hearted man suggested to him that he should
try to get a place at the new saloon which was about to be opened.</p>
<p><SPAN name="Page_110" id="Page_110"></SPAN>"You are not fit for this work, young 'un, and you ought to be at home
with your mother; if you like I will go up with you this evening to
Jeffries. I knew him down on the flats, and I daresay he will take you
on. I don't say as a saloon is a good place for a boy, still you will
always get your bellyful of victuals and a dry place to sleep in, if
it's only under a table. What do you say?"</p>
<p>Dick thankfully accepted the offer, and on Red George's recommendation
was that evening engaged. His work was not hard now, for till the miners
knocked off there was little doing in the saloon; a few men would come
in for a drink at dinner-time, but it was not until the lamps were lit
that business began in earnest, and then for four or five hours Dick was
busy.</p>
<p>A rougher or healthier lad would not have minded the work, but to Dick
it was torture; every nerve in his body thrilled whenever rough miners
cursed him for not carrying out their orders more quickly, or for
bringing them the wrong liquors, which, as his brain was in a whirl with
the noise, the shouting, and the multiplicity of orders, happened
frequently. He might have <SPAN name="Page_111" id="Page_111"></SPAN>fared worse had not Red George always stood
his friend, and Red George was an authority in Pine-tree Gulch—powerful
in frame, reckless in bearing and temper, he had been in a score of
fights and had come off them, if not unscathed, at least victorious. He
was notoriously a lucky digger, but his earnings went as fast as they
were made, and he was always ready to open his belt and give a bountiful
pinch of dust to any mate down on his luck.</p>
<p>One evening Dick was more helpless and confused than usual. The saloon
was full, and he had been shouted at and badgered and cursed until he
scarcely knew what he was doing. High play was going on in the saloon,
and a good many men were clustered round the table. Red George was
having a run of luck, and there was a big pile of gold dust on the table
before him. One of the gamblers who was losing had ordered old rye, and
instead of bringing it to him, Dick brought a tumbler of hot liquor
which someone else had called for. With an oath the man took it up and
threw it in his face.</p>
<p>"You cowardly hound!" Red George exclaimed. "Are you man enough to do
that to a man?"</p>
<p><SPAN name="Page_112" id="Page_112"></SPAN>"You bet," the gambler, who was a new arrival at Pine-tree Gulch,
replied; and picking up an empty glass, he hurled it at Red George. The
by-standers sprang aside, and in a moment the two men were facing each
other with outstretched pistols. The two reports rung out
simultaneously: Red George sat down unconcernedly with a streak of blood
flowing down his face, where the bullet had cut a furrow in his cheek;
the stranger fell back with the bullet hole in the centre of his
forehead.</p>
<p>The body was carried outside, and the play continued as if no
interruption had taken place. They were accustomed to such occurrences
in Pine-tree Gulch, and the piece of ground at the top of the hill, that
had been set aside as a burial place, was already dotted thickly with
graves, filled in almost every instance by men who had died, in the
local phraseology, "with their boots on."</p>
<p>Neither then nor afterwards did Red George allude to the subject to
Dick, whose life after this signal instance of his championship was
easier than it had hitherto been, for there were few in Pine-tree Gulch
who cared to excite Red George's <SPAN name="Page_113" id="Page_113"></SPAN>anger; and strangers going to the
place were sure to receive a friendly warning that it was best for their
health to keep their tempers over any shortcomings on the part of
White-faced Dick.</p>
<p>Grateful as he was for Red George's interference on his behalf, Dick
felt the circumstance which had ensued more than anyone else in the
camp. With others it was the subject of five minutes' talk, but Dick
could not get out of his head the thought of the dead man's face as he
fell back. He had seen many such frays before, but he was too full of
his own troubles for them to make much impression upon him. But in the
present case he felt as if he himself was responsible for the death of
the gambler; if he had not blundered this would not have happened. He
wondered whether the dead man had a wife and children, and, if so, were
they expecting his return? Would they ever hear where he had died, and
how?</p>
<p>But this feeling, which, tired out as he was when the time came for
closing the bar, often prevented him from sleeping for hours, in no way
lessened his gratitude and devotion towards Red <SPAN name="Page_114" id="Page_114"></SPAN>George, and he felt
that he could die willingly if his life would benefit his champion.
Sometimes he thought, too, that his life would not be much to give, for
in spite of shelter and food, the cough which he had caught while
working in the water still clung to him, and, as his employer said to
him angrily one day—</p>
<p>"Your victuals don't do you no good, Dick; you get thinner and thinner,
and folks will think as I starve you. Darned if you ain't a disgrace to
the establishment."</p>
<p>The wind was whistling down the gorges, and the clouds hung among the
pine-woods which still clothed the upper slopes of the hills, and the
diggers, as they turned out one morning, looked up apprehensively.</p>
<p>"But it could not be," they assured each other. Every one knew that the
rains were not due for another month yet; it could only be a passing
shower if it rained at all.</p>
<p>But as the morning went on, men came in from camps higher up the river,
and reports were current that it had been raining for the last two days
among the upper hills; while those who took the trouble to walk across
to the new channel could <SPAN name="Page_115" id="Page_115"></SPAN>see for themselves at noon that it was filled
very nigh to the brim, the water rushing along with thick and turbid
current. But those who repeated the rumours, or who reported that the
channel was full, were summarily put down. Men would not believe that
such a calamity as a flood and the destruction of all their season's
work could be impending. There had been some showers, no doubt, as there
had often been before, but it was ridiculous to talk of anything like
rain a month before its time. Still, in spite of these assertions, there
was uneasiness at Pine-tree Gulch, and men looked at the driving clouds
above and shook their heads before they went down to the shafts to work
after dinner.</p>
<p>When the last customer had left and the bar was closed, Dick had nothing
to do till evening, and he wandered outside and sat down on a stump, at
first looking at the work going on in the valley, then so absorbed in
his own thoughts that he noticed nothing, not even the driving mist
which presently set in. He was calculating that he had, with his savings
from his wages and what had been given him by the miners, laid by eighty
dollars. When he got another hundred and <SPAN name="Page_116" id="Page_116"></SPAN>twenty he would go; he would
make his way down to San Francisco, and then by ship to Panama and up to
New York, and then west again to the village where he was born. There
would be people there who would know him, and who would give him work,
for his mother's sake. He did not care what it was; anything would be
better than this.</p>
<p>Then his thoughts came back to Pine-tree Gulch, and he started to his
feet. Could he be mistaken? Were his eyes deceiving him? No; among the
stones and boulders of the old bed of the Yuba there was the gleam of
water, and even as he watched it he could see it widening out. He
started to run down the hill to give the alarm, but before he was
half-way he paused, for there were loud shouts, and a scene of bustle
and confusion instantly arose.</p>
<p>The cradles were deserted, and the men working on the surface loaded
themselves with their tools and made for the high ground, while those at
the windlasses worked their hardest to draw up their comrades below. A
man coming down from above stopped close to Dick, with a low cry, and
stood gazing with a white scared face. Dick <SPAN name="Page_117" id="Page_117"></SPAN>had worked with him; he was
one of the company to which Red George belonged.</p>
<p>"What is it, Saunders?"</p>
<p>"My God! they are lost," the man replied. "I was at the windlass when
they shouted up to me to go up and fetch them a bottle of rum. They had
just struck it rich, and wanted a drink on the strength of it."</p>
<p>Dick understood at once. Red George and his mates were still in the
bottom of the shaft, ignorant of the danger which was threatening them.</p>
<p>"Come on," he cried; "we shall be in time yet," and at the top of his
speed dashed down the hill, followed by Saunders.</p>
<p>"What is it, what is it?" asked parties of men mounting the hill. "Red
George's gang are still below."</p>
<p>Dick's eyes were fixed on the water. There was a broad band now of
yellow with a white edge down the centre of the stony flat, and it was
widening with terrible rapidity. It was scarce ten yards from the
windlass at the top of Red George's shaft when Dick, followed closely by
Saunders, reached it.</p>
<p>"Come up, mates; quick, for your lives! The <SPAN name="Page_118" id="Page_118"></SPAN>river is rising; you will
be flooded out directly. Every one else has gone!"</p>
<p>As he spoke he pulled at the rope by which the bucket was hanging, and
the handles of the windlass flew round rapidly as it descended. When it
had run out, Dick and he grasped the handles.</p>
<p>"All right below?"</p>
<p>An answering call came up, and the two began their work, throwing their
whole strength into it. Quickly as the windlass revolved, it seemed an
endless time to Dick before the bucket came up, and the first man
stepped out. It was not Red George. Dick had hardly expected it would
be. Red George would be sure to see his two mates up before him, and the
man uttered a cry of alarm as he saw the water, now within a few feet of
the mouth of the shaft.</p>
<p>It was a torrent now, for not only was it coming through the dam, but it
was rushing down in cascades from the new channel. Without a word the
miner placed himself facing Dick and the moment the bucket was again
down, the three grasped the handles. But quickly as they worked, the
edge of the water was within a few inches of the shaft when the next man
reached <SPAN name="Page_119" id="Page_119"></SPAN>the surface; but again the bucket descended before the rope
tightened. However, the water had began to run over the lip—at first in
a mere trickle, and then, almost instantaneously, in a cascade, which
grew larger and larger.</p>
<p>The bucket was half-way up when a sound like thunder was heard, the
ground seemed to tremble under their feet, and then at the turn of the
valley above, a great wave of yellow water, crested with foam, was seen
tearing along at the speed of a race-horse.</p>
<p>"The dam has burst!" Saunders shouted. "Run for your lives, or we are
all lost!"</p>
<p>The three men dropped the handles and ran at full speed towards the
shore, while loud shouts to Dick to follow came from the crowd of men
standing on the slope. But the boy still grasped the handles, and with
lips tightly closed, still toiled on. Slowly the bucket ascended, for
Red George was a heavy man; then suddenly the weight slackened, and the
handle went round faster. The shaft was filling, the water had reached
the bucket, and had risen to Red George's neck, so that his weight was
no longer on the rope. So fast did the water pour in, that it was not
half a minute before <SPAN name="Page_120" id="Page_120"></SPAN>the bucket reached the surface, and Red George
sprang out. There was but time for one exclamation, and then the great
wave struck them. Red George was whirled like a straw in the current;
but he was a strong swimmer, and at a point where the valley widened
out, half a mile lower, he struggled to shore.</p>
<p>Two days later the news reached Pine-tree Gulch that a boy's body had
been washed ashore twenty miles down, and ten men, headed by Red George,
went and brought it solemnly back to Pine-tree Gulch. There, among the
stumps of pine-trees, a grave was dug, and there, in the presence of the
whole camp, White-faced Dick was laid to rest.</p>
<p>Pine-tree Gulch is a solitude now, the trees are growing again, and none
would dream that it was once a busy scene of industry; but if the
traveller searches among the pine-trees, he will find a stone with the
words:</p>
<p>"Here lies White-faced Dick, who died to save Red George. 'What can a
man do more than give his life for a friend?'"</p>
<p>The text was the suggestion of an ex-clergyman working as a miner in
Pine-tree Gulch.</p>
<p><SPAN name="Page_121" id="Page_121"></SPAN>Red George worked no more at the diggings, but after seeing the stone
laid in its place, went east, and with what little money came to him
when the common fund of the company was divided after the flood on the
Yuba, bought a small farm, and settled down there; but to the end of his
life he was never weary of telling those who would listen to it the
story of Pine-tree Gulch.</p>
<div class="figcenter"> <ANTIMG src="images/e4.jpg" width-obs="150" height-obs="77" alt="" title="" /></div>
<hr style="width: 65%;" />
<p><SPAN name="Page_122" id="Page_122"></SPAN></p>
<p><SPAN name="Page_123" id="Page_123"></SPAN></p>
<div class="figcenter"> <SPAN name="A_BRUSH_WITH_THE_CHINESE" id="A_BRUSH_WITH_THE_CHINESE"></SPAN> <ANTIMG src="images/brush.jpg" width-obs="324" height-obs="71" alt="" title="" /></div>
<h2>A BRUSH WITH THE CHINESE,</h2>
<h3>AND WHAT CAME OF IT.</h3>
<div class="figleft"> <ANTIMG src="images/b3.jpg" width-obs="75" height-obs="77" alt="I" title="" /></div>
<p style="text-indent: -0.75em;">T was early in December that H.M.S. <i>Perseus</i> was cruising off the
mouth of the Canton River. War had been declared with China in
consequence of her continued evasions of the treaty she had made with
us, and it was expected that a strong naval force would soon gather to
bring her to reason. In the meantime the ships on the station had a busy
time of it, chasing the enemy's junks when they ventured to show
themselves beyond the reach of the guns of their forts, and occasionally
having a brush with the piratical boats which took advantage of the
general confusion to plunder friend as well as foe.<br style="clear: both;" /></p>
<p>The <i>Perseus</i> had that afternoon chased two Government junks up a creek.
The sun had <SPAN name="Page_124" id="Page_124"></SPAN>already set when they took refuge there, and the captain
did not care to send his boats after them in the dark, as many of the
creeks ran up for miles into the flat country; and as they not
unfrequently had many arms or branches, the boats might, in the dark,
miss the junks altogether. Orders were issued that four boats should be
ready for starting at daybreak the next morning. The <i>Perseus</i> anchored
off the mouth of the creek, and two boats were ordered to row backwards
and forwards off its mouth all night to insure that the enemy did not
slip out in the darkness.</p>
<p>Jack Fothergill, the senior midshipman, was commanding the gig, and two
of the other midshipmen were going in the pinnace and launch, commanded
respectively by the first lieutenant and the master. The three other
midshipmen of the <i>Perseus</i> were loud in their lamentations that they
were not to take share in the fun.</p>
<p>"You can't all go, you know," Fothergill said, "and it's no use making a
row about it; the captain has been very good to let three of us go."</p>
<p>"It's all very well for you, Jack," Percy Adcock, the youngest of the
lads, replied, "be<SPAN name="Page_125" id="Page_125"></SPAN>cause you are one of those chosen; and it is not so
hard for Simmons and Linthorpe, because they went the other day in the
boat that chased those junks under shelter of the guns of their battery,
but I haven't had a chance for ever so long."</p>
<p>"What fun was there in chasing the junks?" Simmons said. "We never got
near the brutes till they were close to their battery, and then just as
the first shot came singing from their guns, and we thought that we were
going to have some excitement, the first lieutenant sung out 'Easy all,'
and there was nothing for it but to turn round and to row for the ship,
and a nice hot row it was—two hours and a half in a broiling sun. Of
course I am not blaming Oliphant, for the captain's orders were strict
that we were not to try to cut the junks out if they got under the guns
of any of their batteries. Still it was horribly annoying, and I do
think the captain might have remembered what beastly luck we had last
time, and given us a chance to-morrow."</p>
<p>"It is clear we could not all go," Fothergill said, "and naturally
enough the captain chose <SPAN name="Page_126" id="Page_126"></SPAN>the three seniors. Besides, if you did have
bad luck last time, you had your chance, and I don't suppose we shall
have anything more exciting now; these fellows always set fire to their
junks and row for the shore directly they see us, after firing a shot or
two wildly in our direction."</p>
<p>"Well, Jack, if you don't expect any fun," Simmons replied, "perhaps you
wouldn't mind telling the first lieutenant you do not care for going,
and that I am very anxious to take your place. Perhaps he will be good
enough to allow me to relieve you."</p>
<p>"A likely thing that!" Fothergill laughed. "No, Tom, I am sorry you are
not going, but you must make the best of it till another chance comes."</p>
<p>"Don't you think, Jack," Percy Adcock said to his senior in a coaxing
tone later on, "you could manage to smuggle me into the boat with you?"</p>
<p>"Not I, Percy. Suppose you got hurt, what would the captain say then?
And firing as wildly as the Chinese do, a shot is just as likely to hit
your little carcase as to lodge in one of the sailors. No, you must just
make the best of it,<SPAN name="Page_127" id="Page_127"></SPAN> Percy, and I promise you that next time there is a
boat expedition, if you are not put in, I will say a good word to the
first luff for you."</p>
<p>"That promise is better than nothing," the boy said; "but I would a deal
rather go this time and take my chance next."</p>
<p>"But you see you can't, Percy, and there's no use talking any more about
it. I really do not expect there will be any fighting. Two junks would
hardly make any opposition to the boats of the ship, and I expect we
shall be back by nine o'clock with the news that they were well on fire
before we came up."</p>
<p>Percy Adcock, however, was determined, if possible, to go. He was a
favourite among the men, and when he spoke to the bow oar of the gig,
the latter promised to do anything he could to aid him to carry out his
wishes.</p>
<p>"We are to start at daybreak, Tom, so that it will be quite dark when
the boats are lowered. I will creep into the gig before that and hide
myself as well as I can under your thwart, and all you have got to do is
to take no notice of me. When the boat is lowered I think they will
hardly make me out from the deck, especially as <SPAN name="Page_128" id="Page_128"></SPAN>you will be standing up
in the bow holding on with the boat-hook till the rest get on board."</p>
<p>"Well, sir, I will do my best; but if you are caught you must not let
out that I knew anything about it."</p>
<p>"I won't do that," Percy said. "I don't think there is much chance of my
being noticed until we get on board the junks, and then they won't know
which boat I came off in, and the first lieutenant will be too busy to
blow me up. Of course I shall get it when I am on board again, but I
don't mind that so that I see the fun. Besides, I want to send home some
things to my sister, and she will like them all the better if I can tell
her I captured them on board some junks we seized and burnt."</p>
<p>The next morning the crews mustered before daybreak. Percy had already
taken his place under the bow thwart of the gig. The davits were swung
overboard, and two men took their places in her as she was lowered down
by the falls. As soon as she touched the water the rest of the crew
clambered down by the ladder and took their places; then Fothergill took
his seat in the stern, and the boat pushed off and lay a <SPAN name="Page_129" id="Page_129"></SPAN>few lengths
away from the ship until the heavier boats put off. As soon as they were
under way Percy crawled out from his hiding-place and placed himself in
the bow, where he was sheltered by the body of the oarsmen from
Fothergill's sight.</p>
<p>Day was just breaking now, but it was still dark on the water, and the
boat rowed very slowly until it became lighter. Percy could just make
out the shores of the creek on both sides; they were but two or three
feet above the level of the water, and were evidently submerged at high
tide. The creek was about a hundred yards wide, and the lad could not
see far ahead, for it was full of sharp windings and turnings. Here and
there branches joined it, but the boats were evidently following the
main channel. After another half-hour's rowing the first lieutenant
suddenly gave the order, "Easy all," and the men, looking over their
shoulders, saw a village a quarter of a mile ahead, with the two junks
they had chased the night before lying in front of it. Almost at the
same moment a sudden uproar was heard—drums were beaten and gongs
sounded.</p>
<p>"They are on the look-out for us," the first <SPAN name="Page_130" id="Page_130"></SPAN>lieutenant said. "Mr.
Mason, do you keep with me and attack the junk highest up the river; Mr.
Bellew and Mr. Fothergill, do you take the one lower down. Row on, men."</p>
<p>The oars all touched the water together, and the four boats leapt
forward. In a minute a scattering fire of gingals and matchlocks was
opened from the junks, and the bullets pattered on the water round the
boats. Percy was kneeling up in the bow now. As they passed a branch
channel three or four hundred yards from the village, he started and
leapt to his feet.</p>
<p>"There are four or five junks in that passage, Fothergill; they are
poling out."</p>
<p>The first lieutenant heard the words.</p>
<p>"Row on, men; let us finish with these craft ahead before the others get
out. This must be that piratical village we have heard about, Mr. Mason,
as lying up one of these creeks; that accounts for those two junks not
going higher up. I was surprised at seeing them here, for they might
guess that we should try to get them this morning. Evidently they
calculated on catching us in a trap."</p>
<p>Percy was delighted at finding that, in the <SPAN name="Page_131" id="Page_131"></SPAN>excitement caused by his
news, the first lieutenant had forgotten to take any notice of his being
there without orders, and he returned a defiant nod to the threat
conveyed by Fothergill shaking his fist at him. As they neared the junks
the fire of those on board redoubled, and was aided by that of many
villagers gathered on the bank of the creek. Suddenly from a bank of
rushes four cannons were fired. A ball struck the pinnace, smashing in
her side. The other boats gathered hastily round and took her crew on
board, and then dashed at the junks, which were but a hundred yards
distant. The valour of the Chinese evaporated as they saw the boats
approaching, and scores of them leapt overboard and swam for shore.</p>
<p>In another minute the boats were alongside and the crews scrambling up
the sides of the junks. A few Chinamen only attempted to oppose them.
These were speedily overcome, and the British had now time to look
round, and saw that six junks crowded with men had issued from the side
creek and were making towards them.</p>
<p>"Let the boats tow astern," the lieutenant <SPAN name="Page_132" id="Page_132"></SPAN>ordered. "We should have to
run the gauntlet of that battery on shore if we were to attack them, and
might lose another boat before we reached their side. We will fight them
here."</p>
<p>The junks approached, those on board firing their guns, yelling and
shouting, while the drums and gongs were furiously beaten.</p>
<p>"They will find themselves mistaken, Percy, if they think they are going
to frighten us with all that row," Fothergill said. "You young rascal,
how did you get on board the boat without being seen? The captain will
be sure to suspect I had a hand in concealing you."</p>
<p>The tars were now at work firing the gingals attached to the bulwarks
and the matchlocks, with which the deck was strewn, at the approaching
junks. As they took steady aim, leaning their pieces on the bulwarks,
they did considerable execution among the Chinamen crowded on board the
junks, while the shot of the Chinese, for the most part, whistled far
overhead; but the guns of the shore battery, which had now been slewed
round to bear upon them, opened with a better aim, and several shots
came crashing into the sides of the two captured junks.</p>
<p><SPAN name="Page_133" id="Page_133"></SPAN>"Get ready to board, lads!" Lieutenant Oliphant shouted. "Don't wait
for them to board you, but the moment they come alongside lash their
rigging to ours and spring on board them."</p>
<p>The leading junk was now about twenty yards away, and presently grated
alongside. Half-a-dozen sailors at once sprang into her rigging with
ropes, and after lashing the junks together leaped down upon her deck,
where Fothergill was leading the gig's crew and some of those rescued
from the pinnace, while Mr. Bellew, with another party, had boarded her
at the stern. Several of the Chinese fought stoutly, but the greater
part lost heart at seeing themselves attacked by the "white devils,"
instead of, as they expected, overwhelming them by their superior
numbers. Many began at once to jump overboard, and after two or three
minutes' sharp fighting, the rest either followed their example or were
beaten below.</p>
<p>Fothergill looked round. The other junk had been attacked by two of the
enemy, one on each side, and the little body of sailors were gathered in
her waist, and were defending themselves against an overwhelming number
of the enemy.</p>
<p><SPAN name="Page_134" id="Page_134"></SPAN>The other three piratical junks had been carried somewhat up the creek
by the tide that was sweeping inward, and could not for the moment take
part in the fight.</p>
<p>"Mr. Oliphant is hard pressed, sir." He asked the master: "Shall we take
to the boats?"</p>
<p>"That will be the best plan," Mr. Bellew replied. "Quick, lads, get the
boats alongside and tumble in; there is not a moment to be lost."</p>
<p>The crew at once sprang to the boats and rowed to the other junk, which
was but some thirty yards away.</p>
<p>The Chinese, absorbed in their contest with the crew of the pinnace, did
not perceive the new-comers until they gained the deck, and with a shout
fell furiously upon them. In their surprise and consternation the
pirates did not pause to note that they were still five to one superior
in number, but made a precipitate rush for their own vessels. The
English at once took the offensive. The first lieutenant with his party
boarded one, while the new-comers leapt on to the deck of the other. The
panic which had seized the Chinese was so complete that they attempted
no resist<SPAN name="Page_135" id="Page_135"></SPAN>ance whatever, but sprang overboard in great numbers and swam
to the shore, which was but twenty yards away, and in three minutes the
English were in undisputed possession of both vessels.</p>
<p>"Back again, Mr. Fothergill, or you will lose the craft you captured,"
Lieutenant Oliphant said; "they have already cut her free."</p>
<p>The Chinese, indeed, who had been beaten below by the boarding party,
had soon perceived the sudden departure of their captors, and gaining
the deck again had cut the lashings which fastened them to the other
junk, and were proceeding to hoist their sails. They were too late,
however. Almost before the craft had way on her Fothergill and his crew
were alongside. The Chinese did not wait for the attack, but at once
sprang overboard and made for the shore. The other three junks, seeing
the capture of their comrades, had already hoisted their sails and were
making up the creek. Fothergill dropped an anchor, left four of his men
in charge, and rowed back to Mr. Oliphant.</p>
<p>"What shall we do next, sir?"</p>
<p>"We will give those fellows on shore a lesson, <SPAN name="Page_136" id="Page_136"></SPAN>and silence their
battery. Two men have been killed since you left. We must let the other
junks go for the present. Four of my men were killed and eleven wounded
before Mr. Bellew and you came to our assistance. The Chinese were
fighting pluckily up to that time, and it would have gone very hard with
us if you had not been at hand; the beggars will fight when they think
they have got it all their own way. But before we land we will set fire
to the five junks we have taken. Do you return and see that the two
astern are well lighted, Mr. Fothergill; Mr. Mason will see to these
three. When you have done your work take to your boat and lay off till I
join you; keep the junks between you and the shore, to protect you from
the fire of the rascals there."</p>
<p>"I cannot come with you, I suppose, Fothergill?" Percy Adcock said, as
the midshipman was about to descend into his boat again.</p>
<p>"Yes, come along, Percy. It doesn't matter what you do now. The captain
will be so pleased when he hears that we have captured and burnt five
junks, that you will get off with a very light wigging, I imagine."</p>
<p><SPAN name="Page_137" id="Page_137"></SPAN>"That's just what I was thinking, Jack. Has it not been fun?"</p>
<p>"You wouldn't have thought it fun if you had got one of those matchlock
balls in your body. There are a good many of our poor fellows just at
the present moment who do not see anything funny in the affair at all.
Here we are; clamber up."</p>
<p>The crew soon set to work under Fothergill's orders. The sails were cut
off the masts and thrown down into the hold; bamboos, of which there
were an abundance down there, were heaped over them, a barrel of oil was
poured over the mass, and the fire then applied.</p>
<p>"That will do, lads. Now take to your boats and let's make a bonfire of
the other junk."</p>
<p>In ten minutes both vessels were a sheet of flame, and the boat was
lying a short distance from them waiting for further operations. The
inhabitants of the village, furious at the failure of the plan which had
been laid for the destruction of the "white devils," kept up a constant
fusilade, which, however, did no harm, for the gig was completely
sheltered by the burning junks close to her from their missiles.</p>
<p><SPAN name="Page_138" id="Page_138"></SPAN>"There go the others!" Percy exclaimed after a minute or two, as three
columns of smoke arose simultaneously from the other junks, and the
sailors were seen dropping into their boats alongside.</p>
<p>The killed and wounded were placed in the other gig with four sailors in
charge. They were directed to keep under shelter of the junks until
rejoined by the pinnace and Fothergill's gig, after these had done their
work on shore.</p>
<p>When all was ready the first lieutenant raised his hand as a signal, and
the two boats dashed between the burning junks and rowed for the shore.
Such of the natives as had their weapons charged fired a hasty volley,
and then, as the sailors leapt from their boats, took to their heels.</p>
<p>"Mr. Fothergill, take your party into the village and set fire to the
houses; shoot down every man you see. This place is a nest of pirates. I
will capture that battery and then join you."</p>
<p>Fothergill and his sailors at once entered the village. The men had
already fled; the women were turned out of the houses, and these were
immediately set on fire. The tars regarded the <SPAN name="Page_139" id="Page_139"></SPAN>whole affair as a
glorious joke, and raced from house to house, making a hasty search in
each for concealed valuables before setting it on fire. In a short time
the whole village was in a blaze.</p>
<p>"There is a house there, standing in that little grove a hundred yards
away," Percy said.</p>
<p>"It looks like a temple," Fothergill replied. "However, we will have a
look at it." And calling two sailors to accompany him, he started at a
run towards it, Percy keeping by his side.</p>
<p>"It is a temple," Fothergill said when they approached it. "Still, we
will have a look at it, but we won't burn it; it will be as well to
respect the religion, even of a set of piratical scoundrels like these."</p>
<p>At the head of his men he rushed in at the entrance. There was a blaze
of fire as half a dozen muskets were discharged in their faces. One of
the sailors dropped dead, and before the others had time to realize what
had happened they were beaten to the ground by a storm of blows from
swords and other weapons.</p>
<p>A heavy blow crashed down on Percy's head, and he fell insensible even
before he realized what had occurred.</p>
<p><SPAN name="Page_140" id="Page_140"></SPAN>When he recovered, his first sensation was that of a vague wonder as to
what had happened to him. He seemed to be in darkness and unable to move
hand or foot. He was compressed in some way that he could not at first
understand, and was being bumped and jolted in an extraordinary manner.
It was some little time before he could understand the situation. He
first remembered the fight with the junks, then he recalled the landing
and burning the village; then, as his brain cleared, came the
recollection of his start with Fothergill for the temple among the
trees, his arrival there, and a loud report and flash of fire.</p>
<p>"I must have been knocked down and stunned," he said to himself, "and I
suppose I am a prisoner now to these brutes, and one of them must be
carrying me on his back."</p>
<p>Yes, he could understand it all now. His hands and his feet were tied,
ropes were passed round his body in every direction, and he was fastened
back to back upon the shoulders of a Chinaman. Percy remembered the
tales he had heard of the imprisonment and torture of those who fell
into the hands of the Chinese, and he bitterly regretted <SPAN name="Page_141" id="Page_141"></SPAN>that he had
not been killed instead of stunned in the surprise of the temple.</p>
<p>"It would have been just the same feeling," he said to himself, "and
there would have been an end of it. Now, there is no saying what is
going to happen. I wonder whether Jack was killed, and the sailors."</p>
<p>Presently there was a jabber of voices; the motion ceased. Percy could
feel that the cords were being unwound, and he was dropped on to his
feet; then the cloth was removed from his head, and he could look round.</p>
<p>A dozen Chinese, armed with matchlocks and bristling with swords and
daggers, stood around, and among them, bound like himself and gagged by
a piece of bamboo forced lengthways across his mouth and kept there with
a string going round the back of the head, stood Fothergill. He was
bleeding from several cuts in the head. Percy's heart gave a bound of
joy at finding that he was not alone; then he tried to feel sorry that
Jack had not escaped, but failed to do so, although he told himself that
his comrade's presence would not in any way alleviate the fate which was
certain to befall him. Still the thought of com<SPAN name="Page_142" id="Page_142"></SPAN>panionship, even in
wretchedness, and perhaps a vague hope that Jack, with his energy and
spirit, might contrive some way for their escape, cheered him up.</p>
<p>As Percy, too, was gagged, no word could be exchanged by the midshipmen,
but they nodded to each other. They were now put side by side and made
to walk in the centre of their captors. On the way they passed through
several villages, whose inhabitants poured out to gaze at the captives,
but the men in charge of them were evidently not disposed to delay, as
they passed through without a stop. At last they halted before two
cottages standing by themselves, thrust the prisoners into a small room,
removed their gags, and left them to themselves.</p>
<p>"Well, Percy, my boy, so they caught you too? I am awfully sorry. It was
my fault for going with only two men into that temple, but as the
village had been deserted and scarcely a man was found there, it never
entered my mind that there might be a party in the temple."</p>
<p>"Of course not, Jack; it was a surprise altogether. I don't know
anything about it, for I was knocked down, I suppose, just as we went
in, <SPAN name="Page_143" id="Page_143"></SPAN>and the first thing I knew about it was that I was being carried on
the back of one of those fellows. I thought it was awful at first, but I
don't seem to mind so much now you are with me."</p>
<p>"It is a comfort to have someone to speak to," Jack said, "yet I wish
you were not here, Percy; I can't do you any good, and I shall never
cease blaming myself for having brought you into this scrape. I don't
know much more about the affair than you do. The guns were fired so
close to us that my face was scorched with one of them, and almost at
the same instant I got a lick across my cheek with a sword. I had just
time to hit at one of them, and then almost at the same moment I got two
or three other blows, and down I went; they threw themselves on the top
of me and tied and gagged me in no time. Then I was tied to a long
bamboo, and two fellows put the ends on their shoulders and went off
with me through the fields. Of course I was face downwards, and did not
know you were with us till they stopped and loosed me from the bamboo
and set me on my feet."</p>
<p>"But what are they going to do with us do you think, Jack?"</p>
<p><SPAN name="Page_144" id="Page_144"></SPAN>"I should say they are going to take us to Canton and claim a reward
for our capture, and there I suppose they will cut off our heads or saw
us in two, or put us to some other unpleasant kind of death. I expect
they are discussing it now; do you hear what a jabber they are kicking
up?"</p>
<p>Voices were indeed heard raised in angry altercation in the next room.
After a time the din subsided and the conversation appeared to take a
more amiable turn.</p>
<p>"I suppose they have settled it as far as they are concerned," Jack
said; "anyhow, you may be quite sure they mean to make something out of
us. If they hadn't they would have finished us at once, for they must
have been furious at the destruction of their junks and village. As to
the idea that mercy has anything to do with it, we may as well put it
out of our minds. The Chinaman, at the best of times, has no feeling of
pity in his nature, and after their defeat it is certain they would have
killed us at once had they not hoped to do better by us. If they had
been Indians I should have said they had carried us off to enjoy the
satisfaction of torturing us, but I don't suppose it is that with them."</p>
<p><SPAN name="Page_145" id="Page_145"></SPAN>"Do you think there is any chance of our getting away?" Percy asked,
after a pause.</p>
<p>"I should say not the least in the world, Percy. My hands are fastened
so tight now that the ropes seem cutting into my wrists, and after they
had set me on my feet and cut the cords of my legs I could scarcely
stand at first, my feet were so numbed by the pressure. However, we must
keep up our pluck. Possibly they may keep us at Canton for a bit, and if
they do the squadron may arrive and fight its way past the forts and
take the city before they have quite made up their minds as to what kind
of death will be most appropriate to the occasion. I wonder what they
are doing now? They seem to be chopping sticks."</p>
<p>"I wish they would give us some water," Percy said. "I am frightfully
thirsty."</p>
<p>"And so am I, Percy; there is one comfort, they won't let us die of
thirst, they could get no satisfaction out of our deaths now."</p>
<p>Two hours later some of the Chinese re-entered the room and led the
captives outside, and the lads then saw what was the meaning of the
noise they had heard. A cage had been manufactured <SPAN name="Page_146" id="Page_146"></SPAN>of strong bamboos.
It was about four and a half feet long, four feet wide, and less than
three feet high; above it was fastened two long bamboos. Two or three of
the bars of the cage had been left open.</p>
<p>"My goodness! they never intend to put us in there," Percy exclaimed.</p>
<p>"That they do," Jack said. "They are going to carry us the rest of the
way."</p>
<p>The cords which bound the prisoners' hands were now cut, and they were
motioned to crawl into the cage. This they did; the bars were then put
in their places and securely lashed. Four men went to the ends of the
poles and lifted the cage upon their shoulders; two others took their
places beside it, and one man, apparently the leader of the party,
walked on ahead; the rest remained behind.</p>
<p>"I never quite realized what a fowl felt in a coop before," Jack said,
"but if its sensations are at all like mine they must be decidedly
unpleasant. It isn't high enough to sit upright in, it is nothing like
long enough to lie down, and as to getting out one might as well think
of flying. Do you know, Percy, I don't think they mean taking <SPAN name="Page_147" id="Page_147"></SPAN>us to
Canton at all. I did not think of it before, but from the direction of
the sun I feel sure that we cannot have been going that way. What they
are up to I can't imagine."</p>
<p>In an hour they came to a large village. Here the cage was set down and
the villagers closed round. They were, however, kept a short distance
from the cage by the men in charge of it. Then a wooden platter was
placed on the ground, and persons throwing a few copper coins into this
were allowed to come near the cage.</p>
<p>"They are making a show of us!" Fothergill exclaimed. "That's what they
are up to, you see if it isn't; they are going to travel up country to
show the 'white devils' whom their valour has captured."</p>
<p>This was, indeed, the purpose of the pirates. At that time Europeans
seldom ventured beyond the limits assigned to them in the two or three
towns where they were permitted to trade, and few, indeed, of the
country people had ever obtained a sight of the white barbarians of
whose doings they had so frequently heard. Consequently a small crowd
soon gathered round the cage, eyeing the captives with the same interest
<SPAN name="Page_148" id="Page_148"></SPAN>they would have felt as to unknown and dangerous beasts; they laughed
and joked, passed remarks upon them, and even poked them with sticks.
Fothergill, furious at this treatment, caught one of the sticks, and
wrenching it from the hands of the Chinaman, tried to strike at him
through the bars, a proceeding which excited shouts of laughter from the
by-standers.</p>
<p>"I think, Jack," Percy said, "it will be best to try and keep our
tempers and not to seem to mind what they do to us, then if they find
they can't get any fun out of us they will soon leave us alone."</p>
<p>"Of course, that's the best plan," Fothergill agreed, "but it's not so
easy to follow. That fellow very nearly poked out my eye with his stick,
and no one's going to stand that if he can help it."</p>
<p>It was some hours before the curiosity of the village was satisfied.
When all had paid who were likely to do so, the guards broke up their
circle, and leaving two of their number at the cage to see that no
actual harm was caused to their prisoners, the rest went off to a
refreshment house. The place of the <SPAN name="Page_149" id="Page_149"></SPAN>elders was now taken by the boys
and children of the village, who crowded round the cage, prodded the
prisoners with sticks, and, putting their hands through the bars, pulled
their ears and hair. This amusement, however, was brought to an abrupt
conclusion by Fothergill suddenly seizing the wrist of a big boy and
pulling his arm through the cage until his face was against the bars;
then he proceeded to punch him until the guard, coming to his rescue,
poked Fothergill with his stick until he released his hold.</p>
<p>The punishment of their comrade excited neither anger nor resentment
among the other boys, who yelled with delight at his discomfiture, but
it made them more careful in approaching the cage, and though they
continued to poke the prisoners with sticks they did not venture again
to thrust a hand through the bars. At sunset the guards again came
round, lifted the cage and carried it into a shed. A platter of dirty
rice and a jug of water were put into the cage; two of the men lighted
their long pipes and sat down on guard beside it, and, the doors being
closed, the captives were left in peace.</p>
<p>"If this sort of thing is to go on, as I suppose <SPAN name="Page_150" id="Page_150"></SPAN>it is," Fothergill
said, "the sooner they cut off our heads the better."</p>
<p>"It is very bad, Jack. I am sore all over with those probes from their
sharp sticks."</p>
<p>"I don't care for the pain, Percy, so much as the humiliation of the
thing. To be stared at and poked at as if we were wild beasts by these
curs, when with half a dozen of our men we could send a hundred of them
scampering, I feel as if I could choke with rage."</p>
<p>"You had better try and eat some of this rice, Jack. It is beastly, but
I daresay we shall get no more until to-morrow night, and we must keep
up our strength if we can. At any rate, the water is not bad, that's a
comfort."</p>
<p>"No thanks to them," Jack growled. "If there had been any bad water in
the neighbourhood they would have given it to us."</p>
<p>For six weeks the sufferings of the prisoners continued. Their captors
avoided towns where the authorities would probably at once have taken
the prisoners out of their hands. No one would have recognized the two
captives as the midshipmen of the <i>Perseus</i>; their clothes were in
rags—torn to pieces by the thrusts of the sharp-pointed <SPAN name="Page_151" id="Page_151"></SPAN>bamboos, to
which they had daily been subjected—the bad food, the cramped position,
and the misery which they suffered had worn both lads to skeletons;
their hair was matted with filth, their faces begrimed with dirt. Percy
was so weak that he felt he could not stand. Fothergill, being three
years older, was less exhausted, but he knew that he, too, could not
support his sufferings for many days longer. Their bodies were covered
with sores, and try as they would they were able to catch only a few
minutes' sleep at a time, so much did the bamboo bars hurt their wasted
limbs.</p>
<p>They seldom exchanged a word during the daytime, suffering in silence
the persecutions to which they were exposed, but at night they talked
over their homes and friends in England, and their comrades on board
ship, seldom saying a word as to their present position. They were now
in a hilly country, but had not the least idea of the direction in which
it lay from Canton or its distance from the coast.</p>
<p>One evening Jack said to his companion, "I think it's nearly all over
now, Percy. The last two days we have made longer journeys, and <SPAN name="Page_152" id="Page_152"></SPAN>have
not stopped at any of the smaller villages we passed through. I fancy
our guards must see that we can't last much longer, and are taking us
down to some town to hand us over to the authorities and get their
reward for us."</p>
<p>"I hope it is so, Jack; the sooner the better. Not that it makes much
difference now to me, for I do not think I can stand many more days of
it."</p>
<p>"I am afraid I am tougher than you, Percy, and shall take longer to
kill, so I hope with all my heart that I may be right, and that they may
be going to give us up to the authorities."</p>
<p>The next evening they stopped at a large place, and were subjected to
the usual persecution; this, however, was now less prolonged than during
the early days of their captivity, for they had now no longer strength
or spirits to resent their treatment, and as no fun was to be obtained
from passive victims, even the village boys soon ceased to find any
amusement in tormenting them.</p>
<p>When most of their visitors had left them, an elderly Chinaman
approached the side of the cage. He spoke to their guards and looked at
them attentively for some minutes, then he said in pigeon English, "You
officer men?"</p>
<p><SPAN name="Page_153" id="Page_153"></SPAN>"Yes!" Jack exclaimed, starting at the sound of the English words, the
first they had heard spoken since their captivity. "Yes, we are officers
of the <i>Perseus</i>."</p>
<p>"Me speeke English velly well," the Chinaman said; "me pilot-man many
years on Canton river. How you get here?"</p>
<p>"We were attacking some piratical junks, and landed to destroy the
village where the people were firing on us. We entered a place full of
pirates, and were knocked down and taken prisoners, and carried away up
the country; that is six weeks ago, and you see what we are now."</p>
<p>"Pirate men velly bad," the Chinaman said; "plunder many junk on river
and kill crew. Me muchee hate them."</p>
<p>"Can you do anything for us?" Jack asked. "You will be well rewarded if
you could manage to get us free."</p>
<p>The man shook his head.</p>
<p>"Me no see what can do, me stranger here; come to stay with wifey;
people no do what me ask them. English ships attack Canton, much fight
and take town, people all hate English.<SPAN name="Page_154" id="Page_154"></SPAN> Bad country dis. People in one
village fight against another. Velly bad men here."</p>
<p>"How far is Canton away?" Jack asked. "Could you not send down to tell
the English we are here?"</p>
<p>"Fourteen days' journey off," the man said; "no see how can do
anything."</p>
<p>"Well," Jack said, "when you get back again to Canton let our people
know what has been the end of us; we shall not last much longer."</p>
<p>"All light," the man said, "will see what me can do. Muchee think
to-night!" And after saying a few words to the guards, who had been
regarding this conversation with an air of surprise, the Chinaman
retired.</p>
<p>The guards had for some time abandoned the precaution of sitting up at
night by the cage, convinced that their captives had no longer strength
to attempt to break through its fastenings or to drag themselves many
yards away if they could do so. They therefore left it standing in the
open, and, wrapping themselves in their thickly-wadded coats, for the
nights were cold, lay down by the side of the cage.</p>
<p>The coolness of the nights had, indeed, assisted <SPAN name="Page_155" id="Page_155"></SPAN>to keep the two
prisoners alive. During the day the sun was excessively hot, and the
crowd of visitors round the cage impeded the circulation of the air and
added to their sufferings. It was true that the cold at night frequently
prevented them from sleeping, but it acted as a tonic and braced them
up.</p>
<p>"What did he mean about the villages attacking each other?" Percy asked.</p>
<p>"I have heard," Jack replied, "that in some parts of China things are
very much the same as they used to be in the highlands of Scotland.
There is no law or order. The different villages are like clans, and
wage war on each other. Sometimes the Government sends a number of
troops, who put the thing down for a time, chop off a good many heads,
and then march away, and the whole work begins again as soon as their
backs are turned."</p>
<p>That night the uneasy slumber of the lads was disturbed by a sudden
firing; shouts and yells were heard, and the firing redoubled.</p>
<p>"The village is attacked," Jack said. "I noticed that, like some other
places we have come into lately, there is a strong earthen wall round
it, <SPAN name="Page_156" id="Page_156"></SPAN>with gates. Well, there is one comfort—it does not make much
difference to us which side wins."</p>
<p>The guards at the first alarm leapt to their feet, caught up their
matchlocks, and ran to aid in the defence of the wall. Two minutes later
a man ran up to the cage.</p>
<p>"All lightee," he said; "just what me hopee."</p>
<p>With his knife he cut the tough withes that held the bamboos in their
places, and pulled out three of the bars.</p>
<p>"Come along," he said; "no time to lose."</p>
<p>Jack scrambled out, but in trying to stand upright gave a sharp
exclamation of pain. Percy crawled out more slowly; he tried to stand
up, but could not. The Chinaman caught him up and threw him on his
shoulder.</p>
<p>"Come along quickee," he said to Jack; "if takee village, kill evely
one." He set off at a run. Jack followed as fast as he could, groaning
at every step from the pain the movement caused to his bruised body.</p>
<p>They went to the side of the village opposite to that at which the
attack was going on. They met no one on the way, the inhabitants having
all rushed to the other side to repel the attack.<SPAN name="Page_157" id="Page_157"></SPAN> They stopped at a
small gate in the wall, the Chinaman drew back the bolts and opened it,
and they passed out into the country. For an hour they kept on. By the
end of that time Jack could scarcely drag his limbs along. The Chinaman
halted at length in a clump of trees surrounded by a thick undergrowth.</p>
<p>"Allee safee here," he said, "no searchee so far; here food;" and he
produced from a wallet a cold chicken and some boiled rice, and unslung
from his shoulder a gourd filled with cold tea.</p>
<p>"Me go back now, see what happen. To-mollow nightee come again—bringee
more food." And without another word went off at a rapid pace.</p>
<p>Jack moistened his lips with the tea, and then turned to his companion.
Percy had not spoken a word since he had been released from the cage,
and had been insensible during the greater part of his journey. Jack
poured some cold tea between his lips.</p>
<p>"Cheer up, Percy, old boy, we are free now, and with luck and that good
fellow's help we will work our way down to Canton yet."</p>
<p>"I shall never get down there; you may," Percy said feebly.</p>
<p><SPAN name="Page_158" id="Page_158"></SPAN>"Oh, nonsense, you will pick up strength like a steam-engine now. Here,
let me prop you against this tree. That's better. Now drink a drop of
this tea; it's like nectar after that filthy water we have been
drinking. Now you will feel better. Now you must try and eat a little of
this chicken and rice. Oh, nonsense, you have got to do it. I am not
going to let you give way when our trouble is just over. Think of your
people at home, Percy, and make an effort, for their sakes. Good
heavens! now I think of it, it must be Christmas morning. We were caught
on the 2nd and we have been just twenty-two days on show. I am sure that
it must be past twelve o'clock, and it is Christmas-day. It is a good
omen, Percy. This food isn't like roast beef and plum-pudding, but it's
not to be despised, I can tell you. Come, fire away, that's a good
fellow."</p>
<p>Percy made an effort and ate a few mouthfuls of rice and chicken, then
he took another draught of tea, and lay down, and was almost immediately
asleep.</p>
<p>Jack ate his food slowly and contentedly till he finished half the
supply, then he, too, lay down, and, after a short but hearty
thanksgiving for <SPAN name="Page_159" id="Page_159"></SPAN>his escape from a slow and lingering death, he, too,
fell off to sleep. The sun was rising when he woke, being aroused by a
slight movement on the part of Percy; he opened his eyes and sat up.</p>
<p>"Well, Percy, how do you feel this morning?" he asked cheerily.</p>
<p>"I feel too weak to move," Percy replied languidly.</p>
<p>"Oh, you will be all right when you have sat up and eaten breakfast,"
Jack said. "Here you are; here is a wing for you, and this rice is as
white as snow, and the tea is first rate. I thought last night after I
lay down that I heard a murmur of water, so after we have had breakfast
I will look about and see if I can find it. We should feel like new men
after a wash. You look awful, and I am sure I am just as bad."</p>
<p>The thought of a wash inspirited Percy far more than that of eating, and
he sat up and made a great effort to do justice to breakfast. He
succeeded much better than he had done the night before, and Jack,
although he pretended to grumble, was satisfied with his companion's
progress, and finished off the rest of the food. Then he set out to
search for water. He had not very far <SPAN name="Page_160" id="Page_160"></SPAN>to go; a tiny stream, a few
inches wide and two or three inches deep, ran through the wood from the
higher ground. After throwing himself down and taking a drink, he
hurried back to Percy.</p>
<p>"It is all right, Percy, I have found it. We can wash to our hearts'
content; think of that, lad."</p>
<p>Percy could hardly stand, but he made an effort, and Jack half carried
him to the streamlet. There the lads spent hours. First they bathed
their heads and hands, and then, stripping, lay down in the stream and
allowed it to flow over them, then they rubbed themselves with handfuls
of leaves dipped in the water, and when they at last put on their rags
again felt like new men. Percy was able to walk back to the spot they
had quitted with the assistance only of Jack's arm. The latter, feeling
that his breakfast had by no means appeased his hunger, now started for
a search through the wood, and presently returned to Percy laden with
nuts and berries.</p>
<p>"The nuts are sure to be all right; I expect the berries are too. I have
certainly seen some like them in native markets, and I think it will be
quite safe to risk it."</p>
<p><SPAN name="Page_161" id="Page_161"></SPAN>The rest of the day was spent in picking nuts and eating them. Then
they sat down and waited for the arrival of their friend. He came two
hours after nightfall with a wallet stored with provisions, and told
them that he had regained the village unobserved. The attack had been
repulsed, but with severe loss to the defenders as well as the
assailants; two of their guards had been among the killed. The others
had made a great clamour over the escape of the prisoners, and had made
a close search throughout the village and immediately round it, for they
were convinced that their captives had not had the strength to go any
distance. He thought, however, that although they had professed the
greatest indignation, and had offered many threats as to the vengeance
that Government would take upon the village, one of whose inhabitants,
at least, must have aided in the evasion of the prisoners, they would
not trouble themselves any further in the matter. They had already
reaped a rich harvest from the exhibition, and would divide among
themselves the share of their late comrades; nor was it at all
improbable that if they were to report the matter to the authorities
they would <SPAN name="Page_162" id="Page_162"></SPAN>themselves get into serious trouble for not having handed
over the prisoners immediately after their capture.</p>
<p>For a fortnight the pilot nursed and fed the two midshipmen. He had
already provided them with native clothes, so that if by chance any
villagers should catch sight of them they would not recognize them as
the escaped white men. At the end of that time both the lads had almost
recovered from the effects of their sufferings. Jack, indeed, had picked
up from the first, but Percy for some days continued so weak and ill
that Jack had feared that he was going to have an attack of fever of
some kind. His companion's cheery and hopeful chat did as much good for
Percy as the nourishing food with which their friend supplied them, and
at the end of the fortnight he declared that he felt sufficiently strong
to attempt to make his way down to the coast.</p>
<p>The pilot acted as their guide. When they inquired about his wife, he
told them carelessly that she would remain with her kinsfolk, and would
travel on to Canton and join him there when she found an opportunity.
The journey was accomplished at night, by very short stages <SPAN name="Page_163" id="Page_163"></SPAN>at first,
but by increasing distances as Percy gained strength. During the daytime
the lads lay hid in woods or jungles, while their companion went into
the village and purchased food. They struck the river many miles above
Canton, and the pilot, going down first to a village on its banks,
bargained for a boat to take him and two women down to the city.</p>
<p>The lads went on board at night and took their places in the little
cabin formed of bamboos and covered with mats in the stern of the boat,
and remained thus sheltered not only from the view of people in boats
passing up or down the stream, but from the eyes of their own boatmen.</p>
<p>After two days' journey down the river without incident, they arrived
off Canton, where the British fleet was still lying while negotiations
for peace were being carried on with the authorities at Pekin. Peeping
out between the mats, the lads caught sight of the English warships,
and, knowing that there was now no danger, they dashed out of the cabin,
to the surprise of the native boatmen, and shouted and waved their arms
to the distant ships.</p>
<p>In ten minutes they were alongside the <i>Perseus</i>, <SPAN name="Page_164" id="Page_164"></SPAN>when they were hailed
as if restored from the dead. The pilot was very handsomely rewarded by
the English authorities for his kindness to the prisoners, and was
highly satisfied with the result of his proceedings, which more than
doubled the little capital with which he had retired from business. Jack
Fothergill and Percy Adcock declare that they have never since eaten
chicken without thinking of their Christmas fare on the morning of their
escape from the hands of the Chinese pirates.</p>
<p class="center">THE END.</p>
<hr style='width: 80%;' />
<p><SPAN name="Page_165" id="Page_165"></SPAN></p>
<div class="figcenter"> <ANTIMG src="images/blackie.jpg" width-obs="324" height-obs="116" alt="Blackie & Son's Books for Young People" title="Blackie & Son's Books for Young People" /></div>
<p class="center"><i>By the Author of "John Herring," "Mehalah," &c.</i></p>
<p><b>Grettir the Outlaw:</b> A Story of Iceland. By <span class="smcap">S. Baring-Gould</span>.
With 10 full-page Illustrations by <span class="smcap">M. Zeno Diemer</span> and a
Coloured Map. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>A work of special interest, not only because of the high rank which
Mr. Baring-Gould has of late years acquired by his brilliant series
of novels, <i>Mehalah</i>, <i>John Herring</i>, <i>Court Royal</i>, &c., but
because of his earlier won reputation as a historian and explorer
of folk-legends and popular beliefs. In the story of Grettir, both
the art of the novelist and the lore of the archæologist have had
full scope, with the result that we have a narrative of adventure
of the most romantic kind, and at the same time an interesting and
minutely accurate account of the old Icelandic families, their
homes, their mode of life, their superstitions, their songs and
stories, their bear-serk fury, and their heroism by land and sea.
The story is told throughout with a simplicity which will make it
attractive even to the very young, and no boy will be able to
withstand the magic of such scenes as the fight of Grettir with the
twelve bear-serks, the wrestle with Karr the Old in the chamber of
the dead, the combat with the spirit of Glam the thrall, and the
defence of the dying Grettir by his younger brother.</p>
</div>
<hr style='width: 45%;' />
<h4>BY G. A. HENTY.</h4>
<hr style='width: 45%;' />
<p><b>With Lee in Virginia:</b> A Story of the American Civil War. By <span class="smcap">G. A.
Henty</span>. With 10 full-page Illustrations by <span class="smcap">Gordon Browne</span>.
Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>The great war between the Northern and Southern States of America
has the special interest for English boys of having been a struggle
between two sections of a people akin to us in race and language—a
struggle fought out by each side with unusual intensity of
conviction in the rightness of its cause, and abounding in heroic
incidents. Of these points Mr. Henty has made admirable use in this
story of a young Virginian planter, who, after bravely proving his
sympathy with the slaves, serves with no less courage and
enthusiasm under Lee and Jackson through the most exciting events
of the struggle. He has many hairbreadth escapes, is several times
wounded and twice taken prisoner; but his courage and readiness
bring him safely through all difficulties.</p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_166" id="Page_166"></SPAN>BY G. A. HENTY.</h4>
<p>"Mr. Henty is one of the best of story tellers for young
people."—<i>Spectator.</i></p>
<hr style='width: 45%;' />
<p><b>By Pike and Dyke:</b> A Tale of the Rise of the Dutch Republic. By
<span class="smcap">G. A. Henty</span>. With 10 full-page Illustrations by <span class="smcap">Maynard
Brown</span> and 4 Maps. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>A story covering the period which forms the thrilling subject of
Motley's <i>Rise of the Dutch Republic</i>, when the Netherlands, under
the guidance of William of Orange, revolted against the attempts of
Alva and the Spaniards to force upon them the Catholic religion. To
a story already of the keenest interest, Mr. Henty has added a
special attractiveness for boys in tracing through the historic
conflict the adventures and brave deeds of an English boy in the
household of the ablest man of his age—William the Silent. Edward
Martin; the son of an English sea-captain, after sharing in the
excitement of an escape from the Spaniards and a sea-fight, enters
the service of the Prince as a volunteer, and is employed by him in
many dangerous and responsible missions, in the discharge of which
he passes through the great sieges and more than one naval
engagement of the time. He is subsequently employed in Holland by
Queen Elizabeth, to whom he is recommended by Orange; and
ultimately settles down as Sir Edward Martin and the husband of the
lady to whom he owes his life, and whom he in turn has saved from
the Council of Blood.</p>
</div>
<p><b>The Lion Of St. Mark:</b> A Tale of Venice in the Fourteenth Century. By
<span class="smcap">G. A. Henty</span>. With 10 full-page Illustrations by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Every boy should read <i>The Lion of St. Mark</i>. Mr. Henty has never
produced any story more delightful, more wholesome, or more
vivacious. From first to last it will be read with keen
enjoyment."—<i>The Saturday Review.</i></p>
<p>"Mr. Henty has probably not published a more interesting story than
<i>The Lion of St. Mark</i>. He has certainly not published one in which
he has been at such pains to rise to the dignity of his subject.
Mr. Henty's battle-pieces are admirable."—<i>The Academy.</i></p>
<p>"The young hero has shrewdness, courage, enterprise, principle, all
the qualities that help the young in the race and battle of
life."—<i>Literary Churchman.</i></p>
</div>
<p><b>Captain Bailey's Heir:</b> A Tale of the Gold Fields of California. By
<span class="smcap">G. A. Henty</span>. With 12 full-page Illustrations by <span class="smcap">H. M.
Paget</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"A Westminster boy who, like all this author's heroes, makes his
way in the world by hard work, good temper, and unfailing courage.
The descriptions given of life are just what a healthy intelligent
lad should delight in."—<i>St. James's Gazette.</i></p>
<p>"The portraits of Captain Bayley, and the head-master of
Westminster school, are admirably drawn; and the adventures in
California are told with that vigour which is peculiar to Mr.
Henty."—<i>The Academy.</i></p>
<p>"Mr. Henty is careful to mingle solid instruction with
entertainment; and the humorous touches, especially in the sketch
of John Holl, the Westminster dustman, Dickens himself could hardly
have excelled."—<i>Christian Leader.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_167" id="Page_167"></SPAN>BY G. A. HENTY.</h4>
<p>"Surely Mr. Henty should understand boys' tastes better than any man
living."—<i>The Times.</i></p>
<hr style='width: 45%;' />
<p><b>Bonnie Prince Charlie:</b> A Tale of Fontenoy and Culloden. By <span class="smcap">G. A.
Henty</span>. With 12 full-page Illustrations by <span class="smcap">Gordon Browne</span>.
Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Ronald, the hero, is very like the hero of <i>Quentin Durward</i>. The
lad's journey across France with his faithful attendant Malcolm,
and his hairbreadth escapes from the machinations of his father's
enemies, make up as good a narrative of the kind as we have ever
read. For freshness of treatment and variety of incident, Mr. Henty
has here surpassed himself."—<i>Spectator.</i></p>
<p>"A historical romance of the best quality. Mr. Henty has written
many more sensational stories, but never a more artistic
one."—<i>Academy.</i></p>
</div>
<p><b>For the Temple:</b> A Tale of the Fall of Jerusalem. By <span class="smcap">G. A.
Henty</span>. With 10 full-page Illustrations by <span class="smcap">Solomon J.
Solomon</span>: and a coloured Map. Crown 8vo, cloth elegant, olivine
edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Mr. Henty is ever one of the foremost writers of historical tales,
and his graphic prose pictures of the hopeless Jewish resistance to
Roman sway adds another leaf to his record of the famous wars of
the world. The book is one of Mr. Henty's cleverest
efforts."—<i>Graphic.</i></p>
<p>"The story is told with all the force of descriptive power which
has made the author's war stories so famous, and many an 'old boy'
as well as the younger ones will delight in this narrative of that
awful page of history."—<i>Church Times.</i></p>
</div>
<p><b>The Lion Of the North:</b> A Tale of Gustavus Adolphus and the Wars of
Religion. By <span class="smcap">G. A. Henty</span>. With 12 full-page Illustrations by
<span class="smcap">John Schönberg</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"As we might expect from Mr. Henty the tale is a clever and
instructive piece of history, and as boys may be trusted to read it
conscientiously, they can hardly fail to be profited as well as
pleased."—<i>The Times.</i></p>
<p>"A praiseworthy attempt to interest British youth in the great
deeds of the Scotch Brigade in the wars of Gustavus Adolphus.
Mackay, Hepburn, and Munro live again in Mr. Henty's pages, as
those deserve to live whose disciplined bands formed really the
germ of the modern British army."—<i>Athenæum.</i></p>
<p>"A stirring story of stirring times. This book should hold a place
among the classics of youthful fiction."—<i>United Service Gazette.</i></p>
</div>
<p><b>The Young Carthaginian:</b> A story of the Times of Hannibal. By <span class="smcap">G. A.
Henty</span>. With 12 full-page Illustrations by <span class="smcap">C. J. Staniland,
R. I.</span> Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"The effect of an interesting story, well constructed and vividly
told, is enhanced by the picturesque quality of the scenic
background. From first to last nothing stays the interest of the
narrative. It bears us along as on a stream, whose current varies
in direction, but never loses its force."—<i>Saturday Review.</i></p>
<p>"Ought to be popular with boys who are not too ill instructed or
too dandified to be affected by a graphic picture of the days and
deeds of Hannibal."—<i>Athenæum.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_168" id="Page_168"></SPAN>BY G. A. HENTY.</h4>
<p>"Among writers of stories of adventure for boys Mr. Henty stands in the
very first rank."—<i>Academy.</i></p>
<hr style='width: 45%;' />
<p><b>With Wolfe in Canada:</b> Or, The Winning of a Continent. By <span class="smcap">G. A.
Henty</span>. With 12 full-page Illustrations by <span class="smcap">Gordon Browne</span>.
Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"A model of what a boys' story-book should be. Mr. Henty has a
great power of infusing into the dead facts of history new life,
and as no pains are spared by him to ensure accuracy in historic
details, his books supply useful aids to study as well as
amusement."—<i>School Guardian.</i></p>
<p>"It is not only a lesson in history as instructively as it is
graphically told, but also a deeply interesting and often thrilling
tale of adventure and peril by flood and field."—<i>Illustrated
London News.</i></p>
<p>"This is a narrative which will bear retelling, and to which Mr.
Henty, whose careful study of details is worthy of all praise, does
full justice.... His adventures are told with much spirit; the
escape when the birch canoes have been damaged by an enemy is
especially well described."—<i>Spectator.</i></p>
</div>
<p><b>With Clive in India:</b> Or, The Beginnings of an Empire. By <span class="smcap">G. A.
Henty</span>. With 12 full-page Illustrations by <span class="smcap">Gordon Browne</span>.
Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"In this book Mr. Henty has contrived to exceed himself in stirring
adventures and thrilling situations. The pictures add greatly to
the interest of the book."—<i>Saturday Review.</i></p>
<p>"Among writers of stories of adventure for boys Mr. Henty stands in
the very first rank. Those who know something about India will be
the most ready to thank Mr. Henty for giving them this instructive
volume to place in the hands of their children."—<i>Academy.</i></p>
</div>
<p><b>True to the Old Flag:</b> A Tale of the American War of Independence. By
<span class="smcap">G. A. Henty</span>. With 12 full-page Illustrations by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Does justice to the pluck and determination of the British
soldiers. The son of an American loyalist, who remains true to our
flag, falls among the hostile redskins in that very Huron country
which has been endeared to us by the exploits of Hawkeye and
Chingachgook."—<i>The Times.</i></p>
<p>"Mr. Henty's extensive personal experience of adventures and moving
incidents by flood and field, combined with a gift of picturesque
narrative, make his books always welcome visitors in the home
circle."—<i>Daily News.</i></p>
</div>
<p><b>In Freedom's Cause:</b> A Story of Wallace and Bruce. By <span class="smcap">G. A.
Henty</span>. With 12 full-page Illustrations by <span class="smcap">Gordon Browne</span>.
Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Mr. Henty has broken new ground as an historical novelist. His
tale of the days of Wallace and Bruce is full of stirring action,
and will commend itself to boys."—<i>Athenæum.</i></p>
<p>"Written in the author's best style. Full of the most remarkable
achievements, it is a tale of great interest, which a boy, once he
has begun it, will not willingly put on one side."—<i>Schoolmaster.</i></p>
<p>"Scarcely anywhere have we seen in prose a more lucid and
spirit-stirring description of Bannockburn than the one with which
the author fittingly closes his volume."—<i>Dumfries Standard.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_169" id="Page_169"></SPAN>BY G. A. HENTY.</h4>
<p>"Mr. Henty is one of our most successful writers of historical
tales."—<i>Scotsman.</i></p>
<hr style='width: 45%;' />
<p><b>Through the Fray:</b> A Story of the Luddite Riots. By <span class="smcap">G. A.
Henty</span>. With 12 full-page Illustrations by <span class="smcap">H. M. Paget</span>.
Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Mr. Henty inspires a love and admiration for straightforwardness,
truth, and courage. This is one of the best of the many good books
Mr. Henty has produced, and deserves to be classed with his <i>Facing
Death</i>."—<i>Standard.</i></p>
<p>"The interest of the story never flags. Were we to propose a
competition for the best list of novel writers for boys we have
little doubt that Mr. Henty's name would stand first."—<i>Journal of
Education.</i></p>
<p>"This story is told in Mr. Henty's own easy and often graphic
style. There is no 'padding' in the book, and its teaching is, that
we have enemies within as well as without, and therefore the power
of self-control is a quality that should be striven after by every
'true' boy."—<i>Educational Times.</i></p>
</div>
<p><b>Under Drake's Flag:</b> A Tale of the Spanish Main. By <span class="smcap">G. A.
Henty</span>. Illustrated by 12 full-page Pictures by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"There is not a dull chapter, nor, indeed, a dull page in the hook;
but the author has so carefully worked up his subject that the
exciting deeds of his heroes are never incongruous or
absurd."—<i>Observer.</i></p>
<p>"Just such a book, indeed, as the youth of this maritime country
are likely to prize highly."—<i>Daily Telegraph.</i></p>
<p>"A book of adventure, where the hero meets with experience enough
one would think to turn his hair gray."—<i>Harper's Monthly
Magazine.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY PROFESSOR A. J. CHURCH.</h4>
<hr style='width: 45%;' />
<p><b>Two Thousand Years Ago:</b> Or, The Adventures of a Roman Boy. By
Professor <span class="smcap">A. J. Church</span>. With 12 full-page Illustrations by
<span class="smcap">Adrien Marie</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Adventures well worth the telling. The book is extremely
entertaining as well as useful, and there is a wonderful freshness
in the Roman scenes and characters."—<i>The Times.</i></p>
<p>"Entertaining in the highest degree from beginning to end, and full
of adventure which is all the livelier for its close connection
with history."—<i>Spectator.</i></p>
<p>"We know of no book which will do more to make the Romans of that
day live again for the English reader."—<i>Guardian.</i></p>
</div>
<hr style='width: 45%;' />
<p><b>Robinson Crusoe.</b> By <span class="smcap">Daniel Defoe</span>. Illustrated by above 100
Pictures by <span class="smcap">Gordon Browne</span>. Crown 8vo, cloth elegant, olivine
edges, <i>6s</i>.</p>
<div class="blockquot"><p>"One of the best issues, if not absolutely the best, of Defoe's
work which has ever appeared."—<i>The Standard.</i></p>
<p>"The best edition I have come across for years. If you know a boy
who has not a 'Robinson Crusoe,' just glance at any one of these
hundred illustrations, and you will go no further afield in search
of a present for him."—<i>Truth.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_170" id="Page_170"></SPAN>BY GEORGE MANVILLE FENN.</h4>
<p>"Mr. Fenn is in the front rank of writers of stories for
boys."—<i>Liverpool Mercury.</i></p>
<hr style='width: 45%;' />
<p><b>Quicksilver:</b> Or a Boy with no Skid to his Wheel. By <span class="smcap">George
Manville Fenn</span>. With 10 full-page Illustrations by <span class="smcap">Frank
Dadd</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"<i>Quicksilver</i> is little short of an inspiration. In it that prince
of story-writers for boys—George Manville Fenn—has surpassed
himself. It is an ideal book for a boy's library."—<i>Practical
Teacher.</i></p>
<p>"The story is capitally told, it abounds in graphic and
well-described scenes, and it has an excellent and manly tone
throughout."—<i>The Guardian.</i></p>
<p>"This is one of Mr. Fenn's happiest efforts, and deserves to be
read and re-read by every school-boy in the land. We are not
exaggerating when we say that <i>Quicksilver</i> has nothing to equal it
this season."—<i>Teacher's Aid.</i></p>
</div>
<p><b>Dick o' the Fens:</b> A Romance of the Great East Swamp. By <span class="smcap">G.
Manville Fenn</span>. With 12 full-page Illustrations by <span class="smcap">Frank
Dadd</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"We conscientiously believe that boys will find it capital reading.
It is full of incident and mystery, and the mystery is kept up to
the last moment. It is rich in effective local colouring; and it
has a historical interest."—<i>Times.</i></p>
<p>"We have not of late come across a historical fiction, whether
intended for boys or for men, which deserves to be so heartily and
unreservedly praised as regards plot, incidents, and spirit as
<i>Dick o' the Fens</i>. It is its author's masterpiece as
yet."—<i>Spectator.</i></p>
</div>
<p><b>Devon Boys:</b> A Tale of the North Shore. By <span class="smcap">G. Manville Fenn</span>.
With 12 full-page Illustrations by <span class="smcap">Gordon Browne</span>. Crown 8vo,
cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"An admirable story, as remarkable for the individuality of its
young heroes as for the excellent descriptions of coast scenery and
life in North Devon. It is one of the best books we have seen this
season."—<i>Athenæum.</i></p>
<p>"We do not know that Mr. Fenn has ever reached a higher level than
he has in <i>Devon Boys</i>. It must be put in the very front rank of
Christmas books."—<i>Spectator.</i></p>
</div>
<p><b>Brownsmith's Boy:</b> A Romance in a Garden. By G. <span class="smcap">Manville Fenn</span>.
With 12 full-page Illustrations by <span class="smcap">Gordon Browne</span>. Crown 8vo,
cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Mr. Fenn's books are among the best, if not altogether the best,
of the stories for boys. Mr. Fenn is at his best in <i>Brownsmith's
Boy</i>."—<i>Pictorial World.</i></p>
<p>"<i>Brownsmith's Boy</i> must rank among the few undeniably good boys'
books. He will be a very dull boy indeed who lays it down without
wishing that it had gone on for at least 100 pages more."—<i>North
British Mail.</i></p>
</div>
<p><b>In the King's Name:</b> Or the Cruise of the <i>Kestrel</i>. By <span class="smcap">G. Manville
Fenn</span>. Illustrated by 12 full-page Pictures by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"A capital boys' story, full of incident and adventure, and told in
the lively style in which Mr. Fenn is such an adept."—<i>Globe.</i></p>
<p>"The best of all Mr. Fenn's productions in this field. It has the
great quality of always 'moving on,' adventure following adventure
in constant succession."—<i>Daily News.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_171" id="Page_171"></SPAN>BY GEORGE MANVILLE FENN.</h4>
<p>"Our boys know Mr. Fenn well, his stories having won for him a foremost
place in their estimation."—<i>Pall Mall Gazette.</i></p>
<hr style='width: 45%;' />
<p><b>Bunyip Land:</b> The Story of a Wild Journey in New Guinea. By <span class="smcap">G.
Manville Fenn</span>. With 12 full-page Illustrations by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"Mr. Fenn deserves the thanks of everybody for <i>Bunyip Land</i>, and
we may venture to promise that a quiet week may be reckoned on
whilst the youngsters have such fascinating literature provided for
their evenings' amusement."—<i>Spectator.</i></p>
<p>"One of the best tales of adventure produced by any living writer,
combining the inventiveness of Jules Verne, and the solidity of
character and earnestness of spirit which have made the English
victorious in so many fields."—<i>Daily Chronicle.</i></p>
</div>
<p><b>The Golden Magnet:</b> A Tale of the Land of the Incas. By <span class="smcap"> G.
Manville Fenn</span>. Illustrated by 12 full-page Pictures by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"This is, we think, the best boys' book Mr. Fenn has produced....
The Illustrations are perfect in their way."—<i>Globe.</i></p>
<p>"There could be no more welcome present for a boy. There is not a
dull page in the book, and many will be read with breathless
interest. 'The Golden Magnet' is, of course, the same one that
attracted Raleigh and the heroes of <i>Westward Ho!</i>"—<i>Journal of
Education.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY HARRY COLLINGWOOD.</h4>
<hr style='width: 45%;' />
<p><b>The Log Of the "Flying Fish:"</b> A Story of Aerial and Submarine Peril
and Adventure. By <span class="smcap">Harry Collingwood</span>. With 12 full-page
Illustrations by <span class="smcap">Gordon Browne</span>, Crown 8vo, cloth elegant,
olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"The <i>Flying Fish</i> actually surpasses all Jules Verne's creations;
with incredible speed she flies through the air, skims over the
surface of the water, and darts along the ocean bed. We strongly
recommend our school-boy friends to possess themselves of her
log."—<i>Athenæum.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY SARAH DOUDNEY.</h4>
<hr style='width: 45%;' />
<p><b>Under False Colours.</b> By <span class="smcap">Sarah Doudney</span>. With 12 full-page
Illustrations by <span class="smcap">G. G. Kilburne</span>. Crown 8vo, cloth elegant,
olivine edges, <i>6s</i>.</p>
<div class="blockquot"><p>"This is a charming story, abounding in delicate touches of
sentiment and pathos. Its plot is skilfully contrived. It will be
read with a warm interest by every girl who takes it
up."—<i>Scotsman.</i></p>
<p>"Sarah Doudney has no superior as a writer of high-toned
stories—pure in style, original in conception, and with skilfully
wrought-out plots; but we have seen nothing from this lady's pen
equal in dramatic energy to her latest work—<i>Under False
Colours</i>."—<i>Christian Leader.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_172" id="Page_172"></SPAN>BY G. A. HENTY.</h4>
<p>"The brightest of all the living writers whose office it is to enchant
the boys."—<i>Christian Leader.</i></p>
<hr style='width: 45%;' />
<p><b>One Of the 28th:</b> A Tale of Waterloo. By <span class="smcap">G. A. Henty</span>. With 8
full-page Illustrations by <span class="smcap">W. H. Overend</span>, and 2 Maps. Crown 8vo,
cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>Herbert Penfold, being desirous of benefiting the daughter of an
intimate friend, and Ralph Conway, the son of a lady to whom he had
once been engaged, draws up a will dividing his property between
them, and places it in a hiding-place only known to members of his
own family. At his death his two sisters determine to keep silence,
and the authorized search for the will, though apparently thorough,
fails to bring it to light. The mother of Ralph, however, succeeds
in entering the house as a servant, and after an arduous and
exciting search secures the will. In the meantime, her son has
himself passed through a series of adventures. The boat in which he
is fishing is run down by a French privateer, and Ralph, scrambling
on board, is forced to serve until the harbour of refuge is entered
by a British frigate. On his return he enters the army, and after
some rough service in Ireland, takes part in the Waterloo campaign,
from which he returns with the loss of an arm, but with a
substantial fortune, which is still further increased by his
marriage with his co-heir.</p>
</div>
<p><b>The Cat Of Bubastes:</b> A Story of Ancient Egypt. By <span class="smcap">G. A. Henty</span>.
With 8 full-page Illustrations by <span class="smcap">J. R. Weguelin</span>. Crown 8vo,
cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"The story is highly enjoyable. We have pictures of Egyptian
domestic life, of sport, of religious ceremonial, and of other
things which may still be seen vividly portrayed by the brush of
Egyptian artists."—<i>The Spectator.</i></p>
<p>"The story, from the critical moment of the killing of the sacred
cat to the perilous exodus into Asia with which it closes, is very
skilfully constructed and full of exciting adventures. It is
admirably illustrated."—<i>Saturday Review.</i></p>
<p>"Mr. Henty has fairly excelled himself in this admirable story of
romance and adventure. We have never examined a story-book that we
can recommend with more confidence as a boy's reward."—<i>Teachers'
Aid.</i></p>
</div>
<p><b>The Dragon and the Raven:</b> Or, The Days of King Alfred. By <span class="smcap">G. A.
Henty</span>. With 8 full-page Illustrations by <span class="smcap">C. J. Staniland,
R. I.</span> Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"Perhaps the best story of the early days of England which has yet
been told."—<i>Court Journal.</i></p>
<p>"We know of no popular book in which the stirring incidents of
Alfred's reign are made accessible to young readers as they are
here."—<i>Scotsman.</i></p>
</div>
<p><b>St. George for England:</b> A Tale of Cressy and Poitiers. By <span class="smcap">G. A.
Henty</span>. With 8 full-page Illustrations by <span class="smcap">Gordon Browne</span>, in
black and tint. Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"Mr. Henty has done his work well, producing a strong story at once
instructive and entertaining."—<i>Glasgow Herald.</i></p>
<p>"Mr. Henty's historical novels for boys bid fair to supplement, on
their behalf, the historical labours of Sir Walter Scott in the
land of fiction."—<i>Standard.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_173" id="Page_173"></SPAN>BY G. A. HENTY.</h4>
<p>"Mr. Henty is the king of story-tellers for boys."—<i>Sword and Trowel.</i></p>
<hr style='width: 45%;' />
<p><b>The Bravest Of the Brave:</b> With Peterborough in Spain. By <span class="smcap">G. A.
Henty</span>. With 8 full-page Pictures by <span class="smcap">H. M. Paget</span>. Crown 8vo,
cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"Mr. Henty never loses sight of the moral purpose of his work—to
enforce the doctrine of courage and truth, mercy and loving
kindness, as indispensable to the making of an English gentleman.
British lads will read <i>The Bravest of the Brave</i> with pleasure and
profit; of that we are quite sure."—<i>Daily Telegraph.</i></p>
</div>
<p><b>For Name and Fame:</b> Or, Through Afghan Passes. By <span class="smcap">G. A. Henty</span>.
With 8 full-page Illustrations by <span class="smcap">Gordon Browne</span>, in black and
tint. Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"The best feature of the book, apart from its scenes of adventure,
is its honest effort to do justice to the patriotism of the Afghan
people."—<i>Daily News.</i></p>
<p>"Not only a rousing story, replete with all the varied forms of
excitement of a campaign, but, what is still more useful, an
account of a territory and its inhabitants which must for a long
time possess a supreme interest for Englishmen, as being the key to
our Indian Empire."—<i>Glasgow Herald.</i></p>
</div>
<p><b>In the Reign Of Terror:</b> The Adventures of a Westminster Boy. By
<span class="smcap">G. A. Henty</span>. With 8 full-page Illustrations by <span class="smcap">J.
Schönberg</span>. Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"Harry Sandwith, the Westminster boy, may fairly be said to beat
Mr. Henty's record. His adventures will delight boys by the
audacity and peril they depict. The story is one of Mr. Henty's
best."—<i>Saturday Review.</i></p>
</div>
<p><b>Orange and Green:</b> A Tale of the Boyne and Limerick. By <span class="smcap">G. A.
Henty</span>. With 8 full-page Illustrations by <span class="smcap">Gordon Browne</span>.
Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"An extremely spirited story, based on the struggle in Ireland,
rendered memorable by the defence of 'Derry and the siege of
Limerick."—<i>Sat. Review.</i></p>
<p>"The narrative is free from the vice of prejudice, and ripples with
life as vivacious as if what is being described were really passing
before the eye.... <i>Orange and Green</i> should be in the hands of
every young student of Irish history without delay."—<i>Belfast
Morning News.</i></p>
</div>
<p><b>By Sheer Pluck:</b> A Tale of the Ashanti War. By <span class="smcap">G. A. Henty</span>.
With 8 full-page Pictures by <span class="smcap">Gordon Browne</span>. Crown 8vo, cloth
elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"<i>By Sheer Pluck</i> will be eagerly read. The author's personal
knowledge of the west coast has been turned to full
advantage."—<i>Athenæum.</i></p>
<p>"Morally, the book is everything that could be desired, setting
before the boys a bright and bracing ideal of the English
gentleman."—<i>Christian Leader.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_174" id="Page_174"></SPAN>BY G. A. HENTY.</h4>
<p>"Mr. G. A. Henty's fame as a writer of boys' stories is deserved and
secure."—<i>Cork Herald.</i></p>
<hr style='width: 45%;' />
<p><b>A Final Reckoning:</b> A Tale of Bush Life in Australia. By <span class="smcap">G. A.
Henty</span>. With 8 full-page Illustrations by <span class="smcap">W. B. Wollen</span>.
Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"Exhibits Mr. Henty's talent as a story-teller at his best.... The
drawings possess the uncommon merit of really illustrating the
text."—<i>Saturday Review.</i></p>
<p>"All boys will read this story with eager and unflagging interest.
The episodes are in Mr. Henty's very best vein—graphic, exciting,
realistic; and, as in all Mr. Henty's books, the tendency is to the
formation of an honourable, manly, and even heroic
character."—<i>Birmingham Post.</i></p>
</div>
<p><b>Facing Death:</b> Or the Hero of the Vaughan Pit. A Tale of the Coal
Mines. By <span class="smcap">G. A. Henty</span>. With 8 full-page Illustrations by
<span class="smcap">Gordon Browne</span>. Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"If any father, godfather, clergyman, or schoolmaster is on the
look-out for a good book to give as a present to a boy who is worth
his salt, this is the book we would recommend."—<i>Standard.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY F. FRANKFORT MOORE.</h4>
<hr style='width: 45%;' />
<p><b>Highways and High Seas:</b> Cyril Harley's Adventures on both. By <span class="smcap">F.
Frankfort Moore</span>. With 8 full-page Illustrations by <span class="smcap">Alfred
Pearse</span>. Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>The story belongs to a period when highways meant post-chaises,
coaches, and highwaymen, and when high seas meant post-captains,
frigates, privateers, and smugglers; and the hero—a boy who has
some remarkable experiences upon both—tells his story with no less
humour than vividness. He shows incidentally how little real
courage and romance there frequently was about the favourite
law-breakers of fiction, but how they might give rise to the need
of the highest courage in others and lead to romantic adventures of
an exceedingly exciting kind. A certain piquancy is given to the
story by a slight trace of nineteenth century malice in the
picturing of eighteenth century life and manners.</p>
</div>
<p><b>Under Hatches:</b> Or Ned Woodthorpe's Adventures. By <span class="smcap">F. Frankfort
Moore</span>. With 8 full-page Illustrations by <span class="smcap">A. Forestier</span>.
Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"Mr. Moore has never shown himself so thoroughly qualified to write
books for boys as he has done in <i>Under Hatches</i>."—<i>The Academy.</i></p>
<p>"A first-rate sea story, full of stirring incidents, and, from a
literary point of view, far better written than the majority of
books for boys."—<i>Pall Mall Gazette.</i></p>
<p>"The story as a story is one that will just suit boys all the world
over. The characters are well drawn and consistent; Patsy, the
Irish steward, will be found especially amusing."—<i>Schoolmaster.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_175" id="Page_175"></SPAN>BY GEORGE MANVILLE FENN.</h4>
<p>"No one can find his way to the hearts of lads more readily than Mr.
Fenn."—<i>Nottingham Guardian.</i></p>
<hr style='width: 45%;' />
<p><b>Yussuf the Guide:</b> Being the Strange Story of the Travels in Asia Minor
of Burne the Lawyer, Preston the Professor, and Lawrence the Sick. By
<span class="smcap">G. Manville Fenn</span>. With 8 full-page Illustrations by <span class="smcap">John
Schönberg</span>. Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"The narrative will take its readers into scenes that will have
great novelty and attraction for them, and the experiences with the
brigands will be especially delightful to boys."—<i>Scotsman.</i></p>
</div>
<p><b>Menhardoc:</b> A Story of Cornish Nets and Mines. By <span class="smcap">G. Manville
Fenn</span>. With 8 full-page Illustrations by <span class="smcap">C. J. Staniland</span>.
Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"They are real living boys, with their virtues and faults. The
Cornish fishermen are drawn from life, they are racy of the soil,
salt with the sea-water, and they stand out from the pages in their
jerseys and sea-boots all sprinkled with silvery pilchard
scales."—<i>Spectator.</i></p>
<p>"A description of Will Marion's descent into a flooded mine is
excellent. Josh is a delightfully amusing character. We may
cordially praise the illustrations."—<i>Saturday Review.</i></p>
</div>
<p><b>Mother Carey's Chicken:</b> Her Voyage to the Unknown Isle. By <span class="smcap">G.
Manville Fenn</span>. With 8 full-page Illustrations by A.
<span class="smcap">Forestier</span>. Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"Jules Verne himself never constructed a more marvellous tale. It
contains the strongly marked English features that are always
conspicuous in Mr. Fenn's stories—a humour racy of the British
soil, the manly vigour of his sentiment, and wholesome moral
lessons. For anything to match his realistic touch we must go to
Daniel Defoe."—<i>Christian Leader.</i></p>
<p>"When we get to the 'Unknown Isle,' the story becomes exciting. Mr.
Fenn keeps his readers in a suspense that is not intermitted for a
moment, and the <i>dénouement</i> is a surprise which is as probable as
it is startling."—<i>Spectator.</i></p>
</div>
<p><b>Patience Wins:</b> Or, War in the Works. By <span class="smcap">G. Manville Fenn</span>.
With 8 full-page Illustrations by <span class="smcap">Gordon Browne</span>. Crown 8vo,
cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"An excellent story, the interest being sustained from first to
last. One of the best books of its kind which has come before us
this year."—<i>Saturday Review.</i></p>
<p>"Mr. Fenn is at his best in <i>Patience Wins</i>. It is sure to prove
acceptable to youthful readers, and will give a good idea of that
which was the real state of one of our largest manufacturing towns
not many years ago."—<i>Guardian.</i></p>
</div>
<p><b>Nat the Naturalist:</b> A Boy's Adventures in the Eastern Seas. By <span class="smcap">G.
Manville Fenn</span>. With 8 full-page Pictures. Crown 8vo, cloth elegant,
<i>5s</i>.</p>
<div class="blockquot"><p>"Among the best of the many good books for boys that have come out
this season."—<i>Times.</i></p>
<p>"This sort of book encourages independence of character, develops
resource, and teaches a boy to keep his eyes open."—<i>Saturday
Review.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_176" id="Page_176"></SPAN>BY HARRY COLLINGWOOD.</h4>
<hr style='width: 45%;' />
<p><b>The Missing Merchantman.</b> By <span class="smcap">Harry Collingwood</span>. With 8
full-page Illustrations by <span class="smcap">W. H. Overend</span>. Crown 8vo, cloth
elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"Mr. Collingwood is <i>facile princeps</i> as a teller of sea stories
for boys, and the present is one of the best productions of his
pen."—<i>Standard.</i></p>
<p>"This is one of the author's best sea stories. The hero is as
heroic as any boy could desire, and the ending is extremely
happy."—<i>British Weekly.</i></p>
</div>
<p><b>The Rover's Secret:</b> A Tale of the Pirate Cays and Lagoons of Cuba. By
<span class="smcap">Harry Collingwood</span>. With 8 full-page Illustrations by <span class="smcap">W. C.
Symons</span>. Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"<i>The Rover's Secret</i> is by far the best sea story we have read for
years, and is certain to give unalloyed pleasure to boys. The
illustrations are fresh and vigorous."—<i>Saturday Review.</i></p>
</div>
<p><b>The Pirate Island:</b> A Story of the South Pacific. By <span class="smcap">Harry
Collingwood</span>. Illustrated by 8 full-page Pictures by <span class="smcap">C. J.
Staniland</span> and <span class="smcap">J. R. Wells</span>. Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"A capital story of the sea; indeed in our opinion the author is
superior in some respects as a marine novelist to the better known
Mr. Clarke Russell."—<i>The Times.</i></p>
<p>"Told in the most vivid and graphic language. It would be difficult
to find a more thoroughly delightful gift-book."—<i>Guardian.</i></p>
</div>
<p><b>The Congo Rovers:</b> A Story of the Slave Squadron. By <span class="smcap">Harry
Collingwood</span>. With 8 full-page Illustrations by <span class="smcap">J.
Schönberg</span>. Crown 8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"No better sea story has lately been written than the <i>Congo
Rovers</i>. It is as original as any boy could desire."—<i>Morning
Post.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY ASCOTT R. HOPE.</h4>
<hr style='width: 45%;' />
<p><b>The Seven Wise Scholars.</b> By <span class="smcap">Ascott R. Hope</span>. With nearly One
Hundred Illustrations by <span class="smcap">Gordon Browne</span>. Square 8vo, cloth
elegant, gilt edges, <i>5s</i>.</p>
<div class="blockquot"><p>"As full of fun as a volume of <i>Punch</i>; with illustrations, more
laughter-provoking than most we have seen since Leech
died."—<i>Sheffield Independent.</i></p>
<p>"A capital story, full of fun and happy comic fancies. The tale
would put the sourest-tempered <i>boy</i> into a good humour, and to an
imaginative child would be a source of keen delight."—<i>Scotsman.</i></p>
</div>
<p><b>The Wigwam and the War-path:</b> stories of the Red Indians. By <span class="smcap">Ascott
R. Hope</span>. With 8 full-page Pictures by <span class="smcap">Gordon Browne</span>. Crown
8vo, cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"All the stories are told well, in simple spirited language and
with a fulness of detail that make them instructive as well as
interesting."—<i>Journal of Education.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_177" id="Page_177"></SPAN>BY G. NORWAY.</h4>
<hr style='width: 45%;' />
<p>The Loss of John Humble: What Led to It, and what Came of It. By <span class="smcap">G.
Norway</span>. With 8 full-page Illustrations by <span class="smcap">John Schönberg</span>.
Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>John Humble, an orphan, is sent to sea with his Uncle Rolf, the
captain of the <i>Erl King</i>, but in the course of certain adventures
off the English coast, in which Rolf shows both skill and courage,
the boy is left behind at Portsmouth. He escapes from an English
gun-brig to a Norwegian vessel, the <i>Thor</i>, which is driven from
her course in a voyage to Hammerfest, and wrecked on a desolate
shore. The survivors experience the miseries of a long sojourn in
the Arctic circle, with inadequate means of supporting life, but
ultimately, with the aid of some friendly but thievish Lapps, they
succeed in making their way to a reindeer station and so southward
to Tornea and home again. The story throughout is singularly vivid
and truthful in its details, the individual characters are fresh
and well marked, and a pleasant vein of humour relieves the stress
of the more tragic incidents in the story.</p>
</div>
<hr style='width: 45%;' />
<h4>BY ROSA MULHOLLAND.</h4>
<hr style='width: 45%;' />
<p>Giannetta: A Girl's Story of Herself. By <span class="smcap">Rosa Mulholland</span>. With
8 full-page Illustrations by <span class="smcap">Lockhart Bogle</span>. Crown 8vo, cloth
elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"Giannetta is a true heroine—warm-hearted, self-sacrificing, and,
as all good women nowadays are, largely touched with the enthusiasm
of humanity. The illustrations are unusually good, and combine with
the binding and printing to make this one of the most attractive
gift-books of the season."—<i>The Academy.</i></p>
<p>"No better book could be selected for a young girl's reading, as
its object is evidently to hold up a mirror, in which are seen some
of the brightest and noblest traits in the female
character."—<i>Schoolmistress.</i></p>
</div>
<p>Perseverance Island: Or the Robinson Crusoe of the 19th Century. By
<span class="smcap">Douglas Frazar</span>. With 12 full-page Illustrations. Crown 8vo,
cloth elegant, <i>5s</i>.</p>
<div class="blockquot"><p>"This second Robinson Crusoe is certainly a marvellous man. His
determination to overcome all difficulties, and his subsequent
success, should alone make this a capital book for boys. It is
altogether a worthy successor to the ancient Robinson
Crusoe."—<i>Glasgow Herald.</i></p>
</div>
<p>Gulliver's Travels. Illustrated by more than 100 Pictures by <span class="smcap">Gordon
Browne</span>. Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"By help of the admirable illustrations, and a little judicious
skipping, it has enchanted a family party of ages varying from six
to sixty. Which of the other Christmas books could stand this
test?"—Journal of Education.</p>
<p>"Mr. Gordon Browne is, to my thinking, incomparably the most
artistic, spirited, and brilliant of our illustrators of books for
boys, and one of the most humorous also, as his illustrations of
'Gulliver' amply testify."—Truth.</p>
</div>
<p class="center"><SPAN name="Page_178" id="Page_178"></SPAN>NEW EDITION OF THE UNIVERSE.</p>
<p><b>The Universe</b>: Or the Infinitely Great and the Infinitely Little. A
Sketch of Contrasts in Creation, and Marvels revealed and explained by
Natural Science. By <span class="smcap">F. A. Pouchet, m.d.</span> With 272 Engravings on
wood, of which 55 are full-page size, and a Coloured Frontispiece. Tenth
Edition, medium 8vo, cloth elegant, gilt edges, <i>7s. 6d.</i>; also morocco
antique, 16s.</p>
<div class="blockquot"><p>"We can honestly commend Professor Pouchet's book, which <i>is</i>
admirably, as it is copiously illustrated."—<i>The Times.</i></p>
<p>"This book is as interesting as the most exciting romance, and a
great deal more likely to be remembered to good
purpose."—<i>Standard.</i></p>
<p>"Scarcely any book in French or in English is so likely to
stimulate in the young an interest in the physical
phenomena."—<i>Fortnightly Review.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY GEORGE MAC DONALD.</h4>
<hr style='width: 45%;' />
<p><b>At the Back of the North Wind</b>. By <span class="smcap">George Mac Donald, LL.D.</span>
With 75 Illustrations by <span class="smcap">Arthur Hughes</span>. Crown 8vo, cloth
elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"In <i>At the Back of the North Wind</i> we stand with one foot in
fairyland and one on common earth. The story is thoroughly
original, full of fancy and pathos, and underlaid with earnest but
not too obtrusive teaching."—<i>The Times.</i></p>
</div>
<p><b>Ranald Bannerman's Boyhood</b>. By <span class="smcap">George Mac Donald, LL.D.</span> With
36 Illustrations by <span class="smcap">Arthur Hughes</span>. New Edition. Crown 8vo,
cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"The sympathy with boy-nature in <i>Ranald Bannerman's Boyhood</i> is
perfect. It is a beautiful picture of childhood, teaching by its
impressions and suggestions all noble things."—<i>British Quarterly
Review.</i></p>
</div>
<p><b>The Princess and the Goblin</b>. By <span class="smcap">George Mac Donald, LL.D.</span> With
30 Illustrations by <span class="smcap">Arthur Hughes</span>, and 2 full-page Pictures by
<span class="smcap">H. Petherick</span>. Crown 8vo, cloth extra, <i>3s. 6d</i>.</p>
<div class="blockquot"><p>"Little of what is written for children has the lightness of touch
and play of fancy which are characteristic of George Mac Donald's
fairy tales. Mr. Arthur Hughes's illustrations are all that
illustrations should be."—<i>Manchester Guardian.</i></p>
<p>"A model of what a child's book ought to be—interesting,
instructive, and poetical. We cordially recommend it as one of the
very best gift-books we have yet come across."—<i>Elgin Courant.</i></p>
</div>
<p><b>The Princess and Curdie</b>. By <span class="smcap">George Mac Donald, LL.D.</span> With 8
full-page Illustrations by <span class="smcap">James Allen</span>. Crown 8vo, cloth extra,
<i>3s. 6d</i>.</p>
<div class="blockquot"><p>"There is the finest and rarest genius in this brilliant story.
Upgrown people would do wisely occasionally to lay aside their
newspapers and magazines to spend an hour with Curdie and the
Princess."—<i>Sheffield Independent.</i></p>
</div>
<p><SPAN name="Page_179" id="Page_179"></SPAN><b>Girl Neighbours:</b> Or, The Old Fashion and the New. By <span class="smcap">Sarah
Tytler</span>. With 8 full-page Illustrations by <span class="smcap">C. T. Garland</span>.
Crown 8vo, cloth elegant, olivine edges, <i>5s</i>.</p>
<div class="blockquot"><p>"One of the most effective and quietly humorous of Miss Sarah
Tytler's stories.... Very healthy, very agreeable, and very well
written."—<i>Spectator.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY MARY C. ROWSELL.</h4>
<hr style='width: 45%;' />
<p><b>Thorndyke Manor:</b> A Tale of Jacobite Times. By <span class="smcap">Mary C.
Rowsell</span>. With 6 full-page Illustrations by <span class="smcap">L. Leslie
Brooke</span>. Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>Thorndyke Manor is an old house, near the mouth of the Thames,
which is convenient, on account of its secret vaults and situation,
as the base of operations in a Jacobite conspiracy. In consequence
its owner, a kindly, quiet, book-loving squire, who lives happily
with his sister, bright Mistress Amoril, finds himself suddenly
involved by a treacherous steward in the closest meshes of the
plot. He is conveyed to the Tower, but all difficulties are
ultimately overcome, and his innocence is triumphantly proved by
his sister.</p>
</div>
<p><b>Traitor or Patriot?</b> A Tale of the Rye-House Plot. By <span class="smcap">Mary C.
Rowsell</span>. With 6 full-page Pictures. Crown 8vo, cloth elegant, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"A romantic love episode, whose true characters are lifelike
beings, not dry sticks as in many historical tales."—<i>Graphic.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY ALICE CORKRAN.</h4>
<hr style='width: 45%;' />
<p><b>Meg's Friend.</b> By <span class="smcap">Alice Corkran</span>. With 6 full-page
Illustrations by <span class="smcap">Robert Fowler</span>. Crown 8vo, cloth extra, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"Another of Miss Corkran's charming books for girls, narrated in
that simple and picturesque style which marks the authoress as one
of the first amongst writers for young people."—<i>The Spectator.</i></p>
</div>
<p><b>Margery Merton's Girlhood.</b> By <span class="smcap">Alice Corkran</span>. With 6 full-page
Illustrations by <span class="smcap">Gordon Browne</span>. Crown 8vo, cloth extra, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"Another book for girls we can warmly commend. There is a
delightful piquancy in the experiences and trials of a young
English girl who studies painting in Paris."—<i>Saturday Review.</i></p>
</div>
<p><b>Down the Snow Stairs:</b> Or, From Good-night to Good-morning. By
<span class="smcap">Alice Corkran</span>. With 60 character Illustrations by <span class="smcap">Gordon
Browne</span>. New Edition. Crown 8vo, cloth elegant, olivine edges, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"A fascinating wonder-book for children."—<i>Athenæum.</i></p>
<p>"A gem of the first water, bearing upon every page the signet mark
of genius. All is told with such simplicity and perfect naturalness
that the dream appears to be a solid reality. It is indeed a Little
Pilgrim's Progress."—<i>Christian Leader.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_180" id="Page_180"></SPAN>BY JOHN C. HUTCHESON.</h4>
<hr style='width: 45%;' />
<p><b>Afloat at Last:</b> A Sailor Boy's Log of his Life at Sea. By <span class="smcap">John C.
Hutcheson</span>. With 6 full-page Illustrations by <span class="smcap">W. H. Overend</span>.
Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>Mr. Hutcheson's reputation for the realistic treatment of life at
sea will be fully sustained by the present volume—the narrative of
a boy's experiences on board ship during his first voyage. From the
stowing of the vessel in the Thames to her recovery from the Pratas
Reef on which she is stranded, everything is described with the
accuracy of perfect practical knowledge of ships and sailors; and
the incidents of the story range from the broad humours of the
fo'c's'le to the perils of flight from and fight with the pirates
of the China Seas. The captain, the mate, the Irish boatswain, the
Portuguese steward, and the Chinese cook, are fresh and
cleverly-drawn characters, and the reader throughout has the sense
that he is on a real voyage with living men.</p>
</div>
<p><b>The White Squall:</b> A Story of the Sargasso Sea. By <span class="smcap">John C.
Hutcheson</span>. With 6 full-page Illustrations by <span class="smcap">John
Schönberg</span>. Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Few writers have made such rapid improvement in the course of a
few years as has the author of this capital story.... Boys will
find it difficult to lay down the book till they have got to the
end."—<i>Standard.</i></p>
<p>"The sketches of tropical life are so good as sometimes to remind
us of <i>Tom Cringle</i> and the <i>Cruise of the Midge</i>."—<i>Times.</i></p>
</div>
<p><b>The Wreck of the Nancy Bell:</b> Or Cast Away on Kerguelen Land. By
<span class="smcap">John C. Hutcheson</span>. Illustrated by 6 full-page Pictures. Crown
8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"A full circumstantial narrative such as boys delight in. The ship
so sadly destined to wreck on Kerguelen Land is manned by a very
lifelike party, passengers and crew. The life in the Antarctic
Iceland is well treated."—<i>Athenæum.</i></p>
</div>
<p><b>Picked Up at Sea:</b> Or the Gold Miners of Minturne Creek. By <span class="smcap">John C.
Hutcheson</span>. With 6 full-page Pictures. Crown 8vo, cloth extra, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"The author's success with this book is so marked that it may well
encourage him to further efforts. The description of mining life in
the Far-west is true and accurate."—<i>Standard.</i></p>
</div>
<p><b>Sir Walter's Ward:</b> A Tale of the Crusades. By <span class="smcap">William
Everard</span>. With 6 full-page Illustrations by <span class="smcap">Walter Paget</span>.
Crown 8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"This book will prove a very acceptable present either to boys or
girls. Both alike will take an interest in the career of Dodo, in
spite of his unheroic name, and follow him through his numerous and
exciting adventures."—<i>Academy.</i></p>
</div>
<p><b>Stories Of Old Renown:</b> Tales of Knights and Heroes. By <span class="smcap">Ascott R.
Hope</span>. With 100 Illustrations by <span class="smcap">Gordon Browne</span>. New
Edition. Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"A really fascinating book worthy of its telling title. There is,
we venture to say, not a dull page in the book, not a story which
will not bear a second reading."—<i>Guardian.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_181" id="Page_181"></SPAN>BY CAROLINE AUSTIN.</h4>
<hr style='width: 45%;' />
<p><b>Cousin Geoffrey and I.</b> By <span class="smcap">Caroline Austin</span>. With 6 full-page
Illustrations by <span class="smcap">W. Parkinson</span>. Crown 8vo, cloth elegant, <i>3s.
6d.</i></p>
<div class="blockquot"><p>The only daughter of a country gentleman finds herself unprovided
for at her father's death, and for some time lives as a dependant
upon the kinsman who has inherited the property. Life is kept from
being entirely unbearable to her by her young cousin Geoffrey, who
at length meets with a serious accident for which she is held
responsible. She is then passed on to other relatives, who prove
even more objectionable, and at length, in despair, she runs away
and makes a brave attempt to earn her own livelihood. Being a
splendid rider, she succeeds in doing this, until the startling
event which brings her cousin Geoffrey and herself together again,
and solves the problem of the missing will.</p>
</div>
<p><b>Hugh Herbert's Inheritance.</b> By <span class="smcap">Caroline Austin</span>. With 6
full-page Illustrations by <span class="smcap">C. T. Garland</span>. Crown 8vo, cloth
elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Will please by its simplicity, its tenderness, and its healthy
interesting motive. It is admirably written."—<i>Scotsman.</i></p>
<p>"Well and gracefully written, full of interest, and excellent in
tone."—<i>School Guardian.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY E. S. BROOKS.</h4>
<hr style='width: 45%;' />
<p><b>Storied Holidays:</b> A Cycle of Red-letter Days. By <span class="smcap">E. S. Brooks</span>.
With 12 full-page Illustrations by <span class="smcap">Howard Pyle</span>. Crown 8vo,
cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"It is a downright good book for a senior boy, and is eminently
readable from first to last."—<i>Schoolmaster.</i></p>
<p>"Replete with interest from Chapter I. to <i>finis</i>, and can be
confidently recommended as one of the gems of Messrs. Blackie's
collection."—<i>Teachers' Aid.</i></p>
</div>
<p><b>Chivalric Days:</b> Stories of Courtesy and Courage in the Olden Times. By
<span class="smcap">E. S. Brooks</span>. With 20 Illustrations by <span class="smcap">Gordon Browne</span>
and other Artists. Crown 8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"We have seldom come across a prettier collection of tales. These
charming stories of boys and girls of olden days are no mere
fictitious or imaginary sketches, but are real and actual records
of their sayings and doings. The illustrations are in Gordon
Browne's happiest style."—<i>Literary World.</i></p>
</div>
<p><b>Historic Boys:</b> Their Endeavours, their Achievements, and their Times.
By <span class="smcap">E. S. Brooks</span>. With 12 full-page Illustrations by <span class="smcap">R. B.
Birch</span> and <span class="smcap">John Schönberg</span>. Crown 8vo, cloth extra, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"A wholesome book, manly in tone, its character sketches enlivened
by brisk dialogue. We advise schoolmasters to put it on their list
of prizes."—<i>Knowledge.</i></p>
</div>
<hr style='width: 45%;' />
<h4><SPAN name="Page_182" id="Page_182"></SPAN>BY MRS. E. R. PITMAN.</h4>
<hr style='width: 45%;' />
<p><b>Garnered Sheaves.</b> A Tale for Boys. By Mrs. <span class="smcap">E. R. Pitman</span>. With
4 full-page Illustrations. Crown 8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"This is a story of the best sort ... a noble-looking book,
illustrating faith in God, and commending to young minds all that
is pure and true."—Rev. C. H. Spurgeon's <i>Sword and Trowel</i>.</p>
</div>
<p><b>Life's Daily Ministry:</b> A Story of Everyday Service for others. By Mrs.
<span class="smcap">E. R. Pitman</span>. With 4 full-page Illustrations. Crown 8vo, cloth
extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Shows exquisite touches of a master hand. She has not only made a
close study of human nature in all its phases, but she has acquired
the artist's skill in depicting in graphic outline the
characteristics of the beautiful and the good in life."—<i>Christian
Union.</i></p>
</div>
<p><b>My Governess Life:</b> Or Earning my Living. By Mrs. <span class="smcap">E. R. Pitman</span>.
With 4 full-page Illustrations. Crown 8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Full of sound teaching and bright examples of
character."—<i>Sunday-school Chronicle.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY MRS. R. H. READ.</h4>
<hr style='width: 45%;' />
<p><b>Silver Mill:</b> A Tale of the Don Valley. By Mrs. <span class="smcap">R. H. Read</span>.
With 6 full-page Illustrations by <span class="smcap">John Schönberg</span>. Crown 8vo,
cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"A good girl's story-book. The plot is interesting, and the
heroine, Ruth, a lady by birth, though brought up in a humble
station, well deserves the more elevated position in which the end
of the book leaves her. The pictures are very spirited."—<i>Saturday
Review.</i></p>
</div>
<p><b>Dora:</b> Or a Girl without a Home. By Mrs. <span class="smcap">R. H. Read</span>. With 6
full-page Illustrations. Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"It is no slight thing, in an age of rubbish, to get a story so
pure and healthy as this."—<i>The Academy.</i></p>
</div>
<hr style='width: 45%;' />
<h4>BY ELIZABETH J. LYSAGHT.</h4>
<hr style='width: 45%;' />
<p><b>Brother and Sister:</b> Or the Trials of the Moore Family. By
<span class="smcap">Elizabeth J. Lysaght</span>. With 6 full-page Illustrations. Crown
8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"A pretty story, and well told. The plot is cleverly constructed,
and the moral is excellent."—<i>Athenæum.</i></p>
</div>
<p><SPAN name="Page_183" id="Page_183"></SPAN><b>Laugh and Learn:</b> A Home-book of Instruction and Amusement for the
Little Ones. By <span class="smcap">Jennett Humphreys</span>. Charmingly Illustrated.
Square crown 8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p><i>Laugh and Learn</i>, a most comprehensive book for the nursery,
supplies, what has long been wanted, a means whereby the mother or
the governess may, in a series of pleasing lessons, commence and
carry on systematic home instruction of the little ones. The
various chapters of the <i>Learn</i> section carry the child through the
"three R's" to easy stories for reading, and stories which the
mother may read aloud, or which more advanced children may read to
themselves. The Laugh section comprises simple drawing lessons,
home amusements of every kind, innumerable pleasant games and
occupations, rhymes to be learnt, songs for the very little ones,
action songs, and music drill.</p>
</div>
<p><b>The Search for the Talisman:</b> A Story of Labrador. By <span class="smcap">Henry
Frith</span>. With 6 full-page Illustrations by <span class="smcap">J. Schönberg</span>.
Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Mr. Frith's volume will be among those most read and highest
valued. The adventures among seals, whales, and icebergs in
Labrador will delight many a young reader, and at the same time
give him an opportunity to widen his knowledge of the Esquimaux,
the heroes of many tales."—<i>Pall Mall Gazette.</i></p>
</div>
<p><b>Self-Exiled:</b> A Story of the High Seas and East Africa. By <span class="smcap">J. A.
Steuart</span>. With 6 full-page Illustrations by <span class="smcap">J. Schönberg</span>.
Crown 8vo, cloth elegant, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"It is cram full of thrilling situations. The number of miraculous
escapes from death in all its shapes which the hero experiences in
the course of a few months must be sufficient to satisfy the most
voracious appetite."—<i>Schoolmaster.</i></p>
</div>
<p><b>Reefer and Rifleman:</b> A Tale of the Two Services. By <span class="smcap">J.
Percy-Groves</span>, late 27th Inniskillings. With 6 full-page
Illustrations by <span class="smcap">John Schönberg</span>. Crown 8vo, cloth elegant, <i>3s.
6d.</i></p>
<div class="blockquot"><p>"A good, old-fashioned, amphibious story of our fighting with the
Frenchmen in the beginning of our century, with a fair sprinkling
of fun and frolic."—<i>Times.</i></p>
</div>
<p><b>The Bubbling Teapot.</b> A Wonder Story. By Mrs. <span class="smcap">L. W. Champney</span>.
With 12 full-page Pictures by <span class="smcap">Walter Satterlee</span>. Crown 8vo,
cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Very literally a 'wonder story,' and a wild and fanciful one.
Nevertheless it is made realistic enough, and there is a good deal
of information to be gained from it. The steam from the magic
teapot bubbles up into a girl, and the little girl, when the fancy
takes her, can cry herself back into a teapot. Transformed and
enchanted she makes the tour of the globe."—<i>The Times.</i></p>
</div>
<p><b>Dr. Jolliffe's Boys:</b> A Tale of Weston School. By <span class="smcap">Lewis Hough</span>.
With 6 full-page Pictures. Crown 8vo, cloth extra, <i>3s. 6d.</i></p>
<div class="blockquot"><p>"Young people who appreciate <i>Tom Brown's School-days</i> will find
this story a worthy companion to that fascinating book. There is
the same manliness of tone, truthfulness of outline, avoidance of
exaggeration and caricature, and healthy morality as characterized
the masterpiece of Mr. Hughes."—<i>Newcastle Journal.</i></p>
</div>
<hr style='width: 65%;' />
<h3><SPAN name="Page_184" id="Page_184"></SPAN>BLACKIE'S HALF-CROWN SERIES.</h3>
<p>Illustrated by eminent Artists. In crown 8vo, cloth elegant.</p>
<hr style='width: 45%;' />
<p class="center"><span class="smcap">New Volumes</span>.</p>
<p><b>The Hermit Hunter of the Wilds.</b> By <span class="smcap">Gordon Stables</span>, C. M.,
M. D., R. N.</p>
<div class="blockquot"><p>A dreamy boy, who likes to picture himself as the Hermit Hunter of
the Wilds, receives an original but excellent kind of training from
a sailor-naturalist uncle, and at length goes to sea with the hope
of one day finding the lost son of his uncle's close friend,
Captain Herbert. He succeeds in tracing him through the forests of
Ecuador, where the abducted boy has become an Indian chief.
Afterwards he is discovered on an island which had been used as a
treasure store by the buccaneers. The hero is accompanied through
his many adventures by the very king of cats, who deserves a place
amongst the most famous animals in fiction.</p>
</div>
<p><b>Miriam's Ambition:</b> A Story for Children. By <span class="smcap">Evelyn
Everett-Green</span>.</p>
<div class="blockquot"><p>Miriam's ambition is to make some one happy, and her endeavour to
carry it out in the case of an invalid boy, carries with it a
pleasant train of romantic incident, solving a mystery which had
thrown a shadow over several lives. A charming foil to her grave
and earnest elder sister is to be found in Miss Babs, a small
coquette of five, whose humorous child-talk is one of the most
attractive features of an excellent story.</p>
</div>
<p><b>White Lilac:</b> Or The Queen of the May. By <span class="smcap">Amy Walton</span>.</p>
<div class="blockquot"><p>When the vicar's wife proposed to call Mrs. White's daughter by the
heathen name of Lilac, all the villagers shook their heads; and
they continued to shake them sagely when Lilac's father was shot
dead by poachers just before the christening, and when, years
after, her mother died on the very day Lilac was crowned Queen of
the May. And yet White Lilac proved a fortune to the relatives to
whose charge she fell—a veritable good brownie, who brought luck
wherever she went. The story of her life forms a most readable and
admirable rustic idyl, and is told with a fine sense of rustic
character.</p>
</div>
<hr style='width: 45%;' />
<p><b>Little Lady Clare.</b> By <span class="smcap">Evelyn Everett-Green</span>.</p>
<div class="blockquot"><p>"Certainly one of the prettiest, reminding us in its quaintness and
tender pathos of Mrs. Ewing's delightful tales. This is quite one
of the best stories Miss Green's clever pen has yet given
us."—<i>Literary World.</i></p>
<p>"We would particularly bring it under the notice of those in charge
of girls' schools. The story is admirably told."—<i>Schoolmaster.</i></p>
</div>
<p><b>The Eversley Secrets.</b> By <span class="smcap">Evelyn Everett-Green</span>.</p>
<div class="blockquot"><p>"Is one of the best children's stories of the year."—<i>Academy.</i></p>
<p>"A clever and well-told story. Roy Eversley is a very touching
picture of high principle and unshrinking self-devotion in a good
purpose."—<i>Guardian.</i></p>
</div>
<p><b>The Brig "Audacious."</b> By <span class="smcap">Alan Cole</span>.</p>
<div class="blockquot"><p>"This is a real boys' book. We have great pleasure in recommending
it."—<i>English Teacher.</i></p>
<p>"Bright and vivacious in style, and fresh and wholesome as a breath
of sea air in tone."—<i>Court Journal.</i></p>
</div>
<p><SPAN name="Page_185" id="Page_185"></SPAN><b>The Saucy May.</b> By <span class="smcap">H. Frith</span>.</p>
<div class="blockquot"><p>"The book is certainly both interesting and
exciting."—<i>Spectator.</i></p>
<p>"Mr. Frith gives a new picture of life on the ocean wave which will
be acceptable to all young people."—<i>Sheffield Independent.</i></p>
</div>
<p><b>Jasper's Conquest.</b> By <span class="smcap">Elizabeth J. Lysaght</span>.</p>
<div class="blockquot"><p>"One of the best boys' books of the season. It is full of stirring
adventure and startling episodes, and yet conveys a splendid moral
throughout."—<i>Schoolmaster.</i></p>
</div>
<p><b>Sturdy and Strong:</b> Or, How George Andrews made his Way. By <span class="smcap">G. A.
Henty</span>.</p>
<div class="blockquot"><p>"The history of a hero of everyday life, whose love of truth,
clothing of modesty, and innate pluck carry him, naturally, from
poverty to affluence. He stands as a good instance of chivalry in
domestic life."—<i>The Empire.</i></p>
</div>
<p><b>Gutta-Percha Willie</b>, The Working Genius. By <span class="smcap">George Mac
Donald</span>, LL.D.</p>
<div class="blockquot"><p>"Had we space we would fain quote page after page. All we have room
to say is, get it for your boys and girls to read for themselves,
and if they can't do that read it to them."—<i>Practical Teacher.</i></p>
</div>
<p><b>The War of the Axe:</b> Or Adventures in South Africa. By <span class="smcap">J.
Percy-Groves</span>.</p>
<div class="blockquot"><p>"The story of their final escape from the Caffres is a marvellous
bit of writing.... The story is well and brilliantly told, and the
illustrations are especially good and effective."—<i>Literary
World.</i></p>
</div>
<p><b>The Lads of Little Clayton:</b> Stories of Village Boy Life. By <span class="smcap">R.
Stead</span>.</p>
<div class="blockquot"><p>"A capital book for boys. They will learn from its pages what true
boy courage is. They will learn further to avoid all that is petty
and mean if they read the tales aright. They may be read to a class
with great profit."—<i>Schoolmaster.</i></p>
</div>
<p><b>Ten Boys</b> who lived on the Road from Long Ago to Now. By <span class="smcap">Jane
Andrews</span>. With 20 Illustrations.</p>
<div class="blockquot"><p>"The idea of this book is a very happy one, and is admirably
carried out. We have followed the whole course of the work with
exquisite pleasure. Teachers should find it particularly
interesting and suggestive."—<i>Practical Teacher.</i></p>
</div>
<p><b>Insect Ways on Summer Days</b> in Garden, Forest, Field, and Stream. By
<span class="smcap">Jennett Humphreys</span>. With 70 Illustrations.</p>
<div class="blockquot"><p>"The book will prove not only instructive but delightful to every
child whose mind is beginning to inquire and reflect upon the
wonders of nature. It is capitally illustrated and very tastefully
bound."—<i>Academy.</i></p>
</div>
<p><b>A Waif of the Sea:</b> Or the Lost Found. By <span class="smcap">Kate Wood</span>.</p>
<div class="blockquot"><p>"A very touching and pretty tale of town and country, full of
pathos and interest, told in a style which deserves the highest
praise."—<i>Edinburgh Courant.</i></p>
</div>
<p><SPAN name="Page_186" id="Page_186"></SPAN><b>Winnie's Secret:</b> A Story of Faith and Patience. By <span class="smcap">Kate
Wood</span>.</p>
<div class="blockquot"><p>"One of the best story-books we have read. Girls will be charmed
with the tale, and delighted that everything turns out so
well."—<i>Schoolmaster.</i></p>
</div>
<p><b>Miss Willowburn's Offer.</b> By <span class="smcap">Sarah Doudney</span>.</p>
<div class="blockquot"><p>"Patience Willowburn is one of Miss Doudney's best creations, and
is the one personality in the story which can be said to give it
the character of a book not for young ladies but for
girls."—<i>Spectator.</i></p>
</div>
<p><b>A Garland for Girls.</b> By <span class="smcap">Louisa M. Alcott</span>.</p>
<div class="blockquot"><p>"The <i>Garland</i> will delight our girls, and show them how to make
their lives fragrant with good deeds."—<i>British Weekly.</i></p>
<p>"These little tales are the beau ideal of girls'
stories."—<i>Christian World.</i></p>
</div>
<p><b>Hetty Gray:</b> Or Nobody's Bairn. By <span class="smcap">Rosa Mulholland</span>.</p>
<div class="blockquot"><p>"A charming story for young folks. Hetty is a delightful
creature—piquant, tender, and true—and her varying fortunes are
perfectly realistic."—<i>World.</i>'</p>
</div>
<p><b>Brothers in Arms:</b> A Story of the Crusades. By <span class="smcap">F. Bayford
Harrison</span>.</p>
<div class="blockquot"><p>"Full of striking incident, is very fairly illustrated, and may
safely be chosen as sure to prove interesting to young people of
both sexes."—<i>Guardian.</i></p>
</div>
<p><b>The Ball Of Fortune:</b> Or Ned Somerset's Inheritance. By <span class="smcap">Charles
Pearce</span>.</p>
<div class="blockquot"><p>"A capital story for boys. It is simply and brightly written. There
is plenty of incident, and the interest is sustained
throughout."—<i>Journal of Education.</i></p>
</div>
<p><b>Miss Fenwick's Failures:</b> Or "Peggy Pepper-Pot." By <span class="smcap">Esmé
Stuart</span>.</p>
<div class="blockquot"><p>"Esmé Stuart may be commended for producing a girl true to real
life, who will put no nonsense into young heads."—<i>Graphic.</i></p>
</div>
<p><b>Gytha's Message:</b> A Tale of Saxon England. By <span class="smcap">Emma Leslie</span>.</p>
<div class="blockquot"><p>"This is a charmingly told story. It is the sort of book that all
girls and some boys like, and can only get good from."—<i>Journal of
Education.</i></p>
</div>
<p><b>My Mistress the Queen:</b> A Tale of the 17th Century. By <span class="smcap">M. A.
Paull</span>.</p>
<div class="blockquot"><p>"The style is pure and graceful, the presentation of manners and
character has been well studied, and the story is full of
interest."—<i>Scotsman.</i></p>
<p>"This is a charming book. The old-time sentiment which pervades the
volume renders it all the more alluring."—<i>Western Mercury.</i></p>
</div>
<p><SPAN name="Page_187" id="Page_187"></SPAN><b>The Stories of Wasa and Menzikoff:</b> The Deliverer of Sweden, and the
Favourite of Czar Peter.</p>
<div class="blockquot"><p>"Both are stories worth telling more than once, and it is a happy
thought to have put them side by side. Plutarch himself has no more
suggestive comparison."—<i>Spectator.</i></p>
</div>
<p><b>Stories of the Sea in Former Days:</b> Narratives of Wreck and Rescue.</p>
<div class="blockquot"><p>"Next to an original sea-tale of sustained interest come
well-sketched collections of maritime peril and suffering which
awaken the sympathies by the realism of fact. 'Stories of the Sea'
are a very good specimen of the kind."—<i>The Times.</i></p>
</div>
<p><b>Tales of Captivity and Exile.</b></p>
<div class="blockquot"><p>"It would be difficult to place in the hands of young people a book
which combines interest and instruction in a higher
degree."—<i>Manchester Courier.</i></p>
</div>
<p><b>Famous Discoveries by Sea and Land.</b></p>
<div class="blockquot"><p>"Such a volume may providentially stir up some youths by the divine
fire kindled by these 'great of old' to lay open other lands, and
show their vast resources."—<i>Perthshire Advertiser.</i></p>
</div>
<p><b>Stirring Events of History.</b></p>
<div class="blockquot"><p>"The volume will fairly hold its place among those which make the
smaller ways of history pleasant and attractive. It is a gift-book
in which the interest will not be exhausted with one
reading."—<i>Guardian.</i></p>
</div>
<p><b>Adventures in Field, Flood, and Forest.</b> Stories of Danger and Daring.</p>
<div class="blockquot"><p>"One of the series of books for young people which Messrs. Blackie'
excel in producing. The editor has beyond all question succeeded
admirably. The present book cannot fail to be read with interest
and advantage."—<i>Academy.</i></p>
</div>
<p><b>Jack o' Lanthorn:</b> A Tale of Adventure. By <span class="smcap">Henry Frith</span>.</p>
<div class="blockquot"><p>"The narrative is crushed full of stirring incident, and <i>is</i> sure
to be a prime favourite with our boys, who will be assisted by it
in mastering a sufficiently exciting chapter in the history of
England."—<i>Christian Leader.</i></p>
</div>
<p><b>The Family Failing.</b> By <span class="smcap">Darley Dale</span>.</p>
<div class="blockquot"><p>"At once an amusing and an interesting story, and a capital lesson
on the value of contentedness to young and old alike."—<i>Aberdeen
Journal.</i></p>
</div>
<p><b>The Joyous Story of Toto.</b> By <span class="smcap">Laura E. Richards</span>. With 30
humorous and fanciful Illustrations by <span class="smcap">E. H. Garrett</span>.</p>
<div class="blockquot"><p>"An excellent book for children who are old enough to appreciate a
little delicate humour. It should take its place beside Lewis
Carroll's unique works, and find a special place in the affections
of boys and girls."—<i>Birmingham Gazette.</i></p>
</div>
<hr style='width: 65%;' />
<h3><SPAN name="Page_188" id="Page_188"></SPAN>BLACKIE'S TWO-SHILLING SERIES.</h3>
<p>With Illustrations in Colour and black and tint. In crown 8vo, cloth
elegant.</p>
<hr style='width: 45%;' />
<p class="center"><span class="smcap">New Volumes.</span></p>
<p><b>Sam Silvan's Sacrifice:</b> The Story of Two Fatherless Boys. By <span class="smcap">Jesse
Colman</span>.</p>
<div class="blockquot"><p>The story of two brothers—the elder a lad of good and steady
disposition; the younger nervous and finely-strung, but weaker and
more selfish. The death of their grandparents, by whom they are
being brought up, leads to their passing through a number of
adventures in uncomfortable homes and among strange people. In the
end the elder brother's generous care results in his sacrificing
his own life to save that of his brother, who realizes when it is
too late the full measure of his indebtedness.</p>
</div>
<p><b>A Warrior King:</b> The Story of a Boy's Adventures in Africa. By <span class="smcap">J.
Evelyn.</span></p>
<div class="blockquot"><p>A story full of adventure and romantic interest. Adrian Englefield,
an English boy of sixteen, accompanies his father on a journey of
exploration inland from the West Coast. He falls into the hands of
the Berinaquas, and becomes the friend of their prince, Moryosi,
but is on the point of being sacrificed when he is saved by the
capture of the kraelah by a neighbouring hostile tribe. He is soon
after retaken by the Berinaquas, and saves the life of Moryosi. The
two tribes are ultimately united, and Adrian and his friends are
set at liberty.</p>
</div>
<hr style='width: 45%;' />
<p><b>Susan.</b> By <span class="smcap">Amy Walton.</span></p>
<div class="blockquot"><p>"A clever little story, written with some humour. The authoress
shows a great deal of insight into children's feelings and
motives."—<i>Pall Mall Gazette.</i></p>
</div>
<p><b>"A Pair of Clogs:"</b> And other Stories. By <span class="smcap">Amy Walton</span>.</p>
<div class="blockquot"><p>"These stories are decidedly interesting, and unusually true to
nature. For children between nine and fourteen this book can be
thoroughly commended."—<i>Academy.</i></p>
</div>
<p><b>The Hawthorns.</b> By <span class="smcap">Amy Walton</span>.</p>
<div class="blockquot"><p>"A remarkably vivid and clever study of child-life. At this species
of work Amy Walton has no superior."—<i>Christian Leader.</i></p>
</div>
<p><b>Dorothy's Dilemma:</b> A Tale of the Time of Charles I. By <span class="smcap">Caroline
Austin</span>.</p>
<div class="blockquot"><p>"An exceptionally well-told story, and will be warmly welcomed by
children. The little heroine, Dorothy, is a charming
creation."—<i>Court Journal.</i></p>
</div>
<p><b>Marie's Home:</b> Or, A Glimpse of the Past. By <span class="smcap">Caroline Austin</span>.</p>
<div class="blockquot"><p>"An exquisitely told story. The heroine is as fine a type of
girlhood as one could wish to set before our little British damsels
of to-day."—<i>Christian Leader.</i></p>
</div>
<p><SPAN name="Page_189" id="Page_189"></SPAN><b>Warner's Chase:</b> Or the Gentle Heart. By <span class="smcap">Annie S. Swan</span>.</p>
<div class="blockquot"><p>"In Milly Warren, the heroine, who softens the hard heart of her
rich uncle and thus unwittingly restores the family fortunes, we
have a fine ideal of real womanly goodness."—<i>Schoolmaster.</i></p>
<p>"A good book for boys and girls. There is no sickly goodyism in it,
but a tone of quiet and true religion that keeps its own
place."—<i>Perthshire Advertiser.</i></p>
</div>
<p><b>Aboard the "Atalanta:"</b> The Story of a Truant. By <span class="smcap">Henry Frith</span>.</p>
<div class="blockquot"><p>"The story is very interesting and the descriptions most graphic.
We doubt if any boy after reading it would be tempted to the great
mistake of running away from school under almost any pretext
whatever."—<i>Practical Teacher.</i></p>
</div>
<p><b>The Penang Pirate</b> and <span class="smcap">The Lost Pinnace</span>. By <span class="smcap">John C.
Hutcheson</span>.</p>
<div class="blockquot"><p>"A book which boys will thoroughly enjoy: rattling, adventurous,
and romantic, and the stories are thoroughly healthy in
tone."—<i>Aberdeen Journal.</i></p>
</div>
<p><b>Teddy:</b> The Story of a "Little Pickle." By <span class="smcap">John C. Hutcheson</span>.</p>
<div class="blockquot"><p>"He is an amusing little fellow with a rich fund of animal spirits,
and when at length he goes to sea with Uncle Jack he speedily
sobers down under the discipline of life."—<i>Saturday Review.</i></p>
</div>
<p><b>Linda and the Boys.</b> By <span class="smcap">Cecilia Selby Lowndes</span>.</p>
<div class="blockquot"><p>"The book is essentially a child's book, and will be heartily
appreciated by the young folk."—<i>The Academy.</i></p>
<p>"Is not only told in an artless, simple way, but is full of the
kind of humour that children love."—<i>Liverpool Mercury.</i></p>
</div>
<p><b>Swiss Stories for Children and those who Love Children.</b> From the
German of <span class="smcap">Madam Johanna Spyri</span>. By <span class="smcap">Lucy Wheelock</span>.</p>
<div class="blockquot"><p>"Charming stories. They are rich in local colouring, and, what is
better, in genuine pathos."—<i>The Times.</i></p>
<p>"These most delightful children's tales are essentially for
children, but would fascinate older and less enthusiastic minds
with their delicate romance and the admirable portraiture of the
hard life of the Swiss peasantry."—<i>Spectator.</i></p>
</div>
<p><b>The Squire's Grandson:</b> A Devonshire Story. By <span class="smcap">J. M. Callwell</span>.</p>
<div class="blockquot"><p>"A healthy tone pervades this story, and the lessons of courage,
filial affection, and devotion to duty on the part of the young
hero cannot fail to favourably impress all young
readers."—<i>Schoolmaster.</i></p>
</div>
<p><b>Magna Charta Stories:</b> Or Struggles for Freedom in the Olden Time.
Edited by <span class="smcap">Arthur Gilman, a.m.</span> With 12 full-page Illustrations.</p>
<div class="blockquot"><p>"A book of special excellence, which ought to be in the hands of
all boys."—<i>Educational News.</i></p>
</div>
<p><SPAN name="Page_190" id="Page_190"></SPAN><b>The Wings Of Courage:</b> <span class="smcap">And The Cloud-Spinner</span>. Translated from
the French of <span class="smcap">George Sand</span>, by Mrs. <span class="smcap">Corkran</span>.</p>
<div class="blockquot"><p>"Mrs. Corkran has earned our gratitude by translating into readable
English these two charming little stories."—<i>Athenæum.</i></p>
</div>
<p><b>Chirp and Chatter:</b> Or, <span class="smcap">Lessons from Field and Tree</span>. By
<span class="smcap">Alice Banks</span>. With 54 Illustrations by <span class="smcap">Gordon Browne</span>.</p>
<div class="blockquot"><p>"We see the humbling influence of love on the haughty
harvest-mouse, we are touched by the sensibility of the
tender-hearted ant, and may profit by the moral of 'the disobedient
maggot.' The drawings are spirited and funny."—<i>The Times.</i></p>
</div>
<p><b>Four Little Mischiefs.</b> By <span class="smcap">Rosa Mulholland</span>.</p>
<div class="blockquot"><p>"Graphically written, and abounds in touches of genuine humour and
innocent fun."—<i>Freeman.</i> "A charming bright story about real
children."—<i>Watchman.</i></p>
</div>
<p><b>New Light through Old Windows.</b> A Series of Stories illustrating Fables
of Æsop. By <span class="smcap">Gregson Gow</span>.</p>
<div class="blockquot"><p>"The most delightfully-written little stories one can easily find
in the literature of the season. Well constructed and brightly
told."—<i>Glasgow Herald.</i></p>
</div>
<p><b>Little Tottie</b>, and Two Other Stories. By <span class="smcap">Thomas Archer</span>.</p>
<div class="blockquot"><p>"We can warmly commend all three stories; the book is a most
alluring prize for the younger ones."—<i>Schoolmaster.</i></p>
</div>
<p><b>Naughty Miss Bunny:</b> Her Tricks and Troubles. By <span class="smcap">Clara
Mulholland</span>.</p>
<div class="blockquot"><p>"This naughty child is positively delightful. Papas should not omit
<i>Naughty Miss Bunny</i> from their list of juvenile presents."—<i>Land
and Water.</i></p>
</div>
<p><b>Adventures of Mrs. Wishing-to-be</b>, and other Stories. By <span class="smcap">Alice
Corkran</span>.</p>
<div class="blockquot"><p>"Simply a charming book for little girls."—<i>Saturday Review.</i></p>
<p>"Just in the style and spirit to win the hearts of
children."—<i>Daily News.</i></p>
</div>
<p><b>Our Dolly:</b> Her Words and Ways. By <span class="smcap">Mrs. R. H. Read</span>. With many
Woodcuts, and a Frontispiece in colours.</p>
<div class="blockquot"><p>"Prettily told and prettily illustrated."—<i>Guardian.</i></p>
<p>"Sure to be a great favourite with young children."—<i>School
Guardian.</i></p>
</div>
<p><b>Fairy Fancy:</b> What she Heard and Saw. By <span class="smcap">Mrs. R. H. Read</span>. With
many Woodcuts and a Coloured Frontispiece.</p>
<div class="blockquot"><p>"All is pleasant, nice reading, with a little knowledge of natural
history and other matters gently introduced and divested of
dryness."—<i>Practical Teacher.</i></p>
</div>
<hr style='width: 65%;' />
<h3><SPAN name="Page_191" id="Page_191"></SPAN>BLACKIE'S EIGHTEENPENNY SERIES.</h3>
<p>With Illustrations in Colour, and black and tint. In crown 8vo, cloth
elegant.</p>
<hr style='width: 45%;' />
<p class="center"><span class="smcap">New Volumes</span>.</p>
<p><b>Tales of Daring and Danger.</b> By <span class="smcap">G. A. Henty</span>.</p>
<div class="blockquot"><p>A selection of five of Mr. Henty's short stories of adventure by
land and sea. The volume contains the narrative of an officer's
bear-shooting expedition, and his subsequent captivity among the
Dacoits; a strange tale of an Indian fakir and two British
officers; a tale of the gold-diggings at Pine-tree Gulch, in which
a boy saves, at the cost of his own life, a miner who had
befriended him, and two others.</p>
</div>
<p><b>The Seven Golden Keys.</b> By <span class="smcap">James E. Arnold</span>.</p>
<div class="blockquot"><p>Hilda gains entrance into fairy-land, and is there shown a golden
casket with seven locks. To obtain the treasure it contains, it is
necessary that she should make seven journeys to find the keys, and
in her travels she passes through a number of adventures and learns
seven important lessons—to speak the truth, to be kind, not to
trust to appearances, to hold fast to all that is good, &c. It is
one of the most interesting of recent fairy-books, as well as one
of the most instructive.</p>
</div>
<p><b>The Story of a Queen.</b> By <span class="smcap">Mary C. Rowsell</span>.</p>
<div class="blockquot"><p>A pleasant version for young people of the romantic story of Marie
of Brabant, the young queen of Philip the Bold of France. Though
the interest centres in a heroine rather than in a hero, the book
has no lack of adventure, and will be read with no less eagerness
by boys than by girls. To the latter it will give a fine example of
patient, strong and noble woman-hood, to the former it will teach
many lessons in truthfulness and chivalry.</p>
</div>
<p><b>Joan's Adventures</b>, At the North Pole and Elsewhere. By <span class="smcap">Alice
Corkran</span>.</p>
<div class="blockquot"><p>"This is a most delightful fairy story. The charming style and easy
prose narrative makes its resemblance striking to Hans
Andersen's."—<i>Spectator.</i></p>
</div>
<p><b>Edwy:</b> Or, Was he a Coward? By <span class="smcap">Annette Lyster</span>.</p>
<div class="blockquot"><p>"This is a charming story, and sufficiently varied to suit children
of all ages."—<i>The Academy.</i></p>
</div>
<p><b>Filled with Gold.</b> By <span class="smcap">Jennie Perrett</span>.</p>
<div class="blockquot"><p>"The tale is interesting, and gracefully told. Miss Perrett's
description of life on the quiet Jersey farm will have a great
charm."—<i>Spectator.</i></p>
</div>
<p><b>The Battlefield Treasure.</b> By <span class="smcap">F. Bayford Harrison</span>.</p>
<div class="blockquot"><p>"Jack Warren is a lad of the Tom Brown type, and his search for
treasure and the sequel are sure to prove interesting to
boys."—<i>English Teacher.</i></p>
</div>
<p><b>By Order of Queen Maude:</b> A Story of Home Life. By <span class="smcap">Louisa
Crow</span>.</p>
<div class="blockquot"><p>"The tale is brightly and cleverly told, and forms one of the best
children's books which the season has produced."—<i>Academy.</i></p>
</div>
<p><SPAN name="Page_192" id="Page_192"></SPAN><b>Our General:</b> A Story for Girls. By <span class="smcap">Elizabeth J. Lysaght</span>.</p>
<div class="blockquot"><p>"A young girl of indomitable spirit, to whom all instinctively turn
for guidance—a noble pattern for girls."—<i>Guardian.</i></p>
</div>
<p><b>Aunt Hesba's Charge.</b> By <span class="smcap">Elizabeth J. Lysaght</span>.</p>
<div class="blockquot"><p>"This well-written book tells how a maiden aunt is softened by the
influence of two Indian children who are unexpectedly left upon her
hands. Mrs. Lysaght's style is bright and pleasant."—<i>Academy.</i></p>
</div>
<p><b>Into the Haven.</b> By <span class="smcap">Annie S. Swan</span>.</p>
<div class="blockquot"><p>"No story more attractive, by reason of its breezy freshness, as
well as for the practical lessons it conveys."—<i>Christian Leader.</i></p>
</div>
<p><b>Our Frank:</b> And other Stories. By <span class="smcap">Amy Walton</span>.</p>
<div class="blockquot"><p>"These stories are of the sort that children of the clever kind are
sure to like."—<i>Academy.</i></p>
</div>
<p><b>The Late Miss Hollingford.</b> By <span class="smcap">Rosa Mulholland</span>.</p>
<div class="blockquot"><p>"No book for girls published this season approaches this in the
charm of its telling, which will be equally appreciated by persons
of all ages."—<i>Standard.</i></p>
</div>
<p><b>The Pedlar and His Dog.</b> By <span class="smcap">Mary C. Rowsell</span>.</p>
<div class="blockquot"><p>"The opening chapter, with its description of Necton Fair, will
forcibly remind many readers of George Eliot. Taken altogether it
is a delightful story."—<i>Western Morning News.</i></p>
</div>
<p><b>Yarns on the Beach.</b> By <span class="smcap">G. A. Henty</span>.</p>
<div class="blockquot"><p>"This little book should find special favour among boys. The yarns
are full of romance and adventure, and are admirably calculated to
foster a manly spirit."—<i>The Echo.</i></p>
</div>
<p><b>A Terrible Coward.</b> By <span class="smcap">G. Manville Fenn</span>.</p>
<div class="blockquot"><p>"Just such a tale as boys will delight to read, and as they are
certain to profit by."—<i>Aberdeen Journal.</i></p>
</div>
<p><b>Tom Finch's Monkey:</b> And other Yarns. By <span class="smcap">J. C. Hutcheson</span>.</p>
<div class="blockquot"><p>"Stories of an altogether unexceptionable character, with
adventures sufficient for a dozen books of its size."—<i>U. Service
Gazette.</i></p>
</div>
<p><b>Miss Grantley's Girls</b>, And the Stories She Told Them. By <span class="smcap">Thomas
Archer</span>.</p>
<div class="blockquot"><p>"For fireside reading more wholesome and highly entertaining
reading for young people could not be found."—<i>Northern
Chronicle.</i></p>
</div>
<p><b>Down and Up Again:</b> Being some Account of the Felton Family, and the
Odd People they Met. By <span class="smcap">Gregson Gow</span>.</p>
<div class="blockquot"><p>"The story is very neatly told, with some fairly dramatic
incidents, and calculated altogether to please young
people."—<i>Scotsman.</i></p>
</div>
<p><SPAN name="Page_193" id="Page_193"></SPAN><b>The Troubles and Triumphs of Little Tim.</b> A City Story. By <span class="smcap">Gregson
Gow.</span></p>
<div class="blockquot"><p>"An undercurrent of sympathy with the struggles of the poor, and an
ability to describe their feelings, eminently characteristic of
Dickens, are marked features in Mr. Gow's story."—<i>N. B. Mail.</i></p>
</div>
<p><b>The Happy Lad:</b> A Story of Peasant Life in Norway. From the Norwegian
of Björnson.</p>
<div class="blockquot"><p>"This pretty story has natural eloquence which seems to carry us
back to some of the love stories of the Bible."—<i>Aberdeen Free
Press.</i></p>
</div>
<p><b>The Patriot Martyr:</b> And other Narratives of Female Heroism in Peace
and War.</p>
<div class="blockquot"><p>"It should be read with interest by every girl who loves to learn
what her sex can accomplish in times of danger."—<i>Bristol Times.</i></p>
</div>
<p><b>Madge's Mistake:</b> A Recollection of Girlhood. By <span class="smcap">Annie E.
Armstrong</span>.</p>
<div class="blockquot"><p>"We cannot speak too highly of this delightful little tale. It
abounds in interesting and laughable incidents."—<i>Bristol Times.</i></p>
</div>
<p><b>Box of Stories.</b> Packed for Young Folk by <span class="smcap">Horace Happyman</span>.</p>
<p><b>When I was a Boy in China.</b> By <span class="smcap">Yan Phou Lee</span>, a native of
China, now resident in the United States. Illustrated. Crown 8vo, cloth
extra, <i>1s. 6d.</i></p>
<div class="blockquot"><p>"This little book has the advantage of having been written not only
by a Chinaman, but by a man of culture. His book is as interesting
to adults as it is to children."—<i>The Guardian.</i></p>
<p>"Not only exceedingly interesting, but of great informative value,
for it gives to English readers a peep into the interior and
private life of China such as has perhaps never before been
afforded."—<i>The Scottish Leader.</i></p>
</div>
<hr style='width: 65%;' />
<h3>THE SHILLING SERIES OF BOOKS</h3>
<h3>FOR YOUNG PEOPLE.</h3>
<p>Square 16mo, neatly bound in cloth extra. Each book contains 128 pages
and a Coloured Illustration.</p>
<hr style='width: 45%;' />
<p class="center"><span class="smcap">New Volumes</span>.</p>
<table class="center" summary="table"><tr><td>
<div style="text-align: left;">
<b>Mr. Lipscombe's Apples.</b> By <span class="smcap">Julia Goddard</span>.<br/>
<b>Gladys: or the Sister's Charge.</b> By <span class="smcap">E. O'Byrne</span>.<br/>
<b>A Gypsy against Her Will.</b> By <span class="smcap">Emma Leslie</span>.<br/>
<b>The Castle on the Shore.</b> By <span class="smcap">Isabel Hornibrook</span>.<br/>
<b>An Emigrant Boy's Story.</b> By <span class="smcap">Ascott R. Hope</span>.<br/>
<b>Jock and his Friend.</b> By <span class="smcap">Cora Langton</span>.<br/>
<b>John a' Dale.</b> By <span class="smcap">Mary C. Rowsell</span>.<br/>
<b>In the Summer Holidays.</b> By <span class="smcap">Jennett Humphreys</span>.<br/><SPAN name="Page_194" id="Page_194"></SPAN>
<b>How the Strike Began.</b> By <span class="smcap">Emma Leslie</span>.<br/>
<b>Tales from the Russian of Madame Kubalensky.</b> By <span class="smcap">G. Jenner</span>.<br/>
<b>Cinderella's Cousin, and Other Stories.</b> By <span class="smcap">Penelope</span>.<br/>
<b>Their New Home.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>Janie's Holiday.</b> By <span class="smcap">C. Redford</span>.<br/>
<b>A Boy Musician:</b> Or, the Young Days of Mozart.<br/>
<b>Hatto's Tower.</b> By <span class="smcap">Mary C. Rowsell</span>.<br/>
<b>Fairy Lovebairn's Favourites.</b> By <span class="smcap">J. Dickinson</span>.<br/>
<b>Alf Jetsam:</b> or Found Afloat. By Mrs. <span class="smcap">George Cupples</span>.<br/>
<b>The Redfords:</b> An Emigrant Story. By Mrs. <span class="smcap">George Cupples</span>.<br/>
<b>Missy.</b> By <span class="smcap">F. Bayford Harrison</span>.<br/>
<b>Hidden Seed:</b> or, A Year in a Girl's Life. By <span class="smcap">Emma Leslie</span>.<br/>
<b>Ursula's Aunt.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>Jack's Two Sovereigns.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>A Little Adventurer:</b> or How Tommy Trefit went to look for his Father. By <span class="smcap">Gregson Gow</span>.<br/>
<b>Olive Mount.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>Three Little Ones.</b> Their Haps and Mishaps. By <span class="smcap">C. Langton</span>.<br/>
<b>Tom Watkins' Mistake.</b> By <span class="smcap">Emma Leslie</span>.<br/>
<b>Two Little Brothers.</b> By <span class="smcap">M. Harriet M. Capes.</span><br/>
<b>The New Boy at Merriton.</b> By <span class="smcap">Julia Goddard</span>.<br/>
<b>The Children of Haycombe.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>The Cruise of the "Petrel."</b> By <span class="smcap">F. M. Holmes</span>.<br/>
<b>The Wise Princess.</b> By <span class="smcap">M. Harriet M. Capes</span>.<br/>
<b>The Blind Boy of Dresden and his Sister.</b><br/>
<b>Jon of Iceland:</b> A Story of the Far North.<br/>
<b>Stories from Shakespeare.</b><br/>
<b>Every Man In his Place:</b> Or a City Boy and a Forest Boy.<br/>
<b>Fireside Fairies and Flower Fancies.</b> Stories for Girls.<br/>
<b>To the Sea in Ships:</b> Stories of Suffering and Saving at Sea.<br/>
<b>Jack's Victory:</b> and other Stories about Dogs.<br/>
<b>Story of a King</b>, told by one of his Soldiers.<br/>
<b>Prince Alexis</b>, or "<span class="smcap">Beauty and the Beast</span>."<br/>
<b>Little Daniel:</b> a Story of a Flood on the Rhine.<br/>
<b>Sasha the Serf:</b> and other Stories of Russian Life.<br/>
<b>True Stories of Foreign History.</b><br/></div>
</td></tr>
</table>
<hr style='width: 45%;' />
<p class="center"><i>THE ILLUSTRATIONS THROUGHOUT PRINTED IN COLOURS.</i></p>
<p class="center">4TO, ONE SHILLING EACH.</p>
<h3>GORDON BROWNE'S SERIES OF OLD FAIRY TALES.</h3>
<table class="center" summary="table"><tr><td>
<div style="text-align: left;">
1. HOP O' MY THUMB.<br/>
2. BEAUTY AND THE BEAST.<br/></div>
</td></tr></table>
<p>Each book contains 32 pages 4to, and is illustrated on every page by
Pictures printed in colours.</p>
<hr style='width: 45%;' />
<h4><SPAN name="Page_195" id="Page_195"></SPAN><b>THE NINEPENNY SERIES OF BOOKS FOR CHILDREN.</b></h4>
<p class="center">Neatly bound in cloth extra. Each contains 96 pages and a Coloured
Illustration.</p>
<hr style='width: 45%;' />
<p class="center"><span class="smcap">New Volumes</span>.</p>
<table class="center" summary="table"><tr><td>
<div style="text-align: left;">
<b>Things will Take a Turn.</b> By <span class="smcap">Beatrice Harraden</span>.<br/>
<b>The Lost Thimble:</b> and other Stories. By Mrs. <span class="smcap">Musgrave</span>.<br/>
<b>Max or Baby:</b> the Story of a very Little Boy. By <span class="smcap">Ismay Thorn</span>.<br/>
<b>Jack-a-Dandy:</b> or the Heir of Castle Fergus. By <span class="smcap">E. J. Lysaght</span>.<br/>
<b>A Day of Adventures:</b> A Story for little Girls. By <span class="smcap">Charlotte Wyatt</span>.<br/>
<b>The Golden Plums</b>, and other Stories. By <span class="smcap">Frances Clare</span>.<br/>
<b>The Queen of Squats.</b> By <span class="smcap">Isabel Hornibrook</span>.<br/>
<b>Shucks:</b> A Story for Boys. By <span class="smcap">Emma Leslie</span>.<br/>
<b>Sylvia Brooke.</b> By <span class="smcap">M. Harriet M. Capes.</span><br/>
<b>The Little Cousin.</b> By <span class="smcap">A. S. Fenn</span>.<br/>
<b>In Cloudland.</b> By Mrs. <span class="smcap">Musgrave</span>.<br/>
<b>Jack and the Gypsies.</b> By <span class="smcap">Kate Wood</span>.<br/>
<b>Hans the Painter.</b> By <span class="smcap">Mary C. Rowsell</span>.<br/>
<b>Little Troublesome.</b> By <span class="smcap">Isabel Hornibrook</span>.<br/>
<b>My Lady May:</b> And one other Story. By <span class="smcap">Harriet Boultwood</span>.<br/>
<b>A Little Hero.</b> By Mrs. <span class="smcap">Musgrave</span>.<br/>
<b>Prince Jon's Pilgrimage.</b> By <span class="smcap">Jessie Fleming</span>.<br/>
<b>Harold's Ambition:</b> Or a Dream of Fame. By <span class="smcap">Jennie Perrett</span>.<br/>
<b>Sepperl the Drummer Boy.</b> By <span class="smcap">Mary C. Rowsell</span>.<br/>
<b>Aboard the Mersey.</b> By Mrs. <span class="smcap">George Cupples</span>.<br/>
<b>A Blind Pupil.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>Lost and Found.</b> By Mrs. <span class="smcap">Carl Rother</span>.<br/>
<b>Fisherman Grim.</b> By <span class="smcap">Mary C. Rowsell</span>.<br/></div>
</td></tr>
</table>
<div class="blockquot"><p>"The same good character pervades all these books. They are
admirably adapted for the young. The lessons deduced are such as to
mould children's minds in a good groove. We cannot too highly
commend them for their excellence."—<i>Schoolmistress.</i></p>
</div>
<hr style='width: 45%;' />
<h4>SOMETHING FOR THE VERY LITTLE ONES.</h4>
<p class="center">Fully Illustrated with Woodcuts and Coloured Plates. 64 pp., 32mo,
cloth. Sixpence each.</p>
<p><b>Tales Easy and Small</b> for the Youngest of All. In no word will you see
more letters than three. By <span class="smcap">Jennett Humphreys</span>.</p>
<p><b>Old Dick Grey</b> and Aunt Kate's Way. Stories in little words of not more
than four letters. By <span class="smcap">Jennett Humphreys</span>.</p>
<p><b>Maud's Doll and Her Walk.</b> In Picture and Talk. In little words of not
more than four letters. By <span class="smcap">Jennett Humphreys</span>.</p>
<p><b>In Holiday Time.</b> And other Stories. In little words of not more than
five letters. By <span class="smcap">Jennett Humphreys</span>.</p>
<p><b>Whisk and Buzz.</b> By Mrs. <span class="smcap">A. H. Garlick</span>.</p>
<hr style='width: 45%;' />
<h4><SPAN name="Page_196" id="Page_196"></SPAN>THE SIXPENNY SERIES FOR CHILDREN.</h4>
<p class="center">Neatly bound in cloth extra. Each contains 64 pages and a Coloured Cut.</p>
<table class="center" summary="table"><tr><td>
<div style="text-align: left;">
<b>A Little Man of War.</b> By <span class="smcap">L. E. Tiddeman</span>.<br/>
<b>Lady Daisy.</b> By <span class="smcap">Caroline Stewart</span>.<br/>
<b>Dew.</b> By <span class="smcap">H. Mary Wilson</span>.<br/>
<b>Chris's Old Violin.</b> By <span class="smcap">J. Lockhart</span>.<br/>
<b>Mischievous Jack.</b> By <span class="smcap">A. Corkran</span>.<br/>
<b>The Twins.</b> By <span class="smcap">L. E. Tiddeman</span>.<br/>
<b>Pet's Project.</b> By <span class="smcap">Cora Langton</span>.<br/>
<b>The Chosen Treat.</b> By <span class="smcap">Charlotte Wyatt</span>.<br/>
<b>Little Neighbours.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>Jim:</b> A Story of Child Life. By <span class="smcap">Christian Burke</span>.<br/>
<b>Little Curiosity:</b> Or, A German Christmas. By <span class="smcap">J. M. Callwell</span>.<br/>
<b>Sara the Wool-gatherer.</b> By <span class="smcap">W. L. Rooper</span>.<br/>
<b>Fairy Stories:</b> told by <span class="smcap">Penelope</span>.<br/>
<b>A New Year's Tale:</b> and other Stories. From the German. By <span class="smcap">M. A. Currie</span>.<br/>
<b>Little Mop:</b> and other Stories. By Mrs. <span class="smcap">Charles Bray</span>.<br/>
<b>The Tree Cake:</b> and other Stories. By <span class="smcap">W. L. Rooper</span>.<br/>
<b>Nurse Peggy, and Little Dog Trip.</b><br/>
<b>Fanny's King.</b> By <span class="smcap">Darley Dale</span>.<br/>
<b>Wild Marsh Marigolds.</b> By <span class="smcap">D. Dale</span>.<br/>
<b>Kitty's Cousin.</b> By <span class="smcap">Hannah B. Mackenzie</span>.<br/>
<b>Cleared at Last.</b> By <span class="smcap">Julia Goddard</span>.<br/>
<b>Little Dolly Forbes.</b> By <span class="smcap">Annie S. Fenn</span>.<br/>
<b>A Year with Nellie.</b> By <span class="smcap">A. S. Fenn</span>.<br/>
<b>The Little Brown Bird.</b><br/>
<b>The Maid of Domremy:</b> and other Tales.<br/>
<b>Little Eric:</b> a Story of Honesty.<br/>
<b>Uncle Ben the Whaler.</b><br/>
<b>The Palace of Luxury.</b><br/>
<b>The Charcoal Burner.</b><br/>
<b>Willy Black:</b> a Story of Doing Right.<br/>
<b>The Horse and His Ways.</b><br/>
<b>The Shoemaker's Present.</b><br/>
<b>Lights to Walk by.</b><br/>
<b>The Little Merchant.</b><br/>
<b>Nicholina:</b> a Story about an Iceberg.<br/></div>
</td></tr></table>
<div class="blockquot"><p>"A very praiseworthy series of Prize Books. Most of the stories are
designed to enforce some important moral lesson, such as honesty,
industry, kindness, helpfulness."—<i>School Guardian.</i></p>
</div>
<hr style='width: 45%;' />
<h4>A SERIES OF FOURPENNY REWARD BOOKS.</h4>
<p class="center">Each 64 pages, 18mo, Illustrated, in Picture Boards.</p>
<table class="center" summary="table"><tr><td>
<div style="text-align: left;">
<b>A Start in Life.</b> By <span class="smcap">J. Lockhart</span>.<br/>
<b>Happy Childhood.</b> By <span class="smcap">Aimée de Venoix Dawson</span>.<br/>
<b>Dorothy's Clock.</b> By Do.<br/>
<b>Toddy.</b> By <span class="smcap">L. E. Tiddeman</span>.<br/>
<b>Stories about my Dolls.</b> By <span class="smcap">Felicia Melancthon</span>.<br/>
<b>Stories about my Cat Timothy.</b><br/>
<b>Delia's Boots.</b> By <span class="smcap">W. L. Rooper</span>.<br/>
<b>Lost on the Rocks.</b> By <span class="smcap">R. Scotter</span>.<br/>
<b>A Kitten's Adventures.</b> By <span class="smcap">Caroline Stewart</span>.<br/>
<b>Holidays at Sunnycroft.</b> By <span class="smcap">Annie S. Swan</span>.<br/>
<b>Climbing the Hill.</b> By Do.<br/>
<b>A Year at Coverley.</b> By Do.<br/>
<b>Phil Foster.</b> By <span class="smcap">J. Lockhart</span>.<br/>
<b>Papa's Birthday.</b> By <span class="smcap">W. L. Rooper</span>.<br/>
<b>The Charm Fairy.</b> By <span class="smcap">Penelope</span>.<br/>
<b>Little Tales for Little Children.</b> By <span class="smcap">M. A. Currie</span>.<br/>
<b>Worthy of Trust.</b> By <span class="smcap">H. B. Mackenzie</span>.<br/>
<b>Brave and True.</b> By <span class="smcap">Gregson Gow</span>.<br/>
<b>Johnnie Tupper's Temptation.</b> Do.<br/>
<b>Maudie and Bertie.</b> Do.<br/>
<b>The Children and the Water-Lily.</b> By <span class="smcap">Julia Goddard</span>.<br/>
<b>Poor Tom Olliver.</b> By Do.<br/>
<b>Fritz's Experiment.</b> By <span class="smcap">Letitia M'Lintock</span>.<br/>
<b>Lucy's Christmas-Box.</b><br/></div>
</td></tr></table>
<p class="center">
LONDON: BLACKIE & SON, 49 OLD BAILEY, E. C.<br/>
GLASGOW, EDINBURGH, AND DUBLIN.<br/></p>
<hr style='width: 65%;'/>
<p>Transcribers Note: The following section was at the beginning of the text in the
original copy.</p>
<h4>MR. HENTY'S HISTORICAL TALES.</h4>
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<p class="center"><i>Crown 8vo, Cloth elegant, Olivine edges. Each Book is beautifully
Illustrated.</i></p>
<p><span class="smcap">The Cat of Bubastes</span>: A Story of Ancient Egypt. <i>5s.</i></p>
<p><span class="smcap">The Young Carthaginian</span>: A Story of the Times of Hannibal. <i>6s.</i></p>
<p><span class="smcap">For the Temple</span>: A Tale of the Fall of Jerusalem. <i>6s.</i></p>
<p><span class="smcap">The Lion of St. Mark</span>: A Story of Venice in the 14th Century.
<i>6s.</i></p>
<p><span class="smcap">The Lion of the North</span>: A Tale of Gustavus Adolphus and the Wars
of Religion. <i>6s.</i></p>
<p><span class="smcap">In the Reign of Terror</span>: The Adventures of a Westminster Boy
during the French Revolution. <i>5s.</i></p>
<p><span class="smcap">The Dragon and the Raven</span>: Or, The Days of King Alfred. <i>5s.</i></p>
<p><span class="smcap">In Freedom's Cause</span>: A Story of Wallace and Bruce. <i>6s.</i></p>
<p><span class="smcap">St. George for England</span>: A Tale of Cressy and Poitiers. <i>5s.</i></p>
<p><span class="smcap">Under Drake's Flag</span>: A Tale of the Spanish Main. <i>6s.</i></p>
<p><span class="smcap">Orange and Green</span>: A Tale of the Boyne and Limerick. <i>5s.</i></p>
<p><span class="smcap">Bonnie Prince Charlie</span>: A Tale of Fontenoy and Culloden. <i>6s.</i></p>
<p><span class="smcap">The Bravest of the Brave</span>: Or, With Peterborough in Spain. <i>5s.</i></p>
<p><span class="smcap">With Wolfe in Canada</span>: Or, The Winning of a Continent. <i>6s.</i></p>
<p><span class="smcap">With Clive in India</span>: Or, The Beginnings of an Empire. <i>6s.</i></p>
<p><span class="smcap">True to the Old Flag</span>: A Tale of the American War of
Independence. <i>6s.</i></p>
<p><span class="smcap">Through the Fray</span>: A Story of the Luddite Riots. <i>6s.</i></p>
<p><span class="smcap">By Sheer Pluck</span>: A Tale of the Ashanti War. <i>5s.</i></p>
<p><span class="smcap">For Name and Fame</span>: Or, Through Afghan Passes. <i>5s.</i></p>
<hr />
<p>LONDON: BLACKIE & SON: GLASGOW AND EDINBURGH.</p>
<SPAN name="endofbook"></SPAN>
<div style="break-after:column;"></div><br />