<h2><SPAN name="C3" id="C3">3</SPAN></h2>
<h3><i>The House</i></h3>
<p>The first one up, next morning, was Foster Blake. He had slept
industriously for eleven hours and woke up all of a piece without any
lingering or yawning.</p>
<p>In his blue-striped pajamas he swung himself down from the top deck
of the double-decker bed—he refused to sleep in the lower one—went
over to the door and listened. Not a sound. It must be very early, he
thought. His hair from having been slept on hard was all pressed up
in a one-sided crest, and his cheek on that side was redder than the
other. Opening the door, he leaned out into the hall and listened some
more. All he could hear was the thump, thump of a dog scratching.</p>
<p>Foster liked to be the first one up. It made him feel he knew something
about the day that no one else did. He got dressed quickly and quietly,
all except his shoes, and ignoring the thought of his toothbrush,
tiptoed along the hall and down the stairs. Katy and Othello got up to
greet him, snuffling quietly and wagging. They were warm from their
sleep.</p>
<p>"Come on, you guys, I'll let you out," Foster told them in a loud
whisper. He unlocked the front door and opened it. The smell of a
cold morning came in; Katy and Othello raced out and Thistle entered,
looking irritated.</p>
<p>The dogs went tearing about the lawn. Foster watched them for a minute,
but it was chilly; his breathing made smoke in the air. He closed
the door and tiptoed to the kitchen; he had decided to have a little
practice breakfast before his real breakfast.</p>
<p>The kitchen was clean and quiet; the clock ticked. Thistle, drinking
from his water dish, made a little slipping sound. Foster knew where
everything was: the box of corn flakes, the brown sugar, and the milk.
He had made a satisfactory arrangement of these things in a bowl and
was eating his way through it when something darkened the window
above the kitchen table. Looking up, Foster dropped his spoon with a
splatter, and the sound that came out of him was a squeak. What he saw
in the window was the face of a monster: green, wrinkled, with dreadful
fangs and a ghastly scowl! For an instant he stared in perfect horror.</p>
<p>"Hi, Foss," called the monster in a friendly voice.</p>
<p>Only then did Foster notice the pink and innocent protruding ears and
the upstanding cowlick of his good friend David Gayson.</p>
<p>"Hi," he called back, chagrined at having been so taken in. He went to
the kitchen door, unlocked and opened it. Davey came up the back steps
wearing his own face. The rubber mask dangled under his chin like a
hideous bib.</p>
<p>"Who did you think you were scaring?" Foster greeted him pleasantly.</p>
<p>"You, man," said Davey. "I saw you drop the spoon and slop the milk all
over. I scared <i>you</i>. How've you been?"</p>
<p>"O.K. You didn't scare me. You just surprised me." Curiosity got the
better of Foster. "But how did you get up so high? You're not tall
enough to reach the window."</p>
<p>"There's a good old garbage pail. Two good old garbage pails. I climbed
up on one, <i>quiet</i> as anything—"</p>
<p>"How'd you know I was in here?"</p>
<p>"I saw you let the dogs out when I was coming, and I thought I'd scare
you. I knew you'd probably be in the kitchen. Could I have some corn
flakes, too? No one's up at my house."</p>
<p>"No one's up here, either. Sure," Foster said, and went to find another
bowl and spoon.</p>
<p>They sat eating and chattering, happy to resume their friendship. From
time to time Davey would extract from his pocket some object he had
brought to show Foster; first it was a compass, then a cap-pistol, then
a small flashlight.</p>
<p>"Christmas stuff," he said. "Stocking stuff."</p>
<p>Next he brought out a pillbox with an elastic band around it. This he
opened with tender care; inside, on a nest of cotton, lay his two front
teeth.</p>
<p>"Those are worth fifty cents," he told Foster. "A quarter apiece, man!
They're my first ones; that's why. I'll only get a dime for the others.
You lost any yet?"</p>
<p>Foster felt humiliated by his teeth.</p>
<p>"Not exactly <i>lost</i> them," he admitted. "But they're so loose, I can
kind of wave them with my tongue."</p>
<p>"I got new ones coming in already," Davey boasted, stretching his mouth
so Foster could have the experience of viewing two tiny scallopings of
white just showing at the gum.</p>
<p>Foster felt betrayed not only by his teeth but also by his pockets:
they were entirely empty because he had put on the newly laundered
jeans his mother had laid out for him. By evening, though, he knew
those pockets would have tenants.</p>
<p>The next things Davey produced were a sort of lariat made of rubber
bands, a long chain made of paper clips, a penny that had been run
over by a train, a paper puncher, and last of all, carefully folded, a
drawing, which he spread out on the table. It was large and brightly
colored. "How's that for a moon rocket!" demanded Davey with pride. "I
drew it in school."</p>
<p>"Wow," Foster said politely. Actually he did not think much of it and
was certain he had often drawn better ones himself. But he had not seen
his friend in a long time.</p>
<p>There began to be sounds of people stirring overhead. The two boys
looked up.</p>
<p>"Soon it will be breakfast," Foster said. "And after breakfast, you
know what? We're going to go and see the house we bought. We bought a
house, Dave, you know that? It's the old one you saw with the suit of
armor in it!"</p>
<p>"Oh, I know <i>that</i>," Davey said. "Your aunt told me. She told me about
a hundred years ago already."</p>
<p>So far it had definitely been Davey's morning.</p>
<hr class="tb" />
<p>The breakfast, which Davey was quite easily persuaded to share and
which both little boys ate with appetites that had hardly been dimmed
by the practice breakfast, was magnificent: fresh orange juice, hot
buckwheat cakes with butter and apple jelly, and bacon. Aunt Hilda's
breakfasts were famous: varied and original, not just an ordinary
plodding through of cereal and eggs and toast.</p>
<p>Everyone ate a lot. Mr. Blake groaned. "Great Scott, Hilda, a few more
breakfasts like this and I'll begin to waddle!"</p>
<p>"Never mind, Paul," Uncle Jake told him. "We need our strength; we have
men's work cut out for us. The Lord knows how long it will take to
get that back door open. We never did get the front one open, if you
recall."</p>
<p>"Hurry, everyone, to work, to work!" Aunt Hilda cried. "As soon as the
chores are done, we'll all set out for the Villa Caprice!"</p>
<p>"We <i>must</i> get a new name for that house," said Mrs. Blake.</p>
<p>Upstairs, Portia made her bed with lightning speed and then, perched
precariously on the ladder of the double-decker, made Foster's still
more swiftly. "It looks like a relief map," she admitted to Julian, who
had come looking for her. "All mountain ranges."</p>
<p>"The kid won't know the difference," Julian assured her. "You know
perfectly well he'd sleep like a log if the mattress was stuffed
with potatoes. Come on, Porsh; I want to show you how my plant eats
hamburger."</p>
<p>Portia leaped down with a thud.</p>
<p>"How your what eats <i>what</i>?" she demanded, unable to believe her ears.</p>
<p>"My plant. It's a Venus's-flytrap. I sent away for it. It eats flies
when it can get them, but there aren't any in winter, so I feed it
little crumbs of hamburger."</p>
<p>Julian's room was a sight to behold: a museum of sorts, for Julian was
a collector. He collected everything from stones to snakeskins; from
fossils to butterflies; from cocoons to birds' nests. The walls were
encrusted with his findings; the shelves were burdened with them. It
was a fascinating place, but no one could have called it tidy.</p>
<p>On the window sill, between a terrarium and a tank containing a live
crawfish, was the curious plant. Each of its broad leaves was tipped
with a pair of flat rosy discs like a pair of queer little clam shells,
fringed with crimson whiskers.</p>
<p>"Now watch this," Julian said. He lifted a speck of hamburger from the
saucer he held and dropped it expertly into the center of a pair of
gaping shells, which closed instantly, locking the fringes together.</p>
<p>"Oh, let me feed one, Jule, please!" Portia begged.</p>
<p>There was only time for one, because now Uncle Jake was calling them
and they were eager to go. It took a while to get started since Foster
and Davey had chosen this moment to disappear, and no one thought of
looking in the cellar. Finally the repeated shouting of their own names
reached the boys' attention and brought them clattering up the wooden
stairs. Next Uncle Jake couldn't find the car keys, and <i>those</i> had to
be hunted for. In the end they turned up, for a reason no one could
fathom, on the top shelf of the medicine cabinet. Then the telephone
rang and it was a lady who wanted to talk (and talk and talk) to Aunt
Hilda. But at last, at last, they were on their way, all eight of them,
because of course Davey went, too.</p>
<p>They drove as far as Gone-Away, where they stopped for a moment to chat
with Mrs. Cheever and Mr. Payton; then they went the rest of the way on
foot, for the road leading to Mrs. Brace-Gideon's old driveway had long
been taken over by the woods.</p>
<p>The day, no better than the day before, was gray and chill, and as
they passed between the large stone gateposts of the drive, it was
suddenly very quiet. There was no wind, and the trees, draped in great
snarled capes of honeysuckle, seemed to have muffled out the noises of
the world. Silence had fallen on the party, as well. It was too much
for Foster. He suddenly felt called upon to give his ear-splitting
rendition of an Indian war whoop. Davey attempted to outdo him; the
noise startled two crows out of a tree and sent them squawking into the
air. The spell of silence was shattered, and everyone began to talk
again.</p>
<p>All of them were wearing old clothes, because, as Aunt Hilda said,
"There's no sense in dressing up to cope with fifty years of dust."</p>
<p>Uncle Jake was carrying a toolbox. Mr. Blake was carrying a small
stepladder and a crowbar. Julian had two buckets and a mop, while the
women and Portia were armed with brooms, brushes, and dustcloths and
had their heads tied up in bandannas.</p>
<p>"We look like some higgledy-piggledy left-over army," Portia said.</p>
<p>Walking briskly, they came to a turn in the drive, the trees thinned
out, and there before them stood the Villa Caprice.</p>
<p>There it stood among its dead and brambled lawns, with all its windows
boarded up and a big, tough, tangled vine, leafless now, tied round
and round the battlements, the turrets, and the gables like a giant's
wrapping twine. Beyond the house the ragged hedges looked black, and
the queer tree that was called a monkey-puzzle tree looked black, too,
and bristling. The whole scene was shabby and forbidding.</p>
<p>"Oh, <i>dear</i>!" wailed Mrs. Blake. "I didn't remember it as being quite
so—quite so—"</p>
<p>"Bleak," Mr. Blake supplied. "And this is what we called a bargain! We
must have been out of our minds!"</p>
<p>Aunt Hilda, who wanted to be comforting, said: "You know, I think when
you've got rid of that ghastly porch and ripped the boards off the
windows, you'll feel very different about it."</p>
<p>But though she tried, she didn't really sound convinced, and Uncle Jake
was seen to shake his head.</p>
<p>"The place looks like a training school for witches," Mr. Blake
remarked in utmost gloom.</p>
<p>The children, however, refused to be disappointed and went running
toward the house with briers snatching at their jeans and Julian
clattering more than usual because of the buckets.</p>
<p>"I think it's suave," he assured Portia, as he jolted along beside her.
"All it needs is fixing up. Heck, it hasn't been fixed <i>up</i> in fifty
years! What do they expect?"</p>
<p>"I don't know," Portia said, feeling grateful to her cousin and
indignant with her other relatives. "I think it's a perfectly wonderful
house!"</p>
<p>"So do I," agreed Foster, dog-trotting behind them, slightly out of
breath. "It's so nice and fancy; that's what I like about it. It's got
so much stuff. I think it's suave."</p>
<p>Portia turned to beam at him. "And you know what you are? You're a
wonderful <i>boy</i>," she told him.</p>
<p>"Big deal," Foster said, embarrassed.</p>
<p>They slowed down, for they were near the house. It towered above them,
very large and quiet, very old. The great porch that ran halfway around
it was supported by pillars set with cobblestones that reminded one
of monstrous chunks of peanut brittle. The unpruned vine hung down in
portieres from the eaves of the porch, and on its rotting floor were
drifts of leaves. It was a dark, unfriendly thing, and even Portia
thought she would not miss it when they took it away.</p>
<p>"But what will happen to the owls that used to nest here?" she asked.</p>
<p>"Oh, they'll find another site," Julian said. "If there's one thing you
don't have to worry about, it's owls."</p>
<p>The slow grownups caught up with them at last, armed with their
peaceable weapons.</p>
<p>"We'll try the back door first," Mr. Blake announced. "The front one
might as well be turned to stone. We may have to blast!"</p>
<p>"Why can't we just climb in the window, the way we did last year?"
Foster wanted to know. He would have preferred this course.</p>
<p>"It's boarded up again, too, remember? And anyway we can't just go
flitting in and out of odd openings all the time like—like swallows,"
his father said. "We need a door. Like people."</p>
<p>He led the way, and they all trooped around one corner, then another,
to the back stoop, with its boarded-up back door.</p>
<p>"Nailed fast, of course, and the nails are rusted," Uncle Jake said.
"Well, let's have a go at it."</p>
<p>It took a while. Foster and Davey grew bored and began to roughhouse,
tumbling on the dead grass. The women poked about the shrubbery trying
to identify the bushes and decide which ones were still alive. Portia
sat on one of the buckets, turned upside down, watching and whistling
between her teeth; trying to, anyway; her tooth braces made it nearly
impossible.</p>
<p>Her father and uncle and cousin worked and worked at the barricade, and
finally, as they pried them loose with a crowbar, the nailed boards
were wrenched free, with loud, protesting snarls.</p>
<p>The door they had hidden all these years was painted dark green; just
an old ordinary door with a brown china doorknob, but Portia jumped up
to have a look at it, and everyone else came running.</p>
<p>Uncle Jake waggled the knob uselessly and gave the door a kick or two.</p>
<p>"Locked, of course," he said. "But not bolted inside, I trust. Even
Mrs. Brace-Gideon couldn't depart from a house leaving every door
bolted <i>inside</i>."</p>
<p>"Maybe she departed from a window the way we did," Foster suggested,
but no one listened to him.</p>
<p>Uncle Jake brought a jumble of keys from his pocket.</p>
<p>"From Gone-Away: old keys from other old locks," he explained. "Uncle
Pin's idea. He thought that one might fit."</p>
<p>One did, too. Almost the very first one. It turned nicely in the
keyhole, and they could hear the lock give way, but the green door, set
in its ways after half a century asleep, absolutely refused to budge.</p>
<p>Mr. Blake sighed heavily.</p>
<p>"You know, you don't just <i>buy</i> this house," he said. "No. You have to
go to war with it, you have to conquer it! All right, Jake, let's go."</p>
<p>The two big men put their shoulders to the door and gave a tremendous
shove, as Mr. Blake turned the knob. The first try didn't work, nor did
the second, but on the third the door burst open, and they almost fell
in. The others crowded close on their heels, Foster and Davey burrowing
under arms and elbows like a pair of beagles.</p>
<p>A cloud of dust fumed up from the floor. As it cleared, they found
themselves coughing and sneezing in a dim passageway.</p>
<p>"I suppose this—" Mrs. Blake was starting to say when all at once
Uncle Jake, who was ahead, gave a mighty yell and a leap backward.</p>
<p>"Great Scott!" shouted Mr. Blake at the same instant, and Foster,
whimpering, turned to scramble for his mother.</p>
<p>"There's somebody there! A ghost, a ghost!"</p>
<p>Most of them, shocked, had caught a glimpse of it: a figure standing
in the passage, standing very still, as though it had been waiting for
them.</p>
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