<div><span class='pageno' title='158' id='Page_158'></span><h1>X</h1></div>
<p class='pindent'>Perhaps the most poignant and touching feature
of the days that followed was not the sight
of this stricken giant, lying majestic and aloof
in his unwonted black; nor of the boy Dirk, mystified
but elated, too, with the unaccustomed stir and excitement;
nor of the shabby little farm that seemed to
shrink and dwindle into further insignificance beneath
the sudden publicity turned upon it. No; it was the
sight of Selina, widowed, but having no time for decent
tears. The farm was there; it must be tended. Illness,
death, sorrow—the garden must be tended, the
vegetables pulled, hauled to market, sold. Upon the
garden depended the boy’s future, and hers.</p>
<p class='pindent'>For the first few days following the funeral one or
another of the neighbouring farmers drove the DeJong
team to market, aided the blundering Jan in the fields.
But each had his hands full with his own farm work.
On the fifth day Jan Steen had to take the garden
truck to Chicago, though not without many misgivings
on Selina’s part, all of which were realized when he
returned late next day with half the load still on his
wagon and a sum of money representing exactly zero
in profits. The wilted left-over vegetables were
dumped behind the barn to be used later as fertilizer.</p>
<p class='pindent'>“I didn’t do so good this time,” Jan explained, “on
account I didn’t get no right place in the market.”</p>
<p class='pindent'>“You started early enough.”</p>
<p class='pindent'>“Well, they kind of crowded me out, like. They
see I was a new hand and time I got the animals
stabled and come back they had the wagon crowded
out, like.”</p>
<p class='pindent'>Selina was standing in the kitchen doorway, Jan in
the yard with the team. She turned her face toward
the fields. An observant person (Jan Steen was not
one of these) would have noted the singularly determined
and clear-cut jaw-line of this drably calicoed
farm woman.</p>
<p class='pindent'>“I’ll go myself Monday.”</p>
<p class='pindent'>Jan stared. “Go? Go where, Monday?”</p>
<p class='pindent'>“To market.”</p>
<p class='pindent'>At this seeming pleasantry Jan Steen smiled uncertainly,
shrugged his shoulders, and was off to the barn.
She was always saying things that didn’t make sense.
His horror and unbelief were shared by the rest of
High Prairie when on Monday Selina literally took the
reins in her own slim work-scarred hands.</p>
<p class='pindent'>“To market!” argued Jan as excitedly as his phlegmatic
nature would permit. “A woman she don’t go
to market. A woman——”</p>
<p class='pindent'>“This woman does.” Selina had risen at three in
the morning. Not only that, she had got Jan up,
grumbling. Dirk had joined them in the fields at
five. Together the three of them had pulled and
bunched a wagon load. “Size them,” Selina ordered,
as they started to bunch radishes, beets, turnips, carrots.
“And don’t leave them loose like that. Tie
them tight at the heads, like this. Twice around with
the string, and through. Make bouquets of them,
not bunches. And we’re going to scrub them.”</p>
<p class='pindent'>High Prairie washed its vegetables desultorily;
sometimes not at all. Higgledy piggledy, large and
small, they were bunched and sold as vegetables, not
objets d’art. Generally there was a tan crust of good
earth coating them which the housewife could scrub
off at her own kitchen sink. What else had housewives
to do!</p>
<p class='pindent'>Selina, scrubbing the carrots vigorously under the
pump, thought they emerged from their unaccustomed
bath looking like clustered spears of pure gold. She
knew better, though, than to say this in Jan’s hearing.
Jan, by now, was sullen with bewilderment. He refused
to believe that she actually intended to carry out
her plan. A woman—a High Prairie farmer’s wife—driving
to market like a man! Alone at night in
the market place—or at best in one of the cheap rooming
houses! By Sunday somehow, mysteriously, the
news had filtered through the district. High Prairie
attended the Dutch Reformed church with a question
hot on its tongue and Selina did not attend the morning
services. A fine state of things, and she a widow
of a week! High Prairie called at the DeJong farm
on Sunday afternoon and was told that the widow was
over in the wet west sixteen, poking about with the boy
Dirk at her heels.</p>
<p class='pindent'>The Reverend Dekker appeared late Sunday afternoon
on his way to evening service. A dour dominie,
the Reverend Dekker, and one whose talents were anachronistic.
He would have been invaluable in the
days when New York was New Amsterdam. But the
second and third generations of High Prairie Dutch
were beginning to chafe under his old-world régime.
A hard blue eye, had the Reverend Dekker, and a
fanatic one.</p>
<p class='pindent'>“What is this talk I hear, Mrs. DeJong, that you are
going to the Haymarket with the garden stuff, a
woman alone?”</p>
<p class='pindent'>“Dirk goes with me.”</p>
<p class='pindent'>“You don’t know what you are doing, Mrs. DeJong.
The Haymarket is no place for a decent woman. As
for the boy! There is card-playing, drinking—all
manner of wickedness—daughters of Jezebel on the
street, going among the wagons.”</p>
<p class='pindent'>“Really!” said Selina. It sounded thrilling, after
twelve years on the farm.</p>
<p class='pindent'>“You must not go.”</p>
<p class='pindent'>“The vegetables are rotting in the ground. And
Dirk and I must live.”</p>
<p class='pindent'>“Remember the two sparrows. ‘One of them shall
not fall on the ground without’—Matthew X-29.”</p>
<p class='pindent'>“I don’t see,” replied Selina, simply, “what good
that does the sparrow, once it’s fallen.”</p>
<p class='pindent'>By Monday afternoon the parlour curtains of every
High Prairie farmhouse that faced the Halsted road
were agitated as though by a brisk wind between the
hours of three and five, when the market wagons were
to be seen moving toward Chicago. Klaas Pool at
dinner that noon had spoken of Selina’s contemplated
trip with a mingling of pity and disapproval.</p>
<p class='pindent'>“It ain’t decent a woman should drive to market.”</p>
<p class='pindent'>Mrs. Klaas Pool (they still spoke of her as the
Widow Paarlenberg) smiled her slippery crooked
smile. “What could you expect! Look how she’s
always acted.”</p>
<p class='pindent'>Klaas did not follow this. He was busy with his
own train of thought. “It don’t seem hardly possible.
Time she come here school teacher I drove her out
and she was like a little robin or what, set up on the
seat. She says, I remember like yesterday, cabbages
was beautiful. I bet she learned different by this
time.”</p>
<p class='pindent'>But she hadn’t. So little had Selina learned in these
past eleven years that now, having loaded the wagon in
the yard she surveyed it with more sparkle in her eye
than High Prairie would have approved in a widow
of little more than a week. They had picked and
bunched only the best of the late crop—the firmest
reddest radishes, the roundest juiciest beets; the carrots
that tapered a good seven inches from base to tip;
kraut cabbages of the drumhead variety that were
flawless green balls; firm juicy spears of cucumber;
cauliflower (of her own planting; Pervus had opposed
it) that looked like a bride’s bouquet. Selina stepped
back now and regarded this riot of crimson and green,
of white and gold and purple.</p>
<p class='pindent'>“Aren’t they beautiful! Dirk, aren’t they beautiful!”</p>
<p class='pindent'>Dirk, capering in his excitement at the prospect of
the trip before him, shook his head impatiently.
“What? I don’t see anything beautiful. What’s
beautiful?”</p>
<p class='pindent'>Selina flung out her arms. “The—the whole wagon
load. The cabbages.”</p>
<p class='pindent'>“I don’t know what you mean,” said Dirk. “Let’s
go, Mother. Aren’t we going now? You said as
soon as the load was on.”</p>
<p class='pindent'>“Oh, Sobig, you’re just exactly like your——” She
stopped.</p>
<p class='pindent'>“Like my what?”</p>
<p class='pindent'>“We’ll go now, son. There’s cold meat for your
supper, Jan, and potatoes all sliced for frying and half
an apple pie left from noon. Wash your dishes—don’t
leave them cluttering around the kitchen. You
ought to get in the rest of the squash and pumpkins by
evening. Maybe I can sell the lot instead of taking
them in by the load. I’ll see a commission man. Take
less, if I have to.”</p>
<p class='pindent'>She had dressed the boy in his home-made suit cut
down from one of his father’s. He wore a wide-brimmed
straw hat which he hated. Selina had made
him an overcoat of stout bean-sacking and this she
tucked under the wagon seat, together with an old
black fascinator, for though the September afternoon
was white-hot she knew that the evenings were likely
to be chilly, once the sun, a great crimson Chinese balloon,
had burned itself out in a blaze of flame across
the prairie horizon. Selina herself, in a full-skirted
black-stuff dress, mounted the wagon agilely, took up
the reins, looked down at the boy seated beside her,
clucked to the horses. Jan Steen gave vent to a final
outraged bellow.</p>
<p class='pindent'>“Never in my life did I hear of such a thing!”</p>
<p class='pindent'>Selina turned the horses’ heads toward the city.
“You’d be surprised, Jan, to know of all the things
you’re going to hear of some day that you’ve never
heard of before.” Still, when twenty years had passed
and the Ford, the phonograph, the radio, and the rural
mail delivery had dumped the world at Jan’s plodding
feet he liked to tell of that momentous day when Selina
DeJong had driven off to market like a man with
a wagon load of hand-scrubbed garden truck and the
boy Dirk perched beside her on the seat.</p>
<p class='pindent'>If, then, you had been travelling the Halsted road,
you would have seen a decrepit wagon, vegetable-laden,
driven by a too-thin woman, sallow, bright-eyed,
in a shapeless black dress, a battered black felt
hat that looked like a man’s old “fedora” and probably
was. Her hair was unbecomingly strained away from
the face with its high cheek bones, so that unless you
were really observant you failed to notice the exquisite
little nose or the really fine eyes so unnaturally large
now in the anxious face. On the seat beside her you
would have seen a farm boy of nine or thereabouts—a
brown freckle-faced lad in a comically home-made suit
of clothes and a straw hat with a broken and flopping
brim which he was forever jerking off only to have it
set firmly on again by the woman who seemed to fear
the effects of the hot afternoon sun on his close-cropped
head. But in the brief intervals when the hat was off
you must have noted how the boy’s eyes were shining.</p>
<p class='pindent'>At their feet was the dog Pom, a mongrel whose tail
bore no relation to his head, whose ill-assorted legs
appeared wholly at variance with his sturdy barrel of
a body. He dozed now, for it had been his duty to
watch the wagon load at night, while Pervus slept.</p>
<p class='pindent'>A shabby enough little outfit, but magnificent, too.
Here was Selina DeJong driving up the Halsted road
toward the city instead of sitting, black-robed, in the
farm parlour while High Prairie came to condole. In
Selina, as they jogged along the hot dusty way, there
welled up a feeling very like elation. Conscious of
this, the New England strain in her took her to task.
“Selina Peake, aren’t you ashamed of yourself!
You’re a wicked woman! Feeling almost gay when
you ought to be sad. . . . Poor Pervus . . .
the farm . . . Dirk . . . and you can feel
almost gay! You ought to be ashamed of yourself!”</p>
<p class='pindent'>But she wasn’t, and knew it. For even as she thought
this the little wave of elation came flooding over her
again. More than ten years ago she had driven with
Klaas Pool up that same road for the first time, and in
spite of the recent tragedy of her father’s death, her
youth, her loneliness, the terrifying thought of the new
home to which she was going, a stranger among
strangers, she had been conscious of a warm little
thrill of elation, of excitement—of adventure! That
was it. “The whole thing’s just a grand adventure,”
her father, Simeon Peake, had said. And now the
sensations of that day were repeating themselves.
Now, as then, she was doing what was considered a
revolutionary and daring thing; a thing that High
Prairie regarded with horror. And now, as then, she
took stock. Youth was gone, but she had health,
courage; a boy of nine; twenty-five acres of wornout
farm land; dwelling and out-houses in a bad state of
repair; and a gay adventuresome spirit that was never
to die, though it led her into curious places and she
often found, at the end, only a trackless waste from
which she had to retrace her steps painfully. But always,
to her, red and green cabbages were to be jade
and burgundy, chrysoprase and porphyry. Life has no
weapons against a woman like that.</p>
<p class='pindent'>And the wine-red cashmere. She laughed aloud.</p>
<p class='pindent'>“What are you laughing at, Mom?”</p>
<p class='pindent'>That sobered her. “Oh, nothing, Sobig. I didn’t
know I was laughing. I was just thinking about a red
dress I had when I first came to High Prairie a girl.
I’ve got it yet.”</p>
<p class='pindent'>“What’s that to laugh at?” He was following a
yellow-hammer with his eyes.</p>
<p class='pindent'>“Nothing. Mother said it was nothing.”</p>
<p class='pindent'>“Wisht I’d brought my sling-shot.” The yellow-hammer
was perched on the fence by the roadside not
ten feet away.</p>
<p class='pindent'>“Sobig, you promised me you wouldn’t throw at any
more birds, ever.”</p>
<p class='pindent'>“Oh, I wouldn’t hit it. I would just like to aim
at it.”</p>
<p class='pindent'>Down the hot dusty country road. She was serious
enough now. The cost of the funeral to be paid. The
doctor’s bills. Jan’s wage. All the expenses, large
and small, of the poor little farm holding. Nothing
to laugh at, certainly. The boy was wiser than
she.</p>
<p class='pindent'>“There’s Mrs. Pool on her porch, Mom. Rocking.”</p>
<p class='pindent'>There, indeed, was the erstwhile Widow Paarlenberg
on her porch, rocking. A pleasant place to be in
mid-afternoon of a hot September day. She stared
at the creaking farm wagon, vegetable laden; at the
boy perched on the high seat; at the sallow shabby
woman who was charioteer for the whole crazy outfit.
Mrs. Klaas Pool’s pink face creased in a
smile. She sat forward in her chair and ceased to
rock.</p>
<p class='pindent'>“Where you going this hot day, Mis’ DeJong?”</p>
<p class='pindent'>Selina sat up very straight. “To Bagdad, Mrs.
Pool.”</p>
<p class='pindent'>“To—Where’s that? What for?”</p>
<p class='pindent'>“To sell my jewels, Mrs. Pool. And to see Aladdin,
and Harun-al-Rashid and Ali Baba. And the
Forty Thieves.”</p>
<p class='pindent'>Mrs. Pool had left her rocker and had come down
the steps. The wagon creaked on past her gate. She
took a step or two down the path, and called after
them. “I never heard of it. Bag—How do you get
there?”</p>
<p class='pindent'>Over her shoulder Selina called out from the wagon
seat. “You just go until you come to a closed door.
And you say ‘Open Sesame!’ and there you are.”</p>
<p class='pindent'>Bewilderment shadowed Mrs. Pool’s placid face.
As the wagon lurched on down the road it was Selina
who was smiling and Mrs. Pool who was serious.</p>
<p class='pindent'>The boy, round eyed, was looking up at his mother.
“That’s out of <span class='it'>Arabian Nights</span>, what you said. Why
did you say that?” Suddenly excitement tinged his
voice. “That’s out of the book. Isn’t it? Isn’t it!
We’re not really——”</p>
<p class='pindent'>She was a little contrite, but not very. “Well, not
really, perhaps. But ’most any place is Bagdad if you
don’t know what will happen in it. And this is an adventure,
isn’t it, that we’re going on? How can you
tell! All kind of things can happen. All kinds of
people. People in disguise in the Haymarket. Caliphs,
and princes, and slaves, and thieves, and good
fairies, and witches.”</p>
<p class='pindent'>“In the Haymarket! That Pop went to all the
time! That is just dumb talk.”</p>
<p class='pindent'>Within Selina something cried out, “Don’t say that,
Sobig! Don’t say that!”</p>
<p class='pindent'>On down the road. Here a head at a front room
window. There a woman’s calicoed figure standing in
the doorway. Mrs. Vander Sijde on the porch, fanning
her flushed face with her apron; Cornelia Snip in
the yard pretending to tie up the drooping stalks of the
golden-glow and eyeing the approaching team with the
avid gossip’s gaze. To these Selina waved, bowed,
called.</p>
<p class='pindent'>“How d’you do, Mrs. Vander Sijde!”</p>
<p class='pindent'>A prim reply to this salutation. Disapproval writ
large on the farm-wife’s flushed face.</p>
<p class='pindent'>“Hello, Cornelia!”</p>
<p class='pindent'>A pretended start, notable for its bad acting. “Oh,
is it you, Mrs. DeJong! Sun’s in my eyes. I couldn’t
think it was you like that.”</p>
<p class='pindent'>Women’s eyes, hostile, cold, peering.</p>
<p class='pindent'>Five o’clock. Six. The boy climbed over the
wheel, filled a tin pail with water at a farmhouse well.
They ate and drank as they rode along, for there was
no time to lose. Bread and meat and pickles and pie.
There were vegetables in the wagon, ripe for eating.
There were other varieties that Selina might have
cooked at home in preparation for this meal—German
celery root boiled tender and soaked in vinegar; red
beets, pickled; onions; coleslaw; beans. They would
have regarded these with an apathetic eye all too familiar
with the sight of them. Selina knew now why
the Pools’ table, in her school-teacher days, had been
so lacking in the green stuff she had craved. The
thought of cooking the spinach which she had planted,
weeded, spaded, tended, picked, washed, bunched,
filled her with a nausea of distaste such as she
might have experienced at the contemplation of
cannibalism.</p>
<p class='pindent'>The boy had started out bravely enough in the heat
of the day, sitting up very straight beside his mother,
calling to the horses, shrieking and waving his arms at
chickens that flew squawking across the road. Now
he began to droop. Evening was coming on. A cool
blanket of air from the lake on the east enveloped
them with the suddenness characteristic of the region,
and the mist began to drift across the prairie, softening
the autumn stubble, cooling the dusty road, misting
the parched willows by the roadside, hazing the shabby
squat farmhouses.</p>
<p class='pindent'>She brushed away the crumbs, packed the remaining
bread and meat thriftily into the basket and covered it
with a napkin against the boy’s future hunger should
he waken in the night.</p>
<p class='pindent'>“Sleepy, Sobig?”</p>
<p class='pindent'>“No. Should say not.” His lids were heavy.
His face and body, relaxed, took on the soft baby contours
that come with weariness. The sun was low.
Sunset gloried the west in a final flare of orange and
crimson. Dusk. The boy drooped against her heavy,
sagging. She wrapped the old black fascinator about
him. He opened his eyes, tugged at the wrapping
about his shoulders. “Don’t want the old thing
. . . fas’nator . . . like a girl . . .”
drooped again with a sigh and found the soft curve
where her side just cushioned his head. In the twilight
the dust gleamed white on weeds, and brush, and
grass. The far-off mellow sonance of a cowbell.
Horses’ hoofs clopping up behind them, a wagon passing
in a cloud of dust, a curious backward glance, or a
greeting exchanged.</p>
<p class='pindent'>One of the Ooms boys, or Jakob Boomsma. “You’re
never going to market, Mis’ DeJong!” staring with
china-blue eyes at her load.</p>
<p class='pindent'>“Yes, I am, Mr. Boomsma.”</p>
<p class='pindent'>“That ain’t work for a woman, Mis’ DeJong. You
better stay home and let the men folks go.”</p>
<p class='pindent'>Selina’s men folks looked up at her—one with the
asking eyes of a child, one with the trusting eyes of a
dog. “My men folks are going,” answered Selina.
But then, they had always thought her a little queer,
so it didn’t matter much.</p>
<p class='pindent'>She urged the horses on, refusing to confess to herself
her dread of the destination which they were approaching.
Lights now, in the houses along the way,
and those houses closer together. She wrapped the
reins around the whip, and holding the sleeping boy
with one hand reached beneath the seat with the other
for the coat of sacking. This she placed around him
snugly, folded an empty sack for a pillow, and lifting
the boy in her arms laid him gently on the lumpy bed
formed by the bags of potatoes piled up just behind the
seat in the back of the wagon. So the boy slept.
Night had come on.</p>
<p class='pindent'>The figure of the woman drooped a little now as the
old wagon creaked on toward Chicago. A very small
figure in the black dress and a shawl over her shoulders.
She had taken off her old black felt hat. The
breeze ruffled her hair that was fine and soft, and it
made a little halo about the white face that gleamed
almost luminously in the darkness as she turned it up
toward the sky.</p>
<p class='pindent'>“I’ll sleep out with Sobig in the wagon. It won’t
hurt either of us. It will be warm in town, there in
the Haymarket. Twenty-five cents—maybe fifty for
the two of us, in the rooming house. Fifty cents just
to sleep. It takes hours of work in the fields to make
fifty cents.”</p>
<p class='pindent'>She was sleepy now. The night air was deliciously
soft and soothing. In her nostrils was the smell of the
fields, of grass dew-wet, of damp dust, of cattle; the
pungent prick of goldenrod, and occasionally a scented
wave that meant wild phlox in a near-by ditch. She
sniffed all this gratefully, her mind and body curiously
alert to sounds, scents, forms even, in the darkness.
She had suffered much in the past week; had eaten and
slept but little. Had known terror, bewilderment,
agony, shock. Now she was relaxed, receptive, a little
light-headed perhaps, what with under-feeding and
tears and over-work. The racking process had cleared
brain and bowels; had washed her spiritually clean;
had quickened her perceptions abnormally. Now she
was like a delicate and sensitive electric instrument
keyed to receive and register; vibrating to every ether
wave.</p>
<p class='pindent'>She drove along in the dark, a dowdy farm woman in
shapeless garments; just a bundle on the rickety seat
of a decrepit truck wagon. The boy slept on his hard
lumpy bed like the little vegetable that he was. The
farm lights went out. The houses were blurs in the
black. The lights of the city came nearer. She was
thinking clearly, if disconnectedly, without bitterness,
without reproach.</p>
<p class='pindent'>“My father was wrong. He said that life was a
great adventure—a fine show. He said the more
things that happen to you the richer you are, even if
they’re not pleasant things. That’s living, he said.
No matter what happens to you, good or bad, it’s just
so much—what was that word he used?—so much—oh,
yes—‘velvet.’ Just so much velvet. Well, it
isn’t true. He had brains, and charm, and knowledge
and he died in a gambling house, shot while looking
on at some one else who was to have been killed.
. . . Now we’re on the cobblestones. Will Dirk
wake up? My little So Big. . . . No, he’s
asleep. Asleep on a pile of potato sacks because his
mother thought that life was a grand adventure—a fine
show—and that you took it as it came. A lie! I’ve
taken it as it came and made the best of it. That isn’t
the way. You take the best, and make the most of it
. . . Thirty-fifth Street, that was. Another hour
and a half to reach the Haymarket. . . . I’m not
afraid. After all, you just sell your vegetables for
what you can get. . . . Well, it’s going to be different
with him. I mustn’t call him Sobig any more.
He doesn’t like it. Dirk. That’s a fine name. Dirk
DeJong. . . . No drifting along for him. I’ll
see that he starts with a plan, and follows it. He’ll
have every chance. Every chance. Too late for me,
now, but he’ll be different. . . . Twenty-second
Street . . . Twelfth . . . Look at all the
people! . . . I’m enjoying this. No use denying
it. I’m enjoying this. Just as I enjoyed driving
along with Klaas Pool that evening, years and years
ago. Scared, but enjoying it. Perhaps I oughtn’t to
be—but that’s hypocritical and sneaking. Why not,
if I really do enjoy it! I’ll wake him. . . .
Dirk! Dirk, we’re almost there. Look at all the
people, and the lights. We’re almost there.”</p>
<p class='pindent'>The boy awoke, raised himself from his bed of sacking,
looked about, blinked, sank back again and curled
into a ball. “Don’t want to see the lights . . .
people . . .”</p>
<p class='pindent'>He was asleep again. Selina guided the horses
skilfully through the downtown streets. She looked
about with wide ambient eyes. Other wagons passed
her. There was a line of them ahead of her. The
men looked at her curiously. They called to one another,
and jerked a thumb in her direction, but she
paid no heed. She decided, though, to have the boy on
the seat beside her. They were within two blocks of
the Haymarket, on Randolph Street.</p>
<p class='pindent'>“Dirk! Come, now. Come up here with mother.”
Grumbling, he climbed to the seat, yawned, smacked
his lips, rubbed his knuckles into his eyes.</p>
<p class='pindent'>“What are we here for?”</p>
<p class='pindent'>“So we can sell the garden truck and earn money.”</p>
<p class='pindent'>“What for?”</p>
<p class='pindent'>“To send you to school to learn things.”</p>
<p class='pindent'>“That’s funny. I go to school already.”</p>
<p class='pindent'>“A different school. A big school.”</p>
<p class='pindent'>He was fully awake now, and looking about him interestedly.
They turned into the Haymarket. It was
a tangle of horses, carts, men. The wagons were
streaming in from the German truck farms that lay to
the north of Chicago as well as from the Dutch farms
that lay to the southwest, whence Selina came. Fruits
and vegetables—tons of it—acres of it—piled in the
wagons that blocked the historic square. An unarmed
army bringing food to feed a great city. Through this
little section, and South Water Street that lay to the
east, passed all the verdant growing things that fed
Chicago’s millions. Something of this came to Selina
as she manœuvred her way through the throng.
She felt a little thrill of significance, of achievement.
She knew the spot she wanted for her own. Since that
first trip to Chicago with Pervus in the early days of
her marriage she had made the journey into town perhaps
not more than a dozen times, but she had seen,
and heard, and remembered. A place near the corner
of Des Plaines, not at the curb, but rather in the
double line of wagons that extended down the middle
of the road. Here the purchasing pedlers and grocers
had easy access to the wagons. Here Selina could
display her wares to the best advantage. It was just
across the way from Chris Spanknoebel’s restaurant,
rooming house, and saloon. Chris knew her; had
known Pervus for years and his father before him;
would be kind to her and the boy in case of need.</p>
<p class='pindent'>Dirk was wide awake now; eager, excited. The
lights, the men, the horses, the sound of talk, and
laughter, and clinking glasses from the eating houses
along the street were bewilderingly strange to his
country-bred eyes and ears. He called to the horses;
stood up in the wagon; but clung closer to her as they
found themselves in the thick of the mêlée.</p>
<p class='pindent'>On the street corners where the lights were brightest
there were stands at which men sold chocolate,
cigars, collar buttons, suspenders, shoe strings, patent
contrivances. It was like a fair. Farther down the
men’s faces loomed mysteriously out of the half light.
Stolid, sunburned faces now looked dark, terrifying,
the whites of the eyes very white, the mustaches very
black, their shoulders enormous. Here was a crap
game beneath the street light. There stood two girls
laughing and chatting with a policeman.</p>
<p class='pindent'>“Here’s a good place, Mother. Here! There’s a
dog on that wagon like Pom.”</p>
<p class='pindent'>Pom, hearing his name, stood up, looked into the
boy’s face, quivered, wagged a nervous tail, barked
sharply. The Haymarket night life was an old story
to Pom, but it never failed to stimulate him. Often he
had guarded the wagon when Pervus was absent for a
short time. He would stand on the seat ready to
growl at any one who so much as fingered a radish in
Pervus’s absence.</p>
<p class='pindent'>“Down, Pom! Quiet, Pom!” She did not want to
attract attention to herself and the boy. It was still
early. She had made excellent time. Pervus had
often slept in snatches as he drove into town and the
horses had lagged, but Selina had urged them on to-night.
They had gained a good half hour over the
usual time. Halfway down the block Selina espied
the place she wanted. From the opposite direction
came a truck farmer’s cart obviously making for the
same stand. For the first time that night Selina drew
the whip out of its socket and clipped sharply her surprised
nags. With a start and a shuffle they broke
into an awkward lope. Ten seconds too late the German
farmer perceived her intention, whipped up his
own tired team, arrived at the spot just as Selina,
blocking the way, prepared to back into the vacant
space.</p>
<p class='pindent'>“Heh, get out of there you——” he roared; then,
for the first time, perceived in the dim light of the
street that his rival was a woman. He faltered, stared
open-mouthed, tried other tactics. “You can’t go in
there, missus.”</p>
<p class='pindent'>“Oh, yes, I can.” She backed her team dexterously.</p>
<p class='pindent'>“Yes, we can!” shouted Dirk in an attitude of fierce
belligerence.</p>
<p class='pindent'>From the wagons on either side heads were lifted.
“Where’s your man?” demanded the defeated driver,
glaring.</p>
<p class='pindent'>“Here,” replied Selina; put her hand on Dirk’s
head.</p>
<p class='pindent'>The other, preparing to drive on, received this with
incredulity. He assumed the existence of a husband
in the neighbourhood—at Chris Spanknoebel’s probably,
or talking prices with a friend at another wagon
when he should be here attending to his own. In the
absence of this, her natural protector, he relieved his
disgruntled feelings as he gathered up the reins.
“Woman ain’t got no business here in Haymarket,
anyway. Better you’re home night time in your kitchen
where you belong.”</p>
<p class='pindent'>This admonition, so glibly mouthed by so many people
in the past few days, now was uttered once too
often. Selina’s nerves snapped. A surprised German
truck farmer found himself being harangued from the
driver’s seat of a vegetable wagon by an irate and
fluent woman in a mashed black hat.</p>
<p class='pindent'>“Don’t talk to me like that, you great stupid! What
good does it do a woman to stay home in her kitchen
if she’s going to starve there, and her boy with her!
Staying home in my kitchen won’t earn me any money.
I’m here to sell the vegetables I helped raise and I’m
going to do it. Get out of my way, you. Go along
about your business or I’ll report you to Mike, the
street policeman.”</p>
<p class='pindent'>Now she clambered over the wagon wheel to unhitch
the tired horses. It is impossible to tell what
interpretation the dumfounded north-sider put upon
her movements. Certainly he had nothing to fear
from this small gaunt creature with the blazing eyes.
Nevertheless as he gathered up his reins terror was
writ large on his rubicund face.</p>
<p class='pindent'>“<span class='it'>Teufel!</span> What a woman!” Was off in a clatter
of wheels and hoofs on the cobblestones.</p>
<p class='pindent'>Selina unharnessed swiftly. “You stay here, Dirk,
with Pom. Mother’ll be back in a minute.” She
marched down the street driving the horses to the
barns where, for twenty-five cents, the animals were to
be housed in more comfort than their owner. She
returned to find Dirk deep in conversation with two
young women in red shirtwaists, plaid skirts that swept
the ground, and sailor hats tipped at a saucy angle over
pyramidal pompadours.</p>
<p class='pindent'>“I can’t make any sense out of it, can you, Elsie?
Sounds like Dirt to me, but nobody’s going to name a
kid that, are they? Stands to reason.”</p>
<p class='pindent'>“Oh, come on. Your name’ll be mud first thing
you know. Here it’s after nine already and not a——”
she turned and saw Selina’s white face.</p>
<p class='pindent'>“There’s my mother,” said Dirk, triumphantly,
pointing. The three women looked at each other.
Two saw the pathetic hat and the dowdy clothes, and
knew. One saw the red shirtwaists and the loose red
lips, and knew.</p>
<p class='pindent'>“We was just talking to the kid,” said the girl who
had been puzzled by Dirk’s name. Her tone was defensive.
“Just asking him his name, and like that.”</p>
<p class='pindent'>“His name is Dirk,” said Selina, mildly. “It’s a
Dutch name—Holland, you know. We’re from out
High Prairie way, south. Dirk DeJong. I’m Mrs.
DeJong.”</p>
<p class='pindent'>“Yeh?” said the other girl. “I’m Elsie. Elsie
from Chelsea, that’s me. Come on, Mabel. Stand
gabbin’ all night.” She was blonde and shrill. The
other was older, dark-haired. There was about her
a paradoxical wholesomeness.</p>
<p class='pindent'>Mabel, the older one, looked at Selina sharply.
From the next wagon came loud snores issuing from
beneath the seat. From down the line where a lantern
swung from the tailboard of a cart came the rattle of
dice. “What you doing down here, anyway?”</p>
<p class='pindent'>“I’m here to sell my stuff to-morrow morning.
Vegetables. From the farm.”</p>
<p class='pindent'>Mabel looked around. Hers was not a quick mind.
“Where’s your man?”</p>
<p class='pindent'>“My husband died a week ago.” Selina was making
up their bed for the night. From beneath the seat
she took a sack of hay, tight-packed, shook out its contents,
spread them evenly on the floor of the wagon, at
the front, first having unhinged the seat and clapped it
against the wagon side as a headboard. Over the
hay she spread empty sacking. She shook out her
shawl, which would serve as cover. The girl Mabel
beheld these preparations. Her dull eyes showed a
gleam of interest which deepened to horror.</p>
<p class='pindent'>“Say, you ain’t never going to sleep out here, are
you? You and the kid. Like that!”</p>
<p class='pindent'>“Yes.”</p>
<p class='pindent'>“Well, for——” She stared, turned to go, came
back. From her belt that dipped so stylishly in the
front hung an arsenal of jangling metal articles—purse,
pencil, mirror, comb—a chatelaine, they called
it. She opened the purse now and took from it a silver
dollar. This she tendered Selina, almost roughly.
“Here. Get the kid a decent roost for the night. You
and the kid, see.”</p>
<p class='pindent'>Selina stared at the shining round dollar; at Mabel’s
face. The quick sting of tears came to her eyes.
She shook her head, smiled. “We don’t mind sleeping
out here. Thank you just the same—Mabel.”</p>
<p class='pindent'>The girl put her dollar plumply back into her purse.
“Well, takes all kinds, I always say. I thought I had
a bum deal but, say, alongside of what you got I ain’t
got it so worse. Place to sleep in, anyways, even if
it is—well, good-night. Listen to that Elsie, hollering
for me. I’m comin’! Shut up!”</p>
<p class='pindent'>You heard the two on their way up the street, arm in
arm, laughing.</p>
<p class='pindent'>“Come Dirk.”</p>
<p class='pindent'>“Are we going to sleep here!” He was delighted.</p>
<p class='pindent'>“Right here, all snug in the hay, like campers.”</p>
<p class='pindent'>The boy lay down, wriggling, laughing. “Like gypsies.
Ain’t it, Mom?”</p>
<p class='pindent'>“ ‘Isn’t it,’ Dirk—not ‘ain’t it’.” The school teacher.</p>
<p class='pindent'>She lay down beside him. The boy seemed terribly
wide awake. “I liked the Mabel one best, didn’t you?
She was the nicest, h’m?”</p>
<p class='pindent'>“Oh, much the nicest,” said Selina, and put one arm
around him and drew him to her, close. And suddenly
he was asleep, deeply. The street became
quieter. The talking and laughter ceased. The lights
were dim at Chris Spanknoebel’s. Now and then the
clatter of wheels and horses’ hoofs proclaimed a late
comer seeking a place, but the sound was not near by,
for this block and those to east and west were filled by
now. These men had been up at four that morning,
must be up before four the next.</p>
<p class='pindent'>The night was cool, but not cold. Overhead you
saw the wide strip of sky between the brick buildings
on either side of the street. Two men came along
singing. “Shut up!” growled a voice from a wagon
along the curb. The singers subsided. It must be
ten o’clock and after, Selina thought. She had with
her Pervus’s nickel watch, but it was too dark to see
its face, and she did not want to risk a match. Measured
footsteps that passed and repassed at regular
intervals. The night policeman.</p>
<p class='pindent'>She lay looking up at the sky. There were no tears
in her eyes. She was past tears. She thought, “Here
I am, Selina Peake, sleeping in a wagon, in the straw,
like a bitch with my puppy snuggled beside me. I
was going to be like Jo in Louisa Alcott’s book. On
my feet are boots and on my body a dyed dress. How
terribly long it is going to be until morning . . .
I must try to sleep. . . . I must try to sleep
. . .”</p>
<p class='pindent'>She did sleep, miraculously. The September stars
twinkled brightly down on them. As she lay there,
the child in her arms, asleep, peace came to the haggard
face, relaxed the tired limbs. Much like another
woman who had lain in the straw with her child in her
arms almost two thousand years before.</p>
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