<div><span class='pageno' title='53' id='Page_53'></span><h1>IV</h1></div>
<p class='pindent'>Every morning throughout November it was
the same. At six o’clock: “Miss Peake!
<span class='it'>Oh</span>, Miss Peake!”</p>
<p class='pindent'>“I’m up!” Selina would call in what she meant to be
a gay voice, through chattering teeth.</p>
<p class='pindent'>“You better come down and dress where is warm
here by the stove.”</p>
<p class='pindent'>Peering down the perforations in the floor-hole
through which the parlour chimney swelled so proudly
into the drum, Selina could vaguely descry Mrs. Pool
stationed just below, her gaze upturned.</p>
<p class='pindent'>That first morning, on hearing this invitation, Selina
had been rocked between horror and mirth. “I’m
not cold, really. I’m almost dressed. I’ll be down
directly.”</p>
<p class='pindent'>Maartje Pool must have sensed some of the shock
in the girl’s voice; or, perhaps, even some of the laughter.
“Pool and Jakob are long out already cutting.
Here back of the stove you can dress warm.”</p>
<p class='pindent'>Shivering and tempted though she was, Selina had
set her will against it. A little hardening of the muscles
around her jaw so that they stood out whitely beneath
the fine-grained skin. “I won’t go down,” she
said to herself, shaking with the cold. “I won’t come
down to dressing behind the kitchen stove like a—like
a peasant in one of those dreadful Russian novels.
. . . That sounds stuck up and horrid. . . .
The Pools are good and kind and decent. . . .
But I <span class='it'>won’t</span> come down to huddling behind the stove
with a bundle of underwear in my arms. Oh, <span class='it'>dear</span>,
this corset’s like a casing of ice.”</p>
<p class='pindent'>Geertje and Jozina had no such maidenly scruples.
Each morning they gathered their small woollen garments
in a bundle and scudded briskly to the kitchen
for warmth, though their bedroom just off the parlour
had by no means the degree of refrigeration possessed
by Selina’s clammy chamber. Not only that,
the Misses Pool slept snugly in the woollen nether garments
that invested them by day and so had only
mounds of woollen petticoats, woollen stockings, and
mysterious grimy straps, bands, and fastenings with
which to struggle. Their intimate flannels had a cactus
quality that made the early martyrs’ hair shirts
seem, in comparison, but a fleece-lined cloud. Dressing
behind the kitchen stove was a natural and universal
custom in High Prairie.</p>
<p class='pindent'>By the middle of December as Selina stuck her nose
cautiously out of the covers into the midnight blackness
of early morning you might have observed, if it
had been at all light, that the tip of that elegant and
erstwhile alabaster feature had been encarmined during
the night by a mischievous brush wielded by that
same wight who had been busy painting fronds and
lacy ferns and gorgeous blossoms of silver all over the
bedroom window. Slowly, inch by inch, that bedroom
window crept down, down. Then, too, the Pools objected
to the icy blasts which swept the open stairway
and penetrated their hermetically sealed bedrooms below.
Often the water in the pitcher on her washstand
was frozen when Selina awoke. Her garments, laid
out the night before so that their donning next morning
might occupy a minimum of time, were mortuary
to the touch. Worst of all were the steel-stiffened,
unwieldy, and ridiculous stays that encased the female
form of that day. As Selina’s numbed fingers struggled
with the fastenings of this iciest of garments her
ribs shrank from its arctic embrace.</p>
<p class='pindent'>“But I won’t dress behind the kitchen stove!” declared
Selina, glaring meanwhile at that hollow pretense,
the drum. She even stuck her tongue out at it
(only nineteen, remember!). For that matter, it may
as well be known that she brought home a piece of
chalk from school and sketched a demon face on the
drum’s bulging front, giving it a personal and horrid
aspect that afforded her much satisfaction.</p>
<p class='pindent'>When she thought back, years later, on that period
of her High Prairie experience, stoves seemed to
figure with absurd prominence in her memory. That
might well be. A stove changed the whole course of
her life.</p>
<p class='pindent'>From the first, the schoolhouse stove was her bête
noir. Out of the welter of that first year it stood,
huge and menacing, a black tyrant. The High Prairie
schoolhouse in which Selina taught was a little more
than a mile up the road beyond the Pool farm. She
came to know that road in all its moods—ice-locked,
drifted with snow, wallowing in mud. School began
at half-past eight. After her first week Selina had the
mathematics of her early morning reduced to the least
common denominator. Up at six. A plunge into the
frigid garments; breakfast of bread, cheese, sometimes
bacon, always rye coffee without cream or sugar. On
with the cloak, muffler, hood, mittens, galoshes. The
lunch box in bad weather. Up the road to the schoolhouse,
battling the prairie wind that whipped the tears
into the eyes, ploughing the drifts, slipping on the hard
ruts and icy ridges in dry weather. Excellent at nineteen.
As she flew down the road in sun or rain, in
wind or snow, her mind’s eye was fixed on the stove.
The schoolhouse reached, her numbed fingers wrestled
with the rusty lock. The door opened, there smote
her the schoolroom smell—a mingling of dead ashes,
kerosene, unwashed bodies, dust, mice, chalk, stove-wood,
lunch crumbs, mould, slate that has been washed
with saliva. Into this Selina rushed, untying her muffler
as she entered. In the little vestibule there was a
box piled with chunks of stove-wood and another
heaped with dried corn-cobs. Alongside this a can of
kerosene. The cobs served as kindling. A dozen or
more of these you soaked with kerosene and stuffed
into the maw of the rusty iron pot-bellied stove. A
match. Up flared the corn-cobs. Now was the moment
for a small stick of wood; another to keep it
company. Shut the door. Draughts. Dampers.
Smoke. Suspense. A blaze, then a crackle. The
wood has caught. In with a chunk now. A wait.
Another chunk. Slam the door. The schoolhouse
fire is started for the day. As the room thawed gradually
Selina removed layers of outer garments. By
the time the children arrived the room was livable.</p>
<p class='pindent'>Naturally, those who sat near this monster baked;
those near the windows froze. Sometimes Selina felt
she must go mad beholding the writhings and contortions
of a roomful of wriggling bodies scratching at
backs, legs, and sides as the stove grew hotter and flesh
rebelled against the harsh contact with the prickling undergarments
of an over-cautious day.</p>
<p class='pindent'>Selina had seen herself, dignified, yet gentle, instructing
a roomful of Dutch cherubs in the simpler
elements of learning. But it is difficult to be dignified
and gracious when you are suffering from chilblains.
Selina fell victim to this sordid discomfort,
as did every child in the room. She sat at the battered
pine desk or moved about, a little ice-wool shawl
around her shoulders when the wind was wrong
and the stove balky. Her white little face seemed
whiter in contrast with the black folds of this
sombre garment. Her slim hands were rough and
chapped. The oldest child in the room was thirteen,
the youngest four and a half. From eight-thirty until
four Selina ruled this grubby domain; a hot-and-cold
roomful of sneezing, coughing, wriggling, shuffling,
dozing children, toe scuffling on agonized heel, and heel
scrunching on agonized toe, in a frenzy of itching.</p>
<p class='pindent'>“Aggie Vander Sijde, parse this sentence: The
ground is wet because it has rained.”</p>
<p class='pindent'>Miss Vander Sijde, eleven, arises with a switching
of skirts and a tossing of pigtail. “ ‘Ground’ the subject;
‘is wet’ the predicate; ‘because’ . . .”</p>
<p class='pindent'>Selina is listening with school-teacherly expression
indicative of encouragement and approval. “Jan
Snip, parse this sentence: The flower will wither if it
is picked.”</p>
<p class='pindent'>Brown lady’s cloth; ice-wool shawl; chalk in hand.
Just a phase; a brief chapter in the adventure. Something
to remember and look back on with a mingling
of amusement and wonder. Things were going to
happen. Such things, with life and life and life
stretching ahead of her! In five years—two—even
one, perhaps, who knows but that she might be lying on
lacy pillows on just such a bleak winter morning, a
satin coverlet over her, the morning light shaded by
soft rose-coloured hangings. (Early influence of the
<span class='it'>Fireside Companion</span>.)</p>
<p class='pindent'>“What time is it, Celeste?”</p>
<p class='pindent'>“It is now eleven o’clock, madame.”</p>
<p class='pindent'>“Is that all!”</p>
<p class='pindent'>“Would madame like that I prepare her bath now,
or later?”</p>
<p class='pindent'>“Later, Celeste. My chocolate now. My letters.”</p>
<p class='pindent'>“. . . and if is the conjunction modifying
. . .”</p>
<p class='pindent'>Early in the winter Selina had had the unfortunate
idea of opening the ice-locked windows at intervals and
giving the children five minutes of exercise while the
fresh cold air cleared brains and room at once. Arms
waved wildly, heads wobbled, short legs worked vigorously.
At the end of the week twenty High Prairie
parents sent protests by note or word of mouth. Jan
and Cornelius, Katrina and Aggie went to school to
learn reading and writing and numbers, not to stand
with open windows in the winter.</p>
<p class='pindent'>On the Pool farm the winter work had set in. Klaas
drove into Chicago with winter vegetables only once a
week now. He and Jakob and Roelf were storing
potatoes and cabbages underground; repairing fences;
preparing frames for the early spring planting; sorting
seedlings. It had been Roelf who had taught Selina
to build the schoolhouse fire. He had gone with her
on that first morning, had started the fire, filled the
water pail, initiated her in the rites of corn-cobs, kerosene,
and dampers. A shy, dark, silent boy. She set
out deliberately to woo him to friendship.</p>
<p class='pindent'>“Roelf, I have a book called ‘Ivanhoe.’ Would you
like to read it?”</p>
<p class='pindent'>“Well, I don’t get much time.”</p>
<p class='pindent'>“You wouldn’t have to hurry. Right there in the
house. And there’s another called ‘The Three Musketeers’.”</p>
<p class='pindent'>He was trying not to look pleased; to appear stolid
and Dutch, like the people from whom he had sprung.
Some Dutch sailor ancestor, Selina thought, or fisherman,
must have touched at an Italian port or Spanish
and brought back a wife whose eyes and skin and feeling
for beauty had skipped layer on layer of placid
Netherlanders to crop out now in this wistful sensitive
boy.</p>
<p class='pindent'>Selina had spoken to Jakob Hoogendunk about a
shelf for her books and her photographs. He had put
up a rough bit of board, very crude and ugly, but it
had served. She had come home one snowy afternoon
to find this shelf gone and in its place a smooth and
polished one, with brackets intricately carved. Roelf
had cut, planed, polished, and carved it in many hours
of work in the cold little shed off the kitchen. He
had there a workshop of sorts, fitted with such tools
and implements as he could devise. He did man’s
work on the farm, yet often at night Selina could
faintly hear the rasp of his handsaw after she had gone
to bed. He had built a doll’s house for Geertje and
Jozina that was the black envy of every pigtail in High
Prairie. This sort of thing was looked upon by Klaas
Pool as foolishness. Roelf’s real work in the shed
was the making and mending of coldframes and hotbeds
for the early spring plants. Whenever possible
Roelf neglected this dull work for some fancy of his
own. To this Klaas Pool objected as being “dumb.”
For that matter, High Prairie considered Pool’s boy
“dumb like.” He said such things. When the new
Dutch Reformed Church was completed after gigantic
effort—red brick, and the first brick church in High
Prairie—bright yellow painted pews—a red and yellow
glass window, most handsome—the Reverend
Vaarwerk brought from New Haarlem to preach the
first sermon—Pool’s Roelf was heard to hint darkly to
a group of High Prairie boys that some night he was
going to burn the church down. It was ugly. It hurt
you to look at it, just.</p>
<p class='pindent'>Certainly, the boy was different. Selina, none too
knowledgeous herself, still recognized that here was
something rare, something precious to be fostered,
shielded, encouraged.</p>
<p class='pindent'>“Roelf, stop that foolishness, get your ma once
some wood. Carving on that box again instead finishing
them coldframes. Some day, by golly, I show
you. I break every stick . . . dumb as a Groningen
. . .”</p>
<p class='pindent'>Roelf did not sulk. He seemed not to mind, particularly,
but he came back to the carved box as soon
as chance presented itself. Maartje and Klaas Pool
were not cruel people, nor unkind. They were a little
bewildered by this odd creature that they, inexplicably
enough, had produced. It was not a family given to
demonstration of affection. Life was too grim for
the flowering of this softer side. Then, too, they had
sprung from a phlegmatic and unemotional people.
Klaas toiled like a slave in the fields and barn; Maartje’s
day was a treadmill of cooking, scrubbing, washing,
mending from the moment she arose (four in
the summer, five in the winter) until she dropped
with a groan in her bed often long after the others
were asleep. Selina had never seen her kiss Geertje
or Jozina. But once she had been a little startled to
see Maartje, on one of her countless trips between
stove and table, run her hand through the boy’s shock
of black hair, down the side of his face to his chin
which she tipped up with an indescribably tender gesture
as she looked down into his eyes. It was a movement
fleeting, vague, yet infinitely compassionate.
Sometimes she even remonstrated when Klaas berated
Roelf. “Leave the boy be, then, Klaas. Leave him
be, once.”</p>
<p class='pindent'>“She loves him best,” Selina thought. “She’d even
try to understand him if she had time.”</p>
<p class='pindent'>He was reading her books with such hunger as to
cause her to wonder if her stock would last him the
winter. Sometimes, after supper, when he was hammering
and sawing away in the little shed Selina would
snatch Maartje’s old shawl off the hook, and swathed
in this against draughty chinks, she would read aloud
to him while he carved, or talk to him above the noise
of his tools. Selina was a gay and volatile person.
She loved to make this boy laugh. His dark face
would flash into almost dazzling animation. Sometimes
Maartje, hearing their young laughter, would
come to the shed door and stand there a moment, hugging
her arms in her rolled apron and smiling at them,
uncomprehending but companionable.</p>
<p class='pindent'>“You make fun, h’m?”</p>
<p class='pindent'>“Come in, Mrs. Pool. Sit down on my box and
make fun, too. Here, you may have half the shawl.”</p>
<p class='pindent'>“Og Heden! I got no time to sit down.” She
was off.</p>
<p class='pindent'>Roelf slid his plane slowly, more slowly, over the
surface of a satin-smooth oak board. He stopped,
twined a curl of shaving about his finger. “When
I am a man, and earning, I am going to buy my mother
a silk dress like I saw in a store in Chicago and she
should put it on every day, not only for Sunday; and
sit in a chair and make little fine stitches like Widow
Paarlenberg.”</p>
<p class='pindent'>“What else are you going to do when you grow
up?” She waited, certain that he would say something
delightful.</p>
<p class='pindent'>“Drive the team to town alone to market.”</p>
<p class='pindent'>“Oh, Roelf!”</p>
<p class='pindent'>“Sure. Already I have gone five times—twice with
Jakob and three times with Pop. Pretty soon, when I
am seventeen or eighteen, I can go alone. At five in
the afternoon you start and at nine you are in the Haymarket.
There all night you sleep on the wagon.
There are gas lights. The men play dice and cards.
At four in the morning you are ready when they come,
the commission men and the pedlers and the grocery
men. Oh, it’s fine, I tell you!”</p>
<p class='pindent'>“Roelf!” She was bitterly disappointed.</p>
<p class='pindent'>“Here. Look.” He rummaged around in a dusty
box in a corner and, suddenly shy again, laid before her
a torn sheet of coarse brown paper on which he had
sketched crudely, effectively, a mêlée of great-haunched
horses; wagons piled high with garden truck; men in
overalls and corduroys; flaring gas torches. He had
drawn it with a stub of pencil exactly as it looked to
him. The result was as startling as that achieved
by the present-day disciple of the impressionistic
school.</p>
<p class='pindent'>Selina was enchanted.</p>
<p class='pindent'>Many of her evenings during November were spent
thus. The family life was lived in a kitchen blue with
pipe smoke, heavy with the smell of cooking. Sometimes—though
rarely—a fire was lighted in the parlour
stove. Often she had school papers to correct—grubby
sheaves of arithmetic, grammar, or spelling
lessons. Often she longed to read; wanted to sew.
Her bedroom was too cold. The men sat in the kitchen
or tramped in and out. Geertje and Jozina scuffled
and played. Maartje scuttled about like a harried
animal, heavy-footed but incredibly swift. The floor
was always gritty with the sandy loam tracked in by the
men’s heavy boots.</p>
<p class='pindent'>Once, early in December, Selina went into town.
The trip was born of sudden revolt against her surroundings
and a great wave of nostalgia for the dirt
and clamour and crowds of Chicago. Early Saturday
morning Klaas drove her to the railway station five
miles distant. She was to stay until Sunday. A letter
had been written Julie Hempel ten days before, but
there had been no answer. Once in town she went
straight to the Hempel house. Mrs. Hempel, thin-lipped,
met her in the hall and said that Julie was out
of town. She was visiting her friend Miss Arnold,
in Kansas City. Selina was not asked to stay to dinner.
She was not asked to sit down. When she left
the house her great fine eyes seemed larger and more
deep-set than ever, and her jaw-line was set hard
against the invasion of tears. Suddenly she hated this
Chicago that wanted none of her; that brushed past
her, bumping her elbow and offering no apology; that
clanged, and shrieked, and whistled, and roared in her
ears now grown accustomed to the prairie silence.</p>
<p class='pindent'>“I don’t care,” she said, which meant she did. “I
don’t care. Just you wait. Some day I’m going to
be—oh, terribly important. And people will say,
‘Do you know that wonderful Selina Peake? Well,
they say she used to be a country school teacher and
slept in an ice-cold room and ate pork three times a
. . .’ There! I know what I’m going to do. I’m
going to have luncheon and I’ll order the most delicious
things. I think I’ll go to the Palmer House where
Father and I . . . no, I couldn’t stand that. I’ll
go to the Auditorium Hotel restaurant and have ice
cream; and chicken broth in a silver cup; and cream
puffs, and all kinds of vegetables and little lamb chops
in paper panties. And orange pekoe tea.”</p>
<p class='pindent'>She actually did order all these things and had a
group of amazed waiters hovering about her table
waiting to see her devour this meal, much as a similar
group had stared at David Copperfield when he was
innocent of having bolted the huge dinner ordered in
the inn on his way to London.</p>
<p class='pindent'>She ate the ice cream and drank the orange pekoe
(mainly because she loved the sound of its name; it
made her think of chrysanthemums and cherry blossoms,
spices, fans, and slant-eyed maidens). She devoured
a crisp salad with the avidity of a canary pecking
at a lettuce leaf. She flirted with the lamb chops.
She remembered the size of her father’s generous tips
and left a sum on the table that temporarily dulled the
edge of the waiter’s hatred of women diners. But
the luncheon could not be said to have been a success.
She thought of dinner, and her spirit quailed. She
spent the time between one and three buying portable
presents for the entire Pool household—including
bananas for Geertje and Jozina, for whom that farinaceous
fruit had the fascination always held for the
farm child. She caught a train at four thirty-five and
actually trudged the five miles from the station to the
farm, arriving half frozen, weary, with aching arms
and nipped toes, to a great welcome of the squeals,
grunts, barks, and gutturals that formed the expression
of the Pool household. She was astonished to find how
happy she was to return to the kitchen stove, to the
smell of frying pork, to her own room with the walnut
bed and the book shelf. Even the grim drum had
taken on the dear and comforting aspect of the accustomed.</p>
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