<div><span class='pageno' title='20' id='Page_20'></span><h1>II</h1></div>
<p class='pindent'>Selina had thought herself lucky to get the
Dutch school at High Prairie, ten miles outside
Chicago. Thirty dollars a month! She was
to board at the house of Klaas Pool, the truck farmer.
It was August Hempel who had brought it all about;
or Julie, urging him. Now, at forty-five, August
Hempel, the Clark Street butcher, knew every farmer
and stockman for miles around, and hundreds besides
scattered throughout Cook County and the State of
Illinois.</p>
<p class='pindent'>To get the Dutch school for Selina Peake was a
simple enough matter for him. The High Prairie
district school teacher had always, heretofore, been a
man. A more advantageous position presenting itself,
this year’s prospective teacher had withdrawn
before the school term had begun. This was in September.
High Prairie school did not open until the
first week in November. In that region of truck
farms every boy and girl over six was busy in the
fields throughout the early autumn. Two years of
this, and Selina would be qualified for a city grade.
August Hempel indicated that he could arrange that,
too, when the time came. Selina thought this shrewd
red-faced butcher a wonderful man, indeed. Which
he was.</p>
<p class='pindent'>At forty-seven, single-handed, he was to establish
the famous Hempel Packing Company. At fifty he
was the power in the yards, and there were Hempel
branches in Kansas City, Omaha, Denver. At sixty
you saw the name of Hempel plastered over packing
sheds, factories, and canning plants all the way from
Honolulu to Portland. You read:</p>
<p class='pindent'>Don’t Say Ham: Say Hempel’s.</p>
<p class='pindent'>Hempel products ranged incredibly from pork to
pineapple; from grease to grape-juice. An indictment
meant no more to Hempel, the packer, than an injunction
for speeding to you. Something of his character
may be gleaned from the fact that farmers who had
known the butcher at forty still addressed this millionaire,
at sixty, as Aug. At sixty-five he took up golf and
beat his son-in-law, Michael Arnold, at it. A magnificent
old pirate, sailing the perilous commercial seas of
the American ’90s before commissions, investigations,
and inquisitive senate insisted on applying whitewash
to the black flag of trade.</p>
<p class='pindent'>Selina went about her preparations in a singularly
clear-headed fashion, considering her youth and inexperience.
She sold one of the blue-white diamonds,
and kept one. She placed her inheritance of four hundred
and ninety-seven dollars, complete, in the bank.
She bought stout sensible boots, two dresses, one a
brown lady’s-cloth which she made herself, finished
with white collars and cuffs, very neat (the cuffs to be
protected by black sateen sleevelets, of course, while
teaching); and a wine-red cashmere (mad, but she
couldn’t resist it) for best.</p>
<p class='pindent'>She eagerly learned what she could of this region
once known as New Holland. Its people were all
truck gardeners, and as Dutch as the Netherlands from
which they or their fathers had come. She heard
stories of wooden shoes worn in the wet prairie fields;
of a red-faced plodding Cornelius Van der Bilt living
in placid ignorance of the existence of his distinguished
New York patronymic connection; of sturdy, phlegmatic,
industrious farmers in squat, many-windowed
houses patterned after the north Holland houses of
their European memories. Many of them had come
from the town of Schoorl, or near it. Others from the
lowlands outside Amsterdam. Selina pictured it another
Sleepy Hollow, a replica of the quaint settlement
in Washington Irving’s delightful tale. The
deserting schoolmaster had been a second Ichabod
Crane, naturally; the farmer at whose house she was
to live a modern Mynheer Van Tassel, pipe, chuckle,
and all. She and Julie Hempel read the tale over together
on an afternoon when Julie managed to evade
the maternal edict. Selina, picturing mellow golden
corn fields; crusty crullers, crumbling oly-koeks, toothsome
wild ducks, sides of smoked beef, pumpkin pies;
country dances, apple-cheeked farmer girls, felt sorry
for poor Julie staying on in the dull gray commonplaceness
of Chicago.</p>
<p class='pindent'>The last week in October found her on the way to
High Prairie, seated beside Klaas Pool in the two-horse
wagon with which he brought his garden stuff
to the Chicago market. She sat perched next him
on the high seat like a saucy wren beside a ruminant
Holstein. So they jolted up the long Halsted
road through the late October sunset. The prairie
land just outside Chicago had not then been made a
terrifying and epic thing of slag-heaps, smoke-stacks,
and blast furnaces like a Pennell drawing. To-day it
stretched away and away in the last rays of the late
autumn sunlight over which the lake mist was beginning
to creep like chiffon covering gold. Mile after
mile of cabbage fields, jade-green against the earth.
Mile after mile of red cabbage, a rich plummy Burgundy
veined with black. Between these, heaps of
corn were piled-up sunshine. Against the horizon an
occasional patch of woods showed the last russet and
bronze of oak and maple. These things Selina saw
with her beauty-loving eye, and she clasped her hands
in their black cotton gloves.</p>
<p class='pindent'>“Oh, Mr. Pool!” she cried. “Mr. Pool! How
beautiful it is here!”</p>
<p class='pindent'>Klaas Pool, driving his team of horses down the
muddy Halsted road, was looking straight ahead, his
eyes fastened seemingly on an invisible spot between
the off-horse’s ears. His was not the kind of brain
that acts quickly, nor was his body’s mechanism the
sort that quickly responds to that brain’s message.
His eyes were china-blue in a round red face that was
covered with a stubble of stiff golden hairs. His
round moon of a head was set low and solidly between
his great shoulders, so that as he began to turn it now,
slowly, you marvelled at the process and waited fearfully
to hear a creak. He was turning his head
toward Selina, but keeping his gaze on the spot between
his horse’s ears. Evidently the head and the
eyes revolved by quite distinct processes. Now he
faced Selina almost directly. Then he brought his
eyes around, slowly, until they focussed on her cameo-like
face all alight now with her enjoyment of the scene
around her; with a certain elation at this new venture
into which she was entering; and with excitement such
as she used to feel when the curtain rose with tantalizing
deliberateness on the first act of a play which she
was seeing with her father. She was well bundled up
against the sharp October air in her cloak and muffler,
with a shawl tucked about her knees and waist. The
usual creamy pallor of her fine clear skin showed an
unwonted pink, and her eyes were wide, dark, and
bright. Beside this sparkling delicate girl’s face
Klaas Pool’s heavy features seemed carved from the
stuff of another clay and race. His pale blue eyes
showed incomprehension.</p>
<p class='pindent'>“Beautiful?” he echoed, in puzzled interrogation.
“What is beautiful?”</p>
<p class='pindent'>Selina’s slim arms flashed out from the swathings
of cloak, shawl, and muffler and were flung wide in a
gesture that embraced the landscape on which the late
afternoon sun was casting a glow peculiar to that lake
region, all rose and golden and mist-shimmering.</p>
<p class='pindent'>“This! The—the cabbages.”</p>
<p class='pindent'>A slow-dawning film of fun crept over the blue
of Klaas Pool’s stare. This film spread almost
imperceptibly so that it fluted his broad nostrils,
met and widened his full lips, reached and agitated
his massive shoulders, tickled the round belly, so
that all Klaas Pool, from his eyes to his waist, was
rippling and shaking with slow, solemn, heavy Dutch
mirth.</p>
<p class='pindent'>“Cabbages is beautiful!” his round pop eyes staring
at her in a fixity of glee. “Cabbages is beautiful!”
His silent laughter now rose and became audible in a
rich throaty chortle. It was plain that laughter, with
Klaas Pool, was not a thing to be lightly dismissed,
once raised. “Cabbages——” he choked a little, and
spluttered, overcome. Now he began to shift his gaze
back to his horses and the road, by the same process of
turning his head first and then his eyes, so that to
Selina the mirthful tail of his right eye and his round
red cheek with the golden fuzz on it gave him an incredibly
roguish brownie look.</p>
<p class='pindent'>Selina laughed, too, even while she protested his
laughter. “But they are!” she insisted. “They <span class='it'>are</span>
beautiful. Like jade and Burgundy. No, like—uh—like—what’s
that in—like chrysoprase and porphyry.
All those fields of cabbages and the corn and the beet-tops
together look like Persian patches.”</p>
<p class='pindent'>Which was, certainly, no way for a new school
teacher to talk to a Holland truck gardener driving
his team along the dirt road on his way to High Prairie.
But then, Selina, remember, had read Byron at
seventeen.</p>
<p class='pindent'>Klaas Pool knew nothing of chrysoprase and porphyry.
Nor of Byron. Nor, for that matter, of
jade and Burgundy. But he did know cabbages, both
green and red. He knew cabbage from seed to sauerkraut;
he knew and grew varieties from the sturdy
Flat Dutch to the early Wakefield. But that they
were beautiful; that they looked like jewels; that they
lay like Persian patches, had never entered his head,
and rightly. What has the head of a cabbage, or, for
that matter, of a robust, soil-stained, toiling Dutch
truck farmer to do with nonsense like chrysoprase, with
jade, with Burgundy, with Persian patterns!</p>
<p class='pindent'>The horses clopped down the heavy country road.
Now and again the bulk beside Selina was agitated silently,
as before. And from between the golden fuzz of
stubble beard she would hear, “Cabbages! Cabbages is ——”
But she did not feel offended. She could not
have been offended at anything to-day. For in spite
of her recent tragedy, her nineteen years, her loneliness,
the terrifying thought of this new home to which
she was going, among strangers, she was conscious of a
warm little thrill of elation, of excitement—of adventure!
That was it. “The whole thing’s just a grand
adventure,” Simeon Peake had said. Selina gave a
little bounce of anticipation. She was doing a revolutionary
and daring thing; a thing that the Vermont
and now, fortunately, inaccessible Peakes would have
regarded with horror. For equipment she had youth,
curiosity, a steel-strong frame; one brown lady’s-cloth,
one wine-red cashmere; four hundred and ninety-seven
dollars; and a gay, adventuresome spirit that was
never to die, though it led her into curious places and
she often found, at the end, only a trackless waste from
which she had to retrace her steps, painfully. But
always, to her, red and green cabbages were to be jade
and Burgundy, chrysoprase and porphyry. Life has no
weapons against a woman like that.</p>
<p class='pindent'>So now, as they bumped and jolted along the road
Selina thought herself lucky, though she was a little
terrified. She turned her gaze from the flat prairie
land to the silent figure beside her. Hers was a lively,
volatile nature, and his uncommunicativeness made her
vaguely uncomfortable. Yet there was nothing glum
about his face. Upon it there even lingered, in the
corners of his eyes and about his mouth, faint shadows
of merriment.</p>
<p class='pindent'>Klaas Pool was a school director. She was to live
at his house. Perhaps she should not have said that
about the cabbages. So now she drew herself up
primly and tried to appear the school teacher, and succeeded
in looking as severe as a white pansy.</p>
<p class='pindent'>“Ahem!” (or nearly that). “You have three children,
haven’t you, Mr. Pool? They’ll all be my pupils?”</p>
<p class='pindent'>Klaas Pool ruminated on this. He concentrated so
that a slight frown marred the serenity of his brow.
In this double question of hers, an attempt to give the
conversation a dignified turn, she had apparently created
some difficulty for her host. He was trying to
shake his head two ways at the same time. This gave
it a rotary motion. Selina saw, with amazement, that
he was attempting to nod negation and confirmation at
once.</p>
<p class='pindent'>“You mean you haven’t—or they’re not?—or——?”</p>
<p class='pindent'>“I have got three children. All will not be your
pupils.” There was something final, unshakable in
his delivery of this.</p>
<p class='pindent'>“Dear me! Why not? Which ones won’t?”</p>
<p class='pindent'>This fusillade proved fatal. It served permanently
to check the slight trickle of conversation which
had begun to issue from his lips. They jogged on for
perhaps a matter of three miles, in silence. Selina told
herself then, sternly, that she must not laugh. Having
told herself this, sternly, she began to laugh because
she could not help it; a gay little sound that flew out
like the whir of a bird’s wing on the crisp autumnal
sunset air. And suddenly this light sound was joined
by a slow rumbling that swelled and bubbled a good
deal in the manner of the rich glubby sounds that issue
from a kettle that has been simmering for a long time.
So they laughed together, these two; the rather scared
young thing who was trying to be prim, and the dull,
unimaginative truck farmer because this alert, great-eyed,
slim white creature perched birdlike on the
wagon seat beside him had tickled his slow humour-sense.</p>
<p class='pindent'>Selina felt suddenly friendly and happy. “Do tell
me which ones will and which won’t.”</p>
<p class='pindent'>“Geertje goes to school. Jozina goes to school.
Roelf works by the farm.”</p>
<p class='pindent'>“How old is Roelf?” She was being school teacherly
again.</p>
<p class='pindent'>“Roelf is twelve.”</p>
<p class='pindent'>“Twelve! And no longer at school! But why
not!”</p>
<p class='pindent'>“Roelf he works by the farm.”</p>
<p class='pindent'>“Doesn’t Roelf like school?”</p>
<p class='pindent'>“But sure.”</p>
<p class='pindent'>“Don’t you think he ought to go to school?”</p>
<p class='pindent'>“But sure.”</p>
<p class='pindent'>Having begun, she could not go back. “Doesn’t
your wife want Roelf to go to school any more?”</p>
<p class='pindent'>“Maartje? But sure.”</p>
<p class='pindent'>She gathered herself together; hurled herself behind
the next question. “Then why <span class='it'>doesn’t</span> he go to school,
for pity’s sake!”</p>
<p class='pindent'>Klaas Pool’s pale blue eyes were fixed on the spot
between the horse’s ears. His face was serene, placid,
patient.</p>
<p class='pindent'>“Roelf he works by the farm.”</p>
<p class='pindent'>Selina subsided, beaten.</p>
<p class='pindent'>She wondered about Roelf. Would he be a furtive,
slinking boy, like Smike? Geertje and Jozina.
Geertje—Gertrude, of course. Jozina? Josephine.
Maartje?—m-m-m-m—Martha, probably. At any
rate, it was going to be interesting. It was going to
be wonderful! Suppose she had gone to Vermont and
become a dried apple!</p>
<p class='pindent'>Dusk was coming on. The lake mist came drifting
across the prairie and hung, a pearly haze, over the
frost-nipped stubble and the leafless trees. It caught
the last light in the sky, and held it, giving to fields,
trees, black earth, to the man seated stolidly beside the
girl, and to the face of the girl herself an opalescent
glow very wonderful to see. Selina, seeing it, opened
her lips to exclaim again; and then, remembering,
closed them. She had learned her first lesson in High
Prairie.</p>
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