<div><span class='pageno' title='298' id='Page_298'></span><h1>CHAPTER XXI</h1></div>
<p class='noindent'><span class='dropcap'>J</span><span class='sc'>uly</span> brought in halcyon days for everybody.</p>
<p class='noindent'>They were halcyon days for Clementina. There
were neglected portraits to complete, new sitters
for whom to squeeze in appointments, a host of stimulating
things, not the least of which was the beloved
atmosphere, half-turpentine, half-poetry, of the studio.
Only the painter can know the delight of the mere
feel of the long-forsaken brush, and the sight of the
blobs of colour oozing out from the tubes on to the
palette. Most of us, returning to toil after holiday,
sigh over departed joys. To the painter the joy of
getting back to his easel is worth all the joys that
have departed. Clementina plunged into work as a
long-stranded duck plunges into water. By rising at
dawn, a practice contrary to her habit, she managed
to keep pace with her work and to attend to the various
affairs which her new responsibilities entailed. Her days
were filled to overflowing, and filled with extraordinary
happiness. A nurse was engaged for Sheila, a kind
and buxom widow who also found herself living in
halcyon days. She could do practically whatever she
liked, as her charge was seldom in her company.
The child had her being in the studio, playing happily
and quietly in a corner, thus realising Clementina’s
dream, or watching her paint, with great, wondering
eyes. The process fascinated her. She would sit for
an hour at a time, good as gold, absorbed in the magic
of the brush-strokes, clasping the dingy Pinkie tight
against her bosom. Tommy appeared one day with
a box of paints, a miniature easel, and a great mass of
uncoloured fashion-plates of beautiful ladies in gorgeous
raiment. A lesson or two inspired Sheila with artistic
zeal, so that often a sitter would come upon the two
of them painting breathlessly, Clementina screwing
up her eyes, darting backwards and forwards to her
canvas, and the dainty child seated on a milking-stool
and earnestly making animated rainbows of the beautiful
ladies in the fashion-plates.</p>
<p class='pindent'>Then there was the tedious process of obtaining
probate of Hammersley’s will. Luckily, he had wound
up all his affairs in Shanghai, to the common satisfaction
of himself and his London house, so that no
complications arose from the latter quarter. Indeed,
the firm gave the executors its cordial assistance.
But the London house had to be interviewed, and
lawyers had to be interviewed, and Quixtus and all
kinds of other people, and papers had to be read and
signed, and affidavits to be made, and head-splitting
intricacies of business and investments to be mastered.
All this ate up many of the sunny hours.</p>
<p class='pindent'>Tommy and Etta had halcyon days of their own,
which, but by the free use of curmudgeonly roughness,
would have merged into Clementina’s. Etta had
cajoled an infuriated admiral, raving round the room
after a horsewhip, into a stern parent who consented
to receive Tommy, explicitly reserving to himself
the right to throw him out of window should the young
man not take his fancy. Tommy called and was allowed
to depart peacefully by the front door. Then Quixtus;
incited thereto by Tommy, called upon the Admiral
with the awful solemnity of a father in a French play,
with the result that Tommy was invited to dinner
at the Admiral’s and given as much excellent old port
as he could stand. After which the Admiral called
on Clementina, whom he had not met before. During
the throes of horsewhip hunting he had threatened
to visit her there and then and give her a piece of his
mind—which at that moment was more like a hunk
of molten lava than anything else. But the arts and
wiles of Etta had prevailed so that the above scheduled
sequence of events had been observed. Clementina,
caught in the middle of a hot afternoon’s painting,
received him, bedaubed and bedraggled, in the studio,
whose chaos happened to be that day more than usually
confounded. The Admiral, accustomed to the point-device
females of his world, and making the spick
and span of the quarter-deck a matter of common
morality in material surroundings, went from Romney
Place an obfuscated man.</p>
<p class='pindent'>“I can’t make your friend out,” he said to Etta.
“I don’t mind telling you that if I had seen her,
I should never have allowed you to visit her. I found
her looking more like a professional rabbit-skinner
than a lady, and when I went to sit down I had to
clear away a horrid plate of half-finished cold pie, by
George, from the chair. She contradicted me flatly
in everything I said about you—as if I didn’t know
my own child—and filled me up with advice.”</p>
<p class='pindent'>“And wasn’t it good, dear?”</p>
<p class='pindent'>“No advice is ever good. Like Nebuchadnezzar’s
food, it may be wholesome but it isn’t good. And
then she turned round and talked the most downright
common sense about women I’ve ever heard a woman
utter. And then, by Jove, I don’t know how it happened—I
never talk shop, you know——”</p>
<p class='pindent'>“Of course you don’t, dear, never,” said Etta.</p>
<p class='pindent'>“Of course I don’t—but somehow we got on to
the subject, and she showed a more intelligent appreciation
of the state of naval affairs than any man I’ve
met for a long time! As for those superficial, theoretical
donkeys at the Club——”</p>
<p class='pindent'>“And what else, darling?” said Etta, who had
often heard about the donkeys, but now was dying to
hear about Clementina. “Do tell me what she talked
about. She must have talked about me. Didn’t she?”</p>
<p class='pindent'>“About you! I’ve told you.” He took her chin
in his hand—she was sitting on a footstool, her arms
about his knee.</p>
<p class='pindent'>“You can’t have told me everything, dear.”</p>
<p class='pindent'>“I think she informed me that her selection of a
husband for you was a damned sight better than
mine—I beg your pardon, my dear, she didn’t say
‘damned’—and then the little girl you’re always
talking of came in, and the rabbit-skinner seemed
to turn into an ordinary sort of woman and took me
up, and, in a way, threw me down on the floor to play
with the child.”</p>
<p class='pindent'>“What did you play at, dad? When I was little
you used to pretend to swallow a fork. Did you
swallow a fork?”</p>
<p class='pindent'>The iron features relaxed into a smile.</p>
<p class='pindent'>“I did, my dear, and it was the cold pie fork, wiped
on a bit of newspaper. And last of all, what do you
think she said?”</p>
<p class='pindent'>“No one on earth could guess, dear, what Clementina
might have said.”</p>
<p class='pindent'>“She actually asked me to sit for a crayon sketch.
Said my face was interesting to her as an artist, and
she would like to make a study of it for her own
pleasure. Now what pleasure could anybody on earth
find in looking at my ugly old mug?”</p>
<p class='pindent'>“But, dear, you have a most beautiful mug,”
cried Etta. “I don’t mean beautiful like the photographs
of popular actors—but full of strength and
character—just the fine face that appeals to the
artist.”</p>
<p class='pindent'>“Do you think so?” asked the Admiral.</p>
<p class='pindent'>“I’m sure.” She ran to a little table and brought a
Florentine mirror. “Look.”</p>
<p class='pindent'>He looked. Instinctively the man of sixty-five
touched the finely-curving grizzled hair about his
temples.</p>
<p class='pindent'>“You’re a silly child,” said he.</p>
<p class='pindent'>She kissed him. “Now confess. You had the goodest
of good times with Clementina this afternoon.”</p>
<p class='pindent'>“I don’t mind owning,” said the Admiral, “that
I found her a most intelligent woman.”</p>
<p class='pindent'>And that is the way that all of us sons of Adam,
even Admirals of the British Fleet, can be beguiled
by the daughters of Eve.</p>
<p class='pindent'>Halcyon days were they for Quixtus, for whom
London wore an entirely different aspect from the
Aceldama he had left. Instead of its streets and squares
stretching out before him as the scene of potential
devilry, it smiled upon him as the centre of manifold
pleasant interests. He had the great work to attack,
the final picture that mortal knowledge could draw of
that far off, haunting phase of human life before the
startling use of iron was known to mankind. It was
not to be a dull catalogue of dead things. The dead
things, a million facts, were to be the skeleton on which
he would build his great vivid flesh-and-blood story—the
dream of his life, which only now did he feel the
vital impulse to realise. He had his club and his
cronies, harmless folk, beneath whose mild exterior
he no longer divined horrible corruption. From them
all he received congratulations on his altered mien.
The change had done him good. He was looking ten
years younger. Some chaffed him, after the way of
men. Wonderful place, Paris. He found a stimulating
interest in his new responsibilities. Vestiges of his
perfunctory legal training remained and enabled him
to unravel simple complications in the Hammersley
affairs, much to Clementina’s admiration and his own
satisfaction. He discovered a pleasure once more in
the occasional society of Tommy, and concerned
himself seriously with his love-making and his painting.
He spoke of him to Dawkins, the rich donor of the
Anthropological Society portrait, to whom Tommy
had alluded with such disrespect to Clementina.
Dawkins visited Tommy’s studio and walked away
with a couple of pictures, after having paid such a
price as to make the young man regard him as a fairy
godfather in vast white waistcoat and baggy trousers.
Quixtus also entertained Tommy and Etta at lunch
at the Carlton, Mrs. Fontaine completing the quartette.
“I should have liked it better,” said Clementina,
when she heard of the incident (as she heard all that
happened to the lovers), “I should have liked it better
if he hadn’t brought Mrs. Fontaine into it.” Whereat
Tommy winked at Etta, unbeknown to Clementina.</p>
<p class='pindent'>Quixtus’s friendship with the spotless flower of
womanhood continued. He had tea with her in her
prettily-furnished little house in Pont Street, where
he met several of her acquaintances, people of unquestionable
position in the London world, and
attended one or two receptions and even a dance at
which she was present. Very skilfully she drew him
into her circle and adroitly played him in public as
a serious aspirant to her spotless hand. There were
many who called him the variegated synonyms of
a fool, for to hard-bitten worldlings few illusions are
left concerning a woman like Lena Fontaine; but
they shrugged their shoulders cynically, and viewed
the capture with amused interest. Only the most
jaded complained. If she wanted to give them a
sensation, why did she not go a step further and lead
about a bishop on her string? But these uncharitable
remarks did not reach Quixtus’s ears. The word went
round that he was a man of distinguished scientific
position—whether he was a metallurgist or a brain
specialist no one at the tired end of the London season
either knew or cared to know—and, his courtly and
scholarly demeanour confirming the rumour, the
corner of Vanity Fair in which Lena Fontaine fought
to hold her position paid him considerable deference.
The flattery of the frivolous pleased him, as it has
pleased many a good, simple man before him. He
thought Mrs. Fontaine’s friends very charming, though
perhaps not over-intellectual people. He went among
them, however, scarce knowing why. A card of
invitation would come by post from Lady Anything,
whom he had once met. Before he had time to obey
his first impulse and decline, Lena Fontaine’s voice
would be heard over the telephone.</p>
<p class='pindent'>“Are you going to Lady Anything’s on Friday?”</p>
<p class='pindent'>“I don’t think so.”</p>
<p class='pindent'>“She has asked you, I know. I’m going.”</p>
<p class='pindent'>“Oh?”</p>
<p class='pindent'>“Do come. Lady Anything tells me she has got
some interesting people to meet you; and I shall be
so miserable if you’re not there.”</p>
<p class='pindent'>Who was he to cause misery to the spotless lady?
The victim yielded, and blandly unconscious of feminine
guile was paraded before the interesting people as
the latest and most lasting conquest of Lena Fontaine’s
bow and spear.</p>
<p class='pindent'>August plans were discussed. She was thinking of
Dinard. What was Quixtus proposing to do? He
had not considered the question. Had contemplated
work in London. She held up her hands. London in
August! How could he exist in the stuffy place?
He needed a real holiday.</p>
<p class='pindent'>“To tell you the truth, I don’t know where to go,”
said he.</p>
<p class='pindent'>Very delicately she suggested Dinard. He objected
in his shy way. Dinard was the haunt of fashion and
frivolity.</p>
<p class='pindent'>“I should walk about the place like a daw among
peacocks,” said he.</p>
<p class='pindent'>“But why should you be a daw? Why not do a
little peacocking? Colour in life would be good for you.
And I would undertake to keep your feathers trim.”</p>
<p class='pindent'>He smiled, half-allured, half-repelled by the idea
of strutting among such gay birds. To refuse the
spotless lady’s request downright was an act of discourtesy
of which he was incapable. He gave a vague
and qualified assent to the proposal, which she did
not then tempt him to make more definite. Content
with her progress, she bided her time.</p>
<p class='pindent'>Quixtus had little leisure to reflect on the sceptical
attitude towards humanity which, theoretically, he
still maintained. In addition to all these hour-absorbing
interests, Sheila began to occupy a considerable place
in his life. Sometimes he would call at Romney Place;
sometimes Clementina would bring the child to Russell
Square; sometimes, when Clementina was too busy,
Sheila came in the nurse’s charge. He cleared out a
large room at the top of the house, which was to be
Sheila’s nursery when she took up her quarters there.
It needed re-papering, re-carpeting, re-furnishing,
he decided. Nothing like cheerful surroundings for
impressionable childhood. With this in view, he
carried off Sheila one day to a firm of wall-paper
dealers, so that she could choose a pattern for herself.
Sheila sat solemnly on the sofa by his side while the
polite assistant turned over great strips of paper.
At last she decided. A bewildering number of parrots
to the square yard, all with red bodies and blue tails,
darting about among green foliage on which pink roses
grew miraculously, was the chosen design. Quixtus
hesitated; but Sheila was firm. They proudly took
home a strip to try against the wall. Clementina,
hearing from Sheila of her exploit, rushed up the
next afternoon to Russell Square, and blinked her
eyes before the dazzling thing.</p>
<p class='pindent'>“It’s only you, Ephraim, that could have taken a
child of five to select wall-papers.”</p>
<p class='pindent'>“I will own that the result is disastrous,” he said,
ruefully. “But she set her heart upon it.”</p>
<p class='pindent'>She sighed. “You’re two babies together. I see
I’ve got to fix up that nursery myself.” She looked
at him with a woman’s delicious pity. What could a
lone man know of the fitting up of nurseries?</p>
<p class='pindent'>“You hear what your auntie says?” he asked—the
child was sitting on his knee. “We’re in disgrace.”</p>
<p class='pindent'>“If you’re in disgrace you go in the corner,” said
Sheila.</p>
<p class='pindent'>“Let us go in the corner, then.”</p>
<p class='pindent'>“If you hold me very tight,” said Sheila.</p>
<p class='pindent'>But Clementina came up and forgave them, and
kissed the little face peeping over Quixtus’s shoulder.</p>
<p class='pindent'>“It does my heart good to see you with her,” she
cried, with rare demonstrativeness.</p>
<p class='pindent'>It was true. Sheila’s sweet ways with Tommy
and Etta caused her ever so little a pang of jealousy.
Her increasing fondness for Quixtus made Clementina
thrill with pleasure. You may say that Clementina,
essentially just, was scrupulous not to encroach upon
Quixtus’s legal half-share in the child’s esteem. But a
sense of justice is not an emotion. And it was emotion,
silly, feminine, romantic emotion, which she did
not try to explain to herself, that filled her eyes with
moisture whenever she saw the two happy together.</p>
<p class='pindent'>She laid her hand upon the fair hair.</p>
<p class='pindent'>“Do you love your Uncle Ephim?”</p>
<p class='pindent'>“I adore him,” said Sheila.</p>
<p class='pindent'>“Your uncle fully reciprocates the sentiment, my
dear,” said Quixtus, his hand also instinctively rising
to caress the hair.</p>
<p class='pindent'>So the hands of the guardians touched. Clementina
withdrew hers and turned away quickly, so that he
should not see the flush that sprang into her face.</p>
<p class='pindent'>“We must be getting home now, dear,” she said.
“Auntie is wasting precious daylight.” And with
her old abruptness she left him.</p>
<p class='pindent'>He followed her down the stairs. “My dear
Clementina,” said he, standing bareheaded at his
front door, “I wonder whether you realise how Sheila
and yourself light up this dull old house for me.”</p>
<p class='pindent'>She sniffed scornfully. “<span class='it'>I</span> light up?”</p>
<p class='pindent'>“<span class='it'>You</span>,” said he, with smiling emphasis.</p>
<p class='pindent'>She looked at him queerly for an instant, and then
went her way.</p>
<p class='pindent'>The next time he saw her, a few days afterwards,
one late afternoon, when she was tired after a heavy
day’s painting, she railed at him, with a return of her
old biting manner. He looked surprised and pained.
She relented.</p>
<p class='pindent'>“Forgive me, my good Ephraim,” she said, “but
I’ve the rough luck to be a woman. No man alive can
ever conjecture what a devil of a thing that is to be.”</p>
<p class='pindent'>He smiled. “You mustn’t overwork,” said he.
“A woman hasn’t the brute strength of a man.”</p>
<p class='pindent'>“You’re delicious!” she said.</p>
<p class='pindent'>But she was kind—exceedingly kind, to him thereafter,
and fitted up the nursery in a way that made
the two babies beam with delight. So Quixtus lived
halcyon days.</p>
<p class='pindent'>In spite of qualms of conscience, these were halcyon
days for Huckaby. He had already entered on his
duties as Quixtus’s assistant in the preparation of
the monumental work on “The Household Arts of
the Neolithic Age.” There were hundreds of marked
passages in books to transcribe, with accurate notes
of reference, hundreds of learned periodicals in all
languages with articles bearing on the subject to be
condensed and indexed, thousands of notes of Quixtus’s
to be collated, thousands of photographs and drawings
to be classified. Never having been admitted into
the inner factory of his patron’s work, he was astonished
at the enormous amount of material, the evidence
of the unsuspected patient labour of years. He began
to feel a new respect for Quixtus, whom hitherto he
had regarded as a dilettante. Of course, he knew that
Quixtus had a European reputation. He had not
taken the reputation seriously. Like Clementina, he
had been wont to scoff at prehistoric man. Now he
realised for the first time that a man cannot gain a
European reputation in any branch of human activity
without paying the price in toil; that there are qualities
of energy, brain and will inherent in any man who
takes front rank; that there must be a calm, infinite
thoroughness in his work which is beyond the power
of the smaller man. No wonder his French colleagues
called Quixtus <span class='it'>cher maître</span>, and deferred to his
judgment. In his workroom Quixtus was a great
man, and Huckaby, seeing him now in his workroom;
recognised the fact.</p>
<p class='pindent'>The prospects of his appointment as secretary to
the Anthropological Society were also fair. Hitherto
the responsibilities of that position had been borne
by one of the members in an honorary capacity, a
paid and unimportant underling performing the
clerical duties. But for the last year or so the operations
of the society having extended, the secretaryship
had become too great a tax on the time of any unpaid
and no matter how enthusiastic gentleman. The
Council therefore had practically determined on the
appointment of a salaried secretary, and were much
impressed by the qualifications of the President’s
nominee. A secretary who can print below his name
on official papers the fact that he is a Master of Arts
and late Fellow of his College lends distinction to any
learned society. A snuffy, seedy, and crotchety
member had been put forward as an opposition
candidate. But his chances were small. Huckaby’s
star was in the ascendant.</p>
<p class='pindent'>It was a happy day for him when he moved his
books and few other belongings from the evil garret
where he had lived to modest but cheerful lodgings
near Russell Square. He looked for the last time around
the room which had been the scene of so many degradations,
of so many despairs, of so many torturings of
soul. All that was a part of his past life; the greasy
wall-paper, the rickety deal furniture, the filth-sodden,
ragged carpet, the slimy soot on the window-sill
that had crept in from the circumambient chimney-stacks
through the ill-fitting window-sash, the narrow,
rank bed—all that had been part and parcel of his
being. The familiar smell of uncared-for, unclean
human lives saturated the house. He shuddered
and slammed the door and tore down the stairs.
Never again! Never again, so help him God! A
short while afterwards he was busy arranging his
books in the bright, clean sitting-room of his new
lodgings, and a neat maid in white cap, cuffs, and
apron brought in afternoon tea, which she disposed in
decent fashion on a little table. When she had gone,
he stood and looked down upon the dainty array.
He realised that henceforward this was his home.
He picked up from a plate a little three-cornered
watercress sandwich; but instead of eating it, he
stared at it, and the tears rolled down his face.</p>
<p class='pindent'>One day, however, towards the end of July, was
marked by a black cloud. His day’s work being over
he was walking with light step to his lodgings, when
he saw in the distance, awaiting him, almost on his
doorstep, the sinister forms of Billiter and Vandermeer.
His first impulse was to turn and flee; but they had
already caught sight of him and were advancing to
meet him. He went on.</p>
<p class='pindent'>“Hullo, old friend,” said Billiter, in a beery voice.
“So we’ve tracked you down, eh? We called at the
old place, and found you had gone and left no address.
Thought you would give us the slip, eh?”</p>
<p class='pindent'>He still wore the costume in which he had gone
racing with Quixtus; but after constant use it had
begun to look shabby. His linen was of the dingiest.
His face had grown more bloated. Vandermeer,
pinched, foxy, and rusty, thrust his hard felt hat to
the back of his head, and, hands on hips, looked
threateningly at Huckaby.</p>
<p class='pindent'>“I suppose you know you’ve been playing a low-down
game.”</p>
<p class='pindent'>“I know nothing of the sort,” said Huckaby.</p>
<p class='pindent'>“Oh, don’t you,” said Billiter. “Look at you
and look at us. Who’s been getting all the fat, and who
all the lean? We have something to say to you, old
friend, so let’s get indoors and have it out between us.”</p>
<p class='pindent'>He made a move, accompanied by Vandermeer,
towards the front door. But Huckaby checked them,
stricken with sudden revolt. His past life should not
defile the sanctity of his new home. He would not
admit them across his threshold.</p>
<p class='pindent'>“No,” said he. “Whatever we’ve got to say to
one another can be said here.”</p>
<p class='pindent'>“All right,” said Vandermeer, sulkily. “There’s
a quiet pub at the corner.”</p>
<p class='pindent'>“I’ve chucked pubs,” said Huckaby.</p>
<p class='pindent'>“Come off it,” sneered Billiter. “At any rate,
you can stand a round of drinks.”</p>
<p class='pindent'>“I’ve chucked drink, too,” said Huckaby. “I’ve
sworn off. I’ll never touch a drop of liquor as long
as I live—and I advise you fellows to do the same.”</p>
<p class='pindent'>They burst out laughing, asked him for tickets
for his next temperance lecture, and then began to
abuse him after the manner of their kind.</p>
<p class='pindent'>“This is a decent street,” said Huckaby, “so please
don’t make a row.”</p>
<p class='pindent'>“We’re not making any row,” cried Billiter. “We
only want our share of the money.”</p>
<p class='pindent'>“What money? Didn’t I write and tell you the
whole thing was off? She couldn’t stick it, and neither
could I. Quixtus hasn’t given her one penny piece.”</p>
<p class='pindent'>“We’ll see what the lady has to say about that,”
growled Billiter.</p>
<p class='pindent'>“You’re going to leave that lady alone henceforth
and for ever,” said Huckaby, with a new ring of
authority in his voice.</p>
<p class='pindent'>The others sneered. Since when had Huckaby
constituted himself squire of dames? Billiter, with
profane asseveration, would do exactly what he chose.
Wasn’t it his scheme? He deserved his share.
Vandermeer gloomily reminded him that he had cast
doubts from the first on Huckaby’s probity. He had
put them in the cart in fine fashion. They refused to
believe in Lena Fontaine’s squeamishness. Huckaby
grew impatient.</p>
<p class='pindent'>“Haven’t you each received a letter from Quixtus’s
solicitors? Haven’t you each signed an agreement
not to worry him—on forfeiture of your allowance?
Now I swear to God that if either of you molest
her, you’ll be molesting Quixtus. I’ll jolly well see
to that. She’ll tell me, and I’ll tell him—and bang!
goes the monthly money.”</p>
<p class='pindent'>Vandermeer’s shrewd wits began to work.</p>
<p class='pindent'>“Molest her and we molest Quixtus? Oho! Is
that the little game? She’s going to marry him, eh?”</p>
<p class='pindent'>“If she does, what the blazes has that got to do
with you?” Huckaby cried, fiercely. “You just let
the woman alone. You’ve got a damned sight more
out of Quixtus than you ever expected, and you ought
to be satisfied.”</p>
<p class='pindent'>“We ought to get more,” said Billiter, “considering
what we’ve done for him.”</p>
<p class='pindent'>“You won’t,” said Huckaby, and seeing that they
both still regarded Quixtus as a subject for further
exploitation, “Let me tell you something,” said he,
“a few simple facts that alter the situation completely.
Let us take a turn down the street.”</p>
<p class='pindent'>And as they walked, he told them briefly of
Hammersley’s death and the Marseilles visit and the
return of Quixtus, a changed man, with Clementina
and the child. The bee, on which they had reckoned
for honey, had left Quixtus’s bonnet. There was no
more Bedlamite talk about wickedness. Their occupation
as evil counsellors had gone for ever. They had
better accept thankfully what they had, and disappear.
Any action directed against either Quixtus or Lena
Fontaine would automatically bring about the demise
of the goose with the golden eggs. At last he convinced
them of the futility of blackmail; but they parted
from him, each with a burning sense of wrong. Lena
Fontaine and Huckaby had put them in the cart.
They were left, they were done, they were stung—they
were all things that slang has invented to describe
the position of men deceived by those in whom they
trusted.</p>
<p class='pindent'>“And she’s going to marry him,” said Vandermeer.</p>
<p class='pindent'>“Huckaby didn’t say so,” replied Billiter.</p>
<p class='pindent'>“He didn’t contradict it. She’s going to marry
him, and you bet that son of a pawn-ticket will get
his commission.”</p>
<p class='pindent'>“Well, we can’t help ourselves,” said Billiter.</p>
<p class='pindent'>“H’m!” said Vandermeer, darkly.</p>
<p class='pindent'>Huckaby, conscious of victory, went home, and
taking an old student’s text of the “Phædo” from his
shelves, abstracted his mind from the sordid happenings
of the modern world.</p>
<p class='pindent'>It was a day or two after this adventure of Huckaby’s
that Quixtus informed Clementina of his intention
of giving a dinner-party, in honour of Tommy and
Etta’s engagement. She commended the project;
a nice little intimate dinner——</p>
<p class='pindent'>“I’m afraid I’m planning rather a large affair,” said
he, apologetically. “A party of about twenty people.”</p>
<p class='pindent'>“Lord save us!” cried Clementina, “where are
you going to dig them up from?”</p>
<p class='pindent'>He stretched out his long, thin legs. They were
sitting on a bench in the gardens of Russell Square,
Sheila having strayed a few yards to investigate the
contents of a perambulator in charge of a smiling and
friendly nursemaid.</p>
<p class='pindent'>“There are people to whom I owe a return of
hospitality,” said he, with a smile, “and I think a
certain amount of formality is due to Admiral
Concannon.”</p>
<p class='pindent'>“All right,” said Clementina, “who are they?”</p>
<p class='pindent'>“There are the Admiral and yourself and Tommy
and Etta, Lord and Lady Radfield, General and Mrs.
Barnes, Sir Edward and Lady Quinn, Doorly—the
novelist, you know—Mrs. Fontaine and Lady Louisa
Malling——”</p>
<p class='pindent'>Clementina stiffened. The blood seemed to flow
from her heart, leaving it an intolerable icicle. “Why
Mrs. Fontaine?”</p>
<p class='pindent'>“Why not?”</p>
<p class='pindent'>“Why should Mrs. Fontaine be asked to Etta’s
party?”</p>
<p class='pindent'>“She’s a charming woman,” said Quixtus.</p>
<p class='pindent'>“Just a shallow society hack,” said Clementina,
to whom Quixtus had not confided his adventures
in the gay world, not through conscious disingenuousness,
but assuming that such chronicles would not
interest her.</p>
<p class='pindent'>“I’m afraid you do her an injustice,” he said,
warmly. “Mrs. Fontaine has very brilliant social
gifts. I’m sorry, my dear Clementina, that we disagree
on the point; but anyhow she must be invited. As
a matter of fact, it was she who suggested the party.”</p>
<p class='pindent'>Clementina opened her lips to speak, and then closed
them with a snap. Mother Eve sat at her elbow
and murmured words of good counsel. Not by abuse
is an infatuated and quixotic man weaned from
seductresses. She swallowed her anger and fierce
jealousy.</p>
<p class='pindent'>“In that case, my dear Ephraim,” she said, with
mincing civility, “there is no question about it. Of
course she must be invited.”</p>
<p class='pindent'>“Of course,” said he.</p>
<p class='pindent'>“Who else are to come?”</p>
<p class='pindent'>He ran through the list. One or two of the prospective
guests she knew personally, others by name;
as to the personalities of those unknown to her she
made polite inquiries. So unwontedly sugared were
her phrases that Quixtus, simple man, forgot her
outburst.</p>
<p class='pindent'>“You haven’t given a dinner-party like this for a
long time.”</p>
<p class='pindent'>“Not for many years. Of course I have had men’s
dinners—chiefly my colleagues in the Anthropological
Society. But this is a new venture.”</p>
<p class='pindent'>“I wish it every success,” said Clementina, mendaciously.
“The only wrong note in it would be
myself. Oh yes, my dear Ephraim,” she said, anticipating
his protest, “I’m not made for such a galaxy
of fashion. I tread upon daintily covered corns.
I’m a savage—all right in my wigwam with those I
care for—but no use in a drawing-room. You must
leave me out of it.”</p>
<p class='pindent'>Quixtus, shocked and hurt, turned and put out
both hands in appeal.</p>
<p class='pindent'>“My dearest friend, how can you say such things?
You positively must come.”</p>
<p class='pindent'>“My dearest friend,” she replied, forcing her grim
lips into a smile, “I positively won’t.”</p>
<p class='pindent'>And that was the end of the matter. She parted
from him cordially, and went home with more devils
tearing her to pieces with redhot pincers than had
ever been dreamed of in Quixtus’s demonology.</p>
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